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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F6FC7 it is the complementary color #709038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F6FC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F6FC7 shade: #946FC2, #A581D5, #B693E8, #C7A5FB and #D8B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F6FC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F6FC7 shade: #8F6FC7, #7E5DB4, #6D4BA1, #5C398E and #4B277B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F6FC7 shade: #8F6FC7, #A76FC7, #BE6FC7, #C76FB8 and #C76FA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F6FC7 shade: #8F6FC7, #786FC7 and #6F6FC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F6FC7 shade matches the following richer shades: #8F6FC7, #8B5FD7, #864FE7 and #823FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F6FC7 shade: #8F6FC7, #947FB7, #988FA7, #9CA097 and #A1B086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F6FC7 shade: #6F7FC7, #776FC7, #8E6FC7, #A56FC7 and #BD6FC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F6FC7 shade: #6440A4, #7852BB, #8F6FC7, #A68DD2 and #BDABDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F6FC7 shade: #8F6FC7, #C76F97 and #74C76F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F6FC7 shade: #8F6FC7, #C78E6F and #6FC78E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F6FC7 shade: #8F6FC7, #C76F97, #A8C76F and #6FC79F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F6FC7 shade: #8F6FC7, #C76F7C, #A8C76F and #6FC7BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 44 / 0 / 22

HEX #8F6FC7

RGB 143 111 199

HSL 261.82, 0.44%, 0.61%

LAB 53.31, 31.23, -41.41

 

Complementary color

CMYK 22 / 0 / 61 / 44

HEX #709038

RGB 112 144 56

HSL 81.82, 0.44%, 0.39%

LAB 55.76, -25.58, 42.13

 

CMYK 24 / 43 / 0 / 24

HEX #946FC2

RGB 148 111 194

HSL 266.75, 0.4%, 0.6%

LAB 53.56, 31.43, -38.13

 

CMYK 23 / 39 / 0 / 16

HEX #A581D5

RGB 165 129 213

HSL 265.71, 0.5%, 0.67%

LAB 60.34, 30.61, -38.14

 

CMYK 22 / 37 / 0 / 9

HEX #B693E8

RGB 182 147 232

HSL 264.71, 0.65%, 0.74%

LAB 67.01, 29.86, -38.17

 

CMYK 21 / 34 / 0 / 2

HEX #C7A5FB

RGB 199 165 251

HSL 263.72, 0.91%, 0.82%

LAB 73.56, 29.17, -38.22

 

CMYK 15 / 28 / 0 / 0

HEX #D8B7FF

RGB 216 183 255

HSL 267.5, 1%, 0.86%

LAB 79.43, 25.29, -31.16

 

CMYK 28 / 44 / 0 / 22

HEX #8F6FC7

RGB 143 111 199

HSL 261.82, 0.44%, 0.61%

LAB 53.31, 31.23, -41.41

 

CMYK 30 / 48 / 0 / 29

HEX #7E5DB4

RGB 126 93 180

HSL 262.76, 0.37%, 0.54%

LAB 46.39, 32.17, -41.5

 

CMYK 32 / 53 / 0 / 37

HEX #6D4BA1

RGB 109 75 161

HSL 263.72, 0.36%, 0.46%

LAB 39.34, 33.2, -41.61

 

CMYK 35 / 60 / 0 / 44

HEX #5C398E

RGB 92 57 142

HSL 264.71, 0.43%, 0.39%

LAB 32.16, 34.3, -41.69

 

CMYK 39 / 68 / 0 / 52

HEX #4B277B

RGB 75 39 123

HSL 265.71, 0.52%, 0.32%

LAB 24.88, 35.37, -41.68

 

CMYK 28 / 44 / 0 / 22

HEX #8F6FC7

RGB 143 111 199

HSL 261.82, 0.44%, 0.61%

LAB 53.31, 31.23, -41.41

 

CMYK 16 / 44 / 0 / 22

HEX #A76FC7

RGB 167 111 199

HSL 278.18, 0.44%, 0.61%

LAB 55.79, 38.12, -37.34

 

