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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FEF6A it is the complementary color #701095. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FEF6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FEF6A shade: #94EF65, #A5FF78, #B6FF8B, #C7FF9E and #D8FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FEF6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FEF6A shade: #8FEF6A, #7EDD57, #6DCB44, #5CB931 and #4BA71E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FEF6A shade: #90EF6B, #B3EF6B, #D7EF6B, #EFE36B and #EFC06B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FEF6A shade: #90EF6B, #6CEF6B, #6BEF8D, #6BEFB1 and #6BEFD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FEF6A shade matches the following richer shades: #90EF6B and #8AFC5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FEF6A shade: #90EF6B, #95E278, #9BD585, #A1C792 and #A7BAA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FEF6A shade: #D7EF6B, #B4EF6B, #90EF6B, #6DEF6B and #6BEF8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FEF6A shade: #57E720, #74EB45, #90EF6B, #ACF390 and #C8F7B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FEF6A shade: #8FEF6A, #6BEFE4 and #EF6BC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FEF6A shade: #8FEF6A, #6B90EF and #EF6B90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FEF6A shade: #8FEF6A, #6BEFE4, #CA6BEF and #EF6B76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FEF6A shade: #8FEF6A, #6BD2EF, #CA6BEF and #EF876B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 56 / 6

HEX #8FEF6A

RGB 143 239 106

HSL 103.31, 0.81%, 0.68%

LAB 86.31, -51.89, 54.72

 

Complementary color

CMYK 25 / 89 / 0 / 42

HEX #701095

RGB 112 16 149

HSL 283.31, 0.81%, 0.32%

LAB 29.38, 57.27, -50.36

 

CMYK 38 / 0 / 58 / 6

HEX #94EF65

RGB 148 239 101

HSL 99.57, 0.81%, 0.67%

LAB 86.49, -50.83, 57.2

 

CMYK 35 / 0 / 53 / 0

HEX #A5FF78

RGB 165 255 120

HSL 100, 1%, 0.74%

LAB 92.08, -50.03, 55.48

 

CMYK 29 / 0 / 45 / 0

HEX #B6FF8B

RGB 182 255 139

HSL 97.76, 1%, 0.77%

LAB 93.16, -42.28, 48.18

 

CMYK 22 / 0 / 38 / 0

HEX #C7FF9E

RGB 199 255 158

HSL 94.64, 1%, 0.81%

LAB 94.37, -34.12, 40.74

 

CMYK 15 / 0 / 31 / 0

HEX #D8FFB1

RGB 216 255 177

HSL 90, 1%, 0.85%

LAB 95.7, -25.65, 33.28

 

CMYK 40 / 0 / 56 / 6

HEX #8FEF6A

RGB 143 239 106

HSL 103.31, 0.81%, 0.68%

LAB 86.31, -51.89, 54.72

 

CMYK 43 / 0 / 61 / 13

HEX #7EDD57

RGB 126 221 87

HSL 102.54, 0.66%, 0.6%

LAB 80.09, -51.8, 55.74

 

CMYK 46 / 0 / 67 / 20

HEX #6DCB44

RGB 109 203 68

HSL 101.78, 0.56%, 0.53%

LAB 73.79, -51.57, 56.56

 

CMYK 50 / 0 / 74 / 27

HEX #5CB931

RGB 92 185 49

HSL 101.03, 0.58%, 0.46%

LAB 67.42, -51.12, 57.01

 

CMYK 55 / 0 / 82 / 35

HEX #4BA71E

RGB 75 167 30

HSL 100.29, 0.7%, 0.39%

LAB 60.98, -50.35, 56.72

 

CMYK 40 / 0 / 55 / 6

HEX #90EF6B

RGB 144 239 107

HSL 103.18, 0.8%, 0.68%

LAB 86.37, -51.48, 54.35

 

CMYK 25 / 0 / 55 / 6

HEX #B3EF6B

RGB 179 239 107

HSL 87.27, 0.8%, 0.68%

LAB 88.15, -39.69, 56.88

 

