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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93F097 it is the complementary color #6C0F68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93F097. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93F097 shade: #98F092, #A9FFA5, #BAFFB8, #CBFFCB and #DCFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93F097. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93F097 shade: #93F097, #82DE84, #71CC71, #60BA5E and #4FA84B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93F097 shade: #93F097, #A8F093, #C1F093, #DAF093 and #F0EC93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93F097 shade: #93F097, #93F0B0, #93F0C9, #93F0E2 and #93E4F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93F097 shade matches the following richer shades: #93F097 and #89FA8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93F097 shade: #93F097, #9DE6A0, #A7DCA9, #B0D2B2 and #BAC8BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93F097 shade: #C1F093, #A8F093, #93F096, #93F0AF and #93F0C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93F097 shade: #4AE651, #6EEB74, #93F097, #B7F5BA and #DBFADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93F097 shade: #93F097, #93DAF0 and #F093B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93F097 shade: #93F097, #9693F0 and #F09693

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93F097 shade: #93F097, #93DAF0, #F093ED and #F0A893

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93F097 shade: #93F097, #93BEF0, #F093ED and #F0C493

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 37 / 6

HEX #93F097

RGB 147 240 151

HSL 122.58, 0.76%, 0.76%

LAB 87.37, -45.23, 34.55

 

Complementary color

CMYK 0 / 86 / 4 / 58

HEX #6C0F68

RGB 108 15 104

HSL 302.58, 0.76%, 0.24%

LAB 25.35, 48.43, -28.45

 

CMYK 37 / 0 / 39 / 6

HEX #98F092

RGB 152 240 146

HSL 116.17, 0.76%, 0.76%

LAB 87.52, -44.48, 37.28

 

CMYK 34 / 0 / 35 / 0

HEX #A9FFA5

RGB 169 255 165

HSL 117.33, 1%, 0.82%

LAB 92.87, -42.96, 35.02

 

CMYK 27 / 0 / 28 / 0

HEX #BAFFB8

RGB 186 255 184

HSL 118.31, 1%, 0.86%

LAB 94.06, -34.66, 27.24

 

CMYK 20 / 0 / 20 / 0

HEX #CBFFCB

RGB 203 255 203

HSL 120, 1%, 0.9%

LAB 95.38, -26.07, 19.56

 

CMYK 14 / 0 / 13 / 0

HEX #DCFFDE

RGB 220 255 222

HSL 123.43, 1%, 0.93%

LAB 96.82, -17.27, 12.02

 

CMYK 39 / 0 / 37 / 6

HEX #93F097

RGB 147 240 151

HSL 122.58, 0.76%, 0.76%

LAB 87.37, -45.23, 34.55

 

CMYK 41 / 0 / 41 / 13

HEX #82DE84

RGB 130 222 132

HSL 121.3, 0.58%, 0.69%

LAB 81.1, -45.44, 35.75

 

CMYK 45 / 0 / 45 / 20

HEX #71CC71

RGB 113 204 113

HSL 120, 0.47%, 0.62%

LAB 74.75, -45.6, 37

 

CMYK 48 / 0 / 49 / 27

HEX #60BA5E

RGB 96 186 94

HSL 118.7, 0.4%, 0.55%

LAB 68.32, -45.68, 38.29

 

CMYK 53 / 0 / 55 / 34

HEX #4FA84B

RGB 79 168 75

HSL 117.42, 0.38%, 0.48%

LAB 61.81, -45.62, 39.59

 

CMYK 39 / 0 / 37 / 6

HEX #93F097

RGB 147 240 151

HSL 122.58, 0.76%, 0.76%

LAB 87.37, -45.23, 34.55

 

CMYK 30 / 0 / 39 / 6

HEX #A8F093

RGB 168 240 147

HSL 106.45, 0.76%, 0.76%

LAB 88.33, -39.25, 37.99

 

CMYK 20 / 0 / 39 / 6

HEX #C1F093

RGB 193 240 147

HSL 90.32, 0.76%, 0.76%

LAB 89.75, -30.7, 40.11

 

CMYK 9 / 0 / 39 / 6

HEX #DAF093

RGB 218 240 147

HSL 74.19, 0.76%, 0.76%

LAB 91.38, -21.58, 42.54

 

CMYK 0 / 2 / 39 / 6

HEX #F0EC93

RGB 240 236 147

HSL 57.42, 0.76%, 0.76%

LAB 91.96, -11.27, 43.61

 

CMYK 39 / 0 / 37 / 6

HEX #93F097

RGB 147 240 151

HSL 122.58, 0.76%, 0.76%

LAB 87.37, -45.23, 34.55

 

CMYK 39 / 0 / 27 / 6

HEX #93F0B0

RGB 147 240 176

HSL 138.71, 0.76%, 0.76%

LAB 87.8, -41.05, 22.42

 

CMYK 39 / 0 / 16 / 6

HEX #93F0C9

RGB 147 240 201

HSL 154.84, 0.76%, 0.76%

LAB 88.32, -36.23, 10.21

 

CMYK 39 / 0 / 6 / 6

HEX #93F0E2

RGB 147 240 226

HSL 170.97, 0.76%, 0.76%

LAB 88.93, -30.83, -1.96

 

CMYK 39 / 5 / 0 / 6

HEX #93E4F0

RGB 147 228 240

HSL 187.74, 0.76%, 0.76%

LAB 86, -21.72, -13.65

 

