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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FCAAD it is the complementary color #703552. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FCAAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FCAAD shade: #94CAA8, #A5DCBB, #B6EECE, #C7FFE1 and #D8FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FCAAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FCAAD shade: #8FCAAD, #7EB89A, #6DA687, #5C9474 and #4B8261

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FCAAD shade: #90CAAD, #90CA9E, #91CA90, #A1CA90 and #B1CA90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FCAAD shade: #90CAAD, #90CABD, #90C7CA, #90B8CA and #90A8CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FCAAD shade matches the following richer shades: #90CAAD, #82D7AE, #75E5AE and #68F2AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FCAAD shade: #90CAAD, #9DBDAD, #AAB0AD, #B7A3AD and #C495AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FCAAD shade: #91CA90, #90CA9D, #90CAAD, #90CABD and #90C8CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FCAAD shade: #57B084, #73BD99, #90CAAD, #ACD7C2 and #C8E5D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FCAAD shade: #8FCAAD, #90A1CA and #CA9590

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FCAAD shade: #8FCAAD, #AD90CA and #CAAD90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FCAAD shade: #8FCAAD, #90A1CA, #CA90AD and #CAB990

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FCAAD shade: #8FCAAD, #9090CA, #CA90AD and #CACA90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 14 / 21

HEX #8FCAAD

RGB 143 202 173

HSL 150.51, 0.36%, 0.68%

LAB 76.74, -25.07, 8.43

 

Complementary color

CMYK 0 / 53 / 27 / 56

HEX #703552

RGB 112 53 82

HSL 330.51, 0.36%, 0.32%

LAB 30.88, 29.8, -5.5

 

CMYK 27 / 0 / 17 / 21

HEX #94CAA8

RGB 148 202 168

HSL 142.22, 0.34%, 0.69%

LAB 76.9, -24.48, 11.38

 

CMYK 25 / 0 / 15 / 14

HEX #A5DCBB

RGB 165 220 187

HSL 144, 0.44%, 0.75%

LAB 83.32, -24.27, 10.54

 

CMYK 24 / 0 / 13 / 7

HEX #B6EECE

RGB 182 238 206

HSL 145.71, 0.62%, 0.82%

LAB 89.65, -24.09, 9.74

 

CMYK 22 / 0 / 12 / 0

HEX #C7FFE1

RGB 199 255 225

HSL 147.86, 1%, 0.89%

LAB 95.62, -23.43, 8.59

 

CMYK 15 / 0 / 4 / 0

HEX #D8FFF4

RGB 216 255 244

HSL 163.08, 1%, 0.92%

LAB 97.09, -14.55, 1.07

 

CMYK 29 / 0 / 14 / 21

HEX #8FCAAD

RGB 143 202 173

HSL 150.51, 0.36%, 0.68%

LAB 76.74, -25.07, 8.43

 

CMYK 32 / 0 / 16 / 28

HEX #7EB89A

RGB 126 184 154

HSL 148.97, 0.29%, 0.61%

LAB 70.21, -25.3, 9.29

 

CMYK 34 / 0 / 19 / 35

HEX #6DA687

RGB 109 166 135

HSL 147.37, 0.24%, 0.54%

LAB 63.57, -25.55, 10.2

 

CMYK 38 / 0 / 22 / 42

HEX #5C9474

RGB 92 148 116

HSL 145.71, 0.23%, 0.47%

LAB 56.8, -25.82, 11.19

 

CMYK 42 / 0 / 25 / 49

HEX #4B8261

RGB 75 130 97

HSL 144, 0.27%, 0.4%

LAB 49.89, -26.1, 12.27

 

CMYK 29 / 0 / 14 / 21

HEX #90CAAD

RGB 144 202 173

HSL 150, 0.35%, 0.68%

LAB 76.79, -24.76, 8.52

 

CMYK 29 / 0 / 22 / 21

HEX #90CA9E

RGB 144 202 158

HSL 134.48, 0.35%, 0.68%

LAB 76.46, -27.64, 16.08

 

