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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F90B1 it is the complementary color #706F4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F90B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F90B1 shade: #9490AC, #A5A2BF, #B6B4D2, #C7C6E5 and #D8D8F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F90B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F90B1 shade: #8F90B1, #7E7E9E, #6D6C8B, #5C5A78 and #4B4865

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F90B1 shade: #8F90B1, #978FB1, #A08FB1, #AA8FB1 and #B18FAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F90B1 shade: #8F90B1 and #8F8FB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F90B1 shade matches the following richer shades: #8F90B1, #8082C0, #7173D0, #6165DF and #5257EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F90B1 shade: #8F90B1, #9E9FA2, #AEAD93, #BDBB83 and #CCCA74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F90B1 shade: #8FA2B1, #8F99B1, #8F90B1, #978FB1 and #A08FB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F90B1 shade: #61638C, #7778A0, #8F90B1, #A8A8C2 and #C0C0D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F90B1 shade: #8F90B1, #B18FAB and #9EB18F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F90B1 shade: #8F90B1, #B18F90 and #90B18F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F90B1 shade: #8F90B1, #B18FAB, #B1B08F and #8FB195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F90B1 shade: #8F90B1, #B18FA1, #B1B08F and #8FB19F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 19 / 0 / 31

HEX #8F90B1

RGB 143 144 177

HSL 238.24, 0.18%, 0.63%

LAB 60.75, 6.72, -17.36

 

Complementary color

CMYK 0 / 1 / 30 / 56

HEX #706F4E

RGB 112 111 78

HSL 58.24, 0.18%, 0.37%

LAB 46.13, -5.37, 18.57

 

CMYK 14 / 16 / 0 / 33

HEX #9490AC

RGB 148 144 172

HSL 248.57, 0.14%, 0.62%

LAB 60.98, 7.24, -14.14

 

CMYK 14 / 15 / 0 / 25

HEX #A5A2BF

RGB 165 162 191

HSL 246.21, 0.18%, 0.69%

LAB 67.73, 6.94, -14.49

 

CMYK 13 / 14 / 0 / 18

HEX #B6B4D2

RGB 182 180 210

HSL 244, 0.25%, 0.76%

LAB 74.34, 6.66, -14.85

 

CMYK 13 / 14 / 0 / 10

HEX #C7C6E5

RGB 199 198 229

HSL 241.94, 0.37%, 0.84%

LAB 80.84, 6.4, -15.22

 

CMYK 13 / 13 / 0 / 3

HEX #D8D8F8

RGB 216 216 248

HSL 240, 0.7%, 0.91%

LAB 87.24, 6.16, -15.59

 

CMYK 19 / 19 / 0 / 31

HEX #8F90B1

RGB 143 144 177

HSL 238.24, 0.18%, 0.63%

LAB 60.75, 6.72, -17.36

 

CMYK 20 / 20 / 0 / 38

HEX #7E7E9E

RGB 126 126 158

HSL 240, 0.14%, 0.56%

LAB 53.84, 7.05, -17.09

 

CMYK 22 / 22 / 0 / 45

HEX #6D6C8B

RGB 109 108 139

HSL 241.94, 0.13%, 0.48%

LAB 46.76, 7.42, -16.85

 

CMYK 23 / 25 / 0 / 53

HEX #5C5A78

RGB 92 90 120

HSL 244, 0.14%, 0.41%

LAB 39.49, 7.85, -16.64

 

CMYK 26 / 29 / 0 / 60

HEX #4B4865

RGB 75 72 101

HSL 246.21, 0.17%, 0.34%

LAB 31.97, 8.35, -16.48

 

CMYK 19 / 19 / 0 / 31

HEX #8F90B1

RGB 143 144 177

HSL 238.24, 0.18%, 0.63%

LAB 60.75, 6.72, -17.36

 

CMYK 15 / 19 / 0 / 31

HEX #978FB1

RGB 151 143 177

HSL 254.12, 0.18%, 0.63%

LAB 61.13, 9.93, -16.72

 

