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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93E82A it is the complementary color #6C17D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93E82A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93E82A shade: #98E825, #A9FA38, #BAFF4B, #CBFF5E and #DCFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93E82A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93E82A shade: #93E82A, #82D617, #71C404, #60B200 and #4FA000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93E82A shade: #93E82A, #C6E82A, #E8D72A, #E8A32A and #E8702A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93E82A shade: #93E82A, #60E82A, #2DE82A, #2AE85B and #2AE88E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93E82A shade matches the following richer shades: #93E82A and #95FB17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93E82A shade: #93E82A, #91D53D, #8FC250, #8DAF63 and #8B9C76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93E82A shade: #E8D52A, #C9E82A, #96E82A, #63E82A and #31E82A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93E82A shade: #68AE12, #7FD316, #93E82A, #A6EC50 and #B9F075

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93E82A shade: #93E82A, #2AE8A3 and #E82AE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93E82A shade: #93E82A, #2A96E8 and #E82A96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93E82A shade: #93E82A, #2AE8A3, #7D2AE8 and #E82A70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93E82A shade: #93E82A, #2AE8DC, #7D2AE8 and #E82A37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 82 / 9

HEX #93E82A

RGB 147 232 42

HSL 86.84, 0.81%, 0.54%

LAB 84.01, -52.34, 75.53

 

Complementary color

CMYK 49 / 89 / 0 / 16

HEX #6C17D5

RGB 108 23 213

HSL 266.84, 0.81%, 0.46%

LAB 35.21, 69.03, -78.92

 

CMYK 34 / 0 / 84 / 9

HEX #98E825

RGB 152 232 37

HSL 84.62, 0.81%, 0.53%

LAB 84.24, -50.8, 76.98

 

CMYK 32 / 0 / 78 / 2

HEX #A9FA38

RGB 169 250 56

HSL 85.05, 0.95%, 0.6%

LAB 90.36, -51.47, 78.02

 

CMYK 27 / 0 / 71 / 0

HEX #BAFF4B

RGB 186 255 75

HSL 83, 1%, 0.65%

LAB 92.78, -46.55, 74.71

 

CMYK 20 / 0 / 63 / 0

HEX #CBFF5E

RGB 203 255 94

HSL 79.38, 1%, 0.68%

LAB 93.89, -39.1, 69.14

 

CMYK 14 / 0 / 56 / 0

HEX #DCFF71

RGB 220 255 113

HSL 74.79, 1%, 0.72%

LAB 95.13, -31.26, 62.93

 

CMYK 37 / 0 / 82 / 9

HEX #93E82A

RGB 147 232 42

HSL 86.84, 0.81%, 0.54%

LAB 84.01, -52.34, 75.53

 

CMYK 39 / 0 / 89 / 16

HEX #82D617

RGB 130 214 23

HSL 86.39, 0.81%, 0.46%

LAB 77.82, -51.52, 73.8

 

CMYK 42 / 0 / 98 / 23

HEX #71C404

RGB 113 196 4

HSL 85.94, 0.96%, 0.39%

LAB 71.55, -50.45, 70.78

 

CMYK 46 / 0 / 100 / 30

HEX #60B200

RGB 96 178 0

HSL 87.64, 1%, 0.35%

LAB 65.22, -49.05, 65.96

 

CMYK 51 / 0 / 100 / 37

HEX #4FA000

RGB 79 160 0

HSL 90.38, 1%, 0.31%

LAB 58.79, -47.49, 60.63

 

CMYK 37 / 0 / 82 / 9

HEX #93E82A

RGB 147 232 42

HSL 86.84, 0.81%, 0.54%

LAB 84.01, -52.34, 75.53

 

CMYK 15 / 0 / 82 / 9

HEX #C6E82A

RGB 198 232 42

HSL 70.74, 0.81%, 0.54%

LAB 86.94, -33.3, 79.23

 

