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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93D080 it is the complementary color #6C2F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93D080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93D080 shade: #98D07B, #A9E28E, #BAF4A1, #CBFFB4 and #DCFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93D080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93D080 shade: #93D080, #82BE6D, #71AC5A, #609A47 and #4F8834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93D080 shade: #93D080, #A8D080, #BED080, #D0CC80 and #D0B680

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93D080 shade: #93D080, #80D082, #80D098, #80D0AE and #80D0C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93D080 shade matches the following richer shades: #93D080, #8BDE72, #84EC64 and #7DFA56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93D080 shade: #93D080, #9AC28E, #A2B49C, #A9A6AA and #B098B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93D080 shade: #BED080, #A9D080, #94D080, #80D081 and #80D097

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93D080 shade: #60B944, #79C562, #93D080, #ACDB9E and #C6E6BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93D080 shade: #93D080, #80D0CC and #D080B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93D080 shade: #93D080, #8094D0 and #D08094

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93D080 shade: #93D080, #80D0CC, #BC80D0 and #D08084

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93D080 shade: #93D080, #80BCD0, #BC80D0 and #D09480

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 38 / 18

HEX #93D080

RGB 147 208 128

HSL 105.75, 0.46%, 0.66%

LAB 77.8, -34.41, 33.64

 

Complementary color

CMYK 15 / 63 / 0 / 50

HEX #6C2F7F

RGB 108 47 127

HSL 285.75, 0.46%, 0.34%

LAB 31.24, 40.28, -33.74

 

CMYK 27 / 0 / 41 / 18

HEX #98D07B

RGB 152 208 123

HSL 99.53, 0.47%, 0.65%

LAB 78, -33.39, 36.5

 

CMYK 25 / 0 / 37 / 11

HEX #A9E28E

RGB 169 226 142

HSL 100.71, 0.59%, 0.72%

LAB 84.37, -33.24, 35.35

 

CMYK 24 / 0 / 34 / 4

HEX #BAF4A1

RGB 186 244 161

HSL 101.93, 0.79%, 0.79%

LAB 90.65, -33.09, 34.24

 

CMYK 20 / 0 / 29 / 0

HEX #CBFFB4

RGB 203 255 180

HSL 101.6, 1%, 0.85%

LAB 94.95, -29.69, 30.63

 

CMYK 14 / 0 / 22 / 0

HEX #DCFFC7

RGB 220 255 199

HSL 97.5, 1%, 0.89%

LAB 96.35, -21.04, 23.1

 

CMYK 29 / 0 / 38 / 18

HEX #93D080

RGB 147 208 128

HSL 105.75, 0.46%, 0.66%

LAB 77.8, -34.41, 33.64

 

CMYK 32 / 0 / 43 / 25

HEX #82BE6D

RGB 130 190 109

HSL 104.44, 0.38%, 0.59%

LAB 71.34, -34.58, 34.83

 

CMYK 34 / 0 / 48 / 33

HEX #71AC5A

RGB 113 172 90

HSL 103.17, 0.33%, 0.51%

LAB 64.77, -34.72, 36.06

 

CMYK 38 / 0 / 54 / 40

HEX #609A47

RGB 96 154 71

HSL 101.93, 0.37%, 0.44%

LAB 58.09, -34.8, 37.3

 

CMYK 42 / 0 / 62 / 47

HEX #4F8834

RGB 79 136 52

HSL 100.71, 0.45%, 0.37%

LAB 51.29, -34.76, 38.46

 

CMYK 29 / 0 / 38 / 18

HEX #93D080

RGB 147 208 128

HSL 105.75, 0.46%, 0.66%

LAB 77.8, -34.41, 33.64

 

CMYK 19 / 0 / 38 / 18

HEX #A8D080

RGB 168 208 128

HSL 90, 0.46%, 0.66%

LAB 79.04, -27, 35.49

 

CMYK 9 / 0 / 38 / 18

HEX #BED080

RGB 190 208 128

HSL 73.5, 0.46%, 0.66%

LAB 80.53, -18.75, 37.7

 

