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Color name
HEX #8F7A2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F7A2D it is the complementary color #7085D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F7A2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F7A2D shade: #947A28, #A58C3B, #B69E4E, #C7B061 and #D8C274

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F7A2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F7A2D shade: #8F7A2D, #7E681A, #6D5607, #5C4400 and #4B3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F7A2D shade: #8F7A2D, #8F5F2D, #8F452D and #8F2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F7A2D shade: #8F7A2D, #898F2D, #6F8F2D, #558F2D and #3A8F2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F7A2D shade matches the following richer shades: #8F7A2D, #9E831E and #AD8B0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F7A2D shade: #8F7A2D, #80713C, #70684B, #61605B and #52576A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F7A2D shade: #8F452D, #8F5F2D, #8F7A2D, #8A8F2D and #708F2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F7A2D shade: #504419, #705F23, #8F7A2D, #AE9537 and #C5AB49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F7A2D shade: #8F7A2D, #2E8F2D and #522D8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F7A2D shade: #8F7A2D, #2D8F7A and #7A2D8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F7A2D shade: #8F7A2D, #2E8F2D, #2D428F and #8D2D8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F7A2D shade: #8F7A2D, #2D8F49, #2D428F and #8F2D73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 69 / 44

HEX #8F7A2D

RGB 143 122 45

HSL 47.14, 0.52%, 0.37%

LAB 51.78, -1.03, 43.63

 

Complementary color

CMYK 47 / 37 / 0 / 18

HEX #7085D2

RGB 112 133 210

HSL 227.14, 0.52%, 0.63%

LAB 56.95, 13.03, -42.07

 

CMYK 0 / 18 / 73 / 42

HEX #947A28

RGB 148 122 40

HSL 45.56, 0.57%, 0.37%

LAB 52.25, 0.99, 46.49

 

CMYK 0 / 15 / 64 / 35

HEX #A58C3B

RGB 165 140 59

HSL 45.85, 0.47%, 0.44%

LAB 59.04, -0.19, 45.58

 

CMYK 0 / 13 / 57 / 29

HEX #B69E4E

RGB 182 158 78

HSL 46.15, 0.42%, 0.51%

LAB 65.71, -1.15, 44.41

 

CMYK 0 / 12 / 51 / 22

HEX #C7B061

RGB 199 176 97

HSL 46.47, 0.48%, 0.58%

LAB 72.27, -1.94, 43.15

 

CMYK 0 / 10 / 46 / 15

HEX #D8C274

RGB 216 194 116

HSL 46.8, 0.56%, 0.65%

LAB 78.72, -2.6, 41.9

 

CMYK 0 / 15 / 69 / 44

HEX #8F7A2D

RGB 143 122 45

HSL 47.14, 0.52%, 0.37%

LAB 51.78, -1.03, 43.63

 

CMYK 0 / 17 / 79 / 51

HEX #7E681A

RGB 126 104 26

HSL 46.8, 0.66%, 0.3%

LAB 44.82, 0.28, 44.22

 

CMYK 0 / 21 / 94 / 57

HEX #6D5607

RGB 109 86 7

HSL 46.47, 0.88%, 0.23%

LAB 37.7, 1.96, 43.54

 

CMYK 0 / 26 / 100 / 64

HEX #5C4400

RGB 92 68 0

HSL 44.35, 1%, 0.18%

LAB 30.42, 4.17, 39.64

 

CMYK 0 / 33 / 100 / 71

HEX #4B3200

RGB 75 50 0

HSL 40, 1%, 0.15%

LAB 22.92, 6.77, 32.14

 

CMYK 0 / 15 / 69 / 44

HEX #8F7A2D

RGB 143 122 45

HSL 47.14, 0.52%, 0.37%

LAB 51.78, -1.03, 43.63

 

CMYK 0 / 34 / 69 / 44

HEX #8F5F2D

RGB 143 95 45

HSL 30.61, 0.52%, 0.37%

LAB 44.54, 14.53, 35.8

 

