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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FEFBD it is the complementary color #701042. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FEFBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FEFBD shade: #94EFB8, #A5FFCB, #B6FFDE, #C7FFF1 and #D8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FEFBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FEFBD shade: #8FEFBD, #7EDDAA, #6DCB97, #5CB984 and #4BA771

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FEFBD shade: #8FEFBD, #8FEFA3, #95EF8F, #AEEF8F and #C8EF8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FEFBD shade: #8FEFBD, #8FEFD7, #8FEDEF, #8FD3EF and #8FB9EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FEFBD shade matches the following richer shades: #8FEFBD and #85F9BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FEFBD shade: #8FEFBD, #99E4BD, #A4DABE, #AED0BE and #B8C5BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FEFBD shade: #95EF8F, #8FEFA2, #8FEFBC, #8FEFD5 and #8FEFEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FEFBD shade: #47E492, #6BE9A7, #8FEFBD, #B3F4D2 and #D7F9E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FEFBD shade: #8FEFBD, #8FAFEF and #EF958F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FEFBD shade: #8FEFBD, #BC8FEF and #EFBC8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FEFBD shade: #8FEFBD, #8FAFEF, #EF8FC2 and #EFCF8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FEFBD shade: #8FEFBD, #8F92EF, #EF8FC2 and #EFEB8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 21 / 6

HEX #8FEFBD

RGB 143 239 189

HSL 148.75, 0.75%, 0.75%

LAB 87.6, -39.27, 15.4

 

Complementary color

CMYK 0 / 86 / 41 / 56

HEX #701042

RGB 112 16 66

HSL 328.75, 0.75%, 0.25%

LAB 24.35, 43.83, -4.6

 

CMYK 38 / 0 / 23 / 6

HEX #94EFB8

RGB 148 239 184

HSL 143.74, 0.74%, 0.76%

LAB 87.72, -38.85, 18.19

 

CMYK 35 / 0 / 20 / 0

HEX #A5FFCB

RGB 165 255 203

HSL 145.33, 1%, 0.82%

LAB 93.38, -37.69, 16.45

 

CMYK 29 / 0 / 13 / 0

HEX #B6FFDE

RGB 182 255 222

HSL 152.88, 1%, 0.86%

LAB 94.63, -29.13, 8.59

 

CMYK 22 / 0 / 5 / 0

HEX #C7FFF1

RGB 199 255 241

HSL 165, 1%, 0.89%

LAB 96, -20.34, 0.91

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBD

RGB 143 239 189

HSL 148.75, 0.75%, 0.75%

LAB 87.6, -39.27, 15.4

 

CMYK 43 / 0 / 23 / 13

HEX #7EDDAA

RGB 126 221 170

HSL 147.79, 0.58%, 0.68%

LAB 81.32, -39.5, 16.4

 

CMYK 46 / 0 / 26 / 20

HEX #6DCB97

RGB 109 203 151

HSL 146.81, 0.47%, 0.61%

LAB 74.95, -39.72, 17.46

 

CMYK 50 / 0 / 29 / 27

HEX #5CB984

RGB 92 185 132

HSL 145.81, 0.4%, 0.54%

LAB 68.49, -39.9, 18.61

 

CMYK 55 / 0 / 32 / 35

HEX #4BA771

RGB 75 167 113

HSL 144.78, 0.38%, 0.47%

LAB 61.93, -40.02, 19.86

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBD

RGB 143 239 189

HSL 148.75, 0.75%, 0.75%

LAB 87.6, -39.27, 15.4

 

CMYK 40 / 0 / 32 / 6

HEX #8FEFA3

RGB 143 239 163

HSL 132.5, 0.75%, 0.75%

LAB 87.1, -44.02, 28.1

 

CMYK 38 / 0 / 40 / 6

HEX #95EF8F

RGB 149 239 143

HSL 116.25, 0.75%, 0.75%

LAB 87.05, -45.4, 38.13

 

CMYK 27 / 0 / 40 / 6

HEX #AEEF8F

RGB 174 239 143

HSL 100.63, 0.75%, 0.75%

LAB 88.31, -37.35, 40.01

 

CMYK 16 / 0 / 40 / 6

HEX #C8EF8F

RGB 200 239 143

HSL 84.38, 0.75%, 0.75%

LAB 89.86, -28.21, 42.31

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBD

RGB 143 239 189

HSL 148.75, 0.75%, 0.75%

LAB 87.6, -39.27, 15.4

 

CMYK 40 / 0 / 10 / 6

HEX #8FEFD7

RGB 143 239 215

HSL 165, 0.75%, 0.75%

LAB 88.2, -33.84, 2.7

 

CMYK 40 / 1 / 0 / 6

HEX #8FEDEF

RGB 143 237 239

HSL 181.25, 0.75%, 0.75%

LAB 88.28, -27.35, -9.75

 

CMYK 40 / 12 / 0 / 6

HEX #8FD3EF

RGB 143 211 239

HSL 197.5, 0.75%, 0.75%

LAB 81.1, -14.38, -20.51

 

CMYK 40 / 23 / 0 / 6

HEX #8FB9EF

RGB 143 185 239

HSL 213.75, 0.75%, 0.75%

LAB 74.04, -0.57, -31.3

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBD

RGB 143 239 189

HSL 148.75, 0.75%, 0.75%

LAB 87.6, -39.27, 15.4

 