CMYK 28 / 0 / 29 / 21

HEX #91CA90

RGB 145 202 144

HSL 118.97, 0.35%, 0.68%

LAB 76.24, -29.78, 23.22

 

CMYK 20 / 0 / 29 / 21

HEX #A1CA90

RGB 161 202 144

HSL 102.41, 0.35%, 0.68%

LAB 77.18, -24.3, 24.65

 

CMYK 12 / 0 / 29 / 21

HEX #B1CA90

RGB 177 202 144

HSL 85.86, 0.35%, 0.68%

LAB 78.23, -18.53, 26.25

 

CMYK 29 / 0 / 14 / 21

HEX #90CAAD

RGB 144 202 173

HSL 150, 0.35%, 0.68%

LAB 76.79, -24.76, 8.52

 

CMYK 29 / 0 / 6 / 21

HEX #90CABD

RGB 144 202 189

HSL 166.55, 0.35%, 0.68%

LAB 77.19, -21.42, 0.48

 

CMYK 29 / 1 / 0 / 21

HEX #90C7CA

RGB 144 199 202

HSL 183.1, 0.35%, 0.68%

LAB 76.7, -16.98, -7.25

 

CMYK 29 / 9 / 0 / 21

HEX #90B8CA

RGB 144 184 202

HSL 198.62, 0.35%, 0.68%

LAB 72.54, -9.15, -13.45

 

CMYK 29 / 17 / 0 / 21

HEX #90A8CA

RGB 144 168 202

HSL 215.17, 0.35%, 0.68%

LAB 68.17, -0.47, -20.07

 

CMYK 29 / 0 / 14 / 21

HEX #90CAAD

RGB 144 202 173

HSL 150, 0.35%, 0.68%

LAB 76.79, -24.76, 8.52

 

CMYK 40 / 0 / 19 / 16

HEX #82D7AE

RGB 130 215 174

HSL 151.06, 0.52%, 0.68%

LAB 79.84, -34.87, 12.23

 

CMYK 49 / 0 / 24 / 10

HEX #75E5AE

RGB 117 229 174

HSL 150.54, 0.68%, 0.68%

LAB 83.38, -44.53, 17.13

 

CMYK 57 / 0 / 28 / 5

HEX #68F2AE

RGB 104 242 174

HSL 150.43, 0.84%, 0.68%

LAB 86.75, -52.91, 21.75

 

CMYK 29 / 0 / 14 / 21

HEX #90CAAD

RGB 144 202 173

HSL 150, 0.35%, 0.68%

LAB 76.79, -24.76, 8.52

 

CMYK 17 / 0 / 8 / 26

HEX #9DBDAD

RGB 157 189 173

HSL 150, 0.2%, 0.68%

LAB 73.92, -14.01, 4.49

 

CMYK 3 / 0 / 2 / 31

HEX #AAB0AD

RGB 170 176 173

HSL 150, 0.04%, 0.68%

LAB 71.29, -2.67, 0.79

 

CMYK 0 / 11 / 5 / 28

HEX #B7A3AD

RGB 183 163 173

HSL 330, 0.12%, 0.68%

LAB 68.95, 9.04, -2.5

 

CMYK 0 / 24 / 12 / 23

HEX #C495AD

RGB 196 149 173

HSL 329.36, 0.28%, 0.68%

LAB 66.71, 21.46, -5.67

 

CMYK 28 / 0 / 29 / 21

HEX #91CA90

RGB 145 202 144

HSL 118.97, 0.35%, 0.68%

LAB 76.24, -29.78, 23.22

 

CMYK 29 / 0 / 22 / 21

HEX #90CA9D

RGB 144 202 157

HSL 133.45, 0.35%, 0.68%

LAB 76.44, -27.83, 16.59

 

CMYK 29 / 0 / 14 / 21

HEX #90CAAD

RGB 144 202 173

HSL 150, 0.35%, 0.68%

LAB 76.79, -24.76, 8.52

 

CMYK 29 / 0 / 6 / 21

HEX #90CABD

RGB 144 202 189

HSL 166.55, 0.35%, 0.68%

LAB 77.19, -21.42, 0.48

 

