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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FFB83 it is the complementary color #70047C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FFB83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FFB83 shade: #94FB7E, #A5FF91, #B6FFA4, #C7FFB7 and #D8FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FFB83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FFB83 shade: #8FFB83, #7EE970, #6DD75D, #5CC54A and #4BB337

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FFB83 shade: #8FFB83, #AFFB83, #CFFB83, #F0FB83 and #FBE583

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FFB83 shade: #8FFB83, #83FB97, #83FBB7, #83FBD8 and #83FBF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FFB83 shade matches the following richer shades: #8FFB83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FFB83 shade: #8FFB83, #97F08D, #9FE697, #A8DCA2 and #B0D1AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FFB83 shade: #CFFB83, #AFFB83, #8FFB83, #83FB97 and #83FBB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FFB83 shade: #47F833, #6BF95B, #8FFB83, #B3FCAB and #D7FDD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FFB83 shade: #8FFB83, #83EFFB and #FB83BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FFB83 shade: #8FFB83, #838FFB and #FB838F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FFB83 shade: #8FFB83, #83EFFB, #EF83FB and #FB8F83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FFB83 shade: #8FFB83, #83CBFB, #EF83FB and #FBB383

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 48 / 2

HEX #8FFB83

RGB 143 251 131

HSL 114, 0.94%, 0.75%

LAB 90.08, -53.82, 47.74

 

Complementary color

CMYK 10 / 97 / 0 / 51

HEX #70047C

RGB 112 4 124

HSL 294, 0.94%, 0.25%

LAB 26.7, 54.83, -39.09

 

CMYK 41 / 0 / 50 / 2

HEX #94FB7E

RGB 148 251 126

HSL 109.44, 0.94%, 0.74%

LAB 90.23, -52.98, 50.32

 

CMYK 35 / 0 / 43 / 0

HEX #A5FF91

RGB 165 255 145

HSL 109.09, 1%, 0.78%

LAB 92.38, -47.03, 44.15

 

CMYK 29 / 0 / 36 / 0

HEX #B6FFA4

RGB 182 255 164

HSL 108.13, 1%, 0.82%

LAB 93.51, -38.99, 36.49

 

CMYK 22 / 0 / 28 / 0

HEX #C7FFB7

RGB 199 255 183

HSL 106.67, 1%, 0.86%

LAB 94.77, -30.58, 28.83

 

CMYK 15 / 0 / 21 / 0

HEX #D8FFCA

RGB 216 255 202

HSL 104.15, 1%, 0.9%

LAB 96.16, -21.93, 21.27

 

CMYK 43 / 0 / 48 / 2

HEX #8FFB83

RGB 143 251 131

HSL 114, 0.94%, 0.75%

LAB 90.08, -53.82, 47.74

 

CMYK 46 / 0 / 52 / 9

HEX #7EE970

RGB 126 233 112

HSL 113.06, 0.73%, 0.68%

LAB 83.9, -53.86, 48.94

 

CMYK 49 / 0 / 57 / 16

HEX #6DD75D

RGB 109 215 93

HSL 112.13, 0.6%, 0.6%

LAB 77.66, -53.79, 50.12

 

CMYK 53 / 0 / 62 / 23

HEX #5CC54A

RGB 92 197 74

HSL 111.22, 0.51%, 0.53%

LAB 71.35, -53.55, 51.2

 

CMYK 58 / 0 / 69 / 30

HEX #4BB337

RGB 75 179 55

HSL 110.32, 0.53%, 0.46%

LAB 64.97, -53.06, 52.03

 

CMYK 43 / 0 / 48 / 2

HEX #8FFB83

RGB 143 251 131

HSL 114, 0.94%, 0.75%

LAB 90.08, -53.82, 47.74

 

CMYK 30 / 0 / 48 / 2

HEX #AFFB83

RGB 175 251 131

HSL 98, 0.94%, 0.75%

LAB 91.57, -43.82, 49.92

 

CMYK 18 / 0 / 48 / 2

HEX #CFFB83

RGB 207 251 131

HSL 82, 0.94%, 0.75%

LAB 93.41, -32.59, 52.58

 

CMYK 4 / 0 / 48 / 2

HEX #F0FB83

RGB 240 251 131

HSL 65.5, 0.94%, 0.75%

LAB 95.65, -20.17, 55.81

 

CMYK 0 / 9 / 48 / 2

HEX #FBE583

RGB 251 229 131

HSL 49, 0.94%, 0.75%

LAB 90.86, -5.04, 50.21

 

CMYK 43 / 0 / 48 / 2

HEX #8FFB83

RGB 143 251 131

HSL 114, 0.94%, 0.75%

LAB 90.08, -53.82, 47.74

 

CMYK 48 / 0 / 40 / 2

HEX #83FB97

RGB 131 251 151

HSL 130, 0.94%, 0.75%

LAB 89.88, -54.27, 37.72

 

CMYK 48 / 0 / 27 / 2

HEX #83FBB7

RGB 131 251 183

HSL 146, 0.94%, 0.75%

LAB 90.43, -48.76, 22.36

 

CMYK 48 / 0 / 14 / 2

HEX #83FBD8

RGB 131 251 216

HSL 162.5, 0.94%, 0.75%

LAB 91.13, -41.99, 6.37

 

CMYK 48 / 0 / 1 / 2

HEX #83FBF8

RGB 131 251 248

HSL 178.5, 0.94%, 0.75%

LAB 91.95, -34.49, -9.03

 

CMYK 43 / 0 / 48 / 2

HEX #8FFB83

RGB 143 251 131

HSL 114, 0.94%, 0.75%

LAB 90.08, -53.82, 47.74

 

