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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93F00E it is the complementary color #6C0FF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93F00E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93F00E shade: #98F009, #A9FF1C, #BAFF2F, #CBFF42 and #DCFF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93F00E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93F00E shade: #93F00E, #82DE00, #71CC00, #60BA00 and #4FA800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93F00E shade: #93F00E, #D0F00E, #F0D30E, #F0960E and #F0590E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93F00E shade: #93F00E, #56F00E, #19F00E, #0EF040 and #0EF07D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93F00E shade matches the following richer shades: #93F00E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93F00E shade: #93F00E, #8FDC22, #8CC737, #88B34B and #849E60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93F00E shade: #F0D20E, #D2F00E, #96F00E, #59F00E and #1DF00E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93F00E shade: #63A209, #7BC90B, #93F00E, #A4F335 and #B6F55C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93F00E shade: #93F00E, #0EF096 and #F00EF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93F00E shade: #93F00E, #0E96F0 and #F00E96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93F00E shade: #93F00E, #0EF096, #680EF0 and #F00E68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93F00E shade: #93F00E, #0EF0DA, #680EF0 and #F00E24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 94 / 6

HEX #93F00E

RGB 147 240 14

HSL 84.69, 0.89%, 0.5%

LAB 86.28, -56.23, 82.18

 

Complementary color

CMYK 55 / 94 / 0 / 5

HEX #6C0FF1

RGB 108 15 241

HSL 264.69, 0.89%, 0.5%

LAB 37.63, 76.92, -90.94

 

CMYK 37 / 0 / 96 / 6

HEX #98F009

RGB 152 240 9

HSL 82.86, 0.93%, 0.49%

LAB 86.51, -54.61, 82.89

 

CMYK 34 / 0 / 89 / 0

HEX #A9FF1C

RGB 169 255 28

HSL 82.73, 1%, 0.55%

LAB 91.7, -54.43, 85.26

 

CMYK 27 / 0 / 82 / 0

HEX #BAFF2F

RGB 186 255 47

HSL 79.9, 1%, 0.59%

LAB 92.65, -47.84, 82.74

 

CMYK 20 / 0 / 74 / 0

HEX #CBFF42

RGB 203 255 66

HSL 76.51, 1%, 0.63%

LAB 93.71, -40.75, 78.89

 

CMYK 14 / 0 / 67 / 0

HEX #DCFF55

RGB 220 255 85

HSL 72.35, 1%, 0.67%

LAB 94.9, -33.24, 73.97

 

CMYK 39 / 0 / 94 / 6

HEX #93F00E

RGB 147 240 14

HSL 84.69, 0.89%, 0.5%

LAB 86.28, -56.23, 82.18

 

CMYK 41 / 0 / 100 / 13

HEX #82DE00

RGB 130 222 0

HSL 84.86, 1%, 0.44%

LAB 80.17, -55.04, 78.25

 

CMYK 45 / 0 / 100 / 20

HEX #71CC00

RGB 113 204 0

HSL 86.76, 1%, 0.4%

LAB 74, -53.63, 73.12

 

CMYK 48 / 0 / 100 / 27

HEX #60BA00

RGB 96 186 0

HSL 89.03, 1%, 0.36%

LAB 67.73, -52.13, 67.92

 

CMYK 53 / 0 / 100 / 34

HEX #4FA800

RGB 79 168 0

HSL 91.79, 1%, 0.33%

LAB 61.37, -50.51, 62.65

 

CMYK 39 / 0 / 94 / 6

HEX #93F00E

RGB 147 240 14

HSL 84.69, 0.89%, 0.5%

LAB 86.28, -56.23, 82.18

 

CMYK 13 / 0 / 94 / 6

HEX #D0F00E

RGB 208 240 14

HSL 68.5, 0.89%, 0.5%

LAB 89.75, -33.55, 86.38

 

CMYK 0 / 12 / 94 / 6

HEX #F0D30E

RGB 240 211 14

HSL 52.3, 0.89%, 0.5%

LAB 84.56, -6.18, 83.55

 

CMYK 0 / 38 / 94 / 6

HEX #F0960E

RGB 240 150 14

HSL 36.11, 0.89%, 0.5%

LAB 69.73, 25.63, 72.85

 

CMYK 0 / 63 / 94 / 6

HEX #F0590E

RGB 240 89 14

HSL 19.91, 0.89%, 0.5%

LAB 57.75, 55.5, 64.87

 

CMYK 39 / 0 / 94 / 6

HEX #93F00E

RGB 147 240 14

HSL 84.69, 0.89%, 0.5%

LAB 86.28, -56.23, 82.18

 

CMYK 64 / 0 / 94 / 6

HEX #56F00E

RGB 86 240 14

HSL 100.88, 0.89%, 0.5%

LAB 84.14, -72.98, 79.55

 

CMYK 90 / 0 / 94 / 6

HEX #19F00E

RGB 25 240 14

HSL 117.08, 0.89%, 0.5%

LAB 83.21, -81.1, 78.41

 

CMYK 94 / 0 / 73 / 6

HEX #0EF040

RGB 14 240 64

HSL 133.27, 0.89%, 0.5%

LAB 83.33, -79.34, 67.35

 

CMYK 94 / 0 / 48 / 6

HEX #0EF07D

RGB 14 240 125

HSL 149.47, 0.89%, 0.5%

LAB 83.91, -72.12, 42.28

 

CMYK 39 / 0 / 94 / 6

HEX #93F00E

RGB 147 240 14

HSL 84.69, 0.89%, 0.5%

LAB 86.28, -56.23, 82.18

 

CMYK 39 / 0 / 94 / 6

HEX #93F00E

RGB 147 240 14

HSL 84.69, 0.89%, 0.5%

LAB 86.28, -56.23, 82.18

 

