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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F8FCB it is the complementary color #707034. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F8FCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F8FCB shade: #948FC6, #A5A1D9, #B6B3EC, #C7C5FF and #D8D7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F8FCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F8FCB shade: #8F8FCB, #7E7DB8, #6D6BA5, #5C5992 and #4B477F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F8FCB shade: #8F8FCB, #9F8FCB, #AF8FCB, #C08FCB and #CB8FC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F8FCB shade: #8F8FCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F8FCB shade matches the following richer shades: #8F8FCB, #8282D8, #7474E5 and #6767F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F8FCB shade: #8F8FCB, #9C9CBE, #A9A9B1, #B6B6A3 and #C4C496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F8FCB shade: #8FAFCB, #8F9FCB, #8F8FCB, #9F8FCB and #AF8FCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F8FCB shade: #5656B1, #7272BE, #8F8FCB, #ABABD8 and #C7C7E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F8FCB shade: #8F8FCB, #CB8FBF and #A7CB8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F8FCB shade: #8F8FCB, #CB8F8F and #8FCB8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F8FCB shade: #8F8FCB, #CB8FBF, #CBCB8F and #8FCB9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F8FCB shade: #8F8FCB, #CB8FAD, #CBCB8F and #8FCBAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 30 / 0 / 20

HEX #8F8FCB

RGB 143 143 203

HSL 240, 0.37%, 0.68%

LAB 61.48, 13.62, -30.9

 

Complementary color

CMYK 0 / 0 / 54 / 56

HEX #707034

RGB 112 112 52

HSL 60, 0.37%, 0.32%

LAB 46.02, -9.06, 32.96

 

CMYK 25 / 28 / 0 / 22

HEX #948FC6

RGB 148 143 198

HSL 245.45, 0.33%, 0.67%

LAB 61.67, 13.88, -27.77

 

CMYK 24 / 26 / 0 / 15

HEX #A5A1D9

RGB 165 161 217

HSL 244.29, 0.42%, 0.74%

LAB 68.39, 13.4, -27.88

 

CMYK 23 / 24 / 0 / 7

HEX #B6B3EC

RGB 182 179 236

HSL 243.16, 0.6%, 0.81%

LAB 74.98, 12.96, -28.02

 

CMYK 22 / 23 / 0 / 0

HEX #C7C5FF

RGB 199 197 255

HSL 242.07, 1%, 0.89%

LAB 81.45, 12.57, -28.19

 

CMYK 15 / 16 / 0 / 0

HEX #D8D7FF

RGB 216 215 255

HSL 241.5, 1%, 0.92%

LAB 87.2, 8.13, -19.33

 

CMYK 30 / 30 / 0 / 20

HEX #8F8FCB

RGB 143 143 203

HSL 240, 0.37%, 0.68%

LAB 61.48, 13.62, -30.9

 

CMYK 32 / 32 / 0 / 28

HEX #7E7DB8

RGB 126 125 184

HSL 241.02, 0.29%, 0.61%

LAB 54.62, 14.2, -30.88

 

CMYK 34 / 35 / 0 / 35

HEX #6D6BA5

RGB 109 107 165

HSL 242.07, 0.24%, 0.53%

LAB 47.6, 14.86, -30.92

 

CMYK 37 / 39 / 0 / 43

HEX #5C5992

RGB 92 89 146

HSL 243.16, 0.24%, 0.46%

LAB 40.4, 15.65, -31.02

 

CMYK 41 / 44 / 0 / 50

HEX #4B477F

RGB 75 71 127

HSL 244.29, 0.28%, 0.39%

LAB 32.99, 16.59, -31.19

 

CMYK 30 / 30 / 0 / 20

HEX #8F8FCB

RGB 143 143 203

HSL 240, 0.37%, 0.68%

LAB 61.48, 13.62, -30.9

 

CMYK 22 / 30 / 0 / 20

HEX #9F8FCB

RGB 159 143 203

HSL 256, 0.37%, 0.68%

LAB 62.78, 18.46, -28.78

 

CMYK 14 / 30 / 0 / 20

HEX #AF8FCB

RGB 175 143 203

HSL 272, 0.37%, 0.68%

LAB 64.22, 23.48, -26.45

 

CMYK 5 / 30 / 0 / 20

HEX #C08FCB

RGB 192 143 203

HSL 289, 0.37%, 0.68%

LAB 65.88, 28.95, -23.76

 

CMYK 0 / 30 / 2 / 20

HEX #CB8FC6

RGB 203 143 198

HSL 305, 0.37%, 0.68%

LAB 66.84, 31.61, -19.4

 

CMYK 30 / 30 / 0 / 20

HEX #8F8FCB

RGB 143 143 203

HSL 240, 0.37%, 0.68%

LAB 61.48, 13.62, -30.9

 

CMYK 30 / 30 / 0 / 20

HEX #8F8FCB

RGB 143 143 203

HSL 240, 0.37%, 0.68%

LAB 61.48, 13.62, -30.9

 

CMYK 40 / 40 / 0 / 15

HEX #8282D8

RGB 130 130 216

HSL 240, 0.52%, 0.68%

LAB 57.72, 21.08, -44.15

 

CMYK 49 / 49 / 0 / 10

HEX #7474E5

RGB 116 116 229

HSL 240, 0.68%, 0.68%

LAB 53.88, 29.86, -57.62

 

CMYK 58 / 58 / 0 / 5

HEX #6767F3

RGB 103 103 243

HSL 240, 0.85%, 0.68%

LAB 50.75, 39.42, -70.55

 

CMYK 30 / 30 / 0 / 20

HEX #8F8FCB

RGB 143 143 203

HSL 240, 0.37%, 0.68%

LAB 61.48, 13.62, -30.9

 