CMYK 10 / 0 / 55 / 6

HEX #D7EF6B

RGB 215 239 107

HSL 70.91, 0.8%, 0.68%

LAB 90.43, -26.19, 60.1

 

CMYK 0 / 5 / 55 / 6

HEX #EFE36B

RGB 239 227 107

HSL 54.55, 0.8%, 0.68%

LAB 89.09, -10.83, 59.05

 

CMYK 0 / 20 / 55 / 6

HEX #EFC06B

RGB 239 192 107

HSL 38.64, 0.8%, 0.68%

LAB 80.24, 7.06, 48.71

 

CMYK 40 / 0 / 55 / 6

HEX #90EF6B

RGB 144 239 107

HSL 103.18, 0.8%, 0.68%

LAB 86.37, -51.48, 54.35

 

CMYK 55 / 0 / 55 / 6

HEX #6CEF6B

RGB 108 239 107

HSL 119.55, 0.8%, 0.68%

LAB 84.99, -61.52, 52.38

 

CMYK 55 / 0 / 41 / 6

HEX #6BEF8D

RGB 107 239 141

HSL 135.45, 0.8%, 0.68%

LAB 85.39, -57, 36.66

 

CMYK 55 / 0 / 26 / 6

HEX #6BEFB1

RGB 107 239 177

HSL 151.82, 0.8%, 0.68%

LAB 86.02, -50.44, 19.21

 

CMYK 55 / 0 / 11 / 6

HEX #6BEFD5

RGB 107 239 213

HSL 168.18, 0.8%, 0.68%

LAB 86.83, -42.48, 1.6

 

CMYK 40 / 0 / 55 / 6

HEX #90EF6B

RGB 144 239 107

HSL 103.18, 0.8%, 0.68%

LAB 86.37, -51.48, 54.35

 

CMYK 45 / 0 / 63 / 1

HEX #8AFC5E

RGB 138 252 94

HSL 103.29, 0.96%, 0.68%

LAB 89.78, -59.69, 63.73

 

CMYK 40 / 0 / 55 / 6

HEX #90EF6B

RGB 144 239 107

HSL 103.18, 0.8%, 0.68%

LAB 86.37, -51.48, 54.35

 

CMYK 34 / 0 / 47 / 11

HEX #95E278

RGB 149 226 120

HSL 103.58, 0.65%, 0.68%

LAB 82.99, -42.89, 44.25

 

CMYK 27 / 0 / 38 / 16

HEX #9BD585

RGB 155 213 133

HSL 103.5, 0.49%, 0.68%

LAB 79.76, -33.28, 33.73

 

CMYK 19 / 0 / 27 / 22

HEX #A1C792

RGB 161 199 146

HSL 103.02, 0.32%, 0.68%

LAB 76.37, -22.51, 22.5

 

CMYK 10 / 0 / 14 / 27

HEX #A7BAA0

RGB 167 186 160

HSL 103.85, 0.16%, 0.68%

LAB 73.46, -11.42, 10.99

 

CMYK 10 / 0 / 55 / 6

HEX #D7EF6B

RGB 215 239 107

HSL 70.91, 0.8%, 0.68%

LAB 90.43, -26.19, 60.1

 

CMYK 25 / 0 / 55 / 6

HEX #B4EF6B

RGB 180 239 107

HSL 86.82, 0.8%, 0.68%

LAB 88.21, -39.34, 56.96

 

CMYK 40 / 0 / 55 / 6

HEX #90EF6B

RGB 144 239 107

HSL 103.18, 0.8%, 0.68%

LAB 86.37, -51.48, 54.35

 

CMYK 54 / 0 / 55 / 6

HEX #6DEF6B

RGB 109 239 107

HSL 119.09, 0.8%, 0.68%

LAB 85.02, -61.28, 52.43

 

CMYK 55 / 0 / 41 / 6

HEX #6BEF8C

RGB 107 239 140

HSL 135, 0.8%, 0.68%

LAB 85.38, -57.16, 37.14

 

