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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FE371 it is the complementary color #701C8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FE371. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FE371 shade: #94E36C, #A5F57F, #B6FF92, #C7FFA5 and #D8FFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FE371. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FE371 shade: #8FE371, #7ED15E, #6DBF4B, #5CAD38 and #4B9B25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FE371 shade: #90E372, #AEE372, #CCE372, #E3DB72 and #E3BC72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FE371 shade: #90E372, #72E373, #72E391, #72E3B0 and #72E3CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FE371 shade matches the following richer shades: #90E372, #89F064 and #83FE57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FE371 shade: #90E372, #96D580, #9DC78D, #A3BA9B and #A9ACA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FE371 shade: #CCE372, #AEE372, #90E372, #72E372 and #72E390

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FE371 shade: #59D52D, #74DC50, #90E372, #ABEA94 and #C6F0B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FE371 shade: #8FE371, #72E3DB and #E372BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FE371 shade: #8FE371, #7290E3 and #E37290

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FE371 shade: #8FE371, #72E3DB, #C572E3 and #E37279

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FE371 shade: #8FE371, #72C8E3, #C572E3 and #E38C72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 50 / 11

HEX #8FE371

RGB 143 227 113

HSL 104.21, 0.67%, 0.67%

LAB 82.9, -46.12, 47.42

 

Complementary color

CMYK 21 / 80 / 0 / 44

HEX #701C8E

RGB 112 28 142

HSL 284.21, 0.67%, 0.33%

LAB 29.98, 52.5, -45.06

 

CMYK 35 / 0 / 52 / 11

HEX #94E36C

RGB 148 227 108

HSL 99.83, 0.68%, 0.66%

LAB 83.08, -45.07, 50.05

 

CMYK 33 / 0 / 48 / 4

HEX #A5F57F

RGB 165 245 127

HSL 100.68, 0.86%, 0.73%

LAB 89.32, -45.01, 48.91

 

CMYK 29 / 0 / 43 / 0

HEX #B6FF92

RGB 182 255 146

HSL 100.18, 1%, 0.79%

LAB 93.25, -41.42, 44.95

 

CMYK 22 / 0 / 35 / 0

HEX #C7FFA5

RGB 199 255 165

HSL 97.33, 1%, 0.82%

LAB 94.47, -33.18, 37.43

 

CMYK 15 / 0 / 28 / 0

HEX #D8FFB8

RGB 216 255 184

HSL 92.96, 1%, 0.86%

LAB 95.82, -24.66, 29.92

 

CMYK 37 / 0 / 50 / 11

HEX #8FE371

RGB 143 227 113

HSL 104.21, 0.67%, 0.67%

LAB 82.9, -46.12, 47.42

 

CMYK 40 / 0 / 55 / 18

HEX #7ED15E

RGB 126 209 94

HSL 103.3, 0.56%, 0.59%

LAB 76.58, -46.15, 48.57

 

CMYK 43 / 0 / 61 / 25

HEX #6DBF4B

RGB 109 191 75

HSL 102.41, 0.48%, 0.52%

LAB 70.19, -46.07, 49.64

 

CMYK 47 / 0 / 68 / 32

HEX #5CAD38

RGB 92 173 56

HSL 101.54, 0.51%, 0.45%

LAB 63.71, -45.84, 50.48

 

CMYK 52 / 0 / 76 / 39

HEX #4B9B25

RGB 75 155 37

HSL 100.68, 0.61%, 0.38%

LAB 57.15, -45.34, 50.86

 

CMYK 37 / 0 / 50 / 11

HEX #90E372

RGB 144 227 114

HSL 104.07, 0.67%, 0.67%

LAB 82.96, -45.68, 47.03

 

CMYK 23 / 0 / 50 / 11

HEX #AEE372

RGB 174 227 114

HSL 88.14, 0.67%, 0.67%

LAB 84.56, -35.39, 49.35

 

