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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FD5DA it is the complementary color #702A25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FD5DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FD5DA shade: #94D5D5, #A5E7E8, #B6F9FB, #C7FFFF and #D8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FD5DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FD5DA shade: #8FD5DA, #7EC3C7, #6DB1B4, #5C9FA1 and #4B8D8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FD5DA shade: #90D5DA, #90C1DA, #90ADDA, #9099DA and #9A90DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FD5DA shade: #90D5DA, #90C1DA, #90ADDA, #9099DA and #9090DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FD5DA shade matches the following richer shades: #90D5DA, #84DFE5, #78E9F1 and #6CF4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FD5DA shade: #90D5DA, #9CCACE, #A8C0C2, #B3B5B6 and #BFABAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FD5DA shade: #90DAB7, #90DACB, #90D5DA, #90C1DA and #90ADDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FD5DA shade: #52BDC5, #71C9CF, #90D5DA, #AFE0E4 and #CDECEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FD5DA shade: #8FD5DA, #A390DA and #DAC190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FD5DA shade: #8FD5DA, #DA90D5 and #D5DA90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FD5DA shade: #8FD5DA, #A390DA, #DA9590 and #C6DA90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FD5DA shade: #8FD5DA, #B990DA, #DA9590 and #B0DA90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 2 / 0 / 15

HEX #8FD5DA

RGB 143 213 218

HSL 184, 0.5%, 0.71%

LAB 81.01, -20.59, -9.45

 

Complementary color

CMYK 0 / 63 / 67 / 56

HEX #702A25

RGB 112 42 37

HSL 4, 0.5%, 0.29%

LAB 27.39, 30.65, 19.15

 

CMYK 31 / 0 / 0 / 16

HEX #94D5D5

RGB 148 213 213

HSL 180, 0.44%, 0.71%

LAB 81.12, -20.4, -6.59

 

CMYK 29 / 0 / 0 / 9

HEX #A5E7E8

RGB 165 231 232

HSL 180.9, 0.59%, 0.78%

LAB 87.47, -20.31, -7.15

 

CMYK 27 / 1 / 0 / 2

HEX #B6F9FB

RGB 182 249 251

HSL 181.74, 0.9%, 0.85%

LAB 93.74, -20.23, -7.69

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 34 / 2 / 0 / 15

HEX #8FD5DA

RGB 143 213 218

HSL 184, 0.5%, 0.71%

LAB 81.01, -20.59, -9.45

 

CMYK 37 / 2 / 0 / 22

HEX #7EC3C7

RGB 126 195 199

HSL 183.29, 0.39%, 0.64%

LAB 74.57, -20.65, -8.9

 

CMYK 39 / 2 / 0 / 29

HEX #6DB1B4

RGB 109 177 180

HSL 182.54, 0.32%, 0.57%

LAB 68.01, -20.69, -8.33

 

CMYK 43 / 1 / 0 / 37

HEX #5C9FA1

RGB 92 159 161

HSL 181.74, 0.27%, 0.5%

LAB 61.35, -20.71, -7.72

 

CMYK 47 / 1 / 0 / 44

HEX #4B8D8E

RGB 75 141 142

HSL 180.9, 0.31%, 0.43%

LAB 54.55, -20.69, -7.07

 

CMYK 34 / 2 / 0 / 15

HEX #90D5DA

RGB 144 213 218

HSL 184.05, 0.5%, 0.71%

LAB 81.06, -20.33, -9.37

 

CMYK 34 / 11 / 0 / 15

HEX #90C1DA

RGB 144 193 218

HSL 200.27, 0.5%, 0.71%

LAB 75.53, -10.03, -17.66

 

CMYK 34 / 21 / 0 / 15

HEX #90ADDA

RGB 144 173 218

HSL 216.49, 0.5%, 0.71%

LAB 70.09, 0.78, -25.94

 

CMYK 34 / 30 / 0 / 15

HEX #9099DA

RGB 144 153 218

HSL 232.7, 0.5%, 0.71%

LAB 64.78, 12.04, -34.13

 

