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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FCCB5 it is the complementary color #70334A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FCCB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FCCB5 shade: #94CCB0, #A5DEC3, #B6F0D6, #C7FFE9 and #D8FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FCCB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FCCB5 shade: #8FCCB5, #7EBAA2, #6DA88F, #5C967C and #4B8469

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FCCB5 shade: #8FCBB4, #8FCBA4, #8FCB94, #9ACB8F and #AACB8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FCCB5 shade: #8FCBB4, #8FCBC5, #8FC1CB, #8FB1CB and #8FA1CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FCCB5 shade matches the following richer shades: #8FCBB4, #82D8B8, #74E5BB and #67F3BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FCCB5 shade: #8FCBB4, #9CBEB1, #A9B1AE, #B6A3AB and #C496A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FCCB5 shade: #8FCB94, #8FCBA4, #8FCBB4, #8FCBC4 and #8FC2CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FCCB5 shade: #56B18F, #72BEA2, #8FCBB4, #ABD8C7 and #C7E5DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FCCB5 shade: #8FCCB5, #8F9ACB and #CB9C8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FCCB5 shade: #8FCCB5, #B48FCB and #CBB48F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FCCB5 shade: #8FCCB5, #8F9ACB, #CB8FA6 and #CBC08F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FCCB5 shade: #8FCCB5, #968FCB, #CB8FA6 and #C4CB8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 11 / 20

HEX #8FCCB5

RGB 143 204 181

HSL 157.38, 0.37%, 0.68%

LAB 77.5, -24.41, 5.22

 

Complementary color

CMYK 0 / 54 / 34 / 56

HEX #70334A

RGB 112 51 74

HSL 337.38, 0.37%, 0.32%

LAB 30.17, 29.73, -1.33

 

CMYK 27 / 0 / 14 / 20

HEX #94CCB0

RGB 148 204 176

HSL 150, 0.35%, 0.69%

LAB 77.65, -23.9, 8.16

 

CMYK 26 / 0 / 12 / 13

HEX #A5DEC3

RGB 165 222 195

HSL 151.58, 0.46%, 0.76%

LAB 84.06, -23.7, 7.37

 

CMYK 24 / 0 / 11 / 6

HEX #B6F0D6

RGB 182 240 214

HSL 153.1, 0.66%, 0.83%

LAB 90.38, -23.52, 6.62

 

CMYK 22 / 0 / 9 / 0

HEX #C7FFE9

RGB 199 255 233

HSL 156.43, 1%, 0.89%

LAB 95.81, -21.91, 4.75

 

CMYK 15 / 0 / 1 / 0

HEX #D8FFFC

RGB 216 255 252

HSL 175.38, 1%, 0.92%

LAB 97.29, -13, -2.75

 

CMYK 30 / 0 / 11 / 20

HEX #8FCCB5

RGB 143 204 181

HSL 157.38, 0.37%, 0.68%

LAB 77.5, -24.41, 5.22

 

CMYK 32 / 0 / 13 / 27

HEX #7EBAA2

RGB 126 186 162

HSL 156, 0.3%, 0.61%

LAB 70.98, -24.63, 6.02

 

CMYK 35 / 0 / 15 / 34

HEX #6DA88F

RGB 109 168 143

HSL 154.58, 0.25%, 0.54%

LAB 64.35, -24.86, 6.87

 

CMYK 39 / 0 / 17 / 41

HEX #5C967C

RGB 92 150 124

HSL 153.1, 0.24%, 0.47%

LAB 57.6, -25.11, 7.79

 

CMYK 43 / 0 / 20 / 48

HEX #4B8469

RGB 75 132 105

HSL 151.58, 0.28%, 0.41%

LAB 50.71, -25.36, 8.79

 

CMYK 30 / 0 / 11 / 20

HEX #8FCBB4

RGB 143 203 180

HSL 157, 0.37%, 0.68%

LAB 77.19, -24.13, 5.32

 

CMYK 30 / 0 / 19 / 20

HEX #8FCBA4

RGB 143 203 164

HSL 141, 0.37%, 0.68%

LAB 76.82, -27.32, 13.37

 

