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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93B4D6 it is the complementary color #6C4B29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93B4D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93B4D6 shade: #98B4D1, #A9C6E4, #BAD8F7, #CBEAFF and #DCFCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93B4D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93B4D6 shade: #93B4D6, #82A2C3, #7190B0, #607E9D and #4F6C8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93B4D6 shade: #93B4D6, #93A2D6, #9693D6, #A893D6 and #BA93D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93B4D6 shade: #93B4D6, #93A2D6 and #9393D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93B4D6 shade matches the following richer shades: #93B4D6, #87B4E2, #7BB4EE and #6FB4FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93B4D6 shade: #93B4D6, #9FB4CA, #ABB4BE, #B7B5B2 and #C3B5A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93B4D6 shade: #93D6D4, #93C6D6, #93B5D6, #93A3D6 and #9593D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93B4D6 shade: #578BBF, #759FCA, #93B4D6, #B1C9E1 and #CFDEED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93B4D6 shade: #93B4D6, #C293D6 and #CFD693

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93B4D6 shade: #93B4D6, #D693B5 and #B5D693

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93B4D6 shade: #93B4D6, #C293D6, #D6B593 and #A7D693

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93B4D6 shade: #93B4D6, #D693D6, #D6B593 and #93D693

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 16 / 0 / 16

HEX #93B4D6

RGB 147 180 214

HSL 210.45, 0.45%, 0.71%

LAB 72.03, -3.21, -20.78

 

Complementary color

CMYK 0 / 31 / 62 / 58

HEX #6C4B29

RGB 108 75 41

HSL 30.45, 0.45%, 0.29%

LAB 34.76, 9.94, 25.57

 

CMYK 27 / 14 / 0 / 18

HEX #98B4D1

RGB 152 180 209

HSL 210.53, 0.38%, 0.71%

LAB 72.18, -2.96, -17.79

 

CMYK 26 / 13 / 0 / 11

HEX #A9C6E4

RGB 169 198 228

HSL 210.51, 0.52%, 0.78%

LAB 78.71, -3.1, -18.11

 

CMYK 25 / 13 / 0 / 3

HEX #BAD8F7

RGB 186 216 247

HSL 210.49, 0.79%, 0.85%

LAB 85.13, -3.23, -18.43

 

CMYK 20 / 8 / 0 / 0

HEX #CBEAFF

RGB 203 234 255

HSL 204.23, 1%, 0.9%

LAB 91.13, -5.75, -13.52

 

CMYK 14 / 1 / 0 / 0

HEX #DCFCFF

RGB 220 252 255

HSL 185.14, 1%, 0.93%

LAB 96.84, -9.68, -4.92

 

CMYK 31 / 16 / 0 / 16

HEX #93B4D6

RGB 147 180 214

HSL 210.45, 0.45%, 0.71%

LAB 72.03, -3.21, -20.78

 

CMYK 33 / 17 / 0 / 24

HEX #82A2C3

RGB 130 162 195

HSL 210.46, 0.35%, 0.64%

LAB 65.38, -3.02, -20.51

 

CMYK 36 / 18 / 0 / 31

HEX #7190B0

RGB 113 144 176

HSL 210.48, 0.29%, 0.57%

LAB 58.59, -2.8, -20.26

 

CMYK 39 / 20 / 0 / 38

HEX #607E9D

RGB 96 126 157

HSL 210.49, 0.24%, 0.5%

LAB 51.66, -2.55, -20.04

 

CMYK 43 / 22 / 0 / 46

HEX #4F6C8A

RGB 79 108 138

HSL 210.51, 0.27%, 0.43%

LAB 44.55, -2.23, -19.83

 

CMYK 31 / 16 / 0 / 16

HEX #93B4D6

RGB 147 180 214

HSL 210.45, 0.45%, 0.71%

LAB 72.03, -3.21, -20.78

 

CMYK 31 / 24 / 0 / 16

HEX #93A2D6

RGB 147 162 214

HSL 226.57, 0.45%, 0.71%

LAB 67.2, 6.76, -28.16

 