CMYK 10 / 0 / 50 / 11

HEX #CCE372

RGB 204 227 114

HSL 72.21, 0.67%, 0.67%

LAB 86.5, -24.12, 52.14

 

CMYK 0 / 4 / 50 / 11

HEX #E3DB72

RGB 227 219 114

HSL 55.75, 0.67%, 0.67%

LAB 86.11, -11.1, 52.1

 

CMYK 0 / 17 / 50 / 11

HEX #E3BC72

RGB 227 188 114

HSL 39.29, 0.67%, 0.67%

LAB 78.18, 4.83, 42.45

 

CMYK 37 / 0 / 50 / 11

HEX #90E372

RGB 144 227 114

HSL 104.07, 0.67%, 0.67%

LAB 82.96, -45.68, 47.03

 

CMYK 50 / 0 / 49 / 11

HEX #72E373

RGB 114 227 115

HSL 120.53, 0.67%, 0.67%

LAB 81.7, -54.41, 44.73

 

CMYK 50 / 0 / 36 / 11

HEX #72E391

RGB 114 227 145

HSL 136.46, 0.67%, 0.67%

LAB 82.14, -49.84, 30.41

 

CMYK 50 / 0 / 22 / 11

HEX #72E3B0

RGB 114 227 176

HSL 152.92, 0.67%, 0.67%

LAB 82.73, -43.97, 15.15

 

CMYK 50 / 0 / 9 / 11

HEX #72E3CE

RGB 114 227 206

HSL 168.85, 0.67%, 0.67%

LAB 83.43, -37.29, 0.35

 

CMYK 37 / 0 / 50 / 11

HEX #90E372

RGB 144 227 114

HSL 104.07, 0.67%, 0.67%

LAB 82.96, -45.68, 47.03

 

CMYK 43 / 0 / 58 / 6

HEX #89F064

RGB 137 240 100

HSL 104.14, 0.82%, 0.67%

LAB 86.29, -54.75, 57.27

 

CMYK 48 / 0 / 66 / 0

HEX #83FE57

RGB 131 254 87

HSL 104.19, 0.99%, 0.67%

LAB 90.04, -63.04, 66.71

 

CMYK 37 / 0 / 50 / 11

HEX #90E372

RGB 144 227 114

HSL 104.07, 0.67%, 0.67%

LAB 82.96, -45.68, 47.03

 

CMYK 30 / 0 / 40 / 16

HEX #96D580

RGB 150 213 128

HSL 104.47, 0.5%, 0.67%

LAB 79.4, -35.69, 35.75

 

CMYK 21 / 0 / 29 / 22

HEX #9DC78D

RGB 157 199 141

HSL 103.45, 0.34%, 0.67%

LAB 76.03, -24.71, 24.64

 

CMYK 12 / 0 / 17 / 27

HEX #A3BA9B

RGB 163 186 155

HSL 104.52, 0.18%, 0.67%

LAB 73.07, -13.72, 13.11

 

CMYK 2 / 0 / 2 / 33

HEX #A9ACA8

RGB 169 172 168

HSL 105, 0.02%, 0.67%

LAB 70.01, -1.81, 1.67

 

CMYK 10 / 0 / 50 / 11

HEX #CCE372

RGB 204 227 114

HSL 72.21, 0.67%, 0.67%

LAB 86.5, -24.12, 52.14

 

CMYK 23 / 0 / 50 / 11

HEX #AEE372

RGB 174 227 114

HSL 88.14, 0.67%, 0.67%

LAB 84.56, -35.39, 49.35

 

CMYK 37 / 0 / 50 / 11

HEX #90E372

RGB 144 227 114

HSL 104.07, 0.67%, 0.67%

LAB 82.96, -45.68, 47.03

 

CMYK 50 / 0 / 50 / 11

HEX #72E372

RGB 114 227 114

HSL 120, 0.67%, 0.67%

LAB 81.69, -54.54, 45.19

 

CMYK 50 / 0 / 37 / 11

HEX #72E390

RGB 114 227 144

HSL 135.93, 0.67%, 0.67%

LAB 82.12, -50.01, 30.9

 

