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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93E505 it is the complementary color #6C1AFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93E505. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93E505 shade: #98E500, #A9F713, #BAFF26, #CBFF39 and #DCFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93E505. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93E505 shade: #93E505, #82D300, #71C100, #60AF00 and #4F9D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93E505 shade: #93E504, #D0E504, #E5BE04, #E58204 and #E54504

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93E505 shade: #93E504, #56E504, #1AE504, #04E52C and #04E568

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93E505 shade matches the following richer shades: #93E504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93E505 shade: #93E504, #8ED217, #89BF2A, #84AC3D and #7F9950

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93E505 shade: #E5BC04, #D3E504, #97E504, #5BE504 and #1EE504

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93E505 shade: #5F9503, #79BD03, #93E504, #A8FA19 and #B7FB41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93E505 shade: #93E505, #04E580 and #DA04E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93E505 shade: #93E505, #0497E5 and #E50497

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93E505 shade: #93E505, #04E580, #5304E5 and #E5046A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93E505 shade: #93E505, #04E5C4, #5304E5 and #E50426

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 98 / 10

HEX #93E505

RGB 147 229 5

HSL 81.96, 0.96%, 0.46%

LAB 83.05, -51.99, 80.39

 

Complementary color

CMYK 57 / 90 / 0 / 2

HEX #6C1AFA

RGB 108 26 250

HSL 261.96, 0.96%, 0.54%

LAB 39.29, 76.87, -93.25

 

CMYK 34 / 0 / 100 / 10

HEX #98E500

RGB 152 229 0

HSL 80.17, 1%, 0.45%

LAB 83.29, -50.29, 81.12

 

CMYK 32 / 0 / 92 / 3

HEX #A9F713

RGB 169 247 19

HSL 80.53, 0.93%, 0.52%

LAB 89.39, -51.36, 84.59

 

CMYK 27 / 0 / 85 / 0

HEX #BAFF26

RGB 186 255 38

HSL 79.08, 1%, 0.57%

LAB 92.62, -48.12, 84.65

 

CMYK 20 / 0 / 78 / 0

HEX #CBFF39

RGB 203 255 57

HSL 75.76, 1%, 0.61%

LAB 93.67, -41.14, 81.48

 

CMYK 14 / 0 / 70 / 0

HEX #DCFF4C

RGB 220 255 76

HSL 71.73, 1%, 0.65%

LAB 94.85, -33.73, 77.1

 

CMYK 36 / 0 / 98 / 10

HEX #93E505

RGB 147 229 5

HSL 81.96, 0.96%, 0.46%

LAB 83.05, -51.99, 80.39

 

CMYK 38 / 0 / 100 / 17

HEX #82D300

RGB 130 211 0

HSL 83.03, 1%, 0.41%

LAB 76.88, -50.71, 75.7

 

CMYK 41 / 0 / 100 / 24

HEX #71C100

RGB 113 193 0

HSL 84.87, 1%, 0.38%

LAB 70.63, -49.33, 70.5

 

CMYK 45 / 0 / 100 / 31

HEX #60AF00

RGB 96 175 0

HSL 87.09, 1%, 0.34%

LAB 64.28, -47.88, 65.22

 

CMYK 50 / 0 / 100 / 38

HEX #4F9D00

RGB 79 157 0

HSL 89.81, 1%, 0.31%

LAB 57.82, -46.33, 59.87

 

CMYK 36 / 0 / 98 / 10

HEX #93E504

RGB 147 229 4

HSL 81.87, 0.97%, 0.46%

LAB 83.05, -52, 80.48

 

CMYK 9 / 0 / 98 / 10

HEX #D0E504

RGB 208 229 4

HSL 65.6, 0.97%, 0.46%

LAB 86.73, -28.55, 84.91

 

CMYK 0 / 17 / 98 / 10

HEX #E5BE04

RGB 229 190 4

HSL 49.6, 0.97%, 0.46%

LAB 78.17, -0.25, 79.41

 

CMYK 0 / 43 / 98 / 10

HEX #E58204

RGB 229 130 4

HSL 33.6, 0.97%, 0.46%

LAB 63.86, 31.45, 69.65

 

CMYK 0 / 70 / 98 / 10

HEX #E54504

RGB 229 69 4

HSL 17.33, 0.97%, 0.46%

LAB 52.87, 59.71, 63.15

 

CMYK 36 / 0 / 98 / 10

HEX #93E504

RGB 147 229 4

HSL 81.87, 0.97%, 0.46%

LAB 83.05, -52, 80.48

 

CMYK 62 / 0 / 98 / 10

HEX #56E504

RGB 86 229 4

HSL 98.13, 0.97%, 0.46%

LAB 80.75, -69.64, 77.69

 

CMYK 89 / 0 / 98 / 10

HEX #1AE504

RGB 26 229 4

HSL 114.13, 0.97%, 0.46%

LAB 79.77, -78.25, 76.48

 

CMYK 98 / 0 / 81 / 10

HEX #04E52C

RGB 4 229 44

HSL 130.67, 0.97%, 0.46%

LAB 79.75, -77.98, 69.91

 

CMYK 98 / 0 / 55 / 10

HEX #04E568

RGB 4 229 104

HSL 146.67, 0.97%, 0.46%

LAB 80.22, -72.15, 47.65

 

CMYK 36 / 0 / 98 / 10

HEX #93E504

RGB 147 229 4

HSL 81.87, 0.97%, 0.46%

LAB 83.05, -52, 80.48

 

CMYK 36 / 0 / 98 / 10

HEX #93E504

RGB 147 229 4

HSL 81.87, 0.97%, 0.46%

LAB 83.05, -52, 80.48

 