CMYK 43 / 0 / 48 / 2

HEX #8FFB83

RGB 143 251 131

HSL 114, 0.94%, 0.75%

LAB 90.08, -53.82, 47.74

 

CMYK 37 / 0 / 41 / 6

HEX #97F08D

RGB 151 240 141

HSL 113.94, 0.77%, 0.75%

LAB 87.4, -45.5, 39.59

 

CMYK 31 / 0 / 34 / 10

HEX #9FE697

RGB 159 230 151

HSL 113.92, 0.61%, 0.75%

LAB 85.1, -37.09, 31.65

 

CMYK 24 / 0 / 26 / 14

HEX #A8DCA2

RGB 168 220 162

HSL 113.79, 0.45%, 0.75%

LAB 82.98, -27.73, 23.2

 

CMYK 16 / 0 / 18 / 18

HEX #B0D1AC

RGB 176 209 172

HSL 113.51, 0.29%, 0.75%

LAB 80.63, -17.93, 14.76

 

CMYK 18 / 0 / 48 / 2

HEX #CFFB83

RGB 207 251 131

HSL 82, 0.94%, 0.75%

LAB 93.41, -32.59, 52.58

 

CMYK 30 / 0 / 48 / 2

HEX #AFFB83

RGB 175 251 131

HSL 98, 0.94%, 0.75%

LAB 91.57, -43.82, 49.92

 

CMYK 43 / 0 / 48 / 2

HEX #8FFB83

RGB 143 251 131

HSL 114, 0.94%, 0.75%

LAB 90.08, -53.82, 47.74

 

CMYK 48 / 0 / 40 / 2

HEX #83FB97

RGB 131 251 151

HSL 130, 0.94%, 0.75%

LAB 89.88, -54.27, 37.72

 

CMYK 48 / 0 / 27 / 2

HEX #83FBB7

RGB 131 251 183

HSL 146, 0.94%, 0.75%

LAB 90.43, -48.76, 22.36

 

CMYK 71 / 0 / 79 / 3

HEX #47F833

RGB 71 248 51

HSL 113.91, 0.93%, 0.59%

LAB 86.36, -76.91, 74.45

 

CMYK 57 / 0 / 63 / 2

HEX #6BF95B

RGB 107 249 91

HSL 113.92, 0.93%, 0.67%

LAB 87.79, -67.06, 62.45

 

CMYK 43 / 0 / 48 / 2

HEX #8FFB83

RGB 143 251 131

HSL 114, 0.94%, 0.75%

LAB 90.08, -53.82, 47.74

 

CMYK 29 / 0 / 32 / 1

HEX #B3FCAB

RGB 179 252 171

HSL 114.07, 0.93%, 0.83%

LAB 92.64, -37.57, 31.8

 

CMYK 15 / 0 / 17 / 1

HEX #D7FDD3

RGB 215 253 211

HSL 114.29, 0.91%, 0.91%

LAB 95.75, -19.82, 16.09

 

CMYK 43 / 0 / 48 / 2

HEX #8FFB83

RGB 143 251 131

HSL 114, 0.94%, 0.75%

LAB 90.08, -53.82, 47.74

 

CMYK 48 / 5 / 0 / 2

HEX #83EFFB

RGB 131 239 251

HSL 186, 0.94%, 0.75%

LAB 88.7, -28.06, -15.45

 

CMYK 0 / 48 / 24 / 2

HEX #FB83BF

RGB 251 131 191

HSL 330, 0.94%, 0.75%

LAB 69.83, 52.45, -10.42

 

CMYK 43 / 0 / 48 / 2

HEX #8FFB83

RGB 143 251 131

HSL 114, 0.94%, 0.75%

LAB 90.08, -53.82, 47.74

 

CMYK 48 / 43 / 0 / 2

HEX #838FFB

RGB 131 143 251

HSL 234, 0.94%, 0.75%

LAB 62.87, 23.77, -55.39

 

CMYK 0 / 48 / 43 / 2

HEX #FB838F

RGB 251 131 143

HSL 354, 0.94%, 0.75%

LAB 68.55, 46.73, 14.67

 

CMYK 43 / 0 / 48 / 2

HEX #8FFB83

RGB 143 251 131

HSL 114, 0.94%, 0.75%

LAB 90.08, -53.82, 47.74

 

CMYK 48 / 5 / 0 / 2

HEX #83EFFB

RGB 131 239 251

HSL 186, 0.94%, 0.75%

LAB 88.7, -28.06, -15.45

 

CMYK 5 / 48 / 0 / 2

HEX #EF83FB

RGB 239 131 251

HSL 294, 0.94%, 0.75%

LAB 70.56, 58.49, -42.58

 

CMYK 0 / 43 / 48 / 2

HEX #FB8F83

RGB 251 143 131

HSL 6, 0.94%, 0.75%

LAB 70.73, 39.53, 24.33

 

CMYK 43 / 0 / 48 / 2

HEX #8FFB83

RGB 143 251 131

HSL 114, 0.94%, 0.75%

LAB 90.08, -53.82, 47.74

 

CMYK 48 / 19 / 0 / 2

HEX #83CBFB

RGB 131 203 251

HSL 204, 0.94%, 0.75%

LAB 78.75, -9.89, -30.55

 

CMYK 5 / 48 / 0 / 2

HEX #EF83FB

RGB 239 131 251

HSL 294, 0.94%, 0.75%

LAB 70.56, 58.49, -42.58

 

CMYK 0 / 29 / 48 / 2

HEX #FBB383

RGB 251 179 131

HSL 24, 0.94%, 0.75%

LAB 78.69, 20.78, 34.86

 

Description

Color code: HEX #8FFB83 | qconv.com Color code: HEX #8FFB83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 251 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 251 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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