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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F78BE it is the complementary color #708741. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F78BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F78BE shade: #9478B9, #A58ACC, #B69CDF, #C7AEF2 and #D8C0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F78BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F78BE shade: #8F78BE, #7E66AB, #6D5498, #5C4285 and #4B3072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F78BE shade: #8F78BE, #A278BE, #B578BE, #BE78B4 and #BE78A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F78BE shade: #8F78BE, #7C78BE and #7878BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F78BE shade matches the following richer shades: #8F78BE, #8A68CE, #8458DE, #7F48EE and #7938FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F78BE shade: #8F78BE, #9588AE, #9A989E, #A0A98E and #A5B97D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F78BE shade: #7887BE, #7C78BE, #8E78BE, #A178BE and #B378BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F78BE shade: #644A9A, #785CB0, #8F78BE, #A694CB and #BDB0D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F78BE shade: #8F78BE, #BE789A and #7EBE78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F78BE shade: #8F78BE, #BE8E78 and #78BE8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F78BE shade: #8F78BE, #BE789A, #A8BE78 and #78BE9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F78BE shade: #8F78BE, #BE7885, #A8BE78 and #78BEB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 37 / 0 / 25

HEX #8F78BE

RGB 143 120 190

HSL 259.71, 0.35%, 0.61%

LAB 55.06, 23.75, -33.52

 

Complementary color

CMYK 17 / 0 / 52 / 47

HEX #708741

RGB 112 135 65

HSL 79.71, 0.35%, 0.39%

LAB 53.12, -20.13, 34.62

 

CMYK 20 / 35 / 0 / 27

HEX #9478B9

RGB 148 120 185

HSL 265.85, 0.32%, 0.6%

LAB 55.31, 24.07, -30.24

 

CMYK 19 / 32 / 0 / 20

HEX #A58ACC

RGB 165 138 204

HSL 264.55, 0.39%, 0.67%

LAB 62.11, 23.4, -30.33

 

CMYK 18 / 30 / 0 / 13

HEX #B69CDF

RGB 182 156 223

HSL 263.28, 0.51%, 0.74%

LAB 68.79, 22.78, -30.45

 

CMYK 18 / 28 / 0 / 5

HEX #C7AEF2

RGB 199 174 242

HSL 262.06, 0.72%, 0.82%

LAB 75.34, 22.22, -30.59

 

CMYK 15 / 25 / 0 / 0

HEX #D8C0FF

RGB 216 192 255

HSL 262.86, 1%, 0.88%

LAB 81.58, 20.42, -27.88

 

CMYK 25 / 37 / 0 / 25

HEX #8F78BE

RGB 143 120 190

HSL 259.71, 0.35%, 0.61%

LAB 55.06, 23.75, -33.52

 

CMYK 26 / 40 / 0 / 33

HEX #7E66AB

RGB 126 102 171

HSL 260.87, 0.29%, 0.54%

LAB 48.11, 24.53, -33.54

 

CMYK 28 / 45 / 0 / 40

HEX #6D5498

RGB 109 84 152

HSL 262.06, 0.29%, 0.46%

LAB 40.99, 25.42, -33.59

 

CMYK 31 / 50 / 0 / 48

HEX #5C4285

RGB 92 66 133

HSL 263.28, 0.34%, 0.39%

LAB 33.7, 26.41, -33.68

 

CMYK 34 / 58 / 0 / 55

HEX #4B3072

RGB 75 48 114

HSL 264.55, 0.41%, 0.32%

LAB 26.23, 27.52, -33.78

 

CMYK 25 / 37 / 0 / 25

HEX #8F78BE

RGB 143 120 190

HSL 259.71, 0.35%, 0.61%

LAB 55.06, 23.75, -33.52

 

CMYK 15 / 37 / 0 / 25

HEX #A278BE

RGB 162 120 190

HSL 276, 0.35%, 0.61%

LAB 56.91, 29.57, -30.5

 

