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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93BAD6 it is the complementary color #6C4529. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93BAD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93BAD6 shade: #98BAD1, #A9CCE4, #BADEF7, #CBF0FF and #DCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93BAD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93BAD6 shade: #93BAD6, #82A8C3, #7196B0, #60849D and #4F728A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93BAD6 shade: #93BAD6, #93A8D6, #9396D6, #A293D6 and #B493D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93BAD6 shade: #93BAD6, #93A8D6, #9396D6 and #9393D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93BAD6 shade matches the following richer shades: #93BAD6, #87BCE2, #7BBEEE and #6FC0FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93BAD6 shade: #93BAD6, #9FB8CA, #ABB6BE, #B7B4B2 and #C3B2A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93BAD6 shade: #93D6CE, #93CCD6, #93BAD6, #93A8D6 and #9397D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93BAD6 shade: #5794BF, #75A7CA, #93BAD6, #B1CDE1 and #CFE0ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93BAD6 shade: #93BAD6, #BC93D6 and #D5D693

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93BAD6 shade: #93BAD6, #D693BA and #BAD693

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93BAD6 shade: #93BAD6, #BC93D6, #D6AF93 and #ADD693

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93BAD6 shade: #93BAD6, #D093D6, #D6AF93 and #99D693

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 13 / 0 / 16

HEX #93BAD6

RGB 147 186 214

HSL 205.07, 0.45%, 0.71%

LAB 73.66, -6.45, -18.3

 

Complementary color

CMYK 0 / 36 / 62 / 58

HEX #6C4529

RGB 108 69 41

HSL 25.07, 0.45%, 0.29%

LAB 33.15, 13.61, 23.62

 

CMYK 27 / 11 / 0 / 18

HEX #98BAD1

RGB 152 186 209

HSL 204.21, 0.38%, 0.71%

LAB 73.8, -6.19, -15.33

 

CMYK 26 / 11 / 0 / 11

HEX #A9CCE4

RGB 169 204 228

HSL 204.41, 0.52%, 0.78%

LAB 80.3, -6.27, -15.7

 

CMYK 25 / 10 / 0 / 3

HEX #BADEF7

RGB 186 222 247

HSL 204.59, 0.79%, 0.85%

LAB 86.7, -6.36, -16.07

 

CMYK 20 / 6 / 0 / 0

HEX #CBF0FF

RGB 203 240 255

HSL 197.31, 1%, 0.9%

LAB 92.68, -8.8, -11.21

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 31 / 13 / 0 / 16

HEX #93BAD6

RGB 147 186 214

HSL 205.07, 0.45%, 0.71%

LAB 73.66, -6.45, -18.3

 

CMYK 33 / 14 / 0 / 24

HEX #82A8C3

RGB 130 168 195

HSL 204.92, 0.35%, 0.64%

LAB 67.04, -6.32, -17.98

 

CMYK 36 / 15 / 0 / 31

HEX #7196B0

RGB 113 150 176

HSL 204.76, 0.29%, 0.57%

LAB 60.3, -6.18, -17.67

 

CMYK 39 / 16 / 0 / 38

HEX #60849D

RGB 96 132 157

HSL 204.59, 0.24%, 0.5%

LAB 53.41, -6, -17.36

 

CMYK 43 / 17 / 0 / 46

HEX #4F728A

RGB 79 114 138

HSL 204.41, 0.27%, 0.43%

LAB 46.35, -5.79, -17.07

 

CMYK 31 / 13 / 0 / 16

HEX #93BAD6

RGB 147 186 214

HSL 205.07, 0.45%, 0.71%

LAB 73.66, -6.45, -18.3

 

CMYK 31 / 21 / 0 / 16

HEX #93A8D6

RGB 147 168 214

HSL 221.19, 0.45%, 0.71%

LAB 68.8, 3.4, -25.71

 

CMYK 31 / 30 / 0 / 16

HEX #9396D6

RGB 147 150 214

HSL 237.31, 0.45%, 0.71%

LAB 64.06, 13.57, -33.02

 

