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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F9784 it is the complementary color #70687B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F9784. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F9784 shade: #94977F, #A5A992, #B6BBA5, #C7CDB8 and #D8DFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F9784. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F9784 shade: #8F9784, #7E8571, #6D735E, #5C614B and #4B4F38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F9784 shade: #8D9583, #929583, #959383, #958E83 and #958983

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F9784 shade: #8D9583, #889583, #839583, #839587 and #83958C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F9784 shade matches the following richer shades: #8D9583, #90A770, #93BA5D, #96CD4B and #99DF38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F9784 shade: #8D9583, #8A8295, #8770A8, #845DBA and #814BCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F9784 shade: #959383, #929583, #8D9583, #889583 and #839583

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F9784 shade: #646A5B, #79816E, #8D9583, #A2A899 and #B6BBAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F9784 shade: #8F9784, #83958E and #958395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F9784 shade: #8F9784, #838D95 and #95838D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F9784 shade: #8F9784, #83958E, #8A8395 and #95838A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F9784 shade: #8F9784, #839593, #8A8395 and #958384

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 13 / 41

HEX #8F9784

RGB 143 151 132

HSL 85.26, 0.08%, 0.55%

LAB 61.34, -6.48, 9.03

 

Complementary color

CMYK 9 / 15 / 0 / 52

HEX #70687B

RGB 112 104 123

HSL 265.26, 0.08%, 0.45%

LAB 45.33, 7.11, -9.43

 

CMYK 2 / 0 / 16 / 41

HEX #94977F

RGB 148 151 127

HSL 67.5, 0.1%, 0.55%

LAB 61.62, -5.44, 12.29

 

CMYK 2 / 0 / 14 / 34

HEX #A5A992

RGB 165 169 146

HSL 70.43, 0.12%, 0.62%

LAB 68.35, -5.57, 11.39

 

CMYK 3 / 0 / 12 / 27

HEX #B6BBA5

RGB 182 187 165

HSL 73.64, 0.14%, 0.69%

LAB 74.95, -5.68, 10.55

 

CMYK 3 / 0 / 10 / 20

HEX #C7CDB8

RGB 199 205 184

HSL 77.14, 0.17%, 0.76%

LAB 81.44, -5.78, 9.75

 

CMYK 3 / 0 / 9 / 13

HEX #D8DFCB

RGB 216 223 203

HSL 81, 0.24%, 0.84%

LAB 87.82, -5.88, 8.98

 

CMYK 5 / 0 / 13 / 41

HEX #8F9784

RGB 143 151 132

HSL 85.26, 0.08%, 0.55%

LAB 61.34, -6.48, 9.03

 

CMYK 5 / 0 / 15 / 48

HEX #7E8571

RGB 126 133 113

HSL 81, 0.08%, 0.48%

LAB 54.45, -6.41, 9.91

 

CMYK 5 / 0 / 18 / 55

HEX #6D735E

RGB 109 115 94

HSL 77.14, 0.1%, 0.41%

LAB 47.39, -6.34, 10.87

 

CMYK 5 / 0 / 23 / 62

HEX #5C614B

RGB 92 97 75

HSL 73.64, 0.13%, 0.34%

LAB 40.14, -6.25, 11.92

 

CMYK 5 / 0 / 29 / 69

HEX #4B4F38

RGB 75 79 56

HSL 70.43, 0.17%, 0.26%

LAB 32.64, -6.13, 13.08

 

CMYK 5 / 0 / 12 / 42

HEX #8D9583

RGB 141 149 131

HSL 86.67, 0.08%, 0.55%

LAB 60.6, -6.32, 8.52

 

CMYK 2 / 0 / 12 / 42

HEX #929583

RGB 146 149 131

HSL 70, 0.08%, 0.55%

LAB 61, -4.43, 9.14

 

CMYK 0 / 1 / 12 / 42

HEX #959383

RGB 149 147 131

HSL 53.33, 0.08%, 0.55%

LAB 60.69, -2.18, 8.73

 

