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Color name
HEX #8F7F0D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F7F0D it is the complementary color #7080F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F7F0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F7F0D shade: #947F08, #A5911B, #B6A32E, #C7B541 and #D8C754

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F7F0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F7F0D shade: #8F7F0D, #7E6D00, #6D5B00, #5C4900 and #4B3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F7F0D shade: #90800D, #905D0D, #90390D, #90160D and #900D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F7F0D shade: #90800D, #7D900D, #5A900D, #36900D and #13900D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F7F0D shade matches the following richer shades: #90800D and #9D8A00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F7F0D shade: #90800D, #83761A, #776D27, #6A6333 and #5D5940

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F7F0D shade: #90390D, #905C0D, #907F0D, #7F900D and #5C900D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F7F0D shade: #453D06, #6A5E09, #90800D, #B6A210 and #DCC314

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F7F0D shade: #8F7F0D, #0D9016 and #4A0D90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F7F0D shade: #8F7F0D, #0D907F and #7F0D90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F7F0D shade: #8F7F0D, #0D9016, #0D1E90 and #900D87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F7F0D shade: #8F7F0D, #0D903D, #0D1E90 and #900D60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 91 / 44

HEX #8F7F0D

RGB 143 127 13

HSL 52.62, 0.83%, 0.31%

LAB 53, -5.12, 55.73

 

Complementary color

CMYK 54 / 47 / 0 / 5

HEX #7080F2

RGB 112 128 242

HSL 232.62, 0.83%, 0.69%

LAB 57.36, 25.84, -59.3

 

CMYK 0 / 14 / 95 / 42

HEX #947F08

RGB 148 127 8

HSL 51, 0.9%, 0.31%

LAB 53.48, -2.87, 57.24

 

CMYK 0 / 12 / 84 / 35

HEX #A5911B

RGB 165 145 27

HSL 51.3, 0.72%, 0.38%

LAB 60.19, -4.47, 59.06

 

CMYK 0 / 10 / 75 / 29

HEX #B6A32E

RGB 182 163 46

HSL 51.62, 0.6%, 0.45%

LAB 66.78, -5.79, 59.42

 

CMYK 0 / 9 / 67 / 22

HEX #C7B541

RGB 199 181 65

HSL 51.94, 0.54%, 0.52%

LAB 73.27, -6.88, 59

 

CMYK 0 / 8 / 61 / 15

HEX #D8C754

RGB 216 199 84

HSL 52.27, 0.63%, 0.59%

LAB 79.66, -7.79, 58.18

 

CMYK 0 / 11 / 91 / 44

HEX #8F7F0D

RGB 143 127 13

HSL 52.62, 0.83%, 0.31%

LAB 53, -5.12, 55.73

 

CMYK 0 / 13 / 100 / 51

HEX #7E6D00

RGB 126 109 0

HSL 51.9, 1%, 0.25%

LAB 46.14, -3.33, 52.46

 

CMYK 0 / 17 / 100 / 57

HEX #6D5B00

RGB 109 91 0

HSL 50.09, 1%, 0.21%

LAB 39.13, -1.2, 46.66

 

CMYK 0 / 21 / 100 / 64

HEX #5C4900

RGB 92 73 0

HSL 47.61, 1%, 0.18%

LAB 31.9, 1.07, 40.69

 

CMYK 0 / 27 / 100 / 71

HEX #4B3700

RGB 75 55 0

HSL 44, 1%, 0.15%

LAB 24.41, 3.53, 33.63

 

CMYK 0 / 11 / 91 / 44

HEX #90800D

RGB 144 128 13

HSL 52.67, 0.83%, 0.31%

LAB 53.38, -5.2, 56.07

 

CMYK 0 / 35 / 91 / 44

HEX #905D0D

RGB 144 93 13

HSL 36.64, 0.83%, 0.31%

LAB 43.93, 14.8, 48.64

 