CMYK 30 / 0 / 27 / 20

HEX #8FCB94

RGB 143 203 148

HSL 125, 0.37%, 0.68%

LAB 76.49, -30.23, 21.43

 

CMYK 24 / 0 / 30 / 20

HEX #9ACB8F

RGB 154 203 143

HSL 109, 0.37%, 0.68%

LAB 77.02, -27.38, 24.89

 

CMYK 16 / 0 / 30 / 20

HEX #AACB8F

RGB 170 203 143

HSL 93, 0.37%, 0.68%

LAB 78.02, -21.73, 26.41

 

CMYK 30 / 0 / 11 / 20

HEX #8FCBB4

RGB 143 203 180

HSL 157, 0.37%, 0.68%

LAB 77.19, -24.13, 5.32

 

CMYK 30 / 0 / 3 / 20

HEX #8FCBC5

RGB 143 203 197

HSL 174, 0.37%, 0.68%

LAB 77.63, -20.44, -3.19

 

CMYK 30 / 5 / 0 / 20

HEX #8FC1CB

RGB 143 193 203

HSL 190, 0.37%, 0.68%

LAB 75.01, -13.94, -10.32

 

CMYK 30 / 13 / 0 / 20

HEX #8FB1CB

RGB 143 177 203

HSL 206, 0.37%, 0.68%

LAB 70.59, -5.45, -16.95

 

CMYK 30 / 21 / 0 / 20

HEX #8FA1CB

RGB 143 161 203

HSL 222, 0.37%, 0.68%

LAB 66.24, 3.37, -23.56

 

CMYK 30 / 0 / 11 / 20

HEX #8FCBB4

RGB 143 203 180

HSL 157, 0.37%, 0.68%

LAB 77.19, -24.13, 5.32

 

CMYK 40 / 0 / 15 / 15

HEX #82D8B8

RGB 130 216 184

HSL 157.67, 0.52%, 0.68%

LAB 80.36, -33.25, 7.65

 

CMYK 49 / 0 / 18 / 10

HEX #74E5BB

RGB 116 229 187

HSL 157.7, 0.68%, 0.68%

LAB 83.62, -42.05, 10.66

 

CMYK 58 / 0 / 22 / 5

HEX #67F3BE

RGB 103 243 190

HSL 157.29, 0.85%, 0.68%

LAB 87.34, -50.22, 14.31

 

CMYK 30 / 0 / 11 / 20

HEX #8FCBB4

RGB 143 203 180

HSL 157, 0.37%, 0.68%

LAB 77.19, -24.13, 5.32

 

CMYK 18 / 0 / 7 / 25

HEX #9CBEB1

RGB 156 190 177

HSL 157.06, 0.21%, 0.68%

LAB 74.23, -14.06, 2.76

 

CMYK 5 / 0 / 2 / 31

HEX #A9B1AE

RGB 169 177 174

HSL 157.5, 0.05%, 0.68%

LAB 71.51, -3.37, 0.55

 

CMYK 0 / 10 / 6 / 29

HEX #B6A3AB

RGB 182 163 171

HSL 334.74, 0.12%, 0.68%

LAB 68.81, 8.32, -1.61

 

CMYK 0 / 23 / 15 / 23

HEX #C496A7

RGB 196 150 167

HSL 337.83, 0.28%, 0.68%

LAB 66.78, 19.9, -2.21

 

CMYK 30 / 0 / 27 / 20

HEX #8FCB94

RGB 143 203 148

HSL 125, 0.37%, 0.68%

LAB 76.49, -30.23, 21.43

 

CMYK 30 / 0 / 19 / 20

HEX #8FCBA4

RGB 143 203 164

HSL 141, 0.37%, 0.68%

LAB 76.82, -27.32, 13.37

 

CMYK 30 / 0 / 11 / 20

HEX #8FCBB4

RGB 143 203 180

HSL 157, 0.37%, 0.68%

LAB 77.19, -24.13, 5.32

 

CMYK 30 / 0 / 3 / 20

HEX #8FCBC4

RGB 143 203 196

HSL 173, 0.37%, 0.68%

LAB 77.6, -20.67, -2.69

 