CMYK 0 / 5 / 12 / 42

HEX #958E83

RGB 149 142 131

HSL 36.67, 0.08%, 0.55%

LAB 59.32, 0.61, 6.78

 

CMYK 0 / 8 / 12 / 42

HEX #958983

RGB 149 137 131

HSL 20, 0.08%, 0.55%

LAB 57.96, 3.42, 4.83

 

CMYK 5 / 0 / 12 / 42

HEX #8D9583

RGB 141 149 131

HSL 86.67, 0.08%, 0.55%

LAB 60.6, -6.32, 8.52

 

CMYK 9 / 0 / 12 / 42

HEX #889583

RGB 136 149 131

HSL 103.33, 0.08%, 0.55%

LAB 60.22, -8.18, 7.92

 

CMYK 12 / 0 / 12 / 42

HEX #839583

RGB 131 149 131

HSL 120, 0.08%, 0.55%

LAB 59.85, -10.02, 7.35

 

CMYK 12 / 0 / 9 / 42

HEX #839587

RGB 131 149 135

HSL 133.33, 0.08%, 0.55%

LAB 59.95, -9.25, 5.22

 

CMYK 12 / 0 / 6 / 42

HEX #83958C

RGB 131 149 140

HSL 150, 0.08%, 0.55%

LAB 60.08, -8.26, 2.57

 

CMYK 5 / 0 / 12 / 42

HEX #8D9583

RGB 141 149 131

HSL 86.67, 0.08%, 0.55%

LAB 60.6, -6.32, 8.52

 

CMYK 14 / 0 / 33 / 35

HEX #90A770

RGB 144 167 112

HSL 85.09, 0.24%, 0.55%

LAB 65.54, -17.82, 25.88

 

CMYK 21 / 0 / 50 / 27

HEX #93BA5D

RGB 147 186 93

HSL 85.16, 0.4%, 0.55%

LAB 70.95, -28.51, 42.6

 

CMYK 27 / 0 / 63 / 20

HEX #96CD4B

RGB 150 205 75

HSL 85.38, 0.57%, 0.55%

LAB 76.47, -37.89, 57.17

 

CMYK 31 / 0 / 75 / 13

HEX #99DF38

RGB 153 223 56

HSL 85.15, 0.72%, 0.55%

LAB 81.75, -45.89, 69.62

 

CMYK 5 / 0 / 12 / 42

HEX #8D9583

RGB 141 149 131

HSL 86.67, 0.08%, 0.55%

LAB 60.6, -6.32, 8.52

 

CMYK 7 / 13 / 0 / 42

HEX #8A8295

RGB 138 130 149

HSL 265.26, 0.08%, 0.55%

LAB 55.62, 6.82, -9.09

 

CMYK 20 / 33 / 0 / 34

HEX #8770A8

RGB 135 112 168

HSL 264.64, 0.24%, 0.55%

LAB 51.34, 20.64, -26.67

 

CMYK 29 / 50 / 0 / 27

HEX #845DBA

RGB 132 93 186

HSL 265.16, 0.4%, 0.55%

LAB 47.34, 35.34, -43.45

 

CMYK 37 / 63 / 0 / 20

HEX #814BCD

RGB 129 75 205

HSL 264.92, 0.57%, 0.55%

LAB 44.39, 49.42, -59.21

 

CMYK 0 / 1 / 12 / 42

HEX #959383

RGB 149 147 131

HSL 53.33, 0.08%, 0.55%

LAB 60.69, -2.18, 8.73

 

CMYK 2 / 0 / 12 / 42

HEX #929583

RGB 146 149 131

HSL 70, 0.08%, 0.55%

LAB 61, -4.43, 9.14

 

CMYK 5 / 0 / 12 / 42

HEX #8D9583

RGB 141 149 131

HSL 86.67, 0.08%, 0.55%

LAB 60.6, -6.32, 8.52

 

CMYK 9 / 0 / 12 / 42

HEX #889583

RGB 136 149 131

HSL 103.33, 0.08%, 0.55%

LAB 60.22, -8.18, 7.92

 