CMYK 0 / 2 / 38 / 18

HEX #D0CC80

RGB 208 204 128

HSL 57, 0.46%, 0.66%

LAB 80.82, -9.72, 38.36

 

CMYK 0 / 13 / 38 / 18

HEX #D0B680

RGB 208 182 128

HSL 40.5, 0.46%, 0.66%

LAB 75.09, 1.73, 30.92

 

CMYK 29 / 0 / 38 / 18

HEX #93D080

RGB 147 208 128

HSL 105.75, 0.46%, 0.66%

LAB 77.8, -34.41, 33.64

 

CMYK 38 / 0 / 38 / 18

HEX #80D082

RGB 128 208 130

HSL 121.5, 0.46%, 0.66%

LAB 76.87, -40.26, 31.21

 

CMYK 38 / 0 / 27 / 18

HEX #80D098

RGB 128 208 152

HSL 138, 0.46%, 0.66%

LAB 77.26, -36.5, 20.26

 

CMYK 38 / 0 / 16 / 18

HEX #80D0AE

RGB 128 208 174

HSL 154.5, 0.46%, 0.66%

LAB 77.73, -32.16, 9.21

 

CMYK 38 / 0 / 6 / 18

HEX #80D0C3

RGB 128 208 195

HSL 170.25, 0.46%, 0.66%

LAB 78.25, -27.52, -1.29

 

CMYK 29 / 0 / 38 / 18

HEX #93D080

RGB 147 208 128

HSL 105.75, 0.46%, 0.66%

LAB 77.8, -34.41, 33.64

 

CMYK 37 / 0 / 49 / 13

HEX #8BDE72

RGB 139 222 114

HSL 106.11, 0.62%, 0.66%

LAB 81.26, -45.15, 44.9

 

CMYK 44 / 0 / 58 / 7

HEX #84EC64

RGB 132 236 100

HSL 105.88, 0.78%, 0.66%

LAB 84.9, -54.66, 55.63

 

CMYK 50 / 0 / 66 / 2

HEX #7DFA56

RGB 125 250 86

HSL 105.73, 0.94%, 0.66%

LAB 88.64, -63.3, 65.53

 

CMYK 29 / 0 / 38 / 18

HEX #93D080

RGB 147 208 128

HSL 105.75, 0.46%, 0.66%

LAB 77.8, -34.41, 33.64

 

CMYK 21 / 0 / 27 / 24

HEX #9AC28E

RGB 154 194 142

HSL 106.15, 0.3%, 0.66%

LAB 74.45, -23.14, 21.92

 

CMYK 10 / 0 / 13 / 29

HEX #A2B49C

RGB 162 180 156

HSL 105, 0.14%, 0.66%

LAB 71.37, -10.77, 10.15

 

CMYK 1 / 2 / 0 / 33

HEX #A9A6AA

RGB 169 166 170

HSL 285, 0.02%, 0.66%

LAB 68.47, 1.83, -1.69

 

CMYK 4 / 17 / 0 / 28

HEX #B098B8

RGB 176 152 184

HSL 285, 0.18%, 0.66%

LAB 65.86, 14.79, -13.3

 

CMYK 9 / 0 / 38 / 18

HEX #BED080

RGB 190 208 128

HSL 73.5, 0.46%, 0.66%

LAB 80.53, -18.75, 37.7

 

CMYK 19 / 0 / 38 / 18

HEX #A9D080

RGB 169 208 128

HSL 89.25, 0.46%, 0.66%

LAB 79.1, -26.64, 35.58

 

CMYK 29 / 0 / 38 / 18

HEX #94D080

RGB 148 208 128

HSL 105, 0.46%, 0.66%

LAB 77.86, -34.07, 33.72

 

CMYK 38 / 0 / 38 / 18

HEX #80D081

RGB 128 208 129

HSL 120.75, 0.46%, 0.66%

LAB 76.85, -40.41, 31.7

 

