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Color name
HEX #8F6D13

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F6D13 it is the complementary color #7092EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F6D13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F6D13 shade: #946D0E, #A57F21, #B69134, #C7A347 and #D8B55A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F6D13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F6D13 shade: #8F6D13, #7E5B00, #6D4900, #5C3700 and #4B2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F6D13 shade: #906D12, #904C12, #902A12 and #901212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F6D13 shade: #906D12, #908F12, #6F9012, #4D9012 and #2B9012

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F6D13 shade matches the following richer shades: #906D12 and #9D7305

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F6D13 shade: #906D12, #83681F, #76622D, #685C3A and #5B5647

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F6D13 shade: #902912, #904B12, #906C12, #908E12 and #719012

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F6D13 shade: #473609, #6B520E, #906D12, #B48917 and #D9A51C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F6D13 shade: #8F6D13, #1D9012 and #3A1290

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F6D13 shade: #8F6D13, #12906C and #6C1290

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F6D13 shade: #8F6D13, #1D9012, #123690 and #851290

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F6D13 shade: #8F6D13, #12902D, #123690 and #901275

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 87 / 44

HEX #8F6D13

RGB 143 109 19

HSL 43.55, 0.77%, 0.32%

LAB 48.04, 5.21, 50.19

 

Complementary color

CMYK 53 / 38 / 0 / 7

HEX #7092EC

RGB 112 146 236

HSL 223.55, 0.77%, 0.68%

LAB 61.7, 13.27, -49.07

 

CMYK 0 / 26 / 91 / 42

HEX #946D0E

RGB 148 109 14

HSL 42.54, 0.83%, 0.32%

LAB 48.59, 7.44, 52.25

 

CMYK 0 / 23 / 80 / 35

HEX #A57F21

RGB 165 127 33

HSL 42.73, 0.67%, 0.39%

LAB 55.37, 5.67, 52.88

 

CMYK 0 / 20 / 71 / 29

HEX #B69134

RGB 182 145 52

HSL 42.92, 0.56%, 0.46%

LAB 62.04, 4.21, 52.41

 

CMYK 0 / 18 / 64 / 22

HEX #C7A347

RGB 199 163 71

HSL 43.13, 0.53%, 0.53%

LAB 68.6, 3, 51.44

 

CMYK 0 / 16 / 58 / 15

HEX #D8B55A

RGB 216 181 90

HSL 43.33, 0.62%, 0.6%

LAB 75.07, 1.98, 50.27

 

CMYK 0 / 24 / 87 / 44

HEX #8F6D13

RGB 143 109 19

HSL 43.55, 0.77%, 0.32%

LAB 48.04, 5.21, 50.19

 

CMYK 0 / 28 / 100 / 51

HEX #7E5B00

RGB 126 91 0

HSL 43.33, 1%, 0.25%

LAB 41.09, 7.16, 48.93

 

CMYK 0 / 33 / 100 / 57

HEX #6D4900

RGB 109 73 0

HSL 40.18, 1%, 0.21%

LAB 34.02, 9.65, 43.14

 

CMYK 0 / 40 / 100 / 64

HEX #5C3700

RGB 92 55 0

HSL 35.87, 1%, 0.18%

LAB 26.76, 12.32, 36.66

 

CMYK 0 / 51 / 100 / 71

HEX #4B2500

RGB 75 37 0

HSL 29.6, 1%, 0.15%

LAB 19.3, 15.17, 28.19

 

CMYK 0 / 24 / 88 / 44

HEX #906D12

RGB 144 109 18

HSL 43.33, 0.78%, 0.32%

LAB 48.15, 5.66, 50.62

 

CMYK 0 / 47 / 88 / 44

HEX #904C12

RGB 144 76 18

HSL 27.62, 0.78%, 0.32%

LAB 39.82, 24.68, 43.69

 

CMYK 0 / 71 / 88 / 44

HEX #902A12

RGB 144 42 18

HSL 11.43, 0.78%, 0.32%

LAB 33.2, 41.79, 38.09

 

CMYK 0 / 88 / 88 / 44

HEX #901212

RGB 144 18 18

HSL 0, 0.78%, 0.32%

LAB 30.41, 49.56, 35.7

 

CMYK 0 / 24 / 88 / 44

HEX #906D12

RGB 144 109 18

HSL 43.33, 0.78%, 0.32%

LAB 48.15, 5.66, 50.62

 

CMYK 0 / 1 / 88 / 44

HEX #908F12

RGB 144 143 18

HSL 59.52, 0.78%, 0.32%

LAB 57.67, -13.22, 58.46

 

CMYK 23 / 0 / 88 / 44

HEX #6F9012

RGB 111 144 18

HSL 75.71, 0.78%, 0.32%

LAB 55.45, -28.28, 55.58

 

CMYK 47 / 0 / 88 / 44

HEX #4D9012

RGB 77 144 18

HSL 91.9, 0.78%, 0.32%

LAB 53.57, -41.3, 53.22

 

CMYK 70 / 0 / 88 / 44

HEX #2B9012

RGB 43 144 18

HSL 108.1, 0.78%, 0.32%

LAB 52.4, -50.59, 51.75

 

CMYK 0 / 24 / 88 / 44

HEX #906D12

RGB 144 109 18

HSL 43.33, 0.78%, 0.32%

LAB 48.15, 5.66, 50.62

 

CMYK 0 / 27 / 97 / 38

HEX #9D7305

RGB 157 115 5

HSL 43.42, 0.94%, 0.32%

LAB 51.2, 8.06, 56.56

 

CMYK 0 / 24 / 88 / 44

HEX #906D12

RGB 144 109 18

HSL 43.33, 0.78%, 0.32%

LAB 48.15, 5.66, 50.62

 

