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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F82F7 it is the complementary color #707D08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F82F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F82F7 shade: #9482F2, #A594FF, #B6A6FF, #C7B8FF and #D8CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F82F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F82F7 shade: #8F82F7, #7E70E4, #6D5ED1, #5C4CBE and #4B3AAB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F82F7 shade: #8F82F7, #AE82F7, #CE82F7, #ED82F7 and #F782E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F82F7 shade: #8F82F7 and #8282F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F82F7 shade matches the following richer shades: #8F82F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F82F7 shade: #8F82F7, #978DEC, #A097E1, #A8A2D6 and #B0ADCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F82F7 shade: #82B4F7, #8295F7, #8E82F7, #AD82F7 and #CC82F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F82F7 shade: #4934F2, #6C5BF4, #8F82F7, #B2A9F9 and #D4CFFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F82F7 shade: #8F82F7, #F782D4 and #A5F782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F82F7 shade: #8F82F7, #F78E82 and #82F78E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F82F7 shade: #8F82F7, #F782D4, #EBF782 and #82F7A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F82F7 shade: #8F82F7, #F782B1, #EBF782 and #82F7C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 47 / 0 / 3

HEX #8F82F7

RGB 143 130 247

HSL 246.67, 0.88%, 0.74%

LAB 60.36, 32.97, -57.15

 

Complementary color

CMYK 10 / 0 / 94 / 51

HEX #707D08

RGB 112 125 8

HSL 66.67, 0.88%, 0.26%

LAB 49.65, -18.55, 52.87

 

CMYK 39 / 46 / 0 / 5

HEX #9482F2

RGB 148 130 242

HSL 249.64, 0.81%, 0.73%

LAB 60.49, 32.8, -54.15

 

CMYK 35 / 42 / 0 / 0

HEX #A594FF

RGB 165 148 255

HSL 249.53, 1%, 0.79%

LAB 66.82, 30.25, -51.16

 

CMYK 29 / 35 / 0 / 0

HEX #B6A6FF

RGB 182 166 255

HSL 250.79, 1%, 0.83%

LAB 72.52, 24.69, -42.11

 

CMYK 22 / 28 / 0 / 0

HEX #C7B8FF

RGB 199 184 255

HSL 252.68, 1%, 0.86%

LAB 78.25, 19.64, -33.1

 

CMYK 15 / 21 / 0 / 0

HEX #D8CAFF

RGB 216 202 255

HSL 255.85, 1%, 0.9%

LAB 84, 15.05, -24.19

 

CMYK 42 / 47 / 0 / 3

HEX #8F82F7

RGB 143 130 247

HSL 246.67, 0.88%, 0.74%

LAB 60.36, 32.97, -57.15

 

CMYK 45 / 51 / 0 / 11

HEX #7E70E4

RGB 126 112 228

HSL 247.24, 0.68%, 0.67%

LAB 53.63, 34.16, -57.42

 

CMYK 48 / 55 / 0 / 18

HEX #6D5ED1

RGB 109 94 209

HSL 247.83, 0.56%, 0.59%

LAB 46.79, 35.5, -57.72

 

CMYK 52 / 60 / 0 / 25

HEX #5C4CBE

RGB 92 76 190

HSL 248.42, 0.47%, 0.52%

LAB 39.85, 37.01, -58.02

 

CMYK 56 / 66 / 0 / 33

HEX #4B3AAB

RGB 75 58 171

HSL 249.03, 0.49%, 0.45%

LAB 32.84, 38.68, -58.26

 

CMYK 42 / 47 / 0 / 3

HEX #8F82F7

RGB 143 130 247

HSL 246.67, 0.88%, 0.74%

LAB 60.36, 32.97, -57.15

 

CMYK 30 / 47 / 0 / 3

HEX #AE82F7

RGB 174 130 247

HSL 262.56, 0.88%, 0.74%

LAB 63.08, 40.67, -52.66

 

CMYK 17 / 47 / 0 / 3

HEX #CE82F7

RGB 206 130 247

HSL 278.97, 0.88%, 0.74%

LAB 66.37, 49.19, -47.24

 

CMYK 4 / 47 / 0 / 3

HEX #ED82F7

RGB 237 130 247

HSL 294.87, 0.88%, 0.74%

LAB 69.95, 57.7, -41.36

 

CMYK 0 / 47 / 9 / 3

HEX #F782E0

RGB 247 130 224

HSL 311.79, 0.88%, 0.74%

LAB 70.26, 56.62, -28.14

 

CMYK 42 / 47 / 0 / 3

HEX #8F82F7

RGB 143 130 247

HSL 246.67, 0.88%, 0.74%

LAB 60.36, 32.97, -57.15

 

CMYK 47 / 47 / 0 / 3

HEX #8282F7

RGB 130 130 247

HSL 240, 0.88%, 0.74%

LAB 59.37, 30, -58.79

 

CMYK 42 / 47 / 0 / 3

HEX #8F82F7

RGB 143 130 247

HSL 246.67, 0.88%, 0.74%

LAB 60.36, 32.97, -57.15

 

CMYK 42 / 47 / 0 / 3

HEX #8F82F7

RGB 143 130 247

HSL 246.67, 0.88%, 0.74%

LAB 60.36, 32.97, -57.15

 

CMYK 36 / 40 / 0 / 7

HEX #978DEC

RGB 151 141 236

HSL 246.32, 0.71%, 0.74%

LAB 63.08, 25.61, -46.72

 