CMYK 5 / 37 / 0 / 25

HEX #B578BE

RGB 181 120 190

HSL 292.29, 0.35%, 0.61%

LAB 58.95, 35.55, -27.18

 

CMYK 0 / 37 / 5 / 25

HEX #BE78B4

RGB 190 120 180

HSL 308.57, 0.35%, 0.61%

LAB 59.59, 36.56, -20.4

 

CMYK 0 / 37 / 15 / 25

HEX #BE78A2

RGB 190 120 162

HSL 324, 0.35%, 0.61%

LAB 58.96, 33.46, -11.04

 

CMYK 25 / 37 / 0 / 25

HEX #8F78BE

RGB 143 120 190

HSL 259.71, 0.35%, 0.61%

LAB 55.06, 23.75, -33.52

 

CMYK 35 / 37 / 0 / 25

HEX #7C78BE

RGB 124 120 190

HSL 243.43, 0.35%, 0.61%

LAB 53.42, 18.2, -36.2

 

CMYK 37 / 37 / 0 / 25

HEX #7878BE

RGB 120 120 190

HSL 240, 0.35%, 0.61%

LAB 53.11, 17.08, -36.72

 

CMYK 25 / 37 / 0 / 25

HEX #8F78BE

RGB 143 120 190

HSL 259.71, 0.35%, 0.61%

LAB 55.06, 23.75, -33.52

 

CMYK 33 / 50 / 0 / 19

HEX #8A68CE

RGB 138 104 206

HSL 260, 0.51%, 0.61%

LAB 51.56, 35.71, -48.21

 

CMYK 41 / 60 / 0 / 13

HEX #8458DE

RGB 132 88 222

HSL 259.7, 0.67%, 0.61%

LAB 48.46, 47.52, -62.33

 

CMYK 47 / 70 / 0 / 7

HEX #7F48EE

RGB 127 72 238

HSL 259.88, 0.83%, 0.61%

LAB 46.07, 59.11, -75.28

 

CMYK 52 / 78 / 0 / 0

HEX #7938FE

RGB 121 56 254

HSL 259.7, 0.99%, 0.61%

LAB 44.3, 69.52, -87.17

 

CMYK 25 / 37 / 0 / 25

HEX #8F78BE

RGB 143 120 190

HSL 259.71, 0.35%, 0.61%

LAB 55.06, 23.75, -33.52

 

CMYK 14 / 22 / 0 / 32

HEX #9588AE

RGB 149 136 174

HSL 260.53, 0.19%, 0.61%

LAB 59.02, 12.6, -18.23

 

CMYK 3 / 4 / 0 / 38

HEX #9A989E

RGB 154 152 158

HSL 260, 0.03%, 0.61%

LAB 63.17, 1.89, -2.89

 

CMYK 5 / 0 / 16 / 34

HEX #A0A98E

RGB 160 169 142

HSL 80, 0.14%, 0.61%

LAB 67.87, -8.1, 12.87

 

CMYK 11 / 0 / 32 / 27

HEX #A5B97D

RGB 165 185 125

HSL 80, 0.3%, 0.61%

LAB 72.35, -17.15, 28.24

 

CMYK 37 / 29 / 0 / 25

HEX #7887BE

RGB 120 135 190

HSL 227.14, 0.35%, 0.61%

LAB 57.11, 8.2, -30.47

 

CMYK 35 / 37 / 0 / 25

HEX #7C78BE

RGB 124 120 190

HSL 243.43, 0.35%, 0.61%

LAB 53.42, 18.2, -36.2

 

CMYK 25 / 37 / 0 / 25

HEX #8E78BE

RGB 142 120 190

HSL 258.86, 0.35%, 0.61%

LAB 54.97, 23.45, -33.67

 

CMYK 15 / 37 / 0 / 25

HEX #A178BE

RGB 161 120 190

HSL 275.14, 0.35%, 0.61%

LAB 56.81, 29.26, -30.67

 

CMYK 6 / 37 / 0 / 25

HEX #B378BE

RGB 179 120 190

HSL 290.57, 0.35%, 0.61%

LAB 58.73, 34.91, -27.54

 

