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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F8B51 it is the complementary color #7074AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F8B51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F8B51 shade: #948B4C, #A59D5F, #B6AF72, #C7C185 and #D8D398

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F8B51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F8B51 shade: #8F8B51, #7E793E, #6D672B, #5C5518 and #4B4305

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F8B51 shade: #8F8B50, #8F7A50, #8F6950, #8F5850 and #8F5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F8B51 shade: #8F8B50, #828F50, #718F50, #608F50 and #508F51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F8B51 shade matches the following richer shades: #8F8B50, #A19B3E, #B3AB2C, #C6BA1A and #D8CA08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F8B51 shade: #8F8B50, #7D7B62, #6B6B75, #595C87 and #474C99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F8B51 shade: #8F6950, #8F7A50, #8F8B50, #838F50 and #728F50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F8B51 shade: #5A5833, #757141, #8F8B50, #A7A262 and #B5B27D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F8B51 shade: #8F8B51, #508F59 and #72508F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F8B51 shade: #8F8B51, #508F8B and #8B508F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F8B51 shade: #8F8B51, #508F59, #50548F and #8F5087

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F8B51 shade: #8F8B51, #508F6C, #50548F and #8F5074

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 43 / 44

HEX #8F8B51

RGB 143 139 81

HSL 56.13, 0.28%, 0.44%

LAB 56.98, -7.35, 31.48

 

Complementary color

CMYK 36 / 33 / 0 / 32

HEX #7074AE

RGB 112 116 174

HSL 236.13, 0.28%, 0.56%

LAB 50.68, 12.78, -31.35

 

CMYK 0 / 6 / 49 / 42

HEX #948B4C

RGB 148 139 76

HSL 52.5, 0.32%, 0.44%

LAB 57.35, -5.72, 34.7

 

CMYK 0 / 5 / 42 / 35

HEX #A59D5F

RGB 165 157 95

HSL 53.14, 0.28%, 0.51%

LAB 64.11, -6.25, 33.42

 

CMYK 0 / 4 / 37 / 29

HEX #B6AF72

RGB 182 175 114

HSL 53.82, 0.32%, 0.58%

LAB 70.75, -6.67, 32.19

 

CMYK 0 / 3 / 33 / 22

HEX #C7C185

RGB 199 193 133

HSL 54.55, 0.37%, 0.65%

LAB 77.27, -7.02, 31.02

 

CMYK 0 / 2 / 30 / 15

HEX #D8D398

RGB 216 211 152

HSL 55.31, 0.45%, 0.72%

LAB 83.68, -7.32, 29.91

 

CMYK 0 / 3 / 43 / 44

HEX #8F8B51

RGB 143 139 81

HSL 56.13, 0.28%, 0.44%

LAB 56.98, -7.35, 31.48

 

CMYK 0 / 4 / 51 / 51

HEX #7E793E

RGB 126 121 62

HSL 55.31, 0.34%, 0.37%

LAB 50.05, -6.83, 32.77

 

CMYK 0 / 6 / 61 / 57

HEX #6D672B

RGB 109 103 43

HSL 54.55, 0.43%, 0.3%

LAB 42.95, -6.14, 34.02

 

CMYK 0 / 8 / 74 / 64

HEX #5C5518

RGB 92 85 24

HSL 53.82, 0.59%, 0.23%

LAB 35.67, -5.19, 34.97

 

CMYK 0 / 11 / 93 / 71

HEX #4B4305

RGB 75 67 5

HSL 53.14, 0.88%, 0.16%

LAB 28.17, -3.84, 34.99

 

CMYK 0 / 3 / 44 / 44

HEX #8F8B50

RGB 143 139 80

HSL 56.19, 0.28%, 0.44%

LAB 56.96, -7.46, 32

 

CMYK 0 / 15 / 44 / 44

HEX #8F7A50

RGB 143 122 80

HSL 40, 0.28%, 0.44%

LAB 52.22, 2.04, 25.97

 

CMYK 0 / 27 / 44 / 44

HEX #8F6950

RGB 143 105 80

HSL 23.81, 0.28%, 0.44%

LAB 47.65, 11.85, 20

 

