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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FA7EF it is the complementary color #705810. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FA7EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FA7EF shade: #94A7EA, #A5B9FD, #B6CBFF, #C7DDFF and #D8EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FA7EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FA7EF shade: #8FA7EF, #7E95DC, #6D83C9, #5C71B6 and #4B5FA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FA7EF shade: #8FA7EF, #918FEF, #AB8FEF, #C48FEF and #DE8FEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FA7EF shade: #8FA7EF and #8F8FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FA7EF shade matches the following richer shades: #8FA7EF and #85A2F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FA7EF shade: #8FA7EF, #99ACE4, #A4B1DA, #AEB6D0 and #B8BBC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FA7EF shade: #8FDAEF, #8FC0EF, #8FA7EF, #918FEF and #AA8FEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FA7EF shade: #476EE4, #6B8AE9, #8FA7EF, #B3C3F4 and #D7E0F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FA7EF shade: #8FA7EF, #EA8FEF and #CDEF8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FA7EF shade: #8FA7EF, #EF8FA7 and #A7EF8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FA7EF shade: #8FA7EF, #EA8FEF, #EFD78F and #94EF8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FA7EF shade: #8FA7EF, #EF8FD7, #EFD78F and #8FEFA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 30 / 0 / 6

HEX #8FA7EF

RGB 143 167 239

HSL 225, 0.75%, 0.75%

LAB 69.26, 9.44, -38.71

 

Complementary color

CMYK 0 / 21 / 86 / 56

HEX #705810

RGB 112 88 16

HSL 45, 0.75%, 0.25%

LAB 38.66, 2.52, 41.75

 

CMYK 37 / 29 / 0 / 8

HEX #94A7EA

RGB 148 167 234

HSL 226.74, 0.67%, 0.75%

LAB 69.38, 9.42, -35.77

 

CMYK 35 / 27 / 0 / 1

HEX #A5B9FD

RGB 165 185 253

HSL 226.36, 0.96%, 0.82%

LAB 75.94, 8.93, -35.81

 

CMYK 29 / 20 / 0 / 0

HEX #B6CBFF

RGB 182 203 255

HSL 222.74, 1%, 0.86%

LAB 81.77, 4.36, -27.81

 

CMYK 22 / 13 / 0 / 0

HEX #C7DDFF

RGB 199 221 255

HSL 216.43, 1%, 0.89%

LAB 87.52, -0.21, -18.96

 

CMYK 15 / 6 / 0 / 0

HEX #D8EFFF

RGB 216 239 255

HSL 204.62, 1%, 0.92%

LAB 93.26, -4.35, -10.26

 

CMYK 40 / 30 / 0 / 6

HEX #8FA7EF

RGB 143 167 239

HSL 225, 0.75%, 0.75%

LAB 69.26, 9.44, -38.71

 

CMYK 43 / 32 / 0 / 14

HEX #7E95DC

RGB 126 149 220

HSL 225.32, 0.57%, 0.68%

LAB 62.59, 10.06, -38.75

 

CMYK 46 / 35 / 0 / 21

HEX #6D83C9

RGB 109 131 201

HSL 225.65, 0.46%, 0.61%

LAB 55.79, 10.79, -38.84

 

CMYK 49 / 38 / 0 / 29

HEX #5C71B6

RGB 92 113 182

HSL 226, 0.38%, 0.54%

LAB 48.84, 11.65, -38.97

 

CMYK 54 / 42 / 0 / 36

HEX #4B5FA3

RGB 75 95 163

HSL 226.36, 0.37%, 0.47%

LAB 41.73, 12.72, -39.16

 

CMYK 40 / 30 / 0 / 6

HEX #8FA7EF

RGB 143 167 239

HSL 225, 0.75%, 0.75%

LAB 69.26, 9.44, -38.71

 

CMYK 39 / 40 / 0 / 6

HEX #918FEF

RGB 145 143 239

HSL 241.25, 0.75%, 0.75%

LAB 63.26, 23.72, -48.13

 

CMYK 28 / 40 / 0 / 6

HEX #AB8FEF

RGB 171 143 239

HSL 257.5, 0.75%, 0.75%

LAB 65.38, 30.64, -44.63

 

CMYK 18 / 40 / 0 / 6

HEX #C48FEF

RGB 196 143 239

HSL 273.13, 0.75%, 0.75%

LAB 67.73, 37.71, -40.78

 

CMYK 7 / 40 / 0 / 6

HEX #DE8FEF

RGB 222 143 239

HSL 289.38, 0.75%, 0.75%

LAB 70.46, 45.31, -36.33

 

CMYK 40 / 30 / 0 / 6

HEX #8FA7EF

RGB 143 167 239

HSL 225, 0.75%, 0.75%

LAB 69.26, 9.44, -38.71

 

CMYK 40 / 40 / 0 / 6

HEX #8F8FEF

RGB 143 143 239

HSL 240, 0.75%, 0.75%

LAB 63.11, 23.21, -48.37

 

CMYK 40 / 30 / 0 / 6

HEX #8FA7EF

RGB 143 167 239

HSL 225, 0.75%, 0.75%

LAB 69.26, 9.44, -38.71

 

CMYK 47 / 35 / 0 / 2

HEX #85A2F9

RGB 133 162 249

HSL 225, 0.91%, 0.75%

LAB 67.77, 12.63, -46.54

 

CMYK 40 / 30 / 0 / 6

HEX #8FA7EF

RGB 143 167 239

HSL 225, 0.75%, 0.75%

LAB 69.26, 9.44, -38.71

 