CMYK 24 / 31 / 0 / 16

HEX #A293D6

RGB 162 147 214

HSL 253.43, 0.45%, 0.71%

LAB 64.49, 19.7, -32.26

 

CMYK 16 / 31 / 0 / 16

HEX #B493D6

RGB 180 147 214

HSL 269.55, 0.45%, 0.71%

LAB 66.08, 25.21, -29.67

 

CMYK 31 / 13 / 0 / 16

HEX #93BAD6

RGB 147 186 214

HSL 205.07, 0.45%, 0.71%

LAB 73.66, -6.45, -18.3

 

CMYK 31 / 21 / 0 / 16

HEX #93A8D6

RGB 147 168 214

HSL 221.19, 0.45%, 0.71%

LAB 68.8, 3.4, -25.71

 

CMYK 31 / 30 / 0 / 16

HEX #9396D6

RGB 147 150 214

HSL 237.31, 0.45%, 0.71%

LAB 64.06, 13.57, -33.02

 

CMYK 31 / 31 / 0 / 16

HEX #9393D6

RGB 147 147 214

HSL 240, 0.45%, 0.71%

LAB 63.28, 15.3, -34.23

 

CMYK 31 / 13 / 0 / 16

HEX #93BAD6

RGB 147 186 214

HSL 205.07, 0.45%, 0.71%

LAB 73.66, -6.45, -18.3

 

CMYK 40 / 17 / 0 / 11

HEX #87BCE2

RGB 135 188 226

HSL 205.05, 0.61%, 0.71%

LAB 73.94, -7.73, -24.46

 

CMYK 48 / 20 / 0 / 7

HEX #7BBEEE

RGB 123 190 238

HSL 205.04, 0.77%, 0.71%

LAB 74.32, -8.45, -30.41

 

CMYK 56 / 23 / 0 / 2

HEX #6FC0FA

RGB 111 192 250

HSL 205.04, 0.93%, 0.71%

LAB 74.81, -8.61, -36.17

 

CMYK 31 / 13 / 0 / 16

HEX #93BAD6

RGB 147 186 214

HSL 205.07, 0.45%, 0.71%

LAB 73.66, -6.45, -18.3

 

CMYK 21 / 9 / 0 / 21

HEX #9FB8CA

RGB 159 184 202

HSL 205.12, 0.29%, 0.71%

LAB 73.49, -4.6, -11.94

 

CMYK 10 / 4 / 0 / 25

HEX #ABB6BE

RGB 171 182 190

HSL 205.26, 0.13%, 0.71%

LAB 73.44, -2.21, -5.37

 

CMYK 0 / 2 / 3 / 28

HEX #B7B4B2

RGB 183 180 178

HSL 24, 0.03%, 0.71%

LAB 73.5, 0.69, 1.38

 

CMYK 0 / 9 / 15 / 24

HEX #C3B2A6

RGB 195 178 166

HSL 24.83, 0.19%, 0.71%

LAB 73.67, 4.07, 8.32

 

CMYK 31 / 0 / 4 / 16

HEX #93D6CE

RGB 147 214 206

HSL 172.84, 0.45%, 0.71%

LAB 81.16, -22.77, -2.81

 

CMYK 31 / 5 / 0 / 16

HEX #93CCD6

RGB 147 204 214

HSL 188.96, 0.45%, 0.71%

LAB 78.6, -15.89, -10.87

 

CMYK 31 / 13 / 0 / 16

HEX #93BAD6

RGB 147 186 214

HSL 205.07, 0.45%, 0.71%

LAB 73.66, -6.45, -18.3

 

CMYK 31 / 21 / 0 / 16

HEX #93A8D6

RGB 147 168 214

HSL 221.19, 0.45%, 0.71%

LAB 68.8, 3.4, -25.71

 

CMYK 31 / 29 / 0 / 16

HEX #9397D6

RGB 147 151 214

HSL 236.42, 0.45%, 0.71%

LAB 64.32, 13, -32.62

 

