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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93CE3A it is the complementary color #6C31C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93CE3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93CE3A shade: #98CE35, #A9E048, #BAF25B, #CBFF6E and #DCFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93CE3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93CE3A shade: #93CE3A, #82BC27, #71AA14, #609801 and #4F8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93CE3A shade: #93CE3B, #BBCE3B, #CEB93B, #CE913B and #CE6A3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93CE3A shade: #93CE3B, #6BCE3B, #44CE3B, #3BCE59 and #3BCE81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93CE3A shade matches the following richer shades: #93CE3B, #97E127 and #9BF513

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93CE3A shade: #93CE3B, #8FBA4E, #8BA662, #879276 and #837E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93CE3A shade: #CEB83B, #BCCE3B, #95CE3B, #6ECE3B and #47CE3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93CE3A shade: #669224, #7DB32C, #93CE3B, #A5D65C and #B7DE7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93CE3A shade: #93CE3A, #3BCE90 and #CB3BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93CE3A shade: #93CE3A, #3B95CE and #CE3B95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93CE3A shade: #93CE3A, #3BCE90, #733BCE and #CE3B78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93CE3A shade: #93CE3A, #3BCEBC, #733BCE and #CE3B4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 72 / 19

HEX #93CE3A

RGB 147 206 58

HSL 83.92, 0.6%, 0.52%

LAB 76.47, -40.64, 63.69

 

Complementary color

CMYK 45 / 75 / 0 / 23

HEX #6C31C5

RGB 108 49 197

HSL 263.92, 0.6%, 0.48%

LAB 36.77, 56.22, -67.05

 

CMYK 26 / 0 / 74 / 19

HEX #98CE35

RGB 152 206 53

HSL 81.18, 0.61%, 0.51%

LAB 76.72, -39.04, 65.75

 

CMYK 25 / 0 / 68 / 12

HEX #A9E048

RGB 169 224 72

HSL 81.71, 0.71%, 0.58%

LAB 83.03, -39.5, 65.61

 

CMYK 23 / 0 / 62 / 5

HEX #BAF25B

RGB 186 242 91

HSL 82.25, 0.85%, 0.65%

LAB 89.25, -39.84, 65.05

 

CMYK 20 / 0 / 57 / 0

HEX #CBFF6E

RGB 203 255 110

HSL 81.52, 1%, 0.72%

LAB 94.03, -37.85, 62.69

 

CMYK 14 / 0 / 49 / 0

HEX #DCFF81

RGB 220 255 129

HSL 76.67, 1%, 0.75%

LAB 95.3, -29.83, 55.98

 

CMYK 29 / 0 / 72 / 19

HEX #93CE3A

RGB 147 206 58

HSL 83.92, 0.6%, 0.52%

LAB 76.47, -40.64, 63.69

 

CMYK 31 / 0 / 79 / 26

HEX #82BC27

RGB 130 188 39

HSL 83.36, 0.66%, 0.45%

LAB 70.08, -40.1, 63.42

 

CMYK 34 / 0 / 88 / 33

HEX #71AA14

RGB 113 170 20

HSL 82.8, 0.79%, 0.37%

LAB 63.6, -39.34, 62.09

 

CMYK 37 / 0 / 99 / 40

HEX #609801

RGB 96 152 1

HSL 82.25, 0.99%, 0.3%

LAB 57.02, -38.34, 59.43

 

CMYK 41 / 0 / 100 / 47

HEX #4F8600

RGB 79 134 0

HSL 84.63, 1%, 0.26%

LAB 50.35, -36.91, 54.04

 

CMYK 29 / 0 / 71 / 19

HEX #93CE3B

RGB 147 206 59

HSL 84.08, 0.6%, 0.52%

LAB 76.47, -40.57, 63.34

 

CMYK 9 / 0 / 71 / 19

HEX #BBCE3B

RGB 187 206 59

HSL 67.76, 0.6%, 0.52%

LAB 79.05, -24.83, 66.75

 

