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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FDC87 it is the complementary color #702378. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FDC87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FDC87 shade: #94DC82, #A5EE95, #B6FFA8, #C7FFBB and #D8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FDC87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FDC87 shade: #8FDC87, #7ECA74, #6DB861, #5CA64E and #4B943B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FDC87 shade: #90DC88, #A7DC88, #BDDC88, #D4DC88 and #DCCE88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FDC87 shade: #90DC88, #88DC97, #88DCAD, #88DCC4 and #88DCDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FDC87 shade matches the following richer shades: #90DC88, #86E87C and #7CF56F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FDC87 shade: #90DC88, #9AD094, #A4C3A1, #AEB7AD and #B8ABB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FDC87 shade: #BDDC88, #A7DC88, #90DC88, #88DC96 and #88DCAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FDC87 shade: #54CA48, #72D368, #90DC88, #AEE5A8 and #CCEFC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FDC87 shade: #8FDC87, #88D4DC and #DC88B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FDC87 shade: #8FDC87, #8890DC and #DC8890

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FDC87 shade: #8FDC87, #88D4DC, #D488DC and #DC9088

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FDC87 shade: #8FDC87, #88BADC, #D488DC and #DCAA88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 39 / 14

HEX #8FDC87

RGB 143 220 135

HSL 114.35, 0.55%, 0.7%

LAB 81.17, -40.14, 34.43

 

Complementary color

CMYK 7 / 71 / 0 / 53

HEX #702378

RGB 112 35 120

HSL 294.35, 0.55%, 0.3%

LAB 29.42, 45.45, -32.19

 

CMYK 33 / 0 / 41 / 14

HEX #94DC82

RGB 148 220 130

HSL 108, 0.56%, 0.69%

LAB 81.34, -39.24, 37.23

 

CMYK 31 / 0 / 37 / 7

HEX #A5EE95

RGB 165 238 149

HSL 109.21, 0.72%, 0.76%

LAB 87.64, -39.05, 36.07

 

CMYK 29 / 0 / 34 / 0

HEX #B6FFA8

RGB 182 255 168

HSL 110.34, 1%, 0.83%

LAB 93.58, -38.41, 34.58

 

CMYK 22 / 0 / 27 / 0

HEX #C7FFBB

RGB 199 255 187

HSL 109.41, 1%, 0.87%

LAB 94.84, -29.97, 26.91

 

CMYK 15 / 0 / 19 / 0

HEX #D8FFCE

RGB 216 255 206

HSL 107.76, 1%, 0.9%

LAB 96.23, -21.28, 19.34

 

CMYK 35 / 0 / 39 / 14

HEX #8FDC87

RGB 143 220 135

HSL 114.35, 0.55%, 0.7%

LAB 81.17, -40.14, 34.43

 

CMYK 38 / 0 / 43 / 21

HEX #7ECA74

RGB 126 202 116

HSL 113.02, 0.45%, 0.62%

LAB 74.79, -40.33, 35.64

 

CMYK 41 / 0 / 47 / 28

HEX #6DB861

RGB 109 184 97

HSL 111.72, 0.38%, 0.55%

LAB 68.31, -40.49, 36.89

 

CMYK 45 / 0 / 53 / 35

HEX #5CA64E

RGB 92 166 78

HSL 110.45, 0.36%, 0.48%

LAB 61.74, -40.56, 38.16

 

CMYK 49 / 0 / 60 / 42

HEX #4B943B

RGB 75 148 59

HSL 109.21, 0.43%, 0.41%

LAB 55.06, -40.5, 39.38

 

CMYK 35 / 0 / 38 / 14

HEX #90DC88

RGB 144 220 136

HSL 114.29, 0.55%, 0.7%

LAB 81.23, -39.67, 34.02

 

CMYK 24 / 0 / 38 / 14

HEX #A7DC88

RGB 167 220 136

HSL 97.86, 0.55%, 0.7%

LAB 82.48, -31.97, 35.88

 