CMYK 62 / 0 / 86 / 9

HEX #57E720

RGB 87 231 32

HSL 103.42, 0.81%, 0.52%

LAB 81.45, -69.44, 74.63

 

CMYK 51 / 0 / 71 / 8

HEX #74EB45

RGB 116 235 69

HSL 103.01, 0.81%, 0.6%

LAB 83.74, -61.6, 66.65

 

CMYK 40 / 0 / 55 / 6

HEX #90EF6B

RGB 144 239 107

HSL 103.18, 0.8%, 0.68%

LAB 86.37, -51.48, 54.35

 

CMYK 29 / 0 / 41 / 5

HEX #ACF390

RGB 172 243 144

HSL 103.03, 0.8%, 0.76%

LAB 89.34, -39.68, 40.82

 

CMYK 19 / 0 / 27 / 3

HEX #C8F7B5

RGB 200 247 181

HSL 102.73, 0.8%, 0.84%

LAB 92.64, -26.79, 26.95

 

CMYK 40 / 0 / 56 / 6

HEX #8FEF6A

RGB 143 239 106

HSL 103.31, 0.81%, 0.68%

LAB 86.31, -51.89, 54.72

 

CMYK 55 / 0 / 5 / 6

HEX #6BEFE4

RGB 107 239 228

HSL 175, 0.8%, 0.68%

LAB 87.22, -38.8, -5.69

 

CMYK 0 / 55 / 18 / 6

HEX #EF6BC5

RGB 239 107 197

HSL 319.09, 0.8%, 0.68%

LAB 64.08, 60.96, -22.64

 

CMYK 40 / 0 / 56 / 6

HEX #8FEF6A

RGB 143 239 106

HSL 103.31, 0.81%, 0.68%

LAB 86.31, -51.89, 54.72

 

CMYK 55 / 40 / 0 / 6

HEX #6B90EF

RGB 107 144 239

HSL 223.18, 0.8%, 0.68%

LAB 61.05, 14.33, -51.78

 

CMYK 0 / 55 / 40 / 6

HEX #EF6B90

RGB 239 107 144

HSL 343.18, 0.8%, 0.68%

LAB 62.41, 54.29, 5.15

 

CMYK 40 / 0 / 56 / 6

HEX #8FEF6A

RGB 143 239 106

HSL 103.31, 0.81%, 0.68%

LAB 86.31, -51.89, 54.72

 

CMYK 55 / 0 / 5 / 6

HEX #6BEFE4

RGB 107 239 228

HSL 175, 0.8%, 0.68%

LAB 87.22, -38.8, -5.69

 

CMYK 15 / 55 / 0 / 6

HEX #CA6BEF

RGB 202 107 239

HSL 283.18, 0.8%, 0.68%

LAB 61.05, 58.15, -51.27

 

CMYK 0 / 55 / 51 / 6

HEX #EF6B76

RGB 239 107 118

HSL 355, 0.8%, 0.68%

LAB 61.8, 51.79, 19.26

 

CMYK 40 / 0 / 56 / 6

HEX #8FEF6A

RGB 143 239 106

HSL 103.31, 0.81%, 0.68%

LAB 86.31, -51.89, 54.72

 

CMYK 55 / 12 / 0 / 6

HEX #6BD2EF

RGB 107 210 239

HSL 193.18, 0.8%, 0.68%

LAB 79.3, -21.98, -23.39

 

CMYK 15 / 55 / 0 / 6

HEX #CA6BEF

RGB 202 107 239

HSL 283.18, 0.8%, 0.68%

LAB 61.05, 58.15, -51.27

 

CMYK 0 / 44 / 55 / 6

HEX #EF876B

RGB 239 135 107

HSL 12.73, 0.8%, 0.68%

LAB 67.08, 37.04, 32.41

 

Description

Color code: HEX #8FEF6A | qconv.com Color code: HEX #8FEF6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 239 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 239 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 56 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 56% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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