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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93C272 it is the complementary color #6C3D8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93C272. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93C272 shade: #98C26D, #A9D480, #BAE693, #CBF8A6 and #DCFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93C272. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93C272 shade: #93C272, #82B05F, #719E4C, #608C39 and #4F7A26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93C272 shade: #91C170, #A7C170, #BDC170, #C1AF70 and #C19970

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93C272 shade: #91C170, #7BC170, #70C17A, #70C190 and #70C1A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93C272 shade matches the following richer shades: #91C170, #8ED25F, #8CE24F and #89F33E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93C272 shade: #91C170, #94B180, #97A091, #9A90A1 and #9D7FB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93C272 shade: #BDC170, #A7C170, #92C170, #7CC170 and #70C179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93C272 shade: #679C43, #7BB553, #91C170, #A7CE8D and #BEDAA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93C272 shade: #93C272, #70C1B0 and #C170B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93C272 shade: #93C272, #7092C1 and #C17092

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93C272 shade: #93C272, #70C1B0, #9F70C1 and #C17081

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93C272 shade: #93C272, #70BBC1, #9F70C1 and #C17670

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 41 / 24

HEX #93C272

RGB 147 194 114

HSL 95.25, 0.4%, 0.6%

LAB 73.55, -29.79, 35.3

 

Complementary color

CMYK 23 / 57 / 0 / 45

HEX #6C3D8D

RGB 108 61 141

HSL 275.25, 0.4%, 0.4%

LAB 34.9, 35.96, -36.58

 

CMYK 22 / 0 / 44 / 24

HEX #98C26D

RGB 152 194 109

HSL 89.65, 0.41%, 0.59%

LAB 73.78, -28.6, 38.2

 

CMYK 20 / 0 / 40 / 17

HEX #A9D480

RGB 169 212 128

HSL 90.71, 0.49%, 0.67%

LAB 80.22, -28.55, 37.03

 

CMYK 19 / 0 / 36 / 10

HEX #BAE693

RGB 186 230 147

HSL 91.81, 0.62%, 0.74%

LAB 86.57, -28.49, 35.9

 

CMYK 18 / 0 / 33 / 3

HEX #CBF8A6

RGB 203 248 166

HSL 92.93, 0.85%, 0.81%

LAB 92.83, -28.41, 34.81

 

CMYK 14 / 0 / 27 / 0

HEX #DCFFB9

RGB 220 255 185

HSL 90, 1%, 0.86%

LAB 96.1, -23.13, 29.83

 

CMYK 24 / 0 / 41 / 24

HEX #93C272

RGB 147 194 114

HSL 95.25, 0.4%, 0.6%

LAB 73.55, -29.79, 35.3

 

CMYK 26 / 0 / 46 / 31

HEX #82B05F

RGB 130 176 95

HSL 94.07, 0.34%, 0.53%

LAB 66.99, -29.87, 36.5

 

CMYK 28 / 0 / 52 / 38

HEX #719E4C

RGB 113 158 76

HSL 92.93, 0.35%, 0.46%

LAB 60.33, -29.91, 37.71

 

CMYK 31 / 0 / 59 / 45

HEX #608C39

RGB 96 140 57

HSL 91.81, 0.42%, 0.39%

LAB 53.53, -29.87, 38.86

 

CMYK 35 / 0 / 69 / 52

HEX #4F7A26

RGB 79 122 38

HSL 90.71, 0.53%, 0.31%

LAB 46.61, -29.69, 39.77

 

CMYK 25 / 0 / 42 / 24

HEX #91C170

RGB 145 193 112

HSL 95.56, 0.4%, 0.6%

LAB 73.11, -30.3, 35.74

 

CMYK 13 / 0 / 42 / 24

HEX #A7C170

RGB 167 193 112

HSL 79.26, 0.4%, 0.6%

LAB 74.52, -22.07, 37.83

 

CMYK 2 / 0 / 42 / 24

HEX #BDC170

RGB 189 193 112

HSL 62.96, 0.4%, 0.6%

LAB 76.15, -13.41, 40.22

 