CMYK 0 / 7 / 82 / 9

HEX #E8D72A

RGB 232 215 42

HSL 54.63, 0.81%, 0.54%

LAB 84.96, -11.07, 78.55

 

CMYK 0 / 30 / 82 / 9

HEX #E8A32A

RGB 232 163 42

HSL 38.21, 0.81%, 0.54%

LAB 71.9, 15.91, 67.36

 

CMYK 0 / 52 / 82 / 9

HEX #E8702A

RGB 232 112 42

HSL 22.11, 0.81%, 0.54%

LAB 60.7, 42.48, 57.48

 

CMYK 37 / 0 / 82 / 9

HEX #93E82A

RGB 147 232 42

HSL 86.84, 0.81%, 0.54%

LAB 84.01, -52.34, 75.53

 

CMYK 59 / 0 / 82 / 9

HEX #60E82A

RGB 96 232 42

HSL 102.95, 0.81%, 0.54%

LAB 82.04, -67.3, 73.02

 

CMYK 81 / 0 / 82 / 9

HEX #2DE82A

RGB 45 232 42

HSL 119.05, 0.81%, 0.54%

LAB 80.98, -76.25, 71.67

 

CMYK 82 / 0 / 61 / 9

HEX #2AE85B

RGB 42 232 91

HSL 135.47, 0.81%, 0.54%

LAB 81.27, -72.52, 54.77

 

CMYK 82 / 0 / 39 / 9

HEX #2AE88E

RGB 42 232 142

HSL 151.58, 0.81%, 0.54%

LAB 81.92, -64.75, 31.34

 

CMYK 37 / 0 / 82 / 9

HEX #93E82A

RGB 147 232 42

HSL 86.84, 0.81%, 0.54%

LAB 84.01, -52.34, 75.53

 

CMYK 41 / 0 / 91 / 2

HEX #95FB17

RGB 149 251 23

HSL 86.84, 0.97%, 0.54%

LAB 89.6, -59.66, 83.86

 

CMYK 37 / 0 / 82 / 9

HEX #93E82A

RGB 147 232 42

HSL 86.84, 0.81%, 0.54%

LAB 84.01, -52.34, 75.53

 

CMYK 32 / 0 / 71 / 16

HEX #91D53D

RGB 145 213 61

HSL 86.84, 0.64%, 0.54%

LAB 78.43, -44.21, 64.55

 

CMYK 26 / 0 / 59 / 24

HEX #8FC250

RGB 143 194 80

HSL 86.84, 0.48%, 0.54%

LAB 72.89, -35.08, 50.93

 

CMYK 19 / 0 / 43 / 31

HEX #8DAF63

RGB 141 175 99

HSL 86.84, 0.32%, 0.54%

LAB 67.44, -24.75, 35.16

 

CMYK 11 / 0 / 24 / 39

HEX #8B9C76

RGB 139 156 118

HSL 86.84, 0.16%, 0.54%

LAB 62.15, -13.07, 17.95

 

CMYK 0 / 8 / 82 / 9

HEX #E8D52A

RGB 232 213 42

HSL 54, 0.81%, 0.54%

LAB 84.44, -10.07, 78.11

 

CMYK 13 / 0 / 82 / 9

HEX #C9E82A

RGB 201 232 42

HSL 69.79, 0.81%, 0.54%

LAB 87.14, -32.1, 79.48

 

CMYK 35 / 0 / 82 / 9

HEX #96E82A

RGB 150 232 42

HSL 85.89, 0.81%, 0.54%

LAB 84.16, -51.31, 75.72

 

CMYK 57 / 0 / 82 / 9

HEX #63E82A

RGB 99 232 42

HSL 102, 0.81%, 0.54%

LAB 82.13, -66.57, 73.13

 

CMYK 79 / 0 / 82 / 9

HEX #31E82A

RGB 49 232 42

HSL 117.79, 0.81%, 0.54%

LAB 81.03, -75.78, 71.74

 

