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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93C0E5 it is the complementary color #6C3F1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93C0E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93C0E5 shade: #98C0E0, #A9D2F3, #BAE4FF, #CBF6FF and #DCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93C0E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93C0E5 shade: #93C0E5, #82AED2, #719CBF, #608AAC and #4F7899

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93C0E5 shade: #94C0E5, #94AAE5, #9495E5, #A994E5 and #BF94E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93C0E5 shade: #94C0E5, #94AAE5, #9495E5 and #9494E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93C0E5 shade matches the following richer shades: #94C0E5, #89C1EF and #7EC2FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93C0E5 shade: #94C0E5, #9EBFDA, #A9BECF, #B4BDC4 and #BFBCBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93C0E5 shade: #94E5DE, #94D6E5, #94C0E5, #94ABE5 and #9495E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93C0E5 shade: #5199D5, #73ADDD, #94C0E5, #B5D4ED and #D6E7F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93C0E5 shade: #93C0E5, #C894E5 and #E1E594

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93C0E5 shade: #93C0E5, #E594C0 and #C0E594

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93C0E5 shade: #93C0E5, #C894E5, #E5B894 and #B0E594

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93C0E5 shade: #93C0E5, #E194E5, #E5B894 and #98E594

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 16 / 0 / 10

HEX #93C0E5

RGB 147 192 229

HSL 207.07, 0.61%, 0.74%

LAB 75.8, -5.91, -23.19

 

Complementary color

CMYK 0 / 42 / 76 / 58

HEX #6C3F1A

RGB 108 63 26

HSL 27.07, 0.61%, 0.26%

LAB 31.39, 16.21, 30.16

 

CMYK 32 / 14 / 0 / 12

HEX #98C0E0

RGB 152 192 224

HSL 206.67, 0.54%, 0.74%

LAB 75.92, -5.78, -20.27

 

CMYK 30 / 14 / 0 / 5

HEX #A9D2F3

RGB 169 210 243

HSL 206.76, 0.76%, 0.81%

LAB 82.38, -5.91, -20.58

 

CMYK 27 / 11 / 0 / 0

HEX #BAE4FF

RGB 186 228 255

HSL 203.48, 1%, 0.86%

LAB 88.52, -7.65, -17.55

 

CMYK 20 / 4 / 0 / 0

HEX #CBF6FF

RGB 203 246 255

HSL 190.38, 1%, 0.9%

LAB 94.24, -11.83, -8.89

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 36 / 16 / 0 / 10

HEX #93C0E5

RGB 147 192 229

HSL 207.07, 0.61%, 0.74%

LAB 75.8, -5.91, -23.19

 

CMYK 38 / 17 / 0 / 18

HEX #82AED2

RGB 130 174 210

HSL 207, 0.47%, 0.67%

LAB 69.23, -5.71, -22.93

 

CMYK 41 / 18 / 0 / 25

HEX #719CBF

RGB 113 156 191

HSL 206.92, 0.38%, 0.6%

LAB 62.55, -5.48, -22.69

 

CMYK 44 / 20 / 0 / 33

HEX #608AAC

RGB 96 138 172

HSL 206.84, 0.31%, 0.53%

LAB 55.73, -5.19, -22.46

 

CMYK 48 / 22 / 0 / 40

HEX #4F7899

RGB 79 120 153

HSL 206.76, 0.32%, 0.45%

LAB 48.75, -4.83, -22.25

 

CMYK 35 / 16 / 0 / 10

HEX #94C0E5

RGB 148 192 229

HSL 207.41, 0.61%, 0.74%

LAB 75.86, -5.64, -23.09

 

CMYK 35 / 26 / 0 / 10

HEX #94AAE5

RGB 148 170 229

HSL 223.7, 0.61%, 0.74%

LAB 69.97, 6.41, -32.13

 

