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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F6A41 it is the complementary color #7095BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F6A41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F6A41 shade: #946A3C, #A57C4F, #B68E62, #C7A075 and #D8B288

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F6A41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F6A41 shade: #8F6A41, #7E582E, #6D461B, #5C3408 and #4B2200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F6A41 shade: #906A40, #905540 and #904040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F6A41 shade: #906A40, #908040, #8B9040, #759040 and #609040

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F6A41 shade matches the following richer shades: #906A40, #A16B2F, #B26C1E and #C36D0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F6A41 shade: #906A40, #7F6951, #6E6862, #5D6773 and #4C6784

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F6A41 shade: #904042, #905440, #906940, #907F40 and #8C9040

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F6A41 shade: #574027, #735534, #906A40, #AC7F4D and #BB9368

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F6A41 shade: #8F6A41, #579040 and #4A4090

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F6A41 shade: #8F6A41, #409069 and #694090

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F6A41 shade: #8F6A41, #579040, #406790 and #794090

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F6A41 shade: #8F6A41, #409042, #406790 and #90408E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 55 / 44

HEX #8F6A41

RGB 143 106 65

HSL 31.54, 0.38%, 0.41%

LAB 47.66, 9.7, 28.61

 

Complementary color

CMYK 41 / 22 / 0 / 25

HEX #7095BE

RGB 112 149 190

HSL 211.54, 0.38%, 0.59%

LAB 60.48, -2.09, -25.31

 

CMYK 0 / 28 / 59 / 42

HEX #946A3C

RGB 148 106 60

HSL 31.36, 0.42%, 0.41%

LAB 48.17, 11.5, 32.14

 

CMYK 0 / 25 / 52 / 35

HEX #A57C4F

RGB 165 124 79

HSL 31.4, 0.35%, 0.48%

LAB 55.05, 10.37, 30.61

 

CMYK 0 / 22 / 46 / 29

HEX #B68E62

RGB 182 142 98

HSL 31.43, 0.37%, 0.55%

LAB 61.8, 9.44, 29.19

 

CMYK 0 / 20 / 41 / 22

HEX #C7A075

RGB 199 160 117

HSL 31.46, 0.42%, 0.62%

LAB 68.44, 8.65, 27.87

 

CMYK 0 / 18 / 37 / 15

HEX #D8B288

RGB 216 178 136

HSL 31.5, 0.51%, 0.69%

LAB 74.96, 7.98, 26.64

 

CMYK 0 / 26 / 55 / 44

HEX #8F6A41

RGB 143 106 65

HSL 31.54, 0.38%, 0.41%

LAB 47.66, 9.7, 28.61

 

CMYK 0 / 30 / 63 / 51

HEX #7E582E

RGB 126 88 46

HSL 31.5, 0.47%, 0.34%

LAB 40.59, 10.92, 30.2

 

CMYK 0 / 36 / 75 / 57

HEX #6D461B

RGB 109 70 27

HSL 31.46, 0.6%, 0.27%

LAB 33.37, 12.48, 31.77

 

CMYK 0 / 43 / 91 / 64

HEX #5C3408

RGB 92 52 8

HSL 31.43, 0.84%, 0.2%

LAB 26.01, 14.48, 32.73

 

CMYK 0 / 55 / 100 / 71

HEX #4B2200

RGB 75 34 0

HSL 27.2, 1%, 0.15%

LAB 18.54, 17.05, 27.3

 

CMYK 0 / 26 / 56 / 44

HEX #906A40

RGB 144 106 64

HSL 31.5, 0.38%, 0.41%

LAB 47.76, 10.05, 29.32

 

CMYK 0 / 41 / 56 / 44

HEX #905540

RGB 144 85 64

HSL 15.75, 0.38%, 0.41%

LAB 42.45, 22.24, 22.64

 

CMYK 0 / 56 / 56 / 44

HEX #904040

RGB 144 64 64

HSL 0, 0.38%, 0.41%

LAB 37.78, 33.87, 16.52

 

CMYK 0 / 26 / 56 / 44

HEX #906A40

RGB 144 106 64

HSL 31.5, 0.38%, 0.41%

LAB 47.76, 10.05, 29.32

 

CMYK 0 / 11 / 56 / 44

HEX #908040

RGB 144 128 64

HSL 48, 0.38%, 0.41%

LAB 53.75, -2.52, 36.54

 

CMYK 3 / 0 / 56 / 44

HEX #8B9040

RGB 139 144 64

HSL 63.75, 0.38%, 0.41%

LAB 57.85, -13.46, 41.2

 

CMYK 19 / 0 / 56 / 44

HEX #759040

RGB 117 144 64

HSL 80.25, 0.38%, 0.41%

LAB 56.19, -22.77, 38.85

 

CMYK 33 / 0 / 56 / 44

HEX #609040

RGB 96 144 64

HSL 96, 0.38%, 0.41%

LAB 54.87, -31, 36.97

 

CMYK 0 / 26 / 56 / 44

HEX #906A40

RGB 144 106 64

HSL 31.5, 0.38%, 0.41%

LAB 47.76, 10.05, 29.32

 

CMYK 0 / 34 / 71 / 37

HEX #A16B2F

RGB 161 107 47

HSL 31.58, 0.55%, 0.41%

LAB 49.86, 15.84, 41.25

 

CMYK 0 / 39 / 83 / 30

HEX #B26C1E

RGB 178 108 30

HSL 31.62, 0.71%, 0.41%

LAB 52.16, 22.06, 51.69

 

CMYK 0 / 44 / 93 / 24

HEX #C36D0E

RGB 195 109 14

HSL 31.49, 0.87%, 0.41%

LAB 54.63, 28.47, 59.46

 