CMYK 0 / 10 / 71 / 19

HEX #CEB93B

RGB 206 185 59

HSL 51.43, 0.6%, 0.52%

LAB 74.91, -6.26, 63.22

 

CMYK 0 / 30 / 71 / 19

HEX #CE913B

RGB 206 145 59

HSL 35.1, 0.6%, 0.52%

LAB 64.71, 15.09, 52.94

 

CMYK 0 / 49 / 71 / 19

HEX #CE6A3B

RGB 206 106 59

HSL 19.18, 0.6%, 0.52%

LAB 55.83, 36.02, 43.48

 

CMYK 29 / 0 / 71 / 19

HEX #93CE3B

RGB 147 206 59

HSL 84.08, 0.6%, 0.52%

LAB 76.47, -40.57, 63.34

 

CMYK 48 / 0 / 71 / 19

HEX #6BCE3B

RGB 107 206 59

HSL 100.41, 0.6%, 0.52%

LAB 74.56, -54.04, 60.79

 

CMYK 67 / 0 / 71 / 19

HEX #44CE3B

RGB 68 206 59

HSL 116.33, 0.6%, 0.52%

LAB 73.34, -63.69, 59.16

 

CMYK 71 / 0 / 57 / 19

HEX #3BCE59

RGB 59 206 89

HSL 132.24, 0.6%, 0.52%

LAB 73.41, -62.16, 46.6

 

CMYK 71 / 0 / 37 / 19

HEX #3BCE81

RGB 59 206 129

HSL 148.57, 0.6%, 0.52%

LAB 73.97, -55.75, 27.47

 

CMYK 29 / 0 / 71 / 19

HEX #93CE3B

RGB 147 206 59

HSL 84.08, 0.6%, 0.52%

LAB 76.47, -40.57, 63.34

 

CMYK 33 / 0 / 83 / 12

HEX #97E127

RGB 151 225 39

HSL 83.87, 0.76%, 0.52%

LAB 82.15, -48.2, 74.68

 

CMYK 37 / 0 / 92 / 4

HEX #9BF513

RGB 155 245 19

HSL 83.89, 0.92%, 0.52%

LAB 88.12, -55.42, 83.27

 

CMYK 29 / 0 / 71 / 19

HEX #93CE3B

RGB 147 206 59

HSL 84.08, 0.6%, 0.52%

LAB 76.47, -40.57, 63.34

 

CMYK 23 / 0 / 58 / 27

HEX #8FBA4E

RGB 143 186 78

HSL 83.89, 0.44%, 0.52%

LAB 70.53, -31.55, 49.16

 

CMYK 16 / 0 / 41 / 35

HEX #8BA662

RGB 139 166 98

HSL 83.82, 0.28%, 0.52%

LAB 64.68, -21.16, 32.14

 

CMYK 8 / 0 / 19 / 43

HEX #879276

RGB 135 146 118

HSL 83.57, 0.11%, 0.52%

LAB 58.99, -9.23, 13.53

 

CMYK 5 / 9 / 0 / 46

HEX #837E8A

RGB 131 126 138

HSL 265, 0.05%, 0.52%

LAB 53.58, 4.3, -5.81

 

CMYK 0 / 11 / 71 / 19

HEX #CEB83B

RGB 206 184 59

HSL 51.02, 0.6%, 0.52%

LAB 74.65, -5.75, 62.97

 

CMYK 9 / 0 / 71 / 19

HEX #BCCE3B

RGB 188 206 59

HSL 67.35, 0.6%, 0.52%

LAB 79.13, -24.42, 66.85

 

CMYK 28 / 0 / 71 / 19

HEX #95CE3B

RGB 149 206 59

HSL 83.27, 0.6%, 0.52%

LAB 76.59, -39.83, 63.49

 

CMYK 47 / 0 / 71 / 19

HEX #6ECE3B

RGB 110 206 59

HSL 99.18, 0.6%, 0.52%

LAB 74.68, -53.14, 60.95

 