CMYK 0 / 21 / 76 / 49

HEX #83681F

RGB 131 104 31

HSL 43.8, 0.62%, 0.32%

LAB 45.39, 2.89, 42.93

 

CMYK 0 / 17 / 62 / 54

HEX #76622D

RGB 118 98 45

HSL 43.56, 0.45%, 0.32%

LAB 42.42, 1.16, 32.62

 

CMYK 0 / 12 / 44 / 59

HEX #685C3A

RGB 104 92 58

HSL 44.35, 0.28%, 0.32%

LAB 39.42, -0.49, 21.33

 

CMYK 0 / 5 / 22 / 64

HEX #5B5647

RGB 91 86 71

HSL 45, 0.12%, 0.32%

LAB 36.62, -0.79, 9.48

 

CMYK 0 / 72 / 88 / 44

HEX #902912

RGB 144 41 18

HSL 10.95, 0.78%, 0.32%

LAB 33.05, 42.21, 37.96

 

CMYK 0 / 48 / 88 / 44

HEX #904B12

RGB 144 75 18

HSL 27.14, 0.78%, 0.32%

LAB 39.59, 25.25, 43.5

 

CMYK 0 / 25 / 88 / 44

HEX #906C12

RGB 144 108 18

HSL 42.86, 0.78%, 0.32%

LAB 47.88, 6.23, 50.4

 

CMYK 0 / 1 / 88 / 44

HEX #908E12

RGB 144 142 18

HSL 59.05, 0.78%, 0.32%

LAB 57.38, -12.69, 58.22

 

CMYK 22 / 0 / 88 / 44

HEX #719012

RGB 113 144 18

HSL 74.76, 0.78%, 0.32%

LAB 55.58, -27.44, 55.75

 

CMYK 0 / 24 / 87 / 72

HEX #473609

RGB 71 54 9

HSL 43.55, 0.78%, 0.16%

LAB 23.66, 2.47, 29.06

 

CMYK 0 / 23 / 87 / 58

HEX #6B520E

RGB 107 82 14

HSL 43.87, 0.77%, 0.24%

LAB 36.35, 3.59, 40.21

 

CMYK 0 / 24 / 88 / 44

HEX #906D12

RGB 144 109 18

HSL 43.33, 0.78%, 0.32%

LAB 48.15, 5.66, 50.62

 

CMYK 0 / 24 / 87 / 29

HEX #B48917

RGB 180 137 23

HSL 43.57, 0.77%, 0.4%

LAB 59.58, 6.62, 60.26

 

CMYK 0 / 24 / 87 / 15

HEX #D9A51C

RGB 217 165 28

HSL 43.49, 0.77%, 0.48%

LAB 70.7, 8, 69.63

 

CMYK 0 / 24 / 87 / 44

HEX #8F6D13

RGB 143 109 19

HSL 43.55, 0.77%, 0.32%

LAB 48.04, 5.21, 50.19

 

CMYK 80 / 0 / 88 / 44

HEX #1D9012

RGB 29 144 18

HSL 114.76, 0.78%, 0.32%

LAB 52.12, -53.03, 51.39

 

CMYK 60 / 88 / 0 / 44

HEX #3A1290

RGB 58 18 144

HSL 259.05, 0.78%, 0.32%

LAB 21.38, 48.42, -60.68

 

CMYK 0 / 24 / 87 / 44

HEX #8F6D13

RGB 143 109 19

HSL 43.55, 0.77%, 0.32%

LAB 48.04, 5.21, 50.19

 

CMYK 88 / 0 / 25 / 44

HEX #12906C

RGB 18 144 108

HSL 162.86, 0.78%, 0.32%

LAB 53.12, -40.79, 10.25

 

CMYK 25 / 88 / 0 / 44

HEX #6C1290

RGB 108 18 144

HSL 282.86, 0.78%, 0.32%

LAB 28.47, 55.15, -48.78

 

CMYK 0 / 24 / 87 / 44

HEX #8F6D13

RGB 143 109 19

HSL 43.55, 0.77%, 0.32%

LAB 48.04, 5.21, 50.19

 

CMYK 80 / 0 / 88 / 44

HEX #1D9012

RGB 29 144 18

HSL 114.76, 0.78%, 0.32%

LAB 52.12, -53.03, 51.39

 

CMYK 88 / 63 / 0 / 44

HEX #123690

RGB 18 54 144

HSL 222.86, 0.78%, 0.32%

LAB 26.1, 24.07, -53

 

CMYK 8 / 88 / 0 / 44

HEX #851290

RGB 133 18 144

HSL 294.76, 0.78%, 0.32%

LAB 32.77, 59.51, -41.61

 

CMYK 0 / 24 / 87 / 44

HEX #8F6D13

RGB 143 109 19

HSL 43.55, 0.77%, 0.32%

LAB 48.04, 5.21, 50.19

 

CMYK 88 / 0 / 69 / 44

HEX #12902D

RGB 18 144 45

HSL 132.86, 0.78%, 0.32%

LAB 52.14, -52.29, 42.09

 

CMYK 88 / 63 / 0 / 44

HEX #123690

RGB 18 54 144

HSL 222.86, 0.78%, 0.32%

LAB 26.1, 24.07, -53

 

CMYK 0 / 88 / 19 / 44

HEX #901275

RGB 144 18 117

HSL 312.86, 0.78%, 0.32%

LAB 33.24, 57.55, -23.89

 

Description

Color code: HEX #8F6D13 | qconv.com Color code: HEX #8F6D13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 109 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 109 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 87 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 87% 44% C M Y K

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Provide designers and agencies with accurate color values.

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