CMYK 0 / 9 / 42 / 24

HEX #C1AF70

RGB 193 175 112

HSL 46.67, 0.4%, 0.6%

LAB 71.67, -2.42, 34.62

 

CMYK 0 / 21 / 42 / 24

HEX #C19970

RGB 193 153 112

HSL 30.37, 0.4%, 0.6%

LAB 65.97, 9.46, 27.22

 

CMYK 25 / 0 / 42 / 24

HEX #91C170

RGB 145 193 112

HSL 95.56, 0.4%, 0.6%

LAB 73.11, -30.3, 35.74

 

CMYK 36 / 0 / 42 / 24

HEX #7BC170

RGB 123 193 112

HSL 111.85, 0.4%, 0.6%

LAB 71.91, -37.86, 33.96

 

CMYK 42 / 0 / 37 / 24

HEX #70C17A

RGB 112 193 122

HSL 127.41, 0.4%, 0.6%

LAB 71.55, -39.73, 28.2

 

CMYK 42 / 0 / 25 / 24

HEX #70C190

RGB 112 193 144

HSL 143.7, 0.4%, 0.6%

LAB 71.96, -35.75, 17.07

 

CMYK 42 / 0 / 14 / 24

HEX #70C1A6

RGB 112 193 166

HSL 160, 0.4%, 0.6%

LAB 72.45, -31.14, 5.87

 

CMYK 25 / 0 / 42 / 24

HEX #91C170

RGB 145 193 112

HSL 95.56, 0.4%, 0.6%

LAB 73.11, -30.3, 35.74

 

CMYK 32 / 0 / 55 / 18

HEX #8ED25F

RGB 142 210 95

HSL 95.48, 0.56%, 0.6%

LAB 77.68, -41.14, 49.6

 

CMYK 38 / 0 / 65 / 11

HEX #8CE24F

RGB 140 226 79

HSL 95.1, 0.72%, 0.6%

LAB 82.13, -50.08, 61.48

 

CMYK 44 / 0 / 74 / 5

HEX #89F33E

RGB 137 243 62

HSL 95.14, 0.88%, 0.6%

LAB 86.88, -58.92, 72.41

 

CMYK 25 / 0 / 42 / 24

HEX #91C170

RGB 145 193 112

HSL 95.56, 0.4%, 0.6%

LAB 73.11, -30.3, 35.74

 

CMYK 16 / 0 / 28 / 31

HEX #94B180

RGB 148 177 128

HSL 95.51, 0.24%, 0.6%

LAB 68.97, -19.01, 21.89

 

CMYK 6 / 0 / 9 / 37

HEX #97A091

RGB 151 160 145

HSL 96, 0.07%, 0.6%

LAB 64.78, -6.07, 6.71

 

CMYK 4 / 11 / 0 / 37

HEX #9A90A1

RGB 154 144 161

HSL 275.29, 0.08%, 0.6%

LAB 61.12, 6.99, -7.62

 

CMYK 12 / 29 / 0 / 30

HEX #9D7FB2

RGB 157 127 178

HSL 275.29, 0.25%, 0.6%

LAB 57.62, 21.33, -22.59

 

CMYK 2 / 0 / 42 / 24

HEX #BDC170

RGB 189 193 112

HSL 62.96, 0.4%, 0.6%

LAB 76.15, -13.41, 40.22

 

CMYK 13 / 0 / 42 / 24

HEX #A7C170

RGB 167 193 112

HSL 79.26, 0.4%, 0.6%

LAB 74.52, -22.07, 37.83

 

CMYK 24 / 0 / 42 / 24

HEX #92C170

RGB 146 193 112

HSL 94.81, 0.4%, 0.6%

LAB 73.17, -29.94, 35.83

 

CMYK 36 / 0 / 42 / 24

HEX #7CC170

RGB 124 193 112

HSL 111.11, 0.4%, 0.6%

LAB 71.96, -37.54, 34.03

 