CMYK 66 / 0 / 71 / 19

HEX #47CE3B

RGB 71 206 59

HSL 115.1, 0.6%, 0.52%

LAB 73.41, -63.1, 59.25

 

CMYK 30 / 0 / 75 / 43

HEX #669224

RGB 102 146 36

HSL 84, 0.6%, 0.36%

LAB 55.59, -32.08, 50.14

 

CMYK 30 / 0 / 75 / 30

HEX #7DB32C

RGB 125 179 44

HSL 84, 0.61%, 0.44%

LAB 67.11, -37.75, 58.97

 

CMYK 29 / 0 / 71 / 19

HEX #93CE3B

RGB 147 206 59

HSL 84.08, 0.6%, 0.52%

LAB 76.47, -40.57, 63.34

 

CMYK 23 / 0 / 57 / 16

HEX #A5D65C

RGB 165 214 92

HSL 84.1, 0.6%, 0.6%

LAB 80.1, -34.93, 54.1

 

CMYK 18 / 0 / 44 / 13

HEX #B7DE7D

RGB 183 222 125

HSL 84.12, 0.6%, 0.68%

LAB 83.86, -28.54, 43.32

 

CMYK 29 / 0 / 72 / 19

HEX #93CE3A

RGB 147 206 58

HSL 83.92, 0.6%, 0.52%

LAB 76.47, -40.64, 63.69

 

CMYK 71 / 0 / 30 / 19

HEX #3BCE90

RGB 59 206 144

HSL 154.69, 0.6%, 0.52%

LAB 74.24, -52.73, 19.97

 

CMYK 1 / 71 / 0 / 19

HEX #CB3BCE

RGB 203 59 206

HSL 298.78, 0.6%, 0.52%

LAB 52.15, 72.41, -46.77

 

CMYK 29 / 0 / 72 / 19

HEX #93CE3A

RGB 147 206 58

HSL 83.92, 0.6%, 0.52%

LAB 76.47, -40.64, 63.69

 

CMYK 71 / 28 / 0 / 19

HEX #3B95CE

RGB 59 149 206

HSL 203.27, 0.6%, 0.52%

LAB 58.86, -8.02, -36.99

 

CMYK 0 / 71 / 28 / 19

HEX #CE3B95

RGB 206 59 149

HSL 323.27, 0.6%, 0.52%

LAB 50, 64.94, -16.75

 

CMYK 29 / 0 / 72 / 19

HEX #93CE3A

RGB 147 206 58

HSL 83.92, 0.6%, 0.52%

LAB 76.47, -40.64, 63.69

 

CMYK 71 / 0 / 30 / 19

HEX #3BCE90

RGB 59 206 144

HSL 154.69, 0.6%, 0.52%

LAB 74.24, -52.73, 19.97

 

CMYK 44 / 71 / 0 / 19

HEX #733BCE

RGB 115 59 206

HSL 262.86, 0.6%, 0.52%

LAB 39.96, 55.05, -67.04

 

CMYK 0 / 71 / 42 / 19

HEX #CE3B78

RGB 206 59 120

HSL 335.1, 0.6%, 0.52%

LAB 49.01, 61.73, -0.77

 

CMYK 29 / 0 / 72 / 19

HEX #93CE3A

RGB 147 206 58

HSL 83.92, 0.6%, 0.52%

LAB 76.47, -40.64, 63.69

 

CMYK 71 / 0 / 9 / 19

HEX #3BCEBC

RGB 59 206 188

HSL 172.65, 0.6%, 0.52%

LAB 75.27, -42.14, -2.16

 

CMYK 44 / 71 / 0 / 19

HEX #733BCE

RGB 115 59 206

HSL 262.86, 0.6%, 0.52%

LAB 39.96, 55.05, -67.04

 

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

Description

Color code: HEX #93CE3A | qconv.com Color code: HEX #93CE3A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 206 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 206 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 72 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 72% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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