CMYK 32 / 0 / 89 / 18

HEX #8ED217

RGB 142 210 23

HSL 81.82, 0.8%, 0.46%

LAB 77.22, -45.66, 73.55

 

CMYK 28 / 0 / 78 / 25

HEX #89BF2A

RGB 137 191 42

HSL 81.74, 0.64%, 0.46%

LAB 71.38, -38.64, 63.88

 

CMYK 23 / 0 / 65 / 33

HEX #84AC3D

RGB 132 172 61

HSL 81.62, 0.48%, 0.46%

LAB 65.55, -30.68, 50.98

 

CMYK 17 / 0 / 48 / 40

HEX #7F9950

RGB 127 153 80

HSL 81.37, 0.31%, 0.46%

LAB 59.77, -21.53, 35.21

 

CMYK 0 / 18 / 98 / 10

HEX #E5BC04

RGB 229 188 4

HSL 49.07, 0.97%, 0.46%

LAB 77.66, 0.78, 79.05

 

CMYK 8 / 0 / 98 / 10

HEX #D3E504

RGB 211 229 4

HSL 64.8, 0.97%, 0.46%

LAB 86.95, -27.32, 85.16

 

CMYK 34 / 0 / 98 / 10

HEX #97E504

RGB 151 229 4

HSL 80.8, 0.97%, 0.46%

LAB 83.25, -50.6, 80.72

 

CMYK 60 / 0 / 98 / 10

HEX #5BE504

RGB 91 229 4

HSL 96.8, 0.97%, 0.46%

LAB 80.89, -68.51, 77.86

 

CMYK 87 / 0 / 98 / 10

HEX #1EE504

RGB 30 229 4

HSL 113.07, 0.97%, 0.46%

LAB 79.8, -77.96, 76.52

 

CMYK 36 / 0 / 98 / 42

HEX #5F9503

RGB 95 149 3

HSL 82.19, 0.96%, 0.3%

LAB 56.02, -37.37, 58.31

 

CMYK 36 / 0 / 98 / 26

HEX #79BD03

RGB 121 189 3

HSL 81.94, 0.97%, 0.38%

LAB 69.8, -44.84, 69.68

 

CMYK 36 / 0 / 98 / 10

HEX #93E504

RGB 147 229 4

HSL 81.87, 0.97%, 0.46%

LAB 83.05, -52, 80.48

 

CMYK 33 / 0 / 90 / 2

HEX #A8FA19

RGB 168 250 25

HSL 81.87, 0.96%, 0.54%

LAB 90.21, -52.82, 84.46

 

CMYK 27 / 0 / 74 / 2

HEX #B7FB41

RGB 183 251 65

HSL 81.94, 0.96%, 0.62%

LAB 91.43, -46.47, 76.62

 

CMYK 36 / 0 / 98 / 10

HEX #93E505

RGB 147 229 5

HSL 81.96, 0.96%, 0.46%

LAB 83.05, -51.99, 80.39

 

CMYK 98 / 0 / 44 / 10

HEX #04E580

RGB 4 229 128

HSL 153.07, 0.97%, 0.46%

LAB 80.53, -68.36, 36.49

 

CMYK 5 / 98 / 0 / 10

HEX #DA04E5

RGB 218 4 229

HSL 297.07, 0.97%, 0.46%

LAB 52.56, 88.6, -59.08

 

CMYK 36 / 0 / 98 / 10

HEX #93E505

RGB 147 229 5

HSL 81.96, 0.96%, 0.46%

LAB 83.05, -51.99, 80.39

 

CMYK 98 / 34 / 0 / 10

HEX #0497E5

RGB 4 151 229

HSL 200.8, 0.97%, 0.46%

LAB 59.72, -4.93, -48.53

 

CMYK 0 / 98 / 34 / 10

HEX #E50497

RGB 229 4 151

HSL 320.8, 0.97%, 0.46%

LAB 50.66, 80.82, -16.55

 

CMYK 36 / 0 / 98 / 10

HEX #93E505

RGB 147 229 5

HSL 81.96, 0.96%, 0.46%

LAB 83.05, -51.99, 80.39

 

CMYK 98 / 0 / 44 / 10

HEX #04E580

RGB 4 229 128

HSL 153.07, 0.97%, 0.46%

LAB 80.53, -68.36, 36.49

 

CMYK 64 / 98 / 0 / 10

HEX #5304E5

RGB 83 4 229

HSL 261.07, 0.97%, 0.46%

LAB 33.1, 74.18, -91.71

 

CMYK 0 / 98 / 54 / 10

HEX #E5046A

RGB 229 4 106

HSL 332.8, 0.97%, 0.46%

LAB 49.23, 77.05, 8.66

 

CMYK 36 / 0 / 98 / 10

HEX #93E505

RGB 147 229 5

HSL 81.96, 0.96%, 0.46%

LAB 83.05, -51.99, 80.39

 

CMYK 98 / 0 / 14 / 10

HEX #04E5C4

RGB 4 229 196

HSL 171.2, 0.97%, 0.46%

LAB 81.87, -53.38, 3.13

 

CMYK 64 / 98 / 0 / 10

HEX #5304E5

RGB 83 4 229

HSL 261.07, 0.97%, 0.46%

LAB 33.1, 74.18, -91.71

 

CMYK 0 / 98 / 83 / 10

HEX #E50426

RGB 229 4 38

HSL 350.93, 0.97%, 0.46%

LAB 48.11, 74.02, 47.75

 

Description

Color code: HEX #93E505 | qconv.com Color code: HEX #93E505 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 229 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 229 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 98 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 98% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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