CMYK 29 / 33 / 0 / 12

HEX #A097E1

RGB 160 151 225

HSL 247.3, 0.55%, 0.74%

LAB 65.78, 19.53, -36.36

 

CMYK 21 / 24 / 0 / 16

HEX #A8A2D6

RGB 168 162 214

HSL 246.92, 0.39%, 0.74%

LAB 68.77, 13.05, -25.62

 

CMYK 14 / 15 / 0 / 20

HEX #B0ADCC

RGB 176 173 204

HSL 245.81, 0.23%, 0.74%

LAB 71.88, 7.27, -15.33

 

CMYK 47 / 27 / 0 / 3

HEX #82B4F7

RGB 130 180 247

HSL 214.36, 0.88%, 0.74%

LAB 72.3, 1.2, -38.39

 

CMYK 47 / 40 / 0 / 3

HEX #8295F7

RGB 130 149 247

HSL 230.26, 0.88%, 0.74%

LAB 64.13, 18.86, -51.22

 

CMYK 43 / 47 / 0 / 3

HEX #8E82F7

RGB 142 130 247

HSL 246.15, 0.88%, 0.74%

LAB 60.28, 32.74, -57.28

 

CMYK 30 / 47 / 0 / 3

HEX #AD82F7

RGB 173 130 247

HSL 262.05, 0.88%, 0.74%

LAB 62.98, 40.41, -52.82

 

CMYK 17 / 47 / 0 / 3

HEX #CC82F7

RGB 204 130 247

HSL 277.95, 0.88%, 0.74%

LAB 66.15, 48.65, -47.6

 

CMYK 70 / 79 / 0 / 5

HEX #4934F2

RGB 73 52 242

HSL 246.63, 0.88%, 0.58%

LAB 38.35, 63.16, -90.41

 

CMYK 56 / 63 / 0 / 4

HEX #6C5BF4

RGB 108 91 244

HSL 246.67, 0.87%, 0.66%

LAB 48.51, 47.56, -74.73

 

CMYK 42 / 47 / 0 / 3

HEX #8F82F7

RGB 143 130 247

HSL 246.67, 0.88%, 0.74%

LAB 60.36, 32.97, -57.15

 

CMYK 29 / 32 / 0 / 2

HEX #B2A9F9

RGB 178 169 249

HSL 246.75, 0.87%, 0.82%

LAB 72.68, 20.43, -38.63

 

CMYK 16 / 18 / 0 / 2

HEX #D4CFFB

RGB 212 207 251

HSL 246.82, 0.85%, 0.9%

LAB 84.79, 10.29, -20.9

 

CMYK 42 / 47 / 0 / 3

HEX #8F82F7

RGB 143 130 247

HSL 246.67, 0.88%, 0.74%

LAB 60.36, 32.97, -57.15

 

CMYK 0 / 47 / 14 / 3

HEX #F782D4

RGB 247 130 212

HSL 317.95, 0.88%, 0.74%

LAB 69.82, 54.73, -22.18

 

CMYK 33 / 0 / 47 / 3

HEX #A5F782

RGB 165 247 130

HSL 102.05, 0.88%, 0.74%

LAB 89.92, -45.51, 48.24

 

CMYK 42 / 47 / 0 / 3

HEX #8F82F7

RGB 143 130 247

HSL 246.67, 0.88%, 0.74%

LAB 60.36, 32.97, -57.15

 

CMYK 0 / 43 / 47 / 3

HEX #F78E82

RGB 247 142 130

HSL 6.15, 0.88%, 0.74%

LAB 69.99, 38.46, 23.8

 

CMYK 47 / 0 / 43 / 3

HEX #82F78E

RGB 130 247 142

HSL 126.15, 0.88%, 0.74%

LAB 88.55, -54.29, 40.41

 

CMYK 42 / 47 / 0 / 3

HEX #8F82F7

RGB 143 130 247

HSL 246.67, 0.88%, 0.74%

LAB 60.36, 32.97, -57.15

 

CMYK 0 / 47 / 14 / 3

HEX #F782D4

RGB 247 130 212

HSL 317.95, 0.88%, 0.74%

LAB 69.82, 54.73, -22.18

 

CMYK 5 / 0 / 47 / 3

HEX #EBF782

RGB 235 247 130

HSL 66.15, 0.88%, 0.74%

LAB 94.22, -20.26, 54.48

 

CMYK 47 / 0 / 33 / 3

HEX #82F7A5

RGB 130 247 165

HSL 137.95, 0.88%, 0.74%

LAB 88.91, -50.6, 29.44

 

CMYK 42 / 47 / 0 / 3

HEX #8F82F7

RGB 143 130 247

HSL 246.67, 0.88%, 0.74%

LAB 60.36, 32.97, -57.15

 

CMYK 0 / 47 / 28 / 3

HEX #F782B1

RGB 247 130 177

HSL 335.9, 0.88%, 0.74%

LAB 68.69, 49.78, -4.32

 

CMYK 5 / 0 / 47 / 3

HEX #EBF782

RGB 235 247 130

HSL 66.15, 0.88%, 0.74%

LAB 94.22, -20.26, 54.48

 

CMYK 47 / 0 / 19 / 3

HEX #82F7C8

RGB 130 247 200

HSL 155.9, 0.88%, 0.74%

LAB 89.6, -43.9, 12.45

 

Description

Color code: HEX #8F82F7 | qconv.com Color code: HEX #8F82F7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 130 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 130 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 47 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 47% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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