CMYK 35 / 0 / 85 / 14

HEX #8FDC22

RGB 143 220 34

HSL 84.84, 0.73%, 0.5%

LAB 80.26, -49.14, 74.01

 

CMYK 30 / 0 / 72 / 22

HEX #8CC737

RGB 140 199 55

HSL 84.58, 0.57%, 0.5%

LAB 74, -40.34, 62.17

 

CMYK 24 / 0 / 58 / 30

HEX #88B34B

RGB 136 179 75

HSL 84.81, 0.41%, 0.5%

LAB 68.01, -31.23, 47.54

 

CMYK 16 / 0 / 39 / 38

HEX #849E60

RGB 132 158 96

HSL 85.16, 0.24%, 0.5%

LAB 61.83, -20.09, 29.45

 

CMYK 0 / 13 / 94 / 6

HEX #F0D20E

RGB 240 210 14

HSL 52.04, 0.89%, 0.5%

LAB 84.3, -5.67, 83.36

 

CMYK 13 / 0 / 94 / 6

HEX #D2F00E

RGB 210 240 14

HSL 67.96, 0.89%, 0.5%

LAB 89.88, -32.74, 86.54

 

CMYK 38 / 0 / 94 / 6

HEX #96F00E

RGB 150 240 14

HSL 83.89, 0.89%, 0.5%

LAB 86.42, -55.22, 82.35

 

CMYK 63 / 0 / 94 / 6

HEX #59F00E

RGB 89 240 14

HSL 100.09, 0.89%, 0.5%

LAB 84.21, -72.35, 79.64

 

CMYK 88 / 0 / 94 / 6

HEX #1DF00E

RGB 29 240 14

HSL 116.02, 0.89%, 0.5%

LAB 83.24, -80.84, 78.44

 

CMYK 39 / 0 / 94 / 36

HEX #63A209

RGB 99 162 9

HSL 84.71, 0.89%, 0.34%

LAB 60.35, -41.35, 60.95

 

CMYK 39 / 0 / 95 / 21

HEX #7BC90B

RGB 123 201 11

HSL 84.63, 0.9%, 0.42%

LAB 73.55, -48.94, 71.83

 

CMYK 39 / 0 / 94 / 6

HEX #93F00E

RGB 147 240 14

HSL 84.69, 0.89%, 0.5%

LAB 86.28, -56.23, 82.18

 

CMYK 33 / 0 / 78 / 5

HEX #A4F335

RGB 164 243 53

HSL 84.95, 0.89%, 0.58%

LAB 88.09, -50.48, 76.67

 

CMYK 26 / 0 / 62 / 4

HEX #B6F55C

RGB 182 245 92

HSL 84.71, 0.88%, 0.66%

LAB 89.87, -42.54, 65.25

 

CMYK 39 / 0 / 94 / 6

HEX #93F00E

RGB 147 240 14

HSL 84.69, 0.89%, 0.5%

LAB 86.28, -56.23, 82.18

 

CMYK 94 / 0 / 38 / 6

HEX #0EF096

RGB 14 240 150

HSL 156.11, 0.89%, 0.5%

LAB 84.29, -67.69, 30.4

 

CMYK 0 / 94 / 0 / 6

HEX #F00EF0

RGB 240 14 240

HSL 300, 0.89%, 0.5%

LAB 57.2, 92.94, -57.62

 

CMYK 39 / 0 / 94 / 6

HEX #93F00E

RGB 147 240 14

HSL 84.69, 0.89%, 0.5%

LAB 86.28, -56.23, 82.18

 

CMYK 94 / 38 / 0 / 6

HEX #0E96F0

RGB 14 150 240

HSL 203.89, 0.89%, 0.5%

LAB 60.07, 0.06, -54.06

 

CMYK 0 / 94 / 38 / 6

HEX #F00E96

RGB 240 14 150

HSL 323.89, 0.89%, 0.5%

LAB 52.99, 82.23, -12.22

 

CMYK 39 / 0 / 94 / 6

HEX #93F00E

RGB 147 240 14

HSL 84.69, 0.89%, 0.5%

LAB 86.28, -56.23, 82.18

 

CMYK 94 / 0 / 38 / 6

HEX #0EF096

RGB 14 240 150

HSL 156.11, 0.89%, 0.5%

LAB 84.29, -67.69, 30.4

 

CMYK 57 / 94 / 0 / 6

HEX #680EF0

RGB 104 14 240

HSL 263.89, 0.89%, 0.5%

LAB 37.02, 76.56, -91.39

 

CMYK 0 / 94 / 57 / 6

HEX #F00E68

RGB 240 14 104

HSL 336.11, 0.89%, 0.5%

LAB 51.65, 78.63, 13.6

 

CMYK 39 / 0 / 94 / 6

HEX #93F00E

RGB 147 240 14

HSL 84.69, 0.89%, 0.5%

LAB 86.28, -56.23, 82.18

 

CMYK 94 / 0 / 9 / 6

HEX #0EF0DA

RGB 14 240 218

HSL 174.16, 0.89%, 0.5%

LAB 85.74, -51.77, -2.79

 

CMYK 57 / 94 / 0 / 6

HEX #680EF0

RGB 104 14 240

HSL 263.89, 0.89%, 0.5%

LAB 37.02, 76.56, -91.39

 

CMYK 0 / 94 / 85 / 6

HEX #F00E24

RGB 240 14 36

HSL 354.16, 0.89%, 0.5%

LAB 50.65, 75.86, 51.86

 

Description

Color code: HEX #93F00E | qconv.com Color code: HEX #93F00E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 240 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 240 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 94 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 94% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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