CMYK 29 / 34 / 0 / 15

HEX #9A90DA

RGB 154 144 218

HSL 248.11, 0.5%, 0.71%

LAB 63.24, 20.05, -36.47

 

CMYK 34 / 2 / 0 / 15

HEX #90D5DA

RGB 144 213 218

HSL 184.05, 0.5%, 0.71%

LAB 81.06, -20.33, -9.37

 

CMYK 34 / 11 / 0 / 15

HEX #90C1DA

RGB 144 193 218

HSL 200.27, 0.5%, 0.71%

LAB 75.53, -10.03, -17.66

 

CMYK 34 / 21 / 0 / 15

HEX #90ADDA

RGB 144 173 218

HSL 216.49, 0.5%, 0.71%

LAB 70.09, 0.78, -25.94

 

CMYK 34 / 30 / 0 / 15

HEX #9099DA

RGB 144 153 218

HSL 232.7, 0.5%, 0.71%

LAB 64.78, 12.04, -34.13

 

CMYK 34 / 34 / 0 / 15

HEX #9090DA

RGB 144 144 218

HSL 240, 0.5%, 0.71%

LAB 62.46, 17.22, -37.76

 

CMYK 34 / 2 / 0 / 15

HEX #90D5DA

RGB 144 213 218

HSL 184.05, 0.5%, 0.71%

LAB 81.06, -20.33, -9.37

 

CMYK 42 / 3 / 0 / 10

HEX #84DFE5

RGB 132 223 229

HSL 183.71, 0.65%, 0.71%

LAB 83.62, -25.64, -11.46

 

CMYK 50 / 3 / 0 / 5

HEX #78E9F1

RGB 120 233 241

HSL 183.97, 0.81%, 0.71%

LAB 86.32, -30.09, -13.82

 

CMYK 57 / 4 / 0 / 1

HEX #6CF4FD

RGB 108 244 253

HSL 183.72, 0.97%, 0.71%

LAB 89.38, -34.42, -15.54

 

CMYK 34 / 2 / 0 / 15

HEX #90D5DA

RGB 144 213 218

HSL 184.05, 0.5%, 0.71%

LAB 81.06, -20.33, -9.37

 

CMYK 24 / 2 / 0 / 19

HEX #9CCACE

RGB 156 202 206

HSL 184.8, 0.34%, 0.71%

LAB 78.32, -14.09, -6.93

 

CMYK 13 / 1 / 0 / 24

HEX #A8C0C2

RGB 168 192 194

HSL 184.62, 0.18%, 0.71%

LAB 76.02, -7.7, -3.77

 

CMYK 2 / 1 / 0 / 29

HEX #B3B5B6

RGB 179 181 182

HSL 200, 0.02%, 0.71%

LAB 73.55, -0.51, -0.76

 

CMYK 0 / 10 / 11 / 25

HEX #BFABAA

RGB 191 171 170

HSL 2.86, 0.14%, 0.71%

LAB 71.63, 7.04, 3.14

 

CMYK 34 / 0 / 16 / 15

HEX #90DAB7

RGB 144 218 183

HSL 151.62, 0.5%, 0.71%

LAB 81.56, -30.48, 9.99

 

CMYK 34 / 0 / 7 / 15

HEX #90DACB

RGB 144 218 203

HSL 167.84, 0.5%, 0.71%

LAB 82.05, -26.24, 0.08

 

CMYK 34 / 2 / 0 / 15

HEX #90D5DA

RGB 144 213 218

HSL 184.05, 0.5%, 0.71%

LAB 81.06, -20.33, -9.37

 

CMYK 34 / 11 / 0 / 15

HEX #90C1DA

RGB 144 193 218

HSL 200.27, 0.5%, 0.71%

LAB 75.53, -10.03, -17.66

 

CMYK 34 / 21 / 0 / 15

HEX #90ADDA

RGB 144 173 218

HSL 216.49, 0.5%, 0.71%

LAB 70.09, 0.78, -25.94

 

