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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93AFF9 it is the complementary color #6C5006. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93AFF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93AFF9 shade: #98AFF4, #A9C1FF, #BAD3FF, #CBE5FF and #DCF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93AFF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93AFF9 shade: #93AFF9, #829DE6, #718BD3, #6079C0 and #4F67AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93AFF9 shade: #94B0F8, #9495F8, #AF94F8, #CA94F8 and #E594F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93AFF9 shade: #94B0F8, #9495F8 and #9494F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93AFF9 shade matches the following richer shades: #94B0F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93AFF9 shade: #94B0F8, #9EB4EF, #A7B8E6, #B0BCDD and #B9C0D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93AFF9 shade: #94E6F8, #94CBF8, #94B1F8, #9496F8 and #AD94F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93AFF9 shade: #4676F4, #6D93F6, #94B0F8, #BBCDFB and #E2EAFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93AFF9 shade: #93AFF9, #F094F8 and #D9F894

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93AFF9 shade: #93AFF9, #F894B1 and #B1F894

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93AFF9 shade: #93AFF9, #F094F8, #F8DC94 and #9DF894

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93AFF9 shade: #93AFF9, #F894E3, #F8DC94 and #94F8AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 30 / 0 / 2

HEX #93AFF9

RGB 147 175 249

HSL 223.53, 0.89%, 0.78%

LAB 72.03, 8.7, -39.81

 

Complementary color

CMYK 0 / 26 / 94 / 58

HEX #6C5006

RGB 108 80 6

HSL 43.53, 0.89%, 0.22%

LAB 35.87, 5.06, 42.36

 

CMYK 38 / 28 / 0 / 4

HEX #98AFF4

RGB 152 175 244

HSL 225, 0.81%, 0.78%

LAB 72.14, 8.65, -36.91

 

CMYK 34 / 24 / 0 / 0

HEX #A9C1FF

RGB 169 193 255

HSL 223.26, 1%, 0.83%

LAB 78.34, 6.14, -33.15

 

CMYK 27 / 17 / 0 / 0

HEX #BAD3FF

RGB 186 211 255

HSL 218.26, 1%, 0.86%

LAB 84.09, 1.24, -24.24

 

CMYK 20 / 10 / 0 / 0

HEX #CBE5FF

RGB 203 229 255

HSL 210, 1%, 0.9%

LAB 89.84, -3.17, -15.45

 

CMYK 14 / 3 / 0 / 0

HEX #DCF7FF

RGB 220 247 255

HSL 193.71, 1%, 0.93%

LAB 95.56, -7.17, -6.81

 

CMYK 41 / 30 / 0 / 2

HEX #93AFF9

RGB 147 175 249

HSL 223.53, 0.89%, 0.78%

LAB 72.03, 8.7, -39.81

 

CMYK 43 / 32 / 0 / 10

HEX #829DE6

RGB 130 157 230

HSL 223.8, 0.67%, 0.71%

LAB 65.41, 9.31, -39.85

 

CMYK 46 / 34 / 0 / 17

HEX #718BD3

RGB 113 139 211

HSL 224.08, 0.53%, 0.64%

LAB 58.68, 10.02, -39.92

 

CMYK 50 / 37 / 0 / 25

HEX #6079C0

RGB 96 121 192

HSL 224.38, 0.43%, 0.56%

LAB 51.8, 10.87, -40.04

 

CMYK 54 / 40 / 0 / 32

HEX #4F67AD

RGB 79 103 173

HSL 224.68, 0.37%, 0.49%

LAB 44.77, 11.91, -40.21

 

CMYK 40 / 29 / 0 / 3

HEX #94B0F8

RGB 148 176 248

HSL 223.2, 0.88%, 0.78%

LAB 72.31, 8.12, -38.83

 

CMYK 40 / 40 / 0 / 3

HEX #9495F8

RGB 148 149 248

HSL 239.4, 0.88%, 0.78%

LAB 65.41, 23.48, -49.65

 

CMYK 29 / 40 / 0 / 3

HEX #AF94F8

RGB 175 148 248

HSL 256.2, 0.88%, 0.78%

LAB 67.33, 31.13, -46.48

 

CMYK 19 / 40 / 0 / 3

HEX #CA94F8

RGB 202 148 248

HSL 272.4, 0.88%, 0.78%

LAB 69.83, 38.68, -42.38

 

CMYK 8 / 40 / 0 / 3

HEX #E594F8

RGB 229 148 248

HSL 288.6, 0.88%, 0.78%

LAB 72.64, 46.49, -37.79

 

CMYK 40 / 29 / 0 / 3

HEX #94B0F8

RGB 148 176 248

HSL 223.2, 0.88%, 0.78%

LAB 72.31, 8.12, -38.83

 

CMYK 40 / 40 / 0 / 3

HEX #9495F8

RGB 148 149 248

HSL 239.4, 0.88%, 0.78%

LAB 65.41, 23.48, -49.65

 

CMYK 40 / 40 / 0 / 3

HEX #9494F8

RGB 148 148 248

HSL 240, 0.88%, 0.78%

LAB 65.16, 24.06, -50.04

 

CMYK 40 / 29 / 0 / 3

HEX #94B0F8

RGB 148 176 248

HSL 223.2, 0.88%, 0.78%

LAB 72.31, 8.12, -38.83

 

CMYK 40 / 29 / 0 / 3

HEX #94B0F8

RGB 148 176 248

HSL 223.2, 0.88%, 0.78%

LAB 72.31, 8.12, -38.83

 