CMYK 0 / 52 / 69 / 44

HEX #8F452D

RGB 143 69 45

HSL 14.69, 0.52%, 0.37%

LAB 38.35, 29.35, 28.73

 

CMYK 0 / 69 / 69 / 44

HEX #8F2D2D

RGB 143 45 45

HSL 0, 0.52%, 0.37%

LAB 33.79, 41.29, 23.25

 

CMYK 0 / 15 / 69 / 44

HEX #8F7A2D

RGB 143 122 45

HSL 47.14, 0.52%, 0.37%

LAB 51.78, -1.03, 43.63

 

CMYK 4 / 0 / 69 / 44

HEX #898F2D

RGB 137 143 45

HSL 63.67, 0.52%, 0.37%

LAB 57.22, -15.22, 49.09

 

CMYK 22 / 0 / 69 / 44

HEX #6F8F2D

RGB 111 143 45

HSL 79.59, 0.52%, 0.37%

LAB 55.29, -26.4, 46.49

 

CMYK 41 / 0 / 69 / 44

HEX #558F2D

RGB 85 143 45

HSL 95.51, 0.52%, 0.37%

LAB 53.78, -36.44, 44.44

 

CMYK 59 / 0 / 69 / 44

HEX #3A8F2D

RGB 58 143 45

HSL 112.04, 0.52%, 0.37%

LAB 52.66, -44.82, 42.91

 

CMYK 0 / 15 / 69 / 44

HEX #8F7A2D

RGB 143 122 45

HSL 47.14, 0.52%, 0.37%

LAB 51.78, -1.03, 43.63

 

CMYK 0 / 17 / 81 / 38

HEX #9E831E

RGB 158 131 30

HSL 47.34, 0.68%, 0.37%

LAB 55.68, 0.11, 53.93

 

CMYK 0 / 20 / 92 / 32

HEX #AD8B0E

RGB 173 139 14

HSL 47.17, 0.85%, 0.37%

LAB 59.33, 2.15, 61.76

 

CMYK 0 / 15 / 69 / 44

HEX #8F7A2D

RGB 143 122 45

HSL 47.14, 0.52%, 0.37%

LAB 51.78, -1.03, 43.63

 

CMYK 0 / 12 / 53 / 50

HEX #80713C

RGB 128 113 60

HSL 46.76, 0.36%, 0.37%

LAB 47.91, -1.59, 31.31

 

CMYK 0 / 7 / 33 / 56

HEX #70684B

RGB 112 104 75

HSL 47.03, 0.2%, 0.37%

LAB 44.02, -1.75, 17.51

 

CMYK 0 / 1 / 6 / 62

HEX #61605B

RGB 97 96 91

HSL 50, 0.03%, 0.37%

LAB 40.67, -0.62, 2.99

 

CMYK 23 / 18 / 0 / 58

HEX #52576A

RGB 82 87 106

HSL 227.5, 0.13%, 0.37%

LAB 37.21, 2.61, -11.55

 

CMYK 0 / 52 / 69 / 44

HEX #8F452D

RGB 143 69 45

HSL 14.69, 0.52%, 0.37%

LAB 38.35, 29.35, 28.73

 

CMYK 0 / 34 / 69 / 44

HEX #8F5F2D

RGB 143 95 45

HSL 30.61, 0.52%, 0.37%

LAB 44.54, 14.53, 35.8

 

CMYK 0 / 15 / 69 / 44

HEX #8F7A2D

RGB 143 122 45

HSL 47.14, 0.52%, 0.37%

LAB 51.78, -1.03, 43.63

 

CMYK 3 / 0 / 69 / 44

HEX #8A8F2D

RGB 138 143 45

HSL 63.06, 0.52%, 0.37%

LAB 57.31, -14.78, 49.2

 

CMYK 22 / 0 / 69 / 44

HEX #708F2D

RGB 112 143 45

HSL 78.98, 0.52%, 0.37%

LAB 55.36, -25.99, 46.58

 