CMYK 30 / 4 / 0 / 20

HEX #8FC2CB

RGB 143 194 203

HSL 189, 0.37%, 0.68%

LAB 75.29, -14.46, -9.9

 

CMYK 51 / 0 / 19 / 31

HEX #56B18F

RGB 86 177 143

HSL 157.58, 0.37%, 0.52%

LAB 66.06, -35.44, 9.17

 

CMYK 40 / 0 / 15 / 25

HEX #72BEA2

RGB 114 190 162

HSL 157.89, 0.37%, 0.6%

LAB 71.56, -30.05, 6.78

 

CMYK 30 / 0 / 11 / 20

HEX #8FCBB4

RGB 143 203 180

HSL 157, 0.37%, 0.68%

LAB 77.19, -24.13, 5.32

 

CMYK 21 / 0 / 8 / 15

HEX #ABD8C7

RGB 171 216 199

HSL 157.33, 0.37%, 0.76%

LAB 82.86, -18.06, 3.56

 

CMYK 13 / 0 / 5 / 10

HEX #C7E5DA

RGB 199 229 218

HSL 158, 0.37%, 0.84%

LAB 88.56, -11.94, 2.03

 

CMYK 30 / 0 / 11 / 20

HEX #8FCCB5

RGB 143 204 181

HSL 157.38, 0.37%, 0.68%

LAB 77.5, -24.41, 5.22

 

CMYK 30 / 24 / 0 / 20

HEX #8F9ACB

RGB 143 154 203

HSL 229, 0.37%, 0.68%

LAB 64.37, 7.32, -26.43

 

CMYK 0 / 23 / 30 / 20

HEX #CB9C8F

RGB 203 156 143

HSL 13, 0.37%, 0.68%

LAB 68.36, 15.64, 13.55

 

CMYK 30 / 0 / 11 / 20

HEX #8FCCB5

RGB 143 204 181

HSL 157.38, 0.37%, 0.68%

LAB 77.5, -24.41, 5.22

 

CMYK 11 / 30 / 0 / 20

HEX #B48FCB

RGB 180 143 203

HSL 277, 0.37%, 0.68%

LAB 64.69, 25.08, -25.68

 

CMYK 0 / 11 / 30 / 20

HEX #CBB48F

RGB 203 180 143

HSL 37, 0.37%, 0.68%

LAB 74.4, 2.67, 21.92

 

CMYK 30 / 0 / 11 / 20

HEX #8FCCB5

RGB 143 204 181

HSL 157.38, 0.37%, 0.68%

LAB 77.5, -24.41, 5.22

 

CMYK 30 / 24 / 0 / 20

HEX #8F9ACB

RGB 143 154 203

HSL 229, 0.37%, 0.68%

LAB 64.37, 7.32, -26.43

 

CMYK 0 / 30 / 18 / 20

HEX #CB8FA6

RGB 203 143 166

HSL 337, 0.37%, 0.68%

LAB 65.82, 26.13, -2.96

 

CMYK 0 / 5 / 30 / 20

HEX #CBC08F

RGB 203 192 143

HSL 49, 0.37%, 0.68%

LAB 77.51, -3.67, 26.14

 

CMYK 30 / 0 / 11 / 20

HEX #8FCCB5

RGB 143 204 181

HSL 157.38, 0.37%, 0.68%

LAB 77.5, -24.41, 5.22

 

CMYK 26 / 30 / 0 / 20

HEX #968FCB

RGB 150 143 203

HSL 247, 0.37%, 0.68%

LAB 62.03, 15.71, -30

 

CMYK 0 / 30 / 18 / 20

HEX #CB8FA6

RGB 203 143 166

HSL 337, 0.37%, 0.68%

LAB 65.82, 26.13, -2.96

 

CMYK 3 / 0 / 30 / 20

HEX #C4CB8F

RGB 196 203 143

HSL 67, 0.37%, 0.68%

LAB 79.86, -12.05, 29.2

 

Description

Color code: HEX #8FCCB5 | qconv.com Color code: HEX #8FCCB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 204 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 204 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 11 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 11% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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