CMYK 34 / 25 / 0 / 6

HEX #9EB4EF

RGB 158 180 239

HSL 223.7, 0.72%, 0.78%

LAB 73.64, 6.2, -31.85

 

CMYK 27 / 20 / 0 / 10

HEX #A7B8E6

RGB 167 184 230

HSL 223.81, 0.56%, 0.78%

LAB 74.96, 4.34, -24.9

 

CMYK 20 / 15 / 0 / 13

HEX #B0BCDD

RGB 176 188 221

HSL 224, 0.4%, 0.78%

LAB 76.32, 2.8, -17.89

 

CMYK 13 / 9 / 0 / 17

HEX #B9C0D4

RGB 185 192 212

HSL 224.44, 0.24%, 0.78%

LAB 77.74, 1.57, -10.83

 

CMYK 40 / 7 / 0 / 3

HEX #94E6F8

RGB 148 230 248

HSL 190.8, 0.88%, 0.78%

LAB 86.83, -20.49, -16.6

 

CMYK 40 / 18 / 0 / 3

HEX #94CBF8

RGB 148 203 248

HSL 207, 0.88%, 0.78%

LAB 79.49, -6.6, -27.74

 

CMYK 40 / 29 / 0 / 3

HEX #94B1F8

RGB 148 177 248

HSL 222.6, 0.88%, 0.78%

LAB 72.57, 7.57, -38.42

 

CMYK 40 / 40 / 0 / 3

HEX #9496F8

RGB 148 150 248

HSL 238.8, 0.88%, 0.78%

LAB 65.66, 22.91, -49.26

 

CMYK 30 / 40 / 0 / 3

HEX #AD94F8

RGB 173 148 248

HSL 255, 0.88%, 0.78%

LAB 67.16, 30.58, -46.76

 

CMYK 71 / 52 / 0 / 4

HEX #4676F4

RGB 70 118 244

HSL 223.45, 0.89%, 0.62%

LAB 52.72, 25.57, -68

 

CMYK 56 / 40 / 0 / 4

HEX #6D93F6

RGB 109 147 246

HSL 223.36, 0.88%, 0.7%

LAB 62.32, 15.18, -53.62

 

CMYK 40 / 29 / 0 / 3

HEX #94B0F8

RGB 148 176 248

HSL 223.2, 0.88%, 0.78%

LAB 72.31, 8.12, -38.83

 

CMYK 25 / 18 / 0 / 2

HEX #BBCDFB

RGB 187 205 251

HSL 223.13, 0.89%, 0.86%

LAB 82.48, 3.8, -24.56

 

CMYK 11 / 8 / 0 / 1

HEX #E2EAFD

RGB 226 234 253

HSL 222.22, 0.87%, 0.94%

LAB 92.62, 0.95, -10.09

 

CMYK 41 / 30 / 0 / 2

HEX #93AFF9

RGB 147 175 249

HSL 223.53, 0.89%, 0.78%

LAB 72.03, 8.7, -39.81

 

CMYK 3 / 40 / 0 / 3

HEX #F094F8

RGB 240 148 248

HSL 295.2, 0.88%, 0.78%

LAB 73.86, 49.71, -35.8

 

CMYK 13 / 0 / 40 / 3

HEX #D9F894

RGB 217 248 148

HSL 78.6, 0.88%, 0.78%

LAB 93.46, -25.66, 44.68

 

CMYK 41 / 30 / 0 / 2

HEX #93AFF9

RGB 147 175 249

HSL 223.53, 0.89%, 0.78%

LAB 72.03, 8.7, -39.81

 

CMYK 0 / 40 / 29 / 3

HEX #F894B1

RGB 248 148 177

HSL 342.6, 0.88%, 0.78%

LAB 72.44, 41.04, 1.18

 

CMYK 29 / 0 / 40 / 3

HEX #B1F894

RGB 177 248 148

HSL 102.6, 0.88%, 0.78%

LAB 91.06, -39.72, 41.13

 

CMYK 41 / 30 / 0 / 2

HEX #93AFF9

RGB 147 175 249

HSL 223.53, 0.89%, 0.78%

LAB 72.03, 8.7, -39.81

 

CMYK 3 / 40 / 0 / 3

HEX #F094F8

RGB 240 148 248

HSL 295.2, 0.88%, 0.78%

LAB 73.86, 49.71, -35.8

 

CMYK 0 / 11 / 40 / 3

HEX #F8DC94

RGB 248 220 148

HSL 43.2, 0.88%, 0.78%

LAB 88.58, -0, 38.9

 

CMYK 37 / 0 / 40 / 3

HEX #9DF894

RGB 157 248 148

HSL 114.6, 0.88%, 0.78%

LAB 90.06, -46.1, 39.64

 

CMYK 41 / 30 / 0 / 2

HEX #93AFF9

RGB 147 175 249

HSL 223.53, 0.89%, 0.78%

LAB 72.03, 8.7, -39.81

 

CMYK 0 / 40 / 8 / 3

HEX #F894E3

RGB 248 148 227

HSL 312.6, 0.88%, 0.78%

LAB 73.99, 48.46, -24.08

 

CMYK 0 / 11 / 40 / 3

HEX #F8DC94

RGB 248 220 148

HSL 43.2, 0.88%, 0.78%

LAB 88.58, -0, 38.9

 

CMYK 40 / 0 / 31 / 3

HEX #94F8AA

RGB 148 248 170

HSL 133.2, 0.88%, 0.78%

LAB 90.01, -45.32, 28.51

 

Description

Color code: HEX #93AFF9 | qconv.com Color code: HEX #93AFF9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 175 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 175 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 30 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 30% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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