CMYK 0 / 15 / 69 / 69

HEX #504419

RGB 80 68 25

HSL 46.91, 0.52%, 0.21%

LAB 29.18, -0.77, 27.26

 

CMYK 0 / 15 / 69 / 56

HEX #705F23

RGB 112 95 35

HSL 46.75, 0.52%, 0.29%

LAB 40.82, -0.67, 35.77

 

CMYK 0 / 15 / 69 / 44

HEX #8F7A2D

RGB 143 122 45

HSL 47.14, 0.52%, 0.37%

LAB 51.78, -1.03, 43.63

 

CMYK 0 / 14 / 68 / 32

HEX #AE9537

RGB 174 149 55

HSL 47.39, 0.52%, 0.45%

LAB 62.31, -1.36, 51.15

 

CMYK 0 / 13 / 63 / 23

HEX #C5AB49

RGB 197 171 73

HSL 47.42, 0.52%, 0.53%

LAB 70.51, -2, 52.56

 

CMYK 0 / 15 / 69 / 44

HEX #8F7A2D

RGB 143 122 45

HSL 47.14, 0.52%, 0.37%

LAB 51.78, -1.03, 43.63

 

CMYK 68 / 0 / 69 / 44

HEX #2E8F2D

RGB 46 143 45

HSL 119.39, 0.52%, 0.37%

LAB 52.3, -47.67, 42.42

 

CMYK 43 / 69 / 0 / 44

HEX #522D8F

RGB 82 45 143

HSL 262.65, 0.52%, 0.37%

LAB 28.52, 39.12, -48.24

 

CMYK 0 / 15 / 69 / 44

HEX #8F7A2D

RGB 143 122 45

HSL 47.14, 0.52%, 0.37%

LAB 51.78, -1.03, 43.63

 

CMYK 69 / 0 / 15 / 44

HEX #2D8F7A

RGB 45 143 122

HSL 167.14, 0.52%, 0.37%

LAB 53.61, -33.38, 2.97

 

CMYK 15 / 69 / 0 / 44

HEX #7A2D8F

RGB 122 45 143

HSL 287.14, 0.52%, 0.37%

LAB 33.98, 48.15, -39.17

 

CMYK 0 / 15 / 69 / 44

HEX #8F7A2D

RGB 143 122 45

HSL 47.14, 0.52%, 0.37%

LAB 51.78, -1.03, 43.63

 

CMYK 68 / 0 / 69 / 44

HEX #2E8F2D

RGB 46 143 45

HSL 119.39, 0.52%, 0.37%

LAB 52.3, -47.67, 42.42

 

CMYK 69 / 54 / 0 / 44

HEX #2D428F

RGB 45 66 143

HSL 227.14, 0.52%, 0.37%

LAB 30.49, 18.63, -45.2

 

CMYK 1 / 69 / 0 / 44

HEX #8D2D8F

RGB 141 45 143

HSL 298.78, 0.52%, 0.37%

LAB 36.97, 52.73, -34.22

 

CMYK 0 / 15 / 69 / 44

HEX #8F7A2D

RGB 143 122 45

HSL 47.14, 0.52%, 0.37%

LAB 51.78, -1.03, 43.63

 

CMYK 69 / 0 / 49 / 44

HEX #2D8F49

RGB 45 143 73

HSL 137.14, 0.52%, 0.37%

LAB 52.6, -44.12, 29.09

 

CMYK 69 / 54 / 0 / 44

HEX #2D428F

RGB 45 66 143

HSL 227.14, 0.52%, 0.37%

LAB 30.49, 18.63, -45.2

 

CMYK 0 / 69 / 20 / 44

HEX #8F2D73

RGB 143 45 115

HSL 317.14, 0.52%, 0.37%

LAB 35.9, 48.66, -18.51

 

Description

Color code: HEX #8F7A2D | qconv.com Color code: HEX #8F7A2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 122 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 122 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 69 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 69% 44% C M Y K

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Provide designers and agencies with accurate color values.

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