CMYK 58 / 0 / 79 / 16

HEX #59D52D

RGB 89 213 45

HSL 104.29, 0.67%, 0.51%

LAB 76.01, -62.37, 66.58

 

CMYK 47 / 0 / 64 / 14

HEX #74DC50

RGB 116 220 80

HSL 104.57, 0.67%, 0.59%

LAB 79.32, -55.06, 57.73

 

CMYK 37 / 0 / 50 / 11

HEX #90E372

RGB 144 227 114

HSL 104.07, 0.67%, 0.67%

LAB 82.96, -45.68, 47.03

 

CMYK 27 / 0 / 37 / 8

HEX #ABEA94

RGB 171 234 148

HSL 103.95, 0.67%, 0.75%

LAB 86.82, -35.4, 35.56

 

CMYK 18 / 0 / 24 / 6

HEX #C6F0B7

RGB 198 240 183

HSL 104.21, 0.66%, 0.83%

LAB 90.66, -23.81, 23.2

 

CMYK 37 / 0 / 50 / 11

HEX #8FE371

RGB 143 227 113

HSL 104.21, 0.67%, 0.67%

LAB 82.9, -46.12, 47.42

 

CMYK 50 / 0 / 4 / 11

HEX #72E3DB

RGB 114 227 219

HSL 175.75, 0.67%, 0.67%

LAB 83.77, -34.12, -6.02

 

CMYK 0 / 50 / 17 / 11

HEX #E372BD

RGB 227 114 189

HSL 320.18, 0.67%, 0.67%

LAB 63.38, 52.92, -19.33

 

CMYK 37 / 0 / 50 / 11

HEX #8FE371

RGB 143 227 113

HSL 104.21, 0.67%, 0.67%

LAB 82.9, -46.12, 47.42

 

CMYK 50 / 37 / 0 / 11

HEX #7290E3

RGB 114 144 227

HSL 224.07, 0.67%, 0.67%

LAB 60.84, 12.13, -45.44

 

CMYK 0 / 50 / 37 / 11

HEX #E37290

RGB 227 114 144

HSL 344.07, 0.67%, 0.67%

LAB 61.98, 46.91, 4.31

 

CMYK 37 / 0 / 50 / 11

HEX #8FE371

RGB 143 227 113

HSL 104.21, 0.67%, 0.67%

LAB 82.9, -46.12, 47.42

 

CMYK 50 / 0 / 4 / 11

HEX #72E3DB

RGB 114 227 219

HSL 175.75, 0.67%, 0.67%

LAB 83.77, -34.12, -6.02

 

CMYK 13 / 50 / 0 / 11

HEX #C572E3

RGB 197 114 227

HSL 284.07, 0.67%, 0.67%

LAB 61.18, 50.9, -44.42

 

CMYK 0 / 50 / 47 / 11

HEX #E37279

RGB 227 114 121

HSL 356.28, 0.67%, 0.67%

LAB 61.43, 44.47, 16.75

 

CMYK 37 / 0 / 50 / 11

HEX #8FE371

RGB 143 227 113

HSL 104.21, 0.67%, 0.67%

LAB 82.9, -46.12, 47.42

 

CMYK 50 / 12 / 0 / 11

HEX #72C8E3

RGB 114 200 227

HSL 194.34, 0.67%, 0.67%

LAB 76.33, -18.79, -21.44

 

CMYK 13 / 50 / 0 / 11

HEX #C572E3

RGB 197 114 227

HSL 284.07, 0.67%, 0.67%

LAB 61.18, 50.9, -44.42

 

CMYK 0 / 38 / 50 / 11

HEX #E38C72

RGB 227 140 114

HSL 13.81, 0.67%, 0.67%

LAB 66.75, 30.38, 27.85

 

Description

Color code: HEX #8FE371 | qconv.com Color code: HEX #8FE371 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 227 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 227 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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