CMYK 0 / 38 / 44 / 44

HEX #8F5850

RGB 143 88 80

HSL 7.62, 0.28%, 0.44%

LAB 43.36, 21.74, 14.2

 

CMYK 0 / 44 / 44 / 44

HEX #8F5050

RGB 143 80 80

HSL 0, 0.28%, 0.44%

LAB 41.46, 26.33, 11.6

 

CMYK 0 / 3 / 44 / 44

HEX #8F8B50

RGB 143 139 80

HSL 56.19, 0.28%, 0.44%

LAB 56.96, -7.46, 32

 

CMYK 9 / 0 / 44 / 44

HEX #828F50

RGB 130 143 80

HSL 72.38, 0.28%, 0.44%

LAB 57.05, -15.12, 31.87

 

CMYK 21 / 0 / 44 / 44

HEX #718F50

RGB 113 143 80

HSL 88.57, 0.28%, 0.44%

LAB 55.82, -22.02, 30.07

 

CMYK 33 / 0 / 44 / 44

HEX #608F50

RGB 96 143 80

HSL 104.76, 0.28%, 0.44%

LAB 54.77, -28.44, 28.52

 

CMYK 44 / 0 / 43 / 44

HEX #508F51

RGB 80 143 81

HSL 120.95, 0.28%, 0.44%

LAB 53.97, -33.71, 26.79

 

CMYK 0 / 3 / 44 / 44

HEX #8F8B50

RGB 143 139 80

HSL 56.19, 0.28%, 0.44%

LAB 56.96, -7.46, 32

 

CMYK 0 / 4 / 61 / 37

HEX #A19B3E

RGB 161 155 62

HSL 56.36, 0.44%, 0.44%

LAB 62.82, -9.88, 48.21

 

CMYK 0 / 4 / 75 / 30

HEX #B3AB2C

RGB 179 171 44

HSL 56.44, 0.61%, 0.44%

LAB 68.67, -11.4, 61.81

 

CMYK 0 / 6 / 87 / 22

HEX #C6BA1A

RGB 198 186 26

HSL 55.81, 0.77%, 0.44%

LAB 74.32, -11.4, 72.21

 

CMYK 0 / 6 / 96 / 15

HEX #D8CA08

RGB 216 202 8

HSL 55.96, 0.93%, 0.44%

LAB 80.1, -11.99, 79.89

 

CMYK 0 / 3 / 44 / 44

HEX #8F8B50

RGB 143 139 80

HSL 56.19, 0.28%, 0.44%

LAB 56.96, -7.46, 32

 

CMYK 0 / 2 / 22 / 51

HEX #7D7B62

RGB 125 123 98

HSL 55.56, 0.12%, 0.44%

LAB 51.16, -3.72, 13.98

 

CMYK 9 / 9 / 0 / 54

HEX #6B6B75

RGB 107 107 117

HSL 240, 0.04%, 0.44%

LAB 45.53, 2.14, -5.56

 

CMYK 34 / 32 / 0 / 47

HEX #595C87

RGB 89 92 135

HSL 236.09, 0.21%, 0.44%

LAB 40.45, 9.7, -24.31

 

CMYK 54 / 50 / 0 / 40

HEX #474C99

RGB 71 76 153

HSL 236.34, 0.37%, 0.44%

LAB 35.61, 20.7, -42.95

 

CMYK 0 / 27 / 44 / 44

HEX #8F6950

RGB 143 105 80

HSL 23.81, 0.28%, 0.44%

LAB 47.65, 11.85, 20

 

CMYK 0 / 15 / 44 / 44

HEX #8F7A50

RGB 143 122 80

HSL 40, 0.28%, 0.44%

LAB 52.22, 2.04, 25.97

 

CMYK 0 / 3 / 44 / 44

HEX #8F8B50

RGB 143 139 80

HSL 56.19, 0.28%, 0.44%

LAB 56.96, -7.46, 32

 

CMYK 8 / 0 / 44 / 44

HEX #838F50

RGB 131 143 80

HSL 71.43, 0.28%, 0.44%

LAB 57.12, -14.7, 31.98

 