CMYK 30 / 31 / 0 / 16

HEX #9693D6

RGB 150 147 214

HSL 242.69, 0.45%, 0.71%

LAB 63.51, 16.16, -33.85

 

CMYK 21 / 31 / 0 / 16

HEX #A893D6

RGB 168 147 214

HSL 258.81, 0.45%, 0.71%

LAB 65, 21.52, -31.42

 

CMYK 13 / 31 / 0 / 16

HEX #BA93D6

RGB 186 147 214

HSL 274.93, 0.45%, 0.71%

LAB 66.64, 27.08, -28.75

 

CMYK 31 / 16 / 0 / 16

HEX #93B4D6

RGB 147 180 214

HSL 210.45, 0.45%, 0.71%

LAB 72.03, -3.21, -20.78

 

CMYK 31 / 24 / 0 / 16

HEX #93A2D6

RGB 147 162 214

HSL 226.57, 0.45%, 0.71%

LAB 67.2, 6.76, -28.16

 

CMYK 31 / 31 / 0 / 16

HEX #9393D6

RGB 147 147 214

HSL 240, 0.45%, 0.71%

LAB 63.28, 15.3, -34.23

 

CMYK 31 / 16 / 0 / 16

HEX #93B4D6

RGB 147 180 214

HSL 210.45, 0.45%, 0.71%

LAB 72.03, -3.21, -20.78

 

CMYK 40 / 20 / 0 / 11

HEX #87B4E2

RGB 135 180 226

HSL 210.33, 0.61%, 0.71%

LAB 71.75, -3.4, -27.81

 

CMYK 48 / 24 / 0 / 7

HEX #7BB4EE

RGB 123 180 238

HSL 210.26, 0.77%, 0.71%

LAB 71.57, -3.02, -34.66

 

CMYK 56 / 28 / 0 / 2

HEX #6FB4FA

RGB 111 180 250

HSL 210.22, 0.93%, 0.71%

LAB 71.5, -2.06, -41.32

 

CMYK 31 / 16 / 0 / 16

HEX #93B4D6

RGB 147 180 214

HSL 210.45, 0.45%, 0.71%

LAB 72.03, -3.21, -20.78

 

CMYK 21 / 11 / 0 / 21

HEX #9FB4CA

RGB 159 180 202

HSL 210.7, 0.29%, 0.71%

LAB 72.41, -2.44, -13.55

 

CMYK 10 / 5 / 0 / 25

HEX #ABB4BE

RGB 171 180 190

HSL 211.58, 0.13%, 0.71%

LAB 72.9, -1.13, -6.16

 

CMYK 0 / 1 / 3 / 28

HEX #B7B5B2

RGB 183 181 178

HSL 36, 0.03%, 0.71%

LAB 73.76, 0.16, 1.77

 

CMYK 0 / 7 / 15 / 24

HEX #C3B5A6

RGB 195 181 166

HSL 31.03, 0.19%, 0.71%

LAB 74.45, 2.46, 9.43

 

CMYK 31 / 0 / 1 / 16

HEX #93D6D4

RGB 147 214 212

HSL 178.21, 0.45%, 0.71%

LAB 81.32, -21.41, -5.77

 

CMYK 31 / 7 / 0 / 16

HEX #93C6D6

RGB 147 198 214

HSL 194.33, 0.45%, 0.71%

LAB 76.95, -12.79, -13.35

 

CMYK 31 / 15 / 0 / 16

HEX #93B5D6

RGB 147 181 214

HSL 209.55, 0.45%, 0.71%

LAB 72.3, -3.75, -20.36

 

CMYK 31 / 24 / 0 / 16

HEX #93A3D6

RGB 147 163 214

HSL 225.67, 0.45%, 0.71%

LAB 67.47, 6.19, -27.75

 