CMYK 35 / 35 / 0 / 10

HEX #9495E5

RGB 148 149 229

HSL 239.26, 0.61%, 0.74%

LAB 64.52, 18.34, -40.6

 

CMYK 26 / 35 / 0 / 10

HEX #A994E5

RGB 169 148 229

HSL 255.56, 0.61%, 0.74%

LAB 65.96, 24.81, -38.23

 

CMYK 17 / 35 / 0 / 10

HEX #BF94E5

RGB 191 148 229

HSL 271.85, 0.61%, 0.74%

LAB 67.96, 31.3, -34.97

 

CMYK 35 / 16 / 0 / 10

HEX #94C0E5

RGB 148 192 229

HSL 207.41, 0.61%, 0.74%

LAB 75.86, -5.64, -23.09

 

CMYK 35 / 26 / 0 / 10

HEX #94AAE5

RGB 148 170 229

HSL 223.7, 0.61%, 0.74%

LAB 69.97, 6.41, -32.13

 

CMYK 35 / 35 / 0 / 10

HEX #9495E5

RGB 148 149 229

HSL 239.26, 0.61%, 0.74%

LAB 64.52, 18.34, -40.6

 

CMYK 35 / 35 / 0 / 10

HEX #9494E5

RGB 148 148 229

HSL 240, 0.61%, 0.74%

LAB 64.27, 18.92, -41

 

CMYK 35 / 16 / 0 / 10

HEX #94C0E5

RGB 148 192 229

HSL 207.41, 0.61%, 0.74%

LAB 75.86, -5.64, -23.09

 

CMYK 43 / 19 / 0 / 6

HEX #89C1EF

RGB 137 193 239

HSL 207.06, 0.76%, 0.74%

LAB 75.88, -6.43, -28.51

 

CMYK 50 / 22 / 0 / 2

HEX #7EC2FA

RGB 126 194 250

HSL 207.1, 0.93%, 0.74%

LAB 76.02, -6.51, -34.25

 

CMYK 35 / 16 / 0 / 10

HEX #94C0E5

RGB 148 192 229

HSL 207.41, 0.61%, 0.74%

LAB 75.86, -5.64, -23.09

 

CMYK 28 / 12 / 0 / 15

HEX #9EBFDA

RGB 158 191 218

HSL 207, 0.45%, 0.74%

LAB 75.82, -4.96, -17.14

 

CMYK 18 / 8 / 0 / 19

HEX #A9BECF

RGB 169 190 207

HSL 206.84, 0.28%, 0.74%

LAB 75.93, -3.56, -10.95

 

CMYK 8 / 4 / 0 / 23

HEX #B4BDC4

RGB 180 189 196

HSL 206.25, 0.12%, 0.74%

LAB 76.12, -1.73, -4.61

 

CMYK 0 / 2 / 3 / 25

HEX #BFBCBA

RGB 191 188 186

HSL 24, 0.04%, 0.74%

LAB 76.43, 0.69, 1.37

 

CMYK 35 / 0 / 3 / 10

HEX #94E5DE

RGB 148 229 222

HSL 174.81, 0.61%, 0.74%

LAB 85.81, -26.22, -4.44

 

CMYK 35 / 7 / 0 / 10

HEX #94D6E5

RGB 148 214 229

HSL 191.11, 0.61%, 0.74%

LAB 81.86, -17.12, -14.01

 

CMYK 35 / 16 / 0 / 10

HEX #94C0E5

RGB 148 192 229

HSL 207.41, 0.61%, 0.74%

LAB 75.86, -5.64, -23.09

 

CMYK 35 / 25 / 0 / 10

HEX #94ABE5

RGB 148 171 229

HSL 222.96, 0.61%, 0.74%

LAB 70.23, 5.85, -31.72

 

CMYK 35 / 35 / 0 / 10

HEX #9495E5

RGB 148 149 229

HSL 239.26, 0.61%, 0.74%

LAB 64.52, 18.34, -40.6

 