CMYK 35 / 52 / 0 / 40

HEX #644A9A

RGB 100 74 154

HSL 259.5, 0.35%, 0.45%

LAB 37.73, 29.5, -40.02

 

CMYK 32 / 48 / 0 / 31

HEX #785CB0

RGB 120 92 176

HSL 260, 0.35%, 0.53%

LAB 45.33, 30.07, -40.88

 

CMYK 25 / 37 / 0 / 25

HEX #8F78BE

RGB 143 120 190

HSL 259.71, 0.35%, 0.61%

LAB 55.06, 23.75, -33.52

 

CMYK 18 / 27 / 0 / 20

HEX #A694CB

RGB 166 148 203

HSL 259.64, 0.35%, 0.69%

LAB 64.64, 17.8, -25.86

 

CMYK 13 / 19 / 0 / 15

HEX #BDB0D9

RGB 189 176 217

HSL 259.02, 0.35%, 0.77%

LAB 74.11, 12.6, -18.96

 

CMYK 25 / 37 / 0 / 25

HEX #8F78BE

RGB 143 120 190

HSL 259.71, 0.35%, 0.61%

LAB 55.06, 23.75, -33.52

 

CMYK 0 / 37 / 19 / 25

HEX #BE789A

RGB 190 120 154

HSL 330.86, 0.35%, 0.61%

LAB 58.71, 32.17, -6.81

 

CMYK 34 / 0 / 37 / 25

HEX #7EBE78

RGB 126 190 120

HSL 114.86, 0.35%, 0.61%

LAB 71.3, -34.3, 29.04

 

CMYK 25 / 37 / 0 / 25

HEX #8F78BE

RGB 143 120 190

HSL 259.71, 0.35%, 0.61%

LAB 55.06, 23.75, -33.52

 

CMYK 0 / 25 / 37 / 25

HEX #BE8E78

RGB 190 142 120

HSL 18.86, 0.35%, 0.61%

LAB 63.05, 15.23, 18.81

 

CMYK 37 / 0 / 25 / 25

HEX #78BE8E

RGB 120 190 142

HSL 138.86, 0.35%, 0.61%

LAB 71.4, -32.4, 17.43

 

CMYK 25 / 37 / 0 / 25

HEX #8F78BE

RGB 143 120 190

HSL 259.71, 0.35%, 0.61%

LAB 55.06, 23.75, -33.52

 

CMYK 0 / 37 / 19 / 25

HEX #BE789A

RGB 190 120 154

HSL 330.86, 0.35%, 0.61%

LAB 58.71, 32.17, -6.81

 

CMYK 12 / 0 / 37 / 25

HEX #A8BE78

RGB 168 190 120

HSL 78.86, 0.35%, 0.61%

LAB 73.87, -19.2, 32.9

 

CMYK 37 / 0 / 18 / 25

HEX #78BE9C

RGB 120 190 156

HSL 150.86, 0.35%, 0.61%

LAB 71.7, -29.62, 10.28

 

CMYK 25 / 37 / 0 / 25

HEX #8F78BE

RGB 143 120 190

HSL 259.71, 0.35%, 0.61%

LAB 55.06, 23.75, -33.52

 

CMYK 0 / 37 / 30 / 25

HEX #BE7885

RGB 190 120 133

HSL 348.86, 0.35%, 0.61%

LAB 58.11, 29.08, 4.45

 

CMYK 12 / 0 / 37 / 25

HEX #A8BE78

RGB 168 190 120

HSL 78.86, 0.35%, 0.61%

LAB 73.87, -19.2, 32.9

 

CMYK 37 / 0 / 7 / 25

HEX #78BEB1

RGB 120 190 177

HSL 168.86, 0.35%, 0.61%

LAB 72.22, -25.01, -0.41

 

Description

Color code: HEX #8F78BE | qconv.com Color code: HEX #8F78BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 120 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 120 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 37 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 37% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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