CMYK 54 / 23 / 0 / 25

HEX #5794BF

RGB 87 148 191

HSL 204.81, 0.45%, 0.55%

LAB 58.94, -7.34, -28.34

 

CMYK 42 / 17 / 0 / 21

HEX #75A7CA

RGB 117 167 202

HSL 204.71, 0.45%, 0.63%

LAB 66.28, -7.48, -23.1

 

CMYK 31 / 13 / 0 / 16

HEX #93BAD6

RGB 147 186 214

HSL 205.07, 0.45%, 0.71%

LAB 73.66, -6.45, -18.3

 

CMYK 21 / 9 / 0 / 12

HEX #B1CDE1

RGB 177 205 225

HSL 205, 0.44%, 0.79%

LAB 80.99, -5.07, -13.02

 

CMYK 13 / 5 / 0 / 7

HEX #CFE0ED

RGB 207 224 237

HSL 206, 0.45%, 0.87%

LAB 88.3, -3.09, -8.27

 

CMYK 31 / 13 / 0 / 16

HEX #93BAD6

RGB 147 186 214

HSL 205.07, 0.45%, 0.71%

LAB 73.66, -6.45, -18.3

 

CMYK 12 / 31 / 0 / 16

HEX #BC93D6

RGB 188 147 214

HSL 276.72, 0.45%, 0.71%

LAB 66.83, 27.71, -28.44

 

CMYK 0 / 0 / 31 / 16

HEX #D5D693

RGB 213 214 147

HSL 60.9, 0.45%, 0.71%

LAB 84.15, -10.62, 33.06

 

CMYK 31 / 13 / 0 / 16

HEX #93BAD6

RGB 147 186 214

HSL 205.07, 0.45%, 0.71%

LAB 73.66, -6.45, -18.3

 

CMYK 0 / 31 / 13 / 16

HEX #D693BA

RGB 214 147 186

HSL 325.07, 0.45%, 0.71%

LAB 68.54, 31.07, -10.02

 

CMYK 13 / 0 / 31 / 16

HEX #BAD693

RGB 186 214 147

HSL 85.07, 0.45%, 0.71%

LAB 82.18, -20.76, 30.1

 

CMYK 31 / 13 / 0 / 16

HEX #93BAD6

RGB 147 186 214

HSL 205.07, 0.45%, 0.71%

LAB 73.66, -6.45, -18.3

 

CMYK 12 / 31 / 0 / 16

HEX #BC93D6

RGB 188 147 214

HSL 276.72, 0.45%, 0.71%

LAB 66.83, 27.71, -28.44

 

CMYK 0 / 18 / 31 / 16

HEX #D6AF93

RGB 214 175 147

HSL 25.07, 0.45%, 0.71%

LAB 74.23, 10.16, 19.7

 

CMYK 19 / 0 / 31 / 16

HEX #ADD693

RGB 173 214 147

HSL 96.72, 0.45%, 0.71%

LAB 81.34, -25.45, 28.82

 

CMYK 31 / 13 / 0 / 16

HEX #93BAD6

RGB 147 186 214

HSL 205.07, 0.45%, 0.71%

LAB 73.66, -6.45, -18.3

 

CMYK 3 / 31 / 0 / 16

HEX #D093D6

RGB 208 147 214

HSL 294.63, 0.45%, 0.71%

LAB 68.85, 34.06, -25.18

 

CMYK 0 / 18 / 31 / 16

HEX #D6AF93

RGB 214 175 147

HSL 25.07, 0.45%, 0.71%

LAB 74.23, 10.16, 19.7

 

CMYK 29 / 0 / 31 / 16

HEX #99D693

RGB 153 214 147

HSL 114.63, 0.45%, 0.71%

LAB 80.16, -32.31, 27.04

 

Description

Color code: HEX #93BAD6 | qconv.com Color code: HEX #93BAD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 186 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 186 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 13 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 13% 0% 16% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - Hristijan Todorov | ...
Link: http://www.hristijantodorov.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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