CMYK 33 / 25 / 0 / 11

HEX #99ACE4

RGB 153 172 228

HSL 224.8, 0.58%, 0.75%

LAB 70.79, 6.43, -30.29

 

CMYK 25 / 19 / 0 / 15

HEX #A4B1DA

RGB 164 177 218

HSL 225.56, 0.42%, 0.75%

LAB 72.49, 4.43, -22.15

 

CMYK 16 / 13 / 0 / 18

HEX #AEB6D0

RGB 174 182 208

HSL 225.88, 0.27%, 0.75%

LAB 74.2, 2.56, -14.05

 

CMYK 7 / 5 / 0 / 23

HEX #B8BBC5

RGB 184 187 197

HSL 226.15, 0.1%, 0.75%

LAB 75.92, 0.89, -5.41

 

CMYK 40 / 9 / 0 / 6

HEX #8FDAEF

RGB 143 218 239

HSL 193.13, 0.75%, 0.75%

LAB 83.03, -17.96, -17.6

 

CMYK 40 / 20 / 0 / 6

HEX #8FC0EF

RGB 143 192 239

HSL 209.38, 0.75%, 0.75%

LAB 75.93, -4.37, -28.4

 

CMYK 40 / 30 / 0 / 6

HEX #8FA7EF

RGB 143 167 239

HSL 225, 0.75%, 0.75%

LAB 69.26, 9.44, -38.71

 

CMYK 39 / 40 / 0 / 6

HEX #918FEF

RGB 145 143 239

HSL 241.25, 0.75%, 0.75%

LAB 63.26, 23.72, -48.13

 

CMYK 29 / 40 / 0 / 6

HEX #AA8FEF

RGB 170 143 239

HSL 256.88, 0.75%, 0.75%

LAB 65.3, 30.36, -44.77

 

CMYK 69 / 52 / 0 / 11

HEX #476EE4

RGB 71 110 228

HSL 225.1, 0.74%, 0.59%

LAB 49.61, 25.03, -64.08

 

CMYK 54 / 41 / 0 / 9

HEX #6B8AE9

RGB 107 138 233

HSL 225.24, 0.74%, 0.67%

LAB 59.15, 16, -51.48

 

CMYK 40 / 30 / 0 / 6

HEX #8FA7EF

RGB 143 167 239

HSL 225, 0.75%, 0.75%

LAB 69.26, 9.44, -38.71

 

CMYK 27 / 20 / 0 / 4

HEX #B3C3F4

RGB 179 195 244

HSL 225.23, 0.75%, 0.83%

LAB 79.13, 5.2, -26

 

CMYK 14 / 10 / 0 / 2

HEX #D7E0F9

RGB 215 224 249

HSL 224.12, 0.74%, 0.91%

LAB 89.2, 1.86, -13.17

 

CMYK 40 / 30 / 0 / 6

HEX #8FA7EF

RGB 143 167 239

HSL 225, 0.75%, 0.75%

LAB 69.26, 9.44, -38.71

 

CMYK 2 / 40 / 0 / 6

HEX #EA8FEF

RGB 234 143 239

HSL 296.88, 0.75%, 0.75%

LAB 71.8, 48.86, -34.13

 

CMYK 14 / 0 / 40 / 6

HEX #CDEF8F

RGB 205 239 143

HSL 81.25, 0.75%, 0.75%

LAB 90.18, -26.39, 42.79

 

CMYK 40 / 30 / 0 / 6

HEX #8FA7EF

RGB 143 167 239

HSL 225, 0.75%, 0.75%

LAB 69.26, 9.44, -38.71

 

CMYK 0 / 40 / 30 / 6

HEX #EF8FA7

RGB 239 143 167

HSL 345, 0.75%, 0.75%

LAB 70.03, 39.17, 3.11

 

CMYK 30 / 0 / 40 / 6

HEX #A7EF8F

RGB 167 239 143

HSL 105, 0.75%, 0.75%

LAB 87.94, -39.69, 39.46

 

CMYK 40 / 30 / 0 / 6

HEX #8FA7EF

RGB 143 167 239

HSL 225, 0.75%, 0.75%

LAB 69.26, 9.44, -38.71

 

CMYK 2 / 40 / 0 / 6

HEX #EA8FEF

RGB 234 143 239

HSL 296.88, 0.75%, 0.75%

LAB 71.8, 48.86, -34.13

 

CMYK 0 / 10 / 40 / 6

HEX #EFD78F

RGB 239 215 143

HSL 45, 0.75%, 0.75%

LAB 86.47, -1.5, 38.54

 

CMYK 38 / 0 / 40 / 6

HEX #94EF8F

RGB 148 239 143

HSL 116.88, 0.75%, 0.75%

LAB 87, -45.7, 38.07

 

CMYK 40 / 30 / 0 / 6

HEX #8FA7EF

RGB 143 167 239

HSL 225, 0.75%, 0.75%

LAB 69.26, 9.44, -38.71

 

CMYK 0 / 40 / 10 / 6

HEX #EF8FD7

RGB 239 143 215

HSL 315, 0.75%, 0.75%

LAB 71.49, 46.22, -21.39

 

CMYK 0 / 10 / 40 / 6

HEX #EFD78F

RGB 239 215 143

HSL 45, 0.75%, 0.75%

LAB 86.47, -1.5, 38.54

 

CMYK 40 / 0 / 30 / 6

HEX #8FEFA7

RGB 143 239 167

HSL 135, 0.75%, 0.75%

LAB 87.17, -43.34, 26.15

 

Description

Color code: HEX #8FA7EF | qconv.com Color code: HEX #8FA7EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 167 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 167 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 30 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 30% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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