CMYK 47 / 0 / 24 / 2

HEX #85F9BC

RGB 133 249 188

HSL 148.45, 0.91%, 0.75%

LAB 90.03, -46.45, 19.26

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBD

RGB 143 239 189

HSL 148.75, 0.75%, 0.75%

LAB 87.6, -39.27, 15.4

 

CMYK 33 / 0 / 17 / 11

HEX #99E4BD

RGB 153 228 189

HSL 148.8, 0.58%, 0.75%

LAB 84.96, -31.38, 11.73

 

CMYK 25 / 0 / 13 / 15

HEX #A4DABE

RGB 164 218 190

HSL 148.89, 0.42%, 0.75%

LAB 82.78, -23.03, 8.17

 

CMYK 16 / 0 / 9 / 18

HEX #AED0BE

RGB 174 208 190

HSL 148.24, 0.27%, 0.75%

LAB 80.64, -14.81, 5.18

 

CMYK 7 / 0 / 4 / 23

HEX #B8C5BE

RGB 184 197 190

HSL 147.69, 0.1%, 0.75%

LAB 78.37, -5.77, 1.97

 

CMYK 38 / 0 / 40 / 6

HEX #95EF8F

RGB 149 239 143

HSL 116.25, 0.75%, 0.75%

LAB 87.05, -45.4, 38.13

 

CMYK 40 / 0 / 32 / 6

HEX #8FEFA2

RGB 143 239 162

HSL 131.88, 0.75%, 0.75%

LAB 87.09, -44.19, 28.58

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBC

RGB 143 239 188

HSL 148.13, 0.75%, 0.75%

LAB 87.58, -39.46, 15.89

 

CMYK 40 / 0 / 11 / 6

HEX #8FEFD5

RGB 143 239 213

HSL 163.75, 0.75%, 0.75%

LAB 88.15, -34.28, 3.68

 

CMYK 40 / 0 / 0 / 6

HEX #8FEFEF

RGB 143 239 239

HSL 180, 0.75%, 0.75%

LAB 88.83, -28.31, -8.92

 

CMYK 69 / 0 / 36 / 11

HEX #47E492

RGB 71 228 146

HSL 148.66, 0.74%, 0.59%

LAB 81.24, -58.94, 28.48

 

CMYK 54 / 0 / 28 / 9

HEX #6BE9A7

RGB 107 233 167

HSL 148.57, 0.74%, 0.67%

LAB 84.07, -49.95, 21.67

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBD

RGB 143 239 189

HSL 148.75, 0.75%, 0.75%

LAB 87.6, -39.27, 15.4

 

CMYK 27 / 0 / 14 / 4

HEX #B3F4D2

RGB 179 244 210

HSL 148.62, 0.75%, 0.83%

LAB 91.21, -27.13, 9.86

 

CMYK 14 / 0 / 7 / 2

HEX #D7F9E7

RGB 215 249 231

HSL 148.24, 0.74%, 0.91%

LAB 95.15, -14.34, 4.94

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBD

RGB 143 239 189

HSL 148.75, 0.75%, 0.75%

LAB 87.6, -39.27, 15.4

 

CMYK 40 / 27 / 0 / 6

HEX #8FAFEF

RGB 143 175 239

HSL 220, 0.75%, 0.75%

LAB 71.37, 4.95, -35.43

 

CMYK 0 / 38 / 40 / 6

HEX #EF958F

RGB 239 149 143

HSL 3.75, 0.75%, 0.75%

LAB 70.75, 33.17, 17.5

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBD

RGB 143 239 189

HSL 148.75, 0.75%, 0.75%

LAB 87.6, -39.27, 15.4

 

CMYK 21 / 40 / 0 / 6

HEX #BC8FEF

RGB 188 143 239

HSL 268.13, 0.75%, 0.75%

LAB 66.95, 35.41, -42.06

 

CMYK 0 / 21 / 40 / 6

HEX #EFBC8F

RGB 239 188 143

HSL 28.13, 0.75%, 0.75%

LAB 79.78, 12.54, 29.77

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBD

RGB 143 239 189

HSL 148.75, 0.75%, 0.75%

LAB 87.6, -39.27, 15.4

 

CMYK 40 / 27 / 0 / 6

HEX #8FAFEF

RGB 143 175 239

HSL 220, 0.75%, 0.75%

LAB 71.37, 4.95, -35.43

 

CMYK 0 / 40 / 19 / 6

HEX #EF8FC2

RGB 239 143 194

HSL 328.13, 0.75%, 0.75%

LAB 70.8, 42.93, -10.8

 

CMYK 0 / 13 / 40 / 6

HEX #EFCF8F

RGB 239 207 143

HSL 40, 0.75%, 0.75%

LAB 84.46, 2.61, 35.93

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBD

RGB 143 239 189

HSL 148.75, 0.75%, 0.75%

LAB 87.6, -39.27, 15.4

 

CMYK 40 / 39 / 0 / 6

HEX #8F92EF

RGB 143 146 239

HSL 238.13, 0.75%, 0.75%

LAB 63.86, 21.47, -47.18

 

CMYK 0 / 40 / 19 / 6

HEX #EF8FC2

RGB 239 143 194

HSL 328.13, 0.75%, 0.75%

LAB 70.8, 42.93, -10.8

 

CMYK 0 / 2 / 40 / 6

HEX #EFEB8F

RGB 239 235 143

HSL 57.5, 0.75%, 0.75%

LAB 91.57, -11.58, 45.06

 

Description

Color code: HEX #8FEFBD | qconv.com Color code: HEX #8FEFBD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 239 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 239 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 21 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 21% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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