CMYK 62 / 28 / 0 / 16

HEX #5199D5

RGB 81 153 213

HSL 207.27, 0.61%, 0.58%

LAB 61.08, -4.38, -37.39

 

CMYK 48 / 22 / 0 / 13

HEX #73ADDD

RGB 115 173 221

HSL 207.17, 0.61%, 0.66%

LAB 68.57, -5.93, -30.06

 

CMYK 35 / 16 / 0 / 10

HEX #94C0E5

RGB 148 192 229

HSL 207.41, 0.61%, 0.74%

LAB 75.86, -5.64, -23.09

 

CMYK 24 / 11 / 0 / 7

HEX #B5D4ED

RGB 181 212 237

HSL 206.79, 0.61%, 0.82%

LAB 83.46, -4.87, -15.69

 

CMYK 13 / 6 / 0 / 4

HEX #D6E7F5

RGB 214 231 245

HSL 207.1, 0.61%, 0.9%

LAB 90.8, -2.89, -8.71

 

CMYK 36 / 16 / 0 / 10

HEX #93C0E5

RGB 147 192 229

HSL 207.07, 0.61%, 0.74%

LAB 75.8, -5.91, -23.19

 

CMYK 13 / 35 / 0 / 10

HEX #C894E5

RGB 200 148 229

HSL 278.52, 0.61%, 0.74%

LAB 68.84, 34.02, -33.54

 

CMYK 2 / 0 / 35 / 10

HEX #E1E594

RGB 225 229 148

HSL 62.96, 0.61%, 0.74%

LAB 89.01, -13.43, 39.09

 

CMYK 36 / 16 / 0 / 10

HEX #93C0E5

RGB 147 192 229

HSL 207.07, 0.61%, 0.74%

LAB 75.8, -5.91, -23.19

 

CMYK 0 / 35 / 16 / 10

HEX #E594C0

RGB 229 148 192

HSL 327.41, 0.61%, 0.74%

LAB 70.62, 36.65, -10.07

 

CMYK 16 / 0 / 35 / 10

HEX #C0E594

RGB 192 229 148

HSL 87.41, 0.61%, 0.74%

LAB 86.69, -25.73, 35.63

 

CMYK 36 / 16 / 0 / 10

HEX #93C0E5

RGB 147 192 229

HSL 207.07, 0.61%, 0.74%

LAB 75.8, -5.91, -23.19

 

CMYK 13 / 35 / 0 / 10

HEX #C894E5

RGB 200 148 229

HSL 278.52, 0.61%, 0.74%

LAB 68.84, 34.02, -33.54

 

CMYK 0 / 20 / 35 / 10

HEX #E5B894

RGB 229 184 148

HSL 26.67, 0.61%, 0.74%

LAB 77.92, 11.32, 24.44

 

CMYK 23 / 0 / 35 / 10

HEX #B0E594

RGB 176 229 148

HSL 99.26, 0.61%, 0.74%

LAB 85.71, -31.39, 34.15

 

CMYK 36 / 16 / 0 / 10

HEX #93C0E5

RGB 147 192 229

HSL 207.07, 0.61%, 0.74%

LAB 75.8, -5.91, -23.19

 

CMYK 2 / 35 / 0 / 10

HEX #E194E5

RGB 225 148 229

HSL 297.04, 0.61%, 0.74%

LAB 71.45, 41.69, -29.29

 

CMYK 0 / 20 / 35 / 10

HEX #E5B894

RGB 229 184 148

HSL 26.67, 0.61%, 0.74%

LAB 77.92, 11.32, 24.44

 

CMYK 34 / 0 / 35 / 10

HEX #98E594

RGB 152 229 148

HSL 117.04, 0.61%, 0.74%

LAB 84.41, -39.34, 32.19

 

Description

Color code: HEX #93C0E5 | qconv.com Color code: HEX #93C0E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 192 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 192 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 16 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 16% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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