CMYK 0 / 60 / 91 / 44

HEX #90390D

RGB 144 57 13

HSL 20.15, 0.83%, 0.31%

LAB 35.76, 34.75, 42.29

 

CMYK 0 / 85 / 91 / 44

HEX #90160D

RGB 144 22 13

HSL 4.12, 0.83%, 0.31%

LAB 30.72, 48.49, 38.43

 

CMYK 0 / 91 / 91 / 44

HEX #900D0D

RGB 144 13 13

HSL 0, 0.83%, 0.31%

LAB 30.03, 50.47, 37.91

 

CMYK 0 / 11 / 91 / 44

HEX #90800D

RGB 144 128 13

HSL 52.67, 0.83%, 0.31%

LAB 53.38, -5.2, 56.07

 

CMYK 13 / 0 / 91 / 44

HEX #7D900D

RGB 125 144 13

HSL 68.7, 0.83%, 0.31%

LAB 56.42, -22.38, 57.82

 

CMYK 38 / 0 / 91 / 44

HEX #5A900D

RGB 90 144 13

HSL 84.73, 0.83%, 0.31%

LAB 54.18, -36.82, 55.06

 

CMYK 63 / 0 / 91 / 44

HEX #36900D

RGB 54 144 13

HSL 101.22, 0.83%, 0.31%

LAB 52.69, -48.28, 53.19

 

CMYK 87 / 0 / 91 / 44

HEX #13900D

RGB 19 144 13

HSL 117.25, 0.83%, 0.31%

LAB 51.97, -54.46, 52.29

 

CMYK 0 / 11 / 91 / 44

HEX #90800D

RGB 144 128 13

HSL 52.67, 0.83%, 0.31%

LAB 53.38, -5.2, 56.07

 

CMYK 0 / 12 / 100 / 38

HEX #9D8A00

RGB 157 138 0

HSL 52.74, 1%, 0.31%

LAB 57.41, -4.88, 61.9

 

CMYK 0 / 11 / 91 / 44

HEX #90800D

RGB 144 128 13

HSL 52.67, 0.83%, 0.31%

LAB 53.38, -5.2, 56.07

 

CMYK 0 / 10 / 80 / 49

HEX #83761A

RGB 131 118 26

HSL 52.57, 0.67%, 0.31%

LAB 49.32, -5.34, 48.56

 

CMYK 0 / 8 / 67 / 53

HEX #776D27

RGB 119 109 39

HSL 52.5, 0.51%, 0.31%

LAB 45.64, -5.19, 39.2

 

CMYK 0 / 7 / 52 / 58

HEX #6A6333

RGB 106 99 51

HSL 52.36, 0.35%, 0.31%

LAB 41.57, -4.48, 28.07

 

CMYK 0 / 4 / 31 / 64

HEX #5D5940

RGB 93 89 64

HSL 51.72, 0.18%, 0.31%

LAB 37.56, -2.85, 15.09

 

CMYK 0 / 60 / 91 / 44

HEX #90390D

RGB 144 57 13

HSL 20.15, 0.83%, 0.31%

LAB 35.76, 34.75, 42.29

 

CMYK 0 / 36 / 91 / 44

HEX #905C0D

RGB 144 92 13

HSL 36.18, 0.83%, 0.31%

LAB 43.67, 15.38, 48.44

 

CMYK 0 / 12 / 91 / 44

HEX #907F0D

RGB 144 127 13

HSL 52.21, 0.83%, 0.31%

LAB 53.1, -4.65, 55.85

 

CMYK 12 / 0 / 91 / 44

HEX #7F900D

RGB 127 144 13

HSL 67.79, 0.83%, 0.31%

LAB 56.57, -21.5, 58

 

CMYK 36 / 0 / 91 / 44

HEX #5C900D

RGB 92 144 13

HSL 83.82, 0.83%, 0.31%

LAB 54.29, -36.07, 55.19

 