CMYK 14 / 0 / 38 / 14

HEX #BDDC88

RGB 189 220 136

HSL 82.14, 0.55%, 0.7%

LAB 83.85, -24.04, 37.93

 

CMYK 4 / 0 / 38 / 14

HEX #D4DC88

RGB 212 220 136

HSL 65.71, 0.55%, 0.7%

LAB 85.48, -15.32, 40.35

 

CMYK 0 / 6 / 38 / 14

HEX #DCCE88

RGB 220 206 136

HSL 50, 0.55%, 0.7%

LAB 82.45, -5.12, 36.58

 

CMYK 35 / 0 / 38 / 14

HEX #90DC88

RGB 144 220 136

HSL 114.29, 0.55%, 0.7%

LAB 81.23, -39.67, 34.02

 

CMYK 38 / 0 / 31 / 14

HEX #88DC97

RGB 136 220 151

HSL 130.71, 0.55%, 0.7%

LAB 81.1, -39.73, 26.09

 

CMYK 38 / 0 / 21 / 14

HEX #88DCAD

RGB 136 220 173

HSL 146.43, 0.55%, 0.7%

LAB 81.53, -35.7, 15.18

 

CMYK 38 / 0 / 11 / 14

HEX #88DCC4

RGB 136 220 196

HSL 162.86, 0.55%, 0.7%

LAB 82.06, -30.93, 3.77

 

CMYK 38 / 0 / 0 / 14

HEX #88DCDB

RGB 136 220 219

HSL 179.29, 0.55%, 0.7%

LAB 82.67, -25.64, -7.56

 

CMYK 35 / 0 / 38 / 14

HEX #90DC88

RGB 144 220 136

HSL 114.29, 0.55%, 0.7%

LAB 81.23, -39.67, 34.02

 

CMYK 42 / 0 / 47 / 9

HEX #86E87C

RGB 134 232 124

HSL 114.44, 0.7%, 0.7%

LAB 84.09, -49.6, 43.54

 

CMYK 49 / 0 / 55 / 4

HEX #7CF56F

RGB 124 245 111

HSL 114.18, 0.87%, 0.7%

LAB 87.36, -59.2, 53.52

 

CMYK 35 / 0 / 38 / 14

HEX #90DC88

RGB 144 220 136

HSL 114.29, 0.55%, 0.7%

LAB 81.23, -39.67, 34.02

 

CMYK 26 / 0 / 29 / 18

HEX #9AD094

RGB 154 208 148

HSL 114, 0.39%, 0.7%

LAB 78.53, -28.97, 24.32

 

CMYK 16 / 0 / 17 / 24

HEX #A4C3A1

RGB 164 195 161

HSL 114.71, 0.22%, 0.7%

LAB 75.76, -16.93, 13.67

 

CMYK 5 / 0 / 5 / 28

HEX #AEB7AD

RGB 174 183 173

HSL 114, 0.06%, 0.7%

LAB 73.47, -5.01, 3.99

 

CMYK 1 / 8 / 0 / 27

HEX #B8ABB9

RGB 184 171 185

HSL 295.71, 0.09%, 0.7%

LAB 71.43, 7.23, -5.48

 

CMYK 14 / 0 / 38 / 14

HEX #BDDC88

RGB 189 220 136

HSL 82.14, 0.55%, 0.7%

LAB 83.85, -24.04, 37.93

 

CMYK 24 / 0 / 38 / 14

HEX #A7DC88

RGB 167 220 136

HSL 97.86, 0.55%, 0.7%

LAB 82.48, -31.97, 35.88

 

CMYK 35 / 0 / 38 / 14

HEX #90DC88

RGB 144 220 136

HSL 114.29, 0.55%, 0.7%

LAB 81.23, -39.67, 34.02

 

CMYK 38 / 0 / 32 / 14

HEX #88DC96

RGB 136 220 150

HSL 130, 0.55%, 0.7%

LAB 81.08, -39.9, 26.58

 