CMYK 38 / 0 / 27 / 18

HEX #80D097

RGB 128 208 151

HSL 137.25, 0.46%, 0.66%

LAB 77.24, -36.68, 20.76

 

CMYK 48 / 0 / 63 / 27

HEX #60B944

RGB 96 185 68

HSL 105.64, 0.46%, 0.5%

LAB 67.73, -48.34, 49.81

 

CMYK 39 / 0 / 50 / 23

HEX #79C562

RGB 121 197 98

HSL 106.06, 0.46%, 0.58%

LAB 72.81, -42.17, 42.09

 

CMYK 29 / 0 / 38 / 18

HEX #93D080

RGB 147 208 128

HSL 105.75, 0.46%, 0.66%

LAB 77.8, -34.41, 33.64

 

CMYK 21 / 0 / 28 / 14

HEX #ACDB9E

RGB 172 219 158

HSL 106.23, 0.46%, 0.74%

LAB 82.86, -26.53, 25.16

 

CMYK 14 / 0 / 18 / 10

HEX #C6E6BC

RGB 198 230 188

HSL 105.71, 0.46%, 0.82%

LAB 88.08, -18.13, 17.02

 

CMYK 29 / 0 / 38 / 18

HEX #93D080

RGB 147 208 128

HSL 105.75, 0.46%, 0.66%

LAB 77.8, -34.41, 33.64

 

CMYK 38 / 0 / 2 / 18

HEX #80D0CC

RGB 128 208 204

HSL 177, 0.46%, 0.66%

LAB 78.5, -25.4, -5.76

 

CMYK 0 / 38 / 13 / 18

HEX #D080B4

RGB 208 128 180

HSL 321, 0.46%, 0.66%

LAB 63.46, 38.24, -14.33

 

CMYK 29 / 0 / 38 / 18

HEX #93D080

RGB 147 208 128

HSL 105.75, 0.46%, 0.66%

LAB 77.8, -34.41, 33.64

 

CMYK 38 / 29 / 0 / 18

HEX #8094D0

RGB 128 148 208

HSL 225, 0.46%, 0.66%

LAB 61.93, 7.8, -33.08

 

CMYK 0 / 38 / 29 / 18

HEX #D08094

RGB 208 128 148

HSL 345, 0.46%, 0.66%

LAB 62.5, 33.44, 2.45

 

CMYK 29 / 0 / 38 / 18

HEX #93D080

RGB 147 208 128

HSL 105.75, 0.46%, 0.66%

LAB 77.8, -34.41, 33.64

 

CMYK 38 / 0 / 2 / 18

HEX #80D0CC

RGB 128 208 204

HSL 177, 0.46%, 0.66%

LAB 78.5, -25.4, -5.76

 

CMYK 10 / 38 / 0 / 18

HEX #BC80D0

RGB 188 128 208

HSL 285, 0.46%, 0.66%

LAB 62.24, 36.96, -32.2

 

CMYK 0 / 38 / 37 / 18

HEX #D08084

RGB 208 128 132

HSL 357, 0.46%, 0.66%

LAB 62.1, 31.39, 11.01

 

CMYK 29 / 0 / 38 / 18

HEX #93D080

RGB 147 208 128

HSL 105.75, 0.46%, 0.66%

LAB 77.8, -34.41, 33.64

 

CMYK 38 / 10 / 0 / 18

HEX #80BCD0

RGB 128 188 208

HSL 195, 0.46%, 0.66%

LAB 72.96, -14.25, -16.19

 

CMYK 10 / 38 / 0 / 18

HEX #BC80D0

RGB 188 128 208

HSL 285, 0.46%, 0.66%

LAB 62.24, 36.96, -32.2

 

CMYK 0 / 29 / 38 / 18

HEX #D09480

RGB 208 148 128

HSL 15, 0.46%, 0.66%

LAB 66.63, 20.07, 19.57

 

Description

Color code: HEX #93D080 | qconv.com Color code: HEX #93D080 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 208 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 208 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 38 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 38% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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