CMYK 0 / 26 / 56 / 44

HEX #906A40

RGB 144 106 64

HSL 31.5, 0.38%, 0.41%

LAB 47.76, 10.05, 29.32

 

CMYK 0 / 17 / 36 / 50

HEX #7F6951

RGB 127 105 81

HSL 31.3, 0.22%, 0.41%

LAB 45.92, 5.03, 16.78

 

CMYK 0 / 5 / 11 / 57

HEX #6E6862

RGB 110 104 98

HSL 30, 0.06%, 0.41%

LAB 44.37, 1.2, 4.21

 

CMYK 19 / 10 / 0 / 55

HEX #5D6773

RGB 93 103 115

HSL 212.73, 0.11%, 0.41%

LAB 43.16, -1.01, -8.02

 

CMYK 42 / 22 / 0 / 48

HEX #4C6784

RGB 76 103 132

HSL 211.07, 0.27%, 0.41%

LAB 42.62, -1.86, -19.22

 

CMYK 0 / 56 / 54 / 44

HEX #904042

RGB 144 64 66

HSL 358.5, 0.38%, 0.41%

LAB 37.82, 34.05, 15.33

 

CMYK 0 / 42 / 56 / 44

HEX #905440

RGB 144 84 64

HSL 15, 0.38%, 0.41%

LAB 42.22, 22.81, 22.33

 

CMYK 0 / 27 / 56 / 44

HEX #906940

RGB 144 105 64

HSL 30.75, 0.38%, 0.41%

LAB 47.5, 10.63, 29

 

CMYK 0 / 12 / 56 / 44

HEX #907F40

RGB 144 127 64

HSL 47.25, 0.38%, 0.41%

LAB 53.47, -1.96, 36.21

 

CMYK 3 / 0 / 56 / 44

HEX #8C9040

RGB 140 144 64

HSL 63, 0.38%, 0.41%

LAB 57.93, -13.02, 41.32

 

CMYK 0 / 26 / 55 / 66

HEX #574027

RGB 87 64 39

HSL 31.25, 0.38%, 0.25%

LAB 29, 6.53, 19.1

 

CMYK 0 / 26 / 55 / 55

HEX #735534

RGB 115 85 52

HSL 31.43, 0.38%, 0.33%

LAB 38.53, 8.15, 23.98

 

CMYK 0 / 26 / 56 / 44

HEX #906A40

RGB 144 106 64

HSL 31.5, 0.38%, 0.41%

LAB 47.76, 10.05, 29.32

 

CMYK 0 / 26 / 55 / 33

HEX #AC7F4D

RGB 172 127 77

HSL 31.58, 0.38%, 0.49%

LAB 56.57, 11.53, 33.76

 

CMYK 0 / 21 / 44 / 27

HEX #BB9368

RGB 187 147 104

HSL 31.08, 0.38%, 0.57%

LAB 63.7, 9.4, 28.47

 

CMYK 0 / 26 / 55 / 44

HEX #8F6A41

RGB 143 106 65

HSL 31.54, 0.38%, 0.41%

LAB 47.66, 9.7, 28.61

 

CMYK 40 / 0 / 56 / 44

HEX #579040

RGB 87 144 64

HSL 102.75, 0.38%, 0.41%

LAB 54.39, -34.23, 36.28

 

CMYK 49 / 56 / 0 / 44

HEX #4A4090

RGB 74 64 144

HSL 247.5, 0.38%, 0.41%

LAB 32.12, 26.2, -43.08

 

CMYK 0 / 26 / 55 / 44

HEX #8F6A41

RGB 143 106 65

HSL 31.54, 0.38%, 0.41%

LAB 47.66, 9.7, 28.61

 

CMYK 56 / 0 / 27 / 44

HEX #409069

RGB 64 144 105

HSL 150.75, 0.38%, 0.41%

LAB 54.09, -34.09, 13.46

 

CMYK 27 / 56 / 0 / 44

HEX #694090

RGB 105 64 144

HSL 270.75, 0.38%, 0.41%

LAB 35.37, 34.16, -37.69

 

CMYK 0 / 26 / 55 / 44

HEX #8F6A41

RGB 143 106 65

HSL 31.54, 0.38%, 0.41%

LAB 47.66, 9.7, 28.61

 

CMYK 40 / 0 / 56 / 44

HEX #579040

RGB 87 144 64

HSL 102.75, 0.38%, 0.41%

LAB 54.39, -34.23, 36.28

 

CMYK 56 / 28 / 0 / 44

HEX #406790

RGB 64 103 144

HSL 210.75, 0.38%, 0.41%

LAB 42.47, -1.19, -26.72

 

CMYK 16 / 56 / 0 / 44

HEX #794090

RGB 121 64 144

HSL 282.75, 0.38%, 0.41%

LAB 37.38, 38.62, -34.37

 

CMYK 0 / 26 / 55 / 44

HEX #8F6A41

RGB 143 106 65

HSL 31.54, 0.38%, 0.41%

LAB 47.66, 9.7, 28.61

 

CMYK 56 / 0 / 54 / 44

HEX #409042

RGB 64 144 66

HSL 121.5, 0.38%, 0.41%

LAB 53.42, -41.13, 33.87

 

CMYK 56 / 28 / 0 / 44

HEX #406790

RGB 64 103 144

HSL 210.75, 0.38%, 0.41%

LAB 42.47, -1.19, -26.72

 

CMYK 0 / 56 / 1 / 44

HEX #90408E

RGB 144 64 142

HSL 301.5, 0.38%, 0.41%

LAB 40.49, 44.79, -28.04

 

Description

Color code: HEX #8F6A41 | qconv.com Color code: HEX #8F6A41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 106 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 106 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 55 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 55% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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