CMYK 18 / 18 / 0 / 25

HEX #9C9CBE

RGB 156 156 190

HSL 240, 0.21%, 0.68%

LAB 65.41, 7.13, -17.51

 

CMYK 5 / 5 / 0 / 31

HEX #A9A9B1

RGB 169 169 177

HSL 240, 0.05%, 0.68%

LAB 69.46, 1.55, -4.11

 

CMYK 0 / 0 / 10 / 29

HEX #B6B6A3

RGB 182 182 163

HSL 60, 0.12%, 0.68%

LAB 73.57, -3.37, 9.68

 

CMYK 0 / 0 / 23 / 23

HEX #C4C496

RGB 196 196 150

HSL 60, 0.28%, 0.68%

LAB 78.12, -7.49, 23.17

 

CMYK 30 / 14 / 0 / 20

HEX #8FAFCB

RGB 143 175 203

HSL 208, 0.37%, 0.68%

LAB 70.04, -4.36, -17.78

 

CMYK 30 / 22 / 0 / 20

HEX #8F9FCB

RGB 143 159 203

HSL 224, 0.37%, 0.68%

LAB 65.71, 4.5, -24.38

 

CMYK 30 / 30 / 0 / 20

HEX #8F8FCB

RGB 143 143 203

HSL 240, 0.37%, 0.68%

LAB 61.48, 13.62, -30.9

 

CMYK 22 / 30 / 0 / 20

HEX #9F8FCB

RGB 159 143 203

HSL 256, 0.37%, 0.68%

LAB 62.78, 18.46, -28.78

 

CMYK 14 / 30 / 0 / 20

HEX #AF8FCB

RGB 175 143 203

HSL 272, 0.37%, 0.68%

LAB 64.22, 23.48, -26.45

 

CMYK 51 / 51 / 0 / 31

HEX #5656B1

RGB 86 86 177

HSL 240, 0.37%, 0.52%

LAB 40.91, 25.51, -48.7

 

CMYK 40 / 40 / 0 / 25

HEX #7272BE

RGB 114 114 190

HSL 240, 0.37%, 0.6%

LAB 51.07, 19.06, -39.96

 

CMYK 30 / 30 / 0 / 20

HEX #8F8FCB

RGB 143 143 203

HSL 240, 0.37%, 0.68%

LAB 61.48, 13.62, -30.9

 

CMYK 21 / 21 / 0 / 15

HEX #ABABD8

RGB 171 171 216

HSL 240, 0.37%, 0.76%

LAB 71.38, 9.43, -22.7

 

CMYK 13 / 13 / 0 / 10

HEX #C7C7E5

RGB 199 199 229

HSL 240, 0.37%, 0.84%

LAB 81.1, 5.87, -14.84

 

CMYK 30 / 30 / 0 / 20

HEX #8F8FCB

RGB 143 143 203

HSL 240, 0.37%, 0.68%

LAB 61.48, 13.62, -30.9

 

CMYK 0 / 30 / 6 / 20

HEX #CB8FBF

RGB 203 143 191

HSL 312, 0.37%, 0.68%

LAB 66.6, 30.34, -15.85

 

CMYK 18 / 0 / 30 / 20

HEX #A7CB8F

RGB 167 203 143

HSL 96, 0.37%, 0.68%

LAB 77.82, -22.81, 26.11

 

CMYK 30 / 30 / 0 / 20

HEX #8F8FCB

RGB 143 143 203

HSL 240, 0.37%, 0.68%

LAB 61.48, 13.62, -30.9

 

CMYK 0 / 30 / 30 / 20

HEX #CB8F8F

RGB 203 143 143

HSL 0, 0.37%, 0.68%

LAB 65.22, 22.76, 9.12

 

CMYK 30 / 0 / 30 / 20

HEX #8FCB8F

RGB 143 203 143

HSL 120, 0.37%, 0.68%

LAB 76.4, -31.08, 23.94

 

CMYK 30 / 30 / 0 / 20

HEX #8F8FCB

RGB 143 143 203

HSL 240, 0.37%, 0.68%

LAB 61.48, 13.62, -30.9

 

CMYK 0 / 30 / 6 / 20

HEX #CB8FBF

RGB 203 143 191

HSL 312, 0.37%, 0.68%

LAB 66.6, 30.34, -15.85

 

CMYK 0 / 0 / 30 / 20

HEX #CBCB8F

RGB 203 203 143

HSL 60, 0.37%, 0.68%

LAB 80.4, -9.37, 30.02

 

CMYK 30 / 0 / 24 / 20

HEX #8FCB9B

RGB 143 203 155

HSL 132, 0.37%, 0.68%

LAB 76.63, -28.99, 17.91

 

CMYK 30 / 30 / 0 / 20

HEX #8F8FCB

RGB 143 143 203

HSL 240, 0.37%, 0.68%

LAB 61.48, 13.62, -30.9

 

CMYK 0 / 30 / 15 / 20

HEX #CB8FAD

RGB 203 143 173

HSL 330, 0.37%, 0.68%

LAB 66.03, 27.26, -6.6

 

CMYK 0 / 0 / 30 / 20

HEX #CBCB8F

RGB 203 203 143

HSL 60, 0.37%, 0.68%

LAB 80.4, -9.37, 30.02

 

CMYK 30 / 0 / 15 / 20

HEX #8FCBAD

RGB 143 203 173

HSL 150, 0.37%, 0.68%

LAB 77.02, -25.56, 8.84

 

Description

Color code: HEX #8F8FCB | qconv.com Color code: HEX #8F8FCB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 143 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 143 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 30 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 30% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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