CMYK 0 / 12 / 91 / 73

HEX #453D06

RGB 69 61 6

HSL 52.38, 0.84%, 0.15%

LAB 25.61, -3.21, 32.08

 

CMYK 0 / 11 / 92 / 58

HEX #6A5E09

RGB 106 94 9

HSL 52.58, 0.84%, 0.23%

LAB 39.73, -4.21, 44.47

 

CMYK 0 / 11 / 91 / 44

HEX #90800D

RGB 144 128 13

HSL 52.67, 0.83%, 0.31%

LAB 53.38, -5.2, 56.07

 

CMYK 0 / 11 / 91 / 29

HEX #B6A210

RGB 182 162 16

HSL 52.77, 0.84%, 0.39%

LAB 66.38, -6.17, 67.22

 

CMYK 0 / 11 / 91 / 14

HEX #DCC314

RGB 220 195 20

HSL 52.5, 0.83%, 0.47%

LAB 78.63, -6.56, 77.51

 

CMYK 0 / 11 / 91 / 44

HEX #8F7F0D

RGB 143 127 13

HSL 52.62, 0.83%, 0.31%

LAB 53, -5.12, 55.73

 

CMYK 91 / 0 / 85 / 44

HEX #0D9016

RGB 13 144 22

HSL 124.12, 0.83%, 0.31%

LAB 51.94, -54.58, 50.13

 

CMYK 49 / 91 / 0 / 44

HEX #4A0D90

RGB 74 13 144

HSL 267.94, 0.83%, 0.31%

LAB 22.85, 51.67, -58.18

 

CMYK 0 / 11 / 91 / 44

HEX #8F7F0D

RGB 143 127 13

HSL 52.62, 0.83%, 0.31%

LAB 53, -5.12, 55.73

 

CMYK 91 / 0 / 12 / 44

HEX #0D907F

RGB 13 144 127

HSL 172.21, 0.83%, 0.31%

LAB 53.56, -35.97, -0.04

 

CMYK 12 / 91 / 0 / 44

HEX #7F0D90

RGB 127 13 144

HSL 292.21, 0.83%, 0.31%

LAB 31.38, 59.4, -43.91

 

CMYK 0 / 11 / 91 / 44

HEX #8F7F0D

RGB 143 127 13

HSL 52.62, 0.83%, 0.31%

LAB 53, -5.12, 55.73

 

CMYK 91 / 0 / 85 / 44

HEX #0D9016

RGB 13 144 22

HSL 124.12, 0.83%, 0.31%

LAB 51.94, -54.58, 50.13

 

CMYK 91 / 79 / 0 / 44

HEX #0D1E90

RGB 13 30 144

HSL 232.21, 0.83%, 0.31%

LAB 20.15, 39.46, -62.8

 

CMYK 0 / 91 / 6 / 44

HEX #900D87

RGB 144 13 135

HSL 304.12, 0.83%, 0.31%

LAB 33.91, 61.04, -34.11

 

CMYK 0 / 11 / 91 / 44

HEX #8F7F0D

RGB 143 127 13

HSL 52.62, 0.83%, 0.31%

LAB 53, -5.12, 55.73

 

CMYK 91 / 0 / 58 / 44

HEX #0D903D

RGB 13 144 61

HSL 141.98, 0.83%, 0.31%

LAB 52.25, -50.66, 34.73

 

CMYK 91 / 79 / 0 / 44

HEX #0D1E90

RGB 13 30 144

HSL 232.21, 0.83%, 0.31%

LAB 20.15, 39.46, -62.8

 

CMYK 0 / 91 / 33 / 44

HEX #900D60

RGB 144 13 96

HSL 321.98, 0.83%, 0.31%

LAB 31.95, 55.85, -12.43

 

Description

Color code: HEX #8F7F0D | qconv.com Color code: HEX #8F7F0D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 127 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 127 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 91 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 91% 44% C M Y K

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