CMYK 40 / 0 / 90 / 32

HEX #68AE12

RGB 104 174 18

HSL 86.92, 0.81%, 0.38%

LAB 64.37, -44.37, 62.94

 

CMYK 40 / 0 / 90 / 17

HEX #7FD316

RGB 127 211 22

HSL 86.67, 0.81%, 0.46%

LAB 76.77, -51.36, 73.04

 

CMYK 37 / 0 / 82 / 9

HEX #93E82A

RGB 147 232 42

HSL 86.84, 0.81%, 0.54%

LAB 84.01, -52.34, 75.53

 

CMYK 30 / 0 / 66 / 7

HEX #A6EC50

RGB 166 236 80

HSL 86.92, 0.8%, 0.62%

LAB 86.34, -45.28, 65.96

 

CMYK 23 / 0 / 51 / 6

HEX #B9F075

RGB 185 240 117

HSL 86.83, 0.8%, 0.7%

LAB 88.88, -37.01, 53.3

 

CMYK 37 / 0 / 82 / 9

HEX #93E82A

RGB 147 232 42

HSL 86.84, 0.81%, 0.54%

LAB 84.01, -52.34, 75.53

 

CMYK 82 / 0 / 30 / 9

HEX #2AE8A3

RGB 42 232 163

HSL 158.21, 0.81%, 0.54%

LAB 82.3, -60.53, 21.08

 

CMYK 0 / 82 / 3 / 9

HEX #E82AE2

RGB 232 42 226

HSL 301.89, 0.81%, 0.54%

LAB 56.39, 85.69, -51.13

 

CMYK 37 / 0 / 82 / 9

HEX #93E82A

RGB 147 232 42

HSL 86.84, 0.81%, 0.54%

LAB 84.01, -52.34, 75.53

 

CMYK 82 / 35 / 0 / 9

HEX #2A96E8

RGB 42 150 232

HSL 205.89, 0.81%, 0.54%

LAB 60.01, -1.28, -49.71

 

CMYK 0 / 82 / 35 / 9

HEX #E82A96

RGB 232 42 150

HSL 325.89, 0.81%, 0.54%

LAB 52.96, 76.22, -12.42

 

CMYK 37 / 0 / 82 / 9

HEX #93E82A

RGB 147 232 42

HSL 86.84, 0.81%, 0.54%

LAB 84.01, -52.34, 75.53

 

CMYK 82 / 0 / 30 / 9

HEX #2AE8A3

RGB 42 232 163

HSL 158.21, 0.81%, 0.54%

LAB 82.3, -60.53, 21.08

 

CMYK 46 / 82 / 0 / 9

HEX #7D2AE8

RGB 125 42 232

HSL 266.21, 0.81%, 0.54%

LAB 40.96, 69.84, -80.26

 

CMYK 0 / 82 / 52 / 9

HEX #E82A70

RGB 232 42 112

HSL 337.89, 0.81%, 0.54%

LAB 51.82, 72.87, 8.74

 

CMYK 37 / 0 / 82 / 9

HEX #93E82A

RGB 147 232 42

HSL 86.84, 0.81%, 0.54%

LAB 84.01, -52.34, 75.53

 

CMYK 82 / 0 / 5 / 9

HEX #2AE8DC

RGB 42 232 220

HSL 176.21, 0.81%, 0.54%

LAB 83.64, -46.44, -6.93

 

CMYK 46 / 82 / 0 / 9

HEX #7D2AE8

RGB 125 42 232

HSL 266.21, 0.81%, 0.54%

LAB 40.96, 69.84, -80.26

 

CMYK 0 / 82 / 76 / 9

HEX #E82A37

RGB 232 42 55

HSL 355.89, 0.81%, 0.54%

LAB 50.79, 69.8, 41.38

 

Description

Color code: HEX #93E82A | qconv.com Color code: HEX #93E82A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 232 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 232 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 82 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 82% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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