CMYK 42 / 0 / 37 / 24

HEX #70C179

RGB 112 193 121

HSL 126.67, 0.4%, 0.6%

LAB 71.53, -39.9, 28.7

 

CMYK 34 / 0 / 57 / 39

HEX #679C43

RGB 103 156 67

HSL 95.73, 0.4%, 0.44%

LAB 59.04, -33.69, 40.48

 

CMYK 32 / 0 / 54 / 29

HEX #7BB553

RGB 123 181 83

HSL 95.51, 0.4%, 0.52%

LAB 67.93, -36.16, 43.5

 

CMYK 25 / 0 / 42 / 24

HEX #91C170

RGB 145 193 112

HSL 95.56, 0.4%, 0.6%

LAB 73.11, -30.3, 35.74

 

CMYK 19 / 0 / 32 / 19

HEX #A7CE8D

RGB 167 206 141

HSL 96, 0.4%, 0.68%

LAB 78.63, -24.58, 28.24

 

CMYK 13 / 0 / 22 / 15

HEX #BEDAA9

RGB 190 218 169

HSL 94.29, 0.4%, 0.76%

LAB 83.94, -18.03, 21.1

 

CMYK 24 / 0 / 41 / 24

HEX #93C272

RGB 147 194 114

HSL 95.25, 0.4%, 0.6%

LAB 73.55, -29.79, 35.3

 

CMYK 42 / 0 / 9 / 24

HEX #70C1B0

RGB 112 193 176

HSL 167.41, 0.4%, 0.6%

LAB 72.71, -28.86, 0.8

 

CMYK 0 / 42 / 8 / 24

HEX #C170B2

RGB 193 112 178

HSL 311.11, 0.4%, 0.6%

LAB 58.17, 41.47, -21.4

 

CMYK 24 / 0 / 41 / 24

HEX #93C272

RGB 147 194 114

HSL 95.25, 0.4%, 0.6%

LAB 73.55, -29.79, 35.3

 

CMYK 42 / 24 / 0 / 24

HEX #7092C1

RGB 112 146 193

HSL 214.81, 0.4%, 0.6%

LAB 59.76, 0.47, -28.11

 

CMYK 0 / 42 / 24 / 24

HEX #C17092

RGB 193 112 146

HSL 334.81, 0.4%, 0.6%

LAB 57.08, 36.35, -4.55

 

CMYK 24 / 0 / 41 / 24

HEX #93C272

RGB 147 194 114

HSL 95.25, 0.4%, 0.6%

LAB 73.55, -29.79, 35.3

 

CMYK 42 / 0 / 9 / 24

HEX #70C1B0

RGB 112 193 176

HSL 167.41, 0.4%, 0.6%

LAB 72.71, -28.86, 0.8

 

CMYK 18 / 42 / 0 / 24

HEX #9F70C1

RGB 159 112 193

HSL 274.81, 0.4%, 0.6%

LAB 54.88, 33.86, -35.41

 

CMYK 0 / 42 / 33 / 24

HEX #C17081

RGB 193 112 129

HSL 347.41, 0.4%, 0.6%

LAB 56.6, 34.01, 4.64

 

CMYK 24 / 0 / 41 / 24

HEX #93C272

RGB 147 194 114

HSL 95.25, 0.4%, 0.6%

LAB 73.55, -29.79, 35.3

 

CMYK 42 / 3 / 0 / 24

HEX #70BBC1

RGB 112 187 193

HSL 184.44, 0.4%, 0.6%

LAB 71.44, -21.7, -10.35

 

CMYK 18 / 42 / 0 / 24

HEX #9F70C1

RGB 159 112 193

HSL 274.81, 0.4%, 0.6%

LAB 54.88, 33.86, -35.41

 

CMYK 0 / 39 / 42 / 24

HEX #C17670

RGB 193 118 112

HSL 4.44, 0.4%, 0.6%

LAB 57.52, 28.71, 15.82

 

Description

Color code: HEX #93C272 | qconv.com Color code: HEX #93C272 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 194 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 194 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 41 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 41% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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