CMYK 10 / 19 / 0 / 31

HEX #A08FB1

RGB 160 143 177

HSL 270, 0.18%, 0.63%

LAB 61.91, 12.96, -15.47

 

CMYK 4 / 19 / 0 / 31

HEX #AA8FB1

RGB 170 143 177

HSL 287.65, 0.18%, 0.63%

LAB 62.81, 16.38, -14.01

 

CMYK 0 / 19 / 1 / 31

HEX #B18FAF

RGB 177 143 175

HSL 303.53, 0.18%, 0.63%

LAB 63.41, 18.42, -11.91

 

CMYK 19 / 19 / 0 / 31

HEX #8F90B1

RGB 143 144 177

HSL 238.24, 0.18%, 0.63%

LAB 60.75, 6.72, -17.36

 

CMYK 19 / 19 / 0 / 31

HEX #8F8FB1

RGB 143 143 177

HSL 240, 0.18%, 0.63%

LAB 60.48, 7.29, -17.77

 

CMYK 19 / 19 / 0 / 31

HEX #8F90B1

RGB 143 144 177

HSL 238.24, 0.18%, 0.63%

LAB 60.75, 6.72, -17.36

 

CMYK 33 / 32 / 0 / 25

HEX #8082C0

RGB 128 130 192

HSL 238.13, 0.34%, 0.63%

LAB 56.45, 13.96, -32.6

 

CMYK 46 / 45 / 0 / 18

HEX #7173D0

RGB 113 115 208

HSL 238.74, 0.5%, 0.63%

LAB 52.2, 23.47, -48.46

 

CMYK 57 / 55 / 0 / 13

HEX #6165DF

RGB 97 101 223

HSL 238.1, 0.66%, 0.63%

LAB 48.48, 33.2, -63

 

CMYK 66 / 63 / 0 / 7

HEX #5257EE

RGB 82 87 238

HSL 238.08, 0.82%, 0.63%

LAB 45.34, 44.1, -76.63

 

CMYK 19 / 19 / 0 / 31

HEX #8F90B1

RGB 143 144 177

HSL 238.24, 0.18%, 0.63%

LAB 60.75, 6.72, -17.36

 

CMYK 2 / 2 / 0 / 36

HEX #9E9FA2

RGB 158 159 162

HSL 225, 0.02%, 0.63%

LAB 65.49, 0.23, -1.69

 

CMYK 0 / 1 / 16 / 32

HEX #AEAD93

RGB 174 173 147

HSL 57.78, 0.14%, 0.63%

LAB 70.17, -4.17, 13.51

 

CMYK 0 / 1 / 31 / 26

HEX #BDBB83

RGB 189 187 131

HSL 57.93, 0.31%, 0.63%

LAB 74.82, -8.08, 28.69

 

CMYK 0 / 1 / 43 / 20

HEX #CCCA74

RGB 204 202 116

HSL 58.64, 0.46%, 0.63%

LAB 79.81, -11.57, 43.03

 

CMYK 19 / 8 / 0 / 31

HEX #8FA2B1

RGB 143 162 177

HSL 206.47, 0.18%, 0.63%

LAB 65.64, -3.38, -10

 

CMYK 19 / 14 / 0 / 31

HEX #8F99B1

RGB 143 153 177

HSL 222.35, 0.18%, 0.63%

LAB 63.17, 1.62, -13.69

 

CMYK 19 / 19 / 0 / 31

HEX #8F90B1

RGB 143 144 177

HSL 238.24, 0.18%, 0.63%

LAB 60.75, 6.72, -17.36

 

CMYK 15 / 19 / 0 / 31

HEX #978FB1

RGB 151 143 177

HSL 254.12, 0.18%, 0.63%

LAB 61.13, 9.93, -16.72

 

CMYK 10 / 19 / 0 / 31

HEX #A08FB1

RGB 160 143 177

HSL 270, 0.18%, 0.63%

LAB 61.91, 12.96, -15.47

 