CMYK 38 / 0 / 22 / 14

HEX #88DCAC

RGB 136 220 172

HSL 145.71, 0.55%, 0.7%

LAB 81.51, -35.89, 15.68

 

CMYK 58 / 0 / 64 / 21

HEX #54CA48

RGB 84 202 72

HSL 114.46, 0.55%, 0.54%

LAB 72.62, -57.65, 53.39

 

CMYK 46 / 0 / 51 / 17

HEX #72D368

RGB 114 211 104

HSL 114.39, 0.55%, 0.62%

LAB 76.78, -49.44, 43.96

 

CMYK 35 / 0 / 38 / 14

HEX #90DC88

RGB 144 220 136

HSL 114.29, 0.55%, 0.7%

LAB 81.23, -39.67, 34.02

 

CMYK 24 / 0 / 27 / 10

HEX #AEE5A8

RGB 174 229 168

HSL 114.1, 0.54%, 0.78%

LAB 85.94, -29.03, 24.2

 

CMYK 15 / 0 / 16 / 6

HEX #CCEFC8

RGB 204 239 200

HSL 113.85, 0.55%, 0.86%

LAB 91.12, -18.51, 15.12

 

CMYK 35 / 0 / 39 / 14

HEX #8FDC87

RGB 143 220 135

HSL 114.35, 0.55%, 0.7%

LAB 81.17, -40.14, 34.43

 

CMYK 38 / 4 / 0 / 14

HEX #88D4DC

RGB 136 212 220

HSL 185.71, 0.55%, 0.7%

LAB 80.45, -21.44, -11.38

 

CMYK 0 / 38 / 19 / 14

HEX #DC88B2

RGB 220 136 178

HSL 330, 0.55%, 0.7%

LAB 66.55, 37.76, -8.43

 

CMYK 35 / 0 / 39 / 14

HEX #8FDC87

RGB 143 220 135

HSL 114.35, 0.55%, 0.7%

LAB 81.17, -40.14, 34.43

 

CMYK 38 / 35 / 0 / 14

HEX #8890DC

RGB 136 144 220

HSL 234.29, 0.55%, 0.7%

LAB 61.95, 15.57, -39.7

 

CMYK 0 / 38 / 35 / 14

HEX #DC8890

RGB 220 136 144

HSL 354.29, 0.55%, 0.7%

LAB 65.62, 33.07, 9.4

 

CMYK 35 / 0 / 39 / 14

HEX #8FDC87

RGB 143 220 135

HSL 114.35, 0.55%, 0.7%

LAB 81.17, -40.14, 34.43

 

CMYK 38 / 4 / 0 / 14

HEX #88D4DC

RGB 136 212 220

HSL 185.71, 0.55%, 0.7%

LAB 80.45, -21.44, -11.38

 

CMYK 4 / 38 / 0 / 14

HEX #D488DC

RGB 212 136 220

HSL 294.29, 0.55%, 0.7%

LAB 67.11, 42.36, -31.14

 

CMYK 0 / 35 / 38 / 14

HEX #DC9088

RGB 220 144 136

HSL 5.71, 0.55%, 0.7%

LAB 67.23, 27.83, 16.16

 

CMYK 35 / 0 / 39 / 14

HEX #8FDC87

RGB 143 220 135

HSL 114.35, 0.55%, 0.7%

LAB 81.17, -40.14, 34.43

 

CMYK 38 / 15 / 0 / 14

HEX #88BADC

RGB 136 186 220

HSL 204.29, 0.55%, 0.7%

LAB 73.23, -7.97, -22.27

 

CMYK 4 / 38 / 0 / 14

HEX #D488DC

RGB 212 136 220

HSL 294.29, 0.55%, 0.7%

LAB 67.11, 42.36, -31.14

 

CMYK 0 / 23 / 38 / 14

HEX #DCAA88

RGB 220 170 136

HSL 24.29, 0.55%, 0.7%

LAB 73.38, 13.84, 24.58

 

Description

Color code: HEX #8FDC87 | qconv.com Color code: HEX #8FDC87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 220 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 220 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 39 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 39% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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