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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F71AA it is the complementary color #708E55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F71AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F71AA shade: #9471A5, #A583B8, #B695CB, #C7A7DE and #D8B9F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F71AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F71AA shade: #8F71AA, #7E5F97, #6D4D84, #5C3B71 and #4B295E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F71AA shade: #8D6FA8, #9D6FA8, #A86FA5, #A86F95 and #A86F86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F71AA shade: #8D6FA8, #7E6FA8 and #6F6FA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F71AA shade matches the following richer shades: #8D6FA8, #8E5CBB, #8F4ACE, #9037E0 and #9125F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F71AA shade: #8D6FA8, #8C8296, #8B9483, #8AA771 and #89B95E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F71AA shade: #6F70A8, #7D6FA8, #8D6FA8, #9C6FA8 and #A86FA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F71AA shade: #644A7B, #795995, #8D6FA8, #A289B8 and #B6A3C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F71AA shade: #8F71AA, #A86F7F and #6FA876

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F71AA shade: #8F71AA, #A88D6F and #6FA88D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F71AA shade: #8F71AA, #A86F7F, #8BA86F and #6FA898

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F71AA shade: #8F71AA, #A8706F, #8BA86F and #6FA7A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 34 / 0 / 33

HEX #8F71AA

RGB 143 113 170

HSL 271.58, 0.25%, 0.55%

LAB 52.46, 23.09, -26.05

 

Complementary color

CMYK 21 / 0 / 40 / 44

HEX #708E55

RGB 112 142 85

HSL 91.58, 0.25%, 0.45%

LAB 55.53, -21.21, 26.98

 

CMYK 10 / 32 / 0 / 35

HEX #9471A5

RGB 148 113 165

HSL 280.38, 0.22%, 0.55%

LAB 52.75, 23.61, -22.64

 

CMYK 10 / 29 / 0 / 28

HEX #A583B8

RGB 165 131 184

HSL 278.49, 0.27%, 0.62%

LAB 59.61, 22.96, -22.89

 

CMYK 10 / 27 / 0 / 20

HEX #B695CB

RGB 182 149 203

HSL 276.67, 0.34%, 0.69%

LAB 66.33, 22.36, -23.15

 

CMYK 10 / 25 / 0 / 13

HEX #C7A7DE

RGB 199 167 222

HSL 274.91, 0.45%, 0.76%

LAB 72.93, 21.81, -23.42

 

CMYK 10 / 23 / 0 / 5

HEX #D8B9F1

RGB 216 185 241

HSL 273.21, 0.67%, 0.84%

LAB 79.41, 21.31, -23.69

 

CMYK 16 / 34 / 0 / 33

HEX #8F71AA

RGB 143 113 170

HSL 271.58, 0.25%, 0.55%

LAB 52.46, 23.09, -26.05

 

CMYK 17 / 37 / 0 / 41

HEX #7E5F97

RGB 126 95 151

HSL 273.21, 0.23%, 0.48%

LAB 45.43, 23.82, -25.91

 

CMYK 17 / 42 / 0 / 48

HEX #6D4D84

RGB 109 77 132

HSL 274.91, 0.26%, 0.41%

LAB 38.24, 24.63, -25.78

 

CMYK 19 / 48 / 0 / 56

HEX #5C3B71

RGB 92 59 113

HSL 276.67, 0.31%, 0.34%

LAB 30.87, 25.53, -25.66

 

CMYK 20 / 56 / 0 / 63

HEX #4B295E

RGB 75 41 94

HSL 278.49, 0.39%, 0.26%

LAB 23.3, 26.47, -25.49

 

CMYK 16 / 34 / 0 / 34

HEX #8D6FA8

RGB 141 111 168

HSL 271.58, 0.25%, 0.55%

LAB 51.68, 23.16, -26.11

 

CMYK 7 / 34 / 0 / 34

HEX #9D6FA8

RGB 157 111 168

HSL 288.42, 0.25%, 0.55%

LAB 53.35, 28.38, -23.4

 