CMYK 31 / 29 / 0 / 45

HEX #61638C

RGB 97 99 140

HSL 237.21, 0.18%, 0.46%

LAB 43.3, 9.25, -22.86

 

CMYK 26 / 25 / 0 / 37

HEX #7778A0

RGB 119 120 160

HSL 238.54, 0.18%, 0.55%

LAB 51.72, 8.8, -21.56

 

CMYK 19 / 19 / 0 / 31

HEX #8F90B1

RGB 143 144 177

HSL 238.24, 0.18%, 0.63%

LAB 60.75, 6.72, -17.36

 

CMYK 13 / 13 / 0 / 24

HEX #A8A8C2

RGB 168 168 194

HSL 240, 0.18%, 0.71%

LAB 69.63, 5.25, -13.27

 

CMYK 9 / 9 / 0 / 17

HEX #C0C0D3

RGB 192 192 211

HSL 240, 0.18%, 0.79%

LAB 78.23, 3.67, -9.5

 

CMYK 19 / 19 / 0 / 31

HEX #8F90B1

RGB 143 144 177

HSL 238.24, 0.18%, 0.63%

LAB 60.75, 6.72, -17.36

 

CMYK 0 / 19 / 3 / 31

HEX #B18FAB

RGB 177 143 171

HSL 310.59, 0.18%, 0.63%

LAB 63.29, 17.67, -9.84

 

CMYK 11 / 0 / 19 / 31

HEX #9EB18F

RGB 158 177 143

HSL 93.53, 0.18%, 0.63%

LAB 69.96, -12.9, 15.23

 

CMYK 19 / 19 / 0 / 31

HEX #8F90B1

RGB 143 144 177

HSL 238.24, 0.18%, 0.63%

LAB 60.75, 6.72, -17.36

 

CMYK 0 / 19 / 19 / 31

HEX #B18F90

RGB 177 143 144

HSL 358.24, 0.18%, 0.63%

LAB 62.51, 12.96, 4.32

 

CMYK 19 / 0 / 19 / 31

HEX #90B18F

RGB 144 177 143

HSL 118.24, 0.18%, 0.63%

LAB 69.01, -17.93, 13.75

 

CMYK 19 / 19 / 0 / 31

HEX #8F90B1

RGB 143 144 177

HSL 238.24, 0.18%, 0.63%

LAB 60.75, 6.72, -17.36

 

CMYK 0 / 19 / 3 / 31

HEX #B18FAB

RGB 177 143 171

HSL 310.59, 0.18%, 0.63%

LAB 63.29, 17.67, -9.84

 

CMYK 0 / 1 / 19 / 31

HEX #B1B08F

RGB 177 176 143

HSL 58.24, 0.18%, 0.63%

LAB 71.13, -5.25, 17.07

 

CMYK 19 / 0 / 16 / 31

HEX #8FB195

RGB 143 177 149

HSL 130.59, 0.18%, 0.63%

LAB 69.08, -17.17, 10.55

 

CMYK 19 / 19 / 0 / 31

HEX #8F90B1

RGB 143 144 177

HSL 238.24, 0.18%, 0.63%

LAB 60.75, 6.72, -17.36

 

CMYK 0 / 19 / 9 / 31

HEX #B18FA1

RGB 177 143 161

HSL 328.24, 0.18%, 0.63%

LAB 62.98, 15.84, -4.63

 

CMYK 0 / 1 / 19 / 31

HEX #B1B08F

RGB 177 176 143

HSL 58.24, 0.18%, 0.63%

LAB 71.13, -5.25, 17.07

 

CMYK 19 / 0 / 10 / 31

HEX #8FB19F

RGB 143 177 159

HSL 148.24, 0.18%, 0.63%

LAB 69.32, -15.24, 5.4

 

Description

Color code: HEX #8F90B1 | qconv.com Color code: HEX #8F90B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 144 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 144 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 19 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 19% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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