CMYK 30 / 31 / 0 / 16

HEX #9593D6

RGB 149 147 214

HSL 241.79, 0.45%, 0.71%

LAB 63.44, 15.87, -33.97

 

CMYK 54 / 27 / 0 / 25

HEX #578BBF

RGB 87 139 191

HSL 210, 0.45%, 0.55%

LAB 56.34, -2.2, -32.39

 

CMYK 42 / 21 / 0 / 21

HEX #759FCA

RGB 117 159 202

HSL 210.35, 0.45%, 0.63%

LAB 64.03, -3.05, -26.54

 

CMYK 31 / 16 / 0 / 16

HEX #93B4D6

RGB 147 180 214

HSL 210.45, 0.45%, 0.71%

LAB 72.03, -3.21, -20.78

 

CMYK 21 / 11 / 0 / 12

HEX #B1C9E1

RGB 177 201 225

HSL 210, 0.44%, 0.79%

LAB 79.93, -2.96, -14.61

 

CMYK 13 / 6 / 0 / 7

HEX #CFDEED

RGB 207 222 237

HSL 210, 0.45%, 0.87%

LAB 87.79, -2.06, -9.04

 

CMYK 31 / 16 / 0 / 16

HEX #93B4D6

RGB 147 180 214

HSL 210.45, 0.45%, 0.71%

LAB 72.03, -3.21, -20.78

 

CMYK 9 / 31 / 0 / 16

HEX #C293D6

RGB 194 147 214

HSL 282.09, 0.45%, 0.71%

LAB 67.42, 29.6, -27.49

 

CMYK 3 / 0 / 31 / 16

HEX #CFD693

RGB 207 214 147

HSL 66.27, 0.45%, 0.71%

LAB 83.69, -12.91, 32.37

 

CMYK 31 / 16 / 0 / 16

HEX #93B4D6

RGB 147 180 214

HSL 210.45, 0.45%, 0.71%

LAB 72.03, -3.21, -20.78

 

CMYK 0 / 31 / 15 / 16

HEX #D693B5

RGB 214 147 181

HSL 329.55, 0.45%, 0.71%

LAB 68.39, 30.26, -7.45

 

CMYK 15 / 0 / 31 / 16

HEX #B5D693

RGB 181 214 147

HSL 89.55, 0.45%, 0.71%

LAB 81.85, -22.58, 29.6

 

CMYK 31 / 16 / 0 / 16

HEX #93B4D6

RGB 147 180 214

HSL 210.45, 0.45%, 0.71%

LAB 72.03, -3.21, -20.78

 

CMYK 9 / 31 / 0 / 16

HEX #C293D6

RGB 194 147 214

HSL 282.09, 0.45%, 0.71%

LAB 67.42, 29.6, -27.49

 

CMYK 0 / 15 / 31 / 16

HEX #D6B593

RGB 214 181 147

HSL 30.45, 0.45%, 0.71%

LAB 75.73, 6.95, 21.76

 

CMYK 22 / 0 / 31 / 16

HEX #A7D693

RGB 167 214 147

HSL 102.09, 0.45%, 0.71%

LAB 80.97, -27.55, 28.26

 

CMYK 31 / 16 / 0 / 16

HEX #93B4D6

RGB 147 180 214

HSL 210.45, 0.45%, 0.71%

LAB 72.03, -3.21, -20.78

 

CMYK 0 / 31 / 0 / 16

HEX #D693D6

RGB 214 147 214

HSL 300, 0.45%, 0.71%

LAB 69.48, 35.98, -24.15

 

CMYK 0 / 15 / 31 / 16

HEX #D6B593

RGB 214 181 147

HSL 30.45, 0.45%, 0.71%

LAB 75.73, 6.95, 21.76

 

CMYK 31 / 0 / 31 / 16

HEX #93D693

RGB 147 214 147

HSL 120, 0.45%, 0.71%

LAB 79.84, -34.26, 26.55

 

Description

Color code: HEX #93B4D6 | qconv.com Color code: HEX #93B4D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 180 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 180 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 16 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 16% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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