CMYK 29 / 1 / 0 / 21

HEX #90C8CA

RGB 144 200 202

HSL 182.07, 0.35%, 0.68%

LAB 76.98, -17.49, -6.84

 

CMYK 51 / 0 / 25 / 31

HEX #57B084

RGB 87 176 132

HSL 150.34, 0.36%, 0.52%

LAB 65.55, -37.14, 14.5

 

CMYK 39 / 0 / 19 / 26

HEX #73BD99

RGB 115 189 153

HSL 150.81, 0.36%, 0.6%

LAB 71.1, -31.21, 11.03

 

CMYK 29 / 0 / 14 / 21

HEX #90CAAD

RGB 144 202 173

HSL 150, 0.35%, 0.68%

LAB 76.79, -24.76, 8.52

 

CMYK 20 / 0 / 10 / 16

HEX #ACD7C2

RGB 172 215 194

HSL 150.7, 0.35%, 0.76%

LAB 82.52, -18.23, 5.74

 

CMYK 13 / 0 / 7 / 10

HEX #C8E5D6

RGB 200 229 214

HSL 148.97, 0.36%, 0.84%

LAB 88.53, -12.37, 4.09

 

CMYK 29 / 0 / 14 / 21

HEX #8FCAAD

RGB 143 202 173

HSL 150.51, 0.36%, 0.68%

LAB 76.74, -25.07, 8.43

 

CMYK 29 / 20 / 0 / 21

HEX #90A1CA

RGB 144 161 202

HSL 222.41, 0.35%, 0.68%

LAB 66.28, 3.42, -22.95

 

CMYK 0 / 26 / 29 / 21

HEX #CA9590

RGB 202 149 144

HSL 5.17, 0.35%, 0.68%

LAB 66.57, 19.22, 10.46

 

CMYK 29 / 0 / 14 / 21

HEX #8FCAAD

RGB 143 202 173

HSL 150.51, 0.36%, 0.68%

LAB 76.74, -25.07, 8.43

 

CMYK 14 / 29 / 0 / 21

HEX #AD90CA

RGB 173 144 202

HSL 270, 0.35%, 0.68%

LAB 64.24, 22.06, -25.87

 

CMYK 0 / 14 / 29 / 21

HEX #CAAD90

RGB 202 173 144

HSL 30, 0.35%, 0.68%

LAB 72.53, 6.16, 18.8

 

CMYK 29 / 0 / 14 / 21

HEX #8FCAAD

RGB 143 202 173

HSL 150.51, 0.36%, 0.68%

LAB 76.74, -25.07, 8.43

 

CMYK 29 / 20 / 0 / 21

HEX #90A1CA

RGB 144 161 202

HSL 222.41, 0.35%, 0.68%

LAB 66.28, 3.42, -22.95

 

CMYK 0 / 29 / 14 / 21

HEX #CA90AD

RGB 202 144 173

HSL 330, 0.35%, 0.68%

LAB 66.15, 26.35, -6.43

 

CMYK 0 / 8 / 29 / 21

HEX #CAB990

RGB 202 185 144

HSL 42.41, 0.35%, 0.68%

LAB 75.62, -0.25, 23.04

 

CMYK 29 / 0 / 14 / 21

HEX #8FCAAD

RGB 143 202 173

HSL 150.51, 0.36%, 0.68%

LAB 76.74, -25.07, 8.43

 

CMYK 29 / 29 / 0 / 21

HEX #9090CA

RGB 144 144 202

HSL 240, 0.35%, 0.68%

LAB 61.77, 13.09, -29.87

 

CMYK 0 / 29 / 14 / 21

HEX #CA90AD

RGB 202 144 173

HSL 330, 0.35%, 0.68%

LAB 66.15, 26.35, -6.43

 

CMYK 0 / 0 / 29 / 21

HEX #CACA90

RGB 202 202 144

HSL 60, 0.35%, 0.68%

LAB 80.07, -9.11, 29.05

 

Description

Color code: HEX #8FCAAD | qconv.com Color code: HEX #8FCAAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 202 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 202 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 14 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 14% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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