CMYK 5 / 44 / 0 / 22

HEX #BE6FC7

RGB 190 111 199

HSL 293.86, 0.44%, 0.61%

LAB 58.45, 44.92, -32.99

 

CMYK 0 / 44 / 8 / 22

HEX #C76FB8

RGB 199 111 184

HSL 310.23, 0.44%, 0.61%

LAB 58.95, 44.93, -23.58

 

CMYK 0 / 44 / 20 / 22

HEX #C76FA0

RGB 199 111 160

HSL 326.59, 0.44%, 0.61%

LAB 58.08, 41.03, -11.09

 

CMYK 28 / 44 / 0 / 22

HEX #8F6FC7

RGB 143 111 199

HSL 261.82, 0.44%, 0.61%

LAB 53.31, 31.23, -41.41

 

CMYK 40 / 44 / 0 / 22

HEX #786FC7

RGB 120 111 199

HSL 246.14, 0.44%, 0.61%

LAB 51.25, 25.01, -44.81

 

CMYK 44 / 44 / 0 / 22

HEX #6F6FC7

RGB 111 111 199

HSL 240, 0.44%, 0.61%

LAB 50.54, 22.73, -45.98

 

CMYK 28 / 44 / 0 / 22

HEX #8F6FC7

RGB 143 111 199

HSL 261.82, 0.44%, 0.61%

LAB 53.31, 31.23, -41.41

 

CMYK 35 / 56 / 0 / 16

HEX #8B5FD7

RGB 139 95 215

HSL 262, 0.6%, 0.61%

LAB 50.19, 43.4, -55.52

 

CMYK 42 / 66 / 0 / 9

HEX #864FE7

RGB 134 79 231

HSL 261.71, 0.76%, 0.61%

LAB 47.53, 55.04, -68.91

 

CMYK 47 / 74 / 0 / 3

HEX #823FF7

RGB 130 63 247

HSL 261.85, 0.92%, 0.61%

LAB 45.66, 66.03, -81

 

CMYK 28 / 44 / 0 / 22

HEX #8F6FC7

RGB 143 111 199

HSL 261.82, 0.44%, 0.61%

LAB 53.31, 31.23, -41.41

 

CMYK 19 / 31 / 0 / 28

HEX #947FB7

RGB 148 127 183

HSL 262.5, 0.28%, 0.61%

LAB 56.97, 19.54, -26.52

 

CMYK 9 / 14 / 0 / 35

HEX #988FA7

RGB 152 143 167

HSL 262.5, 0.12%, 0.61%

LAB 60.88, 8.1, -11.41

 

CMYK 2 / 0 / 6 / 37

HEX #9CA097

RGB 156 160 151

HSL 86.67, 0.05%, 0.61%

LAB 65.31, -3.14, 4.18

 

CMYK 9 / 0 / 24 / 31

HEX #A1B086

RGB 161 176 134

HSL 81.43, 0.21%, 0.61%

LAB 69.72, -12.71, 19.82

 

CMYK 44 / 36 / 0 / 22

HEX #6F7FC7

RGB 111 127 199

HSL 229.09, 0.44%, 0.61%

LAB 54.74, 13.08, -39.33

 

CMYK 40 / 44 / 0 / 22

HEX #776FC7

RGB 119 111 199

HSL 245.45, 0.44%, 0.61%

LAB 51.17, 24.75, -44.94

 

CMYK 29 / 44 / 0 / 22

HEX #8E6FC7

RGB 142 111 199

HSL 261.14, 0.44%, 0.61%

LAB 53.21, 30.95, -41.57

 

CMYK 17 / 44 / 0 / 22

HEX #A56FC7

RGB 165 111 199

HSL 276.82, 0.44%, 0.61%

LAB 55.58, 37.54, -37.69

 

CMYK 5 / 44 / 0 / 22

HEX #BD6FC7

RGB 189 111 199

HSL 293.18, 0.44%, 0.61%

LAB 58.33, 44.62, -33.18

 