CMYK 20 / 0 / 44 / 44

HEX #728F50

RGB 114 143 80

HSL 87.62, 0.28%, 0.44%

LAB 55.89, -21.62, 30.17

 

CMYK 0 / 2 / 43 / 65

HEX #5A5833

RGB 90 88 51

HSL 56.92, 0.28%, 0.28%

LAB 36.73, -5.42, 21.73

 

CMYK 0 / 3 / 44 / 54

HEX #757141

RGB 117 113 65

HSL 55.38, 0.29%, 0.36%

LAB 46.94, -6.01, 27.13

 

CMYK 0 / 3 / 44 / 44

HEX #8F8B50

RGB 143 139 80

HSL 56.19, 0.28%, 0.44%

LAB 56.96, -7.46, 32

 

CMYK 0 / 3 / 41 / 35

HEX #A7A262

RGB 167 162 98

HSL 55.65, 0.28%, 0.52%

LAB 65.7, -7.76, 33.89

 

CMYK 0 / 2 / 31 / 29

HEX #B5B27D

RGB 181 178 125

HSL 56.79, 0.27%, 0.6%

LAB 71.65, -7.3, 27.54

 

CMYK 0 / 3 / 43 / 44

HEX #8F8B51

RGB 143 139 81

HSL 56.13, 0.28%, 0.44%

LAB 56.98, -7.35, 31.48

 

CMYK 44 / 0 / 38 / 44

HEX #508F59

RGB 80 143 89

HSL 128.57, 0.28%, 0.44%

LAB 54.1, -32.36, 22.58

 

CMYK 20 / 44 / 0 / 44

HEX #72508F

RGB 114 80 143

HSL 272.38, 0.28%, 0.44%

LAB 40.08, 27.07, -29.57

 

CMYK 0 / 3 / 43 / 44

HEX #8F8B51

RGB 143 139 81

HSL 56.13, 0.28%, 0.44%

LAB 56.98, -7.35, 31.48

 

CMYK 44 / 0 / 3 / 44

HEX #508F8B

RGB 80 143 139

HSL 176.19, 0.28%, 0.44%

LAB 55.29, -21.28, -4.22

 

CMYK 3 / 44 / 0 / 44

HEX #8B508F

RGB 139 80 143

HSL 296.19, 0.28%, 0.44%

LAB 43.08, 34.99, -24.66

 

CMYK 0 / 3 / 43 / 44

HEX #8F8B51

RGB 143 139 81

HSL 56.13, 0.28%, 0.44%

LAB 56.98, -7.35, 31.48

 

CMYK 44 / 0 / 38 / 44

HEX #508F59

RGB 80 143 89

HSL 128.57, 0.28%, 0.44%

LAB 54.1, -32.36, 22.58

 

CMYK 44 / 41 / 0 / 44

HEX #50548F

RGB 80 84 143

HSL 236.19, 0.28%, 0.44%

LAB 37.89, 14.54, -33.22

 

CMYK 0 / 44 / 6 / 44

HEX #8F5087

RGB 143 80 135

HSL 307.62, 0.28%, 0.44%

LAB 43.25, 34.74, -19.51

 

CMYK 0 / 3 / 43 / 44

HEX #8F8B51

RGB 143 139 81

HSL 56.13, 0.28%, 0.44%

LAB 56.98, -7.35, 31.48

 

CMYK 44 / 0 / 24 / 44

HEX #508F6C

RGB 80 143 108

HSL 146.67, 0.28%, 0.44%

LAB 54.48, -28.67, 12.41

 

CMYK 44 / 41 / 0 / 44

HEX #50548F

RGB 80 84 143

HSL 236.19, 0.28%, 0.44%

LAB 37.89, 14.54, -33.22

 

CMYK 0 / 44 / 19 / 44

HEX #8F5074

RGB 143 80 116

HSL 325.71, 0.28%, 0.44%

LAB 42.52, 31.39, -9.05

 

Description

Color code: HEX #8F8B51 | qconv.com Color code: HEX #8F8B51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 139 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 139 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 43 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 43% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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