CMYK 0 / 34 / 2 / 34

HEX #A86FA5

RGB 168 111 165

HSL 303.16, 0.25%, 0.55%

LAB 54.46, 31.44, -19.84

 

CMYK 0 / 34 / 11 / 34

HEX #A86F95

RGB 168 111 149

HSL 320, 0.25%, 0.55%

LAB 53.88, 28.51, -11.39

 

CMYK 0 / 34 / 20 / 34

HEX #A86F86

RGB 168 111 134

HSL 335.79, 0.25%, 0.55%

LAB 53.4, 26, -3.32

 

CMYK 16 / 34 / 0 / 34

HEX #8D6FA8

RGB 141 111 168

HSL 271.58, 0.25%, 0.55%

LAB 51.68, 23.16, -26.11

 

CMYK 25 / 34 / 0 / 34

HEX #7E6FA8

RGB 126 111 168

HSL 255.79, 0.25%, 0.55%

LAB 50.25, 18.4, -28.43

 

CMYK 34 / 34 / 0 / 34

HEX #6F6FA8

RGB 111 111 168

HSL 240, 0.25%, 0.55%

LAB 48.98, 13.85, -30.52

 

CMYK 16 / 34 / 0 / 34

HEX #8D6FA8

RGB 141 111 168

HSL 271.58, 0.25%, 0.55%

LAB 51.68, 23.16, -26.11

 

CMYK 24 / 51 / 0 / 27

HEX #8E5CBB

RGB 142 92 187

HSL 271.58, 0.41%, 0.55%

LAB 48.25, 38.87, -42.52

 

CMYK 31 / 64 / 0 / 19

HEX #8F4ACE

RGB 143 74 206

HSL 271.36, 0.57%, 0.55%

LAB 45.9, 53.2, -57.26

 

CMYK 36 / 75 / 0 / 12

HEX #9037E0

RGB 144 55 224

HSL 271.6, 0.73%, 0.55%

LAB 44.3, 66.02, -70.16

 

CMYK 40 / 85 / 0 / 5

HEX #9125F3

RGB 145 37 243

HSL 271.46, 0.9%, 0.55%

LAB 43.96, 76.26, -81.46

 

CMYK 16 / 34 / 0 / 34

HEX #8D6FA8

RGB 141 111 168

HSL 271.58, 0.25%, 0.55%

LAB 51.68, 23.16, -26.11

 

CMYK 7 / 13 / 0 / 41

HEX #8C8296

RGB 140 130 150

HSL 270, 0.09%, 0.55%

LAB 55.83, 7.74, -9.34

 

CMYK 6 / 0 / 11 / 42

HEX #8B9483

RGB 139 148 131

HSL 91.76, 0.07%, 0.55%

LAB 60.17, -6.52, 7.88

 

CMYK 17 / 0 / 32 / 35

HEX #8AA771

RGB 138 167 113

HSL 92.22, 0.23%, 0.55%

LAB 65.15, -19.95, 24.74

 

CMYK 26 / 0 / 49 / 27

HEX #89B95E

RGB 137 185 94

HSL 91.65, 0.39%, 0.55%

LAB 70.05, -31.68, 40.87

 

CMYK 34 / 33 / 0 / 34

HEX #6F70A8

RGB 111 112 168

HSL 238.95, 0.25%, 0.55%

LAB 49.25, 13.24, -30.09

 

CMYK 26 / 34 / 0 / 34

HEX #7D6FA8

RGB 125 111 168

HSL 254.74, 0.25%, 0.55%

LAB 50.16, 18.09, -28.58

 

CMYK 16 / 34 / 0 / 34

HEX #8D6FA8

RGB 141 111 168

HSL 271.58, 0.25%, 0.55%

LAB 51.68, 23.16, -26.11

 

CMYK 7 / 34 / 0 / 34

HEX #9C6FA8

RGB 156 111 168

HSL 287.37, 0.25%, 0.55%

LAB 53.24, 28.05, -23.57

 