CMYK 12 / 0 / 12 / 42

HEX #839583

RGB 131 149 131

HSL 120, 0.08%, 0.55%

LAB 59.85, -10.02, 7.35

 

CMYK 6 / 0 / 14 / 58

HEX #646A5B

RGB 100 106 91

HSL 84, 0.08%, 0.39%

LAB 43.91, -5.32, 7.64

 

CMYK 6 / 0 / 15 / 49

HEX #79816E

RGB 121 129 110

HSL 85.26, 0.08%, 0.47%

LAB 52.83, -6.66, 9.3

 

CMYK 5 / 0 / 12 / 42

HEX #8D9583

RGB 141 149 131

HSL 86.67, 0.08%, 0.55%

LAB 60.6, -6.32, 8.52

 

CMYK 4 / 0 / 9 / 34

HEX #A2A899

RGB 162 168 153

HSL 84, 0.08%, 0.63%

LAB 68.01, -4.92, 7.01

 

CMYK 3 / 0 / 6 / 27

HEX #B6BBAF

RGB 182 187 175

HSL 85, 0.08%, 0.71%

LAB 75.19, -3.94, 5.46

 

CMYK 5 / 0 / 13 / 41

HEX #8F9784

RGB 143 151 132

HSL 85.26, 0.08%, 0.55%

LAB 61.34, -6.48, 9.03

 

CMYK 12 / 0 / 5 / 42

HEX #83958E

RGB 131 149 142

HSL 156.67, 0.08%, 0.55%

LAB 60.13, -7.85, 1.51

 

CMYK 0 / 12 / 0 / 42

HEX #958395

RGB 149 131 149

HSL 300, 0.08%, 0.55%

LAB 56.87, 10.2, -7.12

 

CMYK 5 / 0 / 13 / 41

HEX #8F9784

RGB 143 151 132

HSL 85.26, 0.08%, 0.55%

LAB 61.34, -6.48, 9.03

 

CMYK 12 / 5 / 0 / 42

HEX #838D95

RGB 131 141 149

HSL 206.67, 0.08%, 0.55%

LAB 58.08, -1.93, -5.5

 

CMYK 0 / 12 / 5 / 42

HEX #95838D

RGB 149 131 141

HSL 326.67, 0.08%, 0.55%

LAB 56.63, 8.65, -2.87

 

CMYK 5 / 0 / 13 / 41

HEX #8F9784

RGB 143 151 132

HSL 85.26, 0.08%, 0.55%

LAB 61.34, -6.48, 9.03

 

CMYK 12 / 0 / 5 / 42

HEX #83958E

RGB 131 149 142

HSL 156.67, 0.08%, 0.55%

LAB 60.13, -7.85, 1.51

 

CMYK 7 / 12 / 0 / 42

HEX #8A8395

RGB 138 131 149

HSL 263.33, 0.08%, 0.55%

LAB 55.89, 6.24, -8.69

 

CMYK 0 / 12 / 7 / 42

HEX #95838A

RGB 149 131 138

HSL 336.67, 0.08%, 0.55%

LAB 56.54, 8.09, -1.26

 

CMYK 5 / 0 / 13 / 41

HEX #8F9784

RGB 143 151 132

HSL 85.26, 0.08%, 0.55%

LAB 61.34, -6.48, 9.03

 

CMYK 12 / 0 / 1 / 42

HEX #839593

RGB 131 149 147

HSL 173.33, 0.08%, 0.55%

LAB 60.27, -6.81, -1.13

 

CMYK 7 / 12 / 0 / 42

HEX #8A8395

RGB 138 131 149

HSL 263.33, 0.08%, 0.55%

LAB 55.89, 6.24, -8.69

 

CMYK 0 / 12 / 11 / 42

HEX #958384

RGB 149 131 132

HSL 356.67, 0.08%, 0.55%

LAB 56.38, 7.01, 1.96

 

Description

Color code: HEX #8F9784 | qconv.com Color code: HEX #8F9784 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 151 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 151 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 13 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 13% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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