CMYK 58 / 4 / 0 / 23

HEX #52BDC5

RGB 82 189 197

HSL 184.17, 0.5%, 0.55%

LAB 71.02, -28.15, -13.29

 

CMYK 45 / 3 / 0 / 19

HEX #71C9CF

RGB 113 201 207

HSL 183.83, 0.49%, 0.63%

LAB 75.94, -24.88, -11.25

 

CMYK 34 / 2 / 0 / 15

HEX #90D5DA

RGB 144 213 218

HSL 184.05, 0.5%, 0.71%

LAB 81.06, -20.33, -9.37

 

CMYK 23 / 2 / 0 / 11

HEX #AFE0E4

RGB 175 224 228

HSL 184.53, 0.5%, 0.79%

LAB 86.02, -14.82, -7.14

 

CMYK 14 / 1 / 0 / 7

HEX #CDECEE

RGB 205 236 238

HSL 183.64, 0.49%, 0.87%

LAB 91.3, -9.67, -4.38

 

CMYK 34 / 2 / 0 / 15

HEX #8FD5DA

RGB 143 213 218

HSL 184, 0.5%, 0.71%

LAB 81.01, -20.59, -9.45

 

CMYK 25 / 34 / 0 / 15

HEX #A390DA

RGB 163 144 218

HSL 255.41, 0.5%, 0.71%

LAB 63.99, 22.67, -35.24

 

CMYK 0 / 11 / 34 / 15

HEX #DAC190

RGB 218 193 144

HSL 39.73, 0.5%, 0.71%

LAB 79.08, 1.78, 27.95

 

CMYK 34 / 2 / 0 / 15

HEX #8FD5DA

RGB 143 213 218

HSL 184, 0.5%, 0.71%

LAB 81.01, -20.59, -9.45

 

CMYK 0 / 34 / 2 / 15

HEX #DA90D5

RGB 218 144 213

HSL 304.05, 0.5%, 0.71%

LAB 69.22, 38.68, -23.95

 

CMYK 2 / 0 / 34 / 15

HEX #D5DA90

RGB 213 218 144

HSL 64.05, 0.5%, 0.71%

LAB 85.15, -13, 35.91

 

CMYK 34 / 2 / 0 / 15

HEX #8FD5DA

RGB 143 213 218

HSL 184, 0.5%, 0.71%

LAB 81.01, -20.59, -9.45

 

CMYK 25 / 34 / 0 / 15

HEX #A390DA

RGB 163 144 218

HSL 255.41, 0.5%, 0.71%

LAB 63.99, 22.67, -35.24

 

CMYK 0 / 32 / 34 / 15

HEX #DA9590

RGB 218 149 144

HSL 4.05, 0.5%, 0.71%

LAB 68.32, 25.35, 13.19

 

CMYK 9 / 0 / 34 / 15

HEX #C6DA90

RGB 198 218 144

HSL 76.22, 0.5%, 0.71%

LAB 84.05, -18.69, 34.26

 

CMYK 34 / 2 / 0 / 15

HEX #8FD5DA

RGB 143 213 218

HSL 184, 0.5%, 0.71%

LAB 81.01, -20.59, -9.45

 

CMYK 15 / 34 / 0 / 15

HEX #B990DA

RGB 185 144 218

HSL 273.24, 0.5%, 0.71%

LAB 66, 29.31, -31.97

 

CMYK 0 / 32 / 34 / 15

HEX #DA9590

RGB 218 149 144

HSL 4.05, 0.5%, 0.71%

LAB 68.32, 25.35, 13.19

 

CMYK 19 / 0 / 34 / 15

HEX #B0DA90

RGB 176 218 144

HSL 94.05, 0.5%, 0.71%

LAB 82.59, -26.74, 32.06

 

Description

Color code: HEX #8FD5DA | qconv.com Color code: HEX #8FD5DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 213 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 213 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 2 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 2% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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