CMYK 0 / 34 / 1 / 34

HEX #A86FA6

RGB 168 111 166

HSL 302.11, 0.25%, 0.55%

LAB 54.5, 31.63, -20.36

 

CMYK 19 / 40 / 0 / 52

HEX #644A7B

RGB 100 74 123

HSL 271.84, 0.25%, 0.39%

LAB 36.06, 21.33, -23.73

 

CMYK 19 / 40 / 0 / 42

HEX #795995

RGB 121 89 149

HSL 272, 0.25%, 0.47%

LAB 43.33, 25.33, -28.03

 

CMYK 16 / 34 / 0 / 34

HEX #8D6FA8

RGB 141 111 168

HSL 271.58, 0.25%, 0.55%

LAB 51.68, 23.16, -26.11

 

CMYK 12 / 26 / 0 / 28

HEX #A289B8

RGB 162 137 184

HSL 271.91, 0.25%, 0.63%

LAB 60.81, 18.55, -21.08

 

CMYK 9 / 18 / 0 / 22

HEX #B6A3C7

RGB 182 163 199

HSL 271.67, 0.24%, 0.71%

LAB 69.66, 13.73, -15.88

 

CMYK 16 / 34 / 0 / 33

HEX #8F71AA

RGB 143 113 170

HSL 271.58, 0.25%, 0.55%

LAB 52.46, 23.09, -26.05

 

CMYK 0 / 34 / 24 / 34

HEX #A86F7F

RGB 168 111 127

HSL 343.16, 0.25%, 0.55%

LAB 53.2, 24.91, 0.5

 

CMYK 34 / 0 / 30 / 34

HEX #6FA876

RGB 111 168 118

HSL 127.37, 0.25%, 0.55%

LAB 63.91, -29.17, 20.07

 

CMYK 16 / 34 / 0 / 33

HEX #8F71AA

RGB 143 113 170

HSL 271.58, 0.25%, 0.55%

LAB 52.46, 23.09, -26.05

 

CMYK 0 / 16 / 34 / 34

HEX #A88D6F

RGB 168 141 111

HSL 31.58, 0.25%, 0.55%

LAB 60.36, 5.7, 19.81

 

CMYK 34 / 0 / 16 / 34

HEX #6FA88D

RGB 111 168 141

HSL 151.58, 0.25%, 0.55%

LAB 64.41, -24.68, 8.07

 

CMYK 16 / 34 / 0 / 33

HEX #8F71AA

RGB 143 113 170

HSL 271.58, 0.25%, 0.55%

LAB 52.46, 23.09, -26.05

 

CMYK 0 / 34 / 24 / 34

HEX #A86F7F

RGB 168 111 127

HSL 343.16, 0.25%, 0.55%

LAB 53.2, 24.91, 0.5

 

CMYK 17 / 0 / 34 / 34

HEX #8BA86F

RGB 139 168 111

HSL 90.53, 0.25%, 0.55%

LAB 65.47, -20.38, 26.26

 

CMYK 34 / 0 / 10 / 34

HEX #6FA898

RGB 111 168 152

HSL 163.16, 0.25%, 0.55%

LAB 64.69, -22.27, 2.35

 

CMYK 16 / 34 / 0 / 33

HEX #8F71AA

RGB 143 113 170

HSL 271.58, 0.25%, 0.55%

LAB 52.46, 23.09, -26.05

 

CMYK 0 / 33 / 34 / 34

HEX #A8706F

RGB 168 112 111

HSL 1.05, 0.25%, 0.55%

LAB 53.02, 22.07, 9.64

 

CMYK 17 / 0 / 34 / 34

HEX #8BA86F

RGB 139 168 111

HSL 90.53, 0.25%, 0.55%

LAB 65.47, -20.38, 26.26

 

CMYK 34 / 1 / 0 / 34

HEX #6FA7A8

RGB 111 167 168

HSL 181.05, 0.25%, 0.55%

LAB 64.84, -17.97, -6.36

 

Description

Color code: HEX #8F71AA | qconv.com Color code: HEX #8F71AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 113 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 113 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 34 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 34% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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