CMYK 39 / 61 / 0 / 36

HEX #6440A4

RGB 100 64 164

HSL 261.6, 0.44%, 0.45%

LAB 36.09, 38.19, -48.66

 

CMYK 36 / 56 / 0 / 27

HEX #7852BB

RGB 120 82 187

HSL 261.71, 0.44%, 0.53%

LAB 43.68, 38.84, -49.96

 

CMYK 28 / 44 / 0 / 22

HEX #8F6FC7

RGB 143 111 199

HSL 261.82, 0.44%, 0.61%

LAB 53.31, 31.23, -41.41

 

CMYK 21 / 33 / 0 / 18

HEX #A68DD2

RGB 166 141 210

HSL 261.74, 0.43%, 0.69%

LAB 63.19, 23.38, -32.02

 

CMYK 15 / 23 / 0 / 13

HEX #BDABDE

RGB 189 171 222

HSL 261.18, 0.44%, 0.77%

LAB 73.04, 16.42, -23.33

 

CMYK 28 / 44 / 0 / 22

HEX #8F6FC7

RGB 143 111 199

HSL 261.82, 0.44%, 0.61%

LAB 53.31, 31.23, -41.41

 

CMYK 0 / 44 / 24 / 22

HEX #C76F97

RGB 199 111 151

HSL 332.73, 0.44%, 0.61%

LAB 57.79, 39.7, -6.31

 

CMYK 42 / 0 / 44 / 22

HEX #74C76F

RGB 116 199 111

HSL 116.59, 0.44%, 0.61%

LAB 73.36, -42.86, 36.25

 

CMYK 28 / 44 / 0 / 22

HEX #8F6FC7

RGB 143 111 199

HSL 261.82, 0.44%, 0.61%

LAB 53.31, 31.23, -41.41

 

CMYK 0 / 29 / 44 / 22

HEX #C78E6F

RGB 199 142 111

HSL 21.14, 0.44%, 0.61%

LAB 63.86, 17.84, 25.09

 

CMYK 44 / 0 / 29 / 22

HEX #6FC78E

RGB 111 199 142

HSL 141.14, 0.44%, 0.61%

LAB 73.66, -39.14, 20.48

 

CMYK 28 / 44 / 0 / 22

HEX #8F6FC7

RGB 143 111 199

HSL 261.82, 0.44%, 0.61%

LAB 53.31, 31.23, -41.41

 

CMYK 0 / 44 / 24 / 22

HEX #C76F97

RGB 199 111 151

HSL 332.73, 0.44%, 0.61%

LAB 57.79, 39.7, -6.31

 

CMYK 16 / 0 / 44 / 22

HEX #A8C76F

RGB 168 199 111

HSL 81.14, 0.44%, 0.61%

LAB 76.26, -24.75, 40.53

 

CMYK 44 / 0 / 20 / 22

HEX #6FC79F

RGB 111 199 159

HSL 152.73, 0.44%, 0.61%

LAB 74.02, -35.74, 11.88

 

CMYK 28 / 44 / 0 / 22

HEX #8F6FC7

RGB 143 111 199

HSL 261.82, 0.44%, 0.61%

LAB 53.31, 31.23, -41.41

 

CMYK 0 / 44 / 38 / 22

HEX #C76F7C

RGB 199 111 124

HSL 351.14, 0.44%, 0.61%

LAB 57.04, 36.14, 8.3

 

CMYK 16 / 0 / 44 / 22

HEX #A8C76F

RGB 168 199 111

HSL 81.14, 0.44%, 0.61%

LAB 76.26, -24.75, 40.53

 

CMYK 44 / 0 / 7 / 22

HEX #6FC7BA

RGB 111 199 186

HSL 171.14, 0.44%, 0.61%

LAB 74.68, -29.63, -1.75

 

Description

Color code: HEX #8F6FC7 | qconv.com Color code: HEX #8F6FC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 111 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 111 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 44 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 44% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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