CMYK 39 / 0 / 37 / 6

HEX #93F097

RGB 147 240 151

HSL 122.58, 0.76%, 0.76%

LAB 87.37, -45.23, 34.55

 

CMYK 45 / 0 / 43 / 2

HEX #89FA8E

RGB 137 250 142

HSL 122.65, 0.92%, 0.76%

LAB 89.69, -53.61, 41.93

 

CMYK 39 / 0 / 37 / 6

HEX #93F097

RGB 147 240 151

HSL 122.58, 0.76%, 0.76%

LAB 87.37, -45.23, 34.55

 

CMYK 32 / 0 / 30 / 10

HEX #9DE6A0

RGB 157 230 160

HSL 122.47, 0.59%, 0.76%

LAB 85.15, -36.31, 27.1

 

CMYK 24 / 0 / 23 / 14

HEX #A7DCA9

RGB 167 220 169

HSL 122.26, 0.43%, 0.76%

LAB 83.05, -26.89, 19.65

 

CMYK 16 / 0 / 15 / 18

HEX #B0D2B2

RGB 176 210 178

HSL 123.53, 0.27%, 0.76%

LAB 81.04, -17.38, 12.15

 

CMYK 7 / 0 / 7 / 22

HEX #BAC8BB

RGB 186 200 187

HSL 124.29, 0.11%, 0.76%

LAB 79.23, -7.21, 4.85

 

CMYK 20 / 0 / 39 / 6

HEX #C1F093

RGB 193 240 147

HSL 90.32, 0.76%, 0.76%

LAB 89.75, -30.7, 40.11

 

CMYK 30 / 0 / 39 / 6

HEX #A8F093

RGB 168 240 147

HSL 106.45, 0.76%, 0.76%

LAB 88.33, -39.25, 37.99

 

CMYK 39 / 0 / 38 / 6

HEX #93F096

RGB 147 240 150

HSL 121.94, 0.76%, 0.76%

LAB 87.35, -45.39, 35.03

 

CMYK 39 / 0 / 27 / 6

HEX #93F0AF

RGB 147 240 175

HSL 138.06, 0.76%, 0.76%

LAB 87.78, -41.23, 22.91

 

CMYK 39 / 0 / 17 / 6

HEX #93F0C8

RGB 147 240 200

HSL 154.19, 0.76%, 0.76%

LAB 88.3, -36.44, 10.7

 

CMYK 68 / 0 / 65 / 10

HEX #4AE651

RGB 74 230 81

HSL 122.69, 0.76%, 0.6%

LAB 81.1, -68.5, 58.9

 

CMYK 53 / 0 / 51 / 8

HEX #6EEB74

RGB 110 235 116

HSL 122.88, 0.76%, 0.68%

LAB 83.96, -58.4, 47

 

CMYK 39 / 0 / 37 / 6

HEX #93F097

RGB 147 240 151

HSL 122.58, 0.76%, 0.76%

LAB 87.37, -45.23, 34.55

 

CMYK 25 / 0 / 24 / 4

HEX #B7F5BA

RGB 183 245 186

HSL 122.9, 0.76%, 0.84%

LAB 91.2, -30.66, 22.26

 

CMYK 12 / 0 / 12 / 2

HEX #DBFADD

RGB 219 250 221

HSL 123.87, 0.76%, 0.92%

LAB 95.43, -15.33, 10.55

 

CMYK 39 / 0 / 37 / 6

HEX #93F097

RGB 147 240 151

HSL 122.58, 0.76%, 0.76%

LAB 87.37, -45.23, 34.55

 

CMYK 39 / 9 / 0 / 6

HEX #93DAF0

RGB 147 218 240

HSL 194.19, 0.76%, 0.76%

LAB 83.25, -16.7, -17.78

 

CMYK 0 / 39 / 25 / 6

HEX #F093B5

RGB 240 147 181

HSL 338.06, 0.76%, 0.76%

LAB 71.37, 39.32, -2.71

 

CMYK 39 / 0 / 37 / 6

HEX #93F097

RGB 147 240 151

HSL 122.58, 0.76%, 0.76%

LAB 87.37, -45.23, 34.55

 

CMYK 38 / 39 / 0 / 6

HEX #9693F0

RGB 150 147 240

HSL 241.94, 0.76%, 0.76%

LAB 64.68, 22.97, -46.41

 

CMYK 0 / 38 / 39 / 6

HEX #F09693

RGB 240 150 147

HSL 1.94, 0.76%, 0.76%

LAB 71.18, 33.46, 15.89

 

CMYK 39 / 0 / 37 / 6

HEX #93F097

RGB 147 240 151

HSL 122.58, 0.76%, 0.76%

LAB 87.37, -45.23, 34.55

 

CMYK 39 / 9 / 0 / 6

HEX #93DAF0

RGB 147 218 240

HSL 194.19, 0.76%, 0.76%

LAB 83.25, -16.7, -17.78

 

CMYK 0 / 39 / 1 / 6

HEX #F093ED

RGB 240 147 237

HSL 301.94, 0.76%, 0.76%

LAB 73.22, 48.24, -30.79

 

CMYK 0 / 30 / 39 / 6

HEX #F0A893

RGB 240 168 147

HSL 13.55, 0.76%, 0.76%

LAB 75.23, 23.96, 21.49

 

CMYK 39 / 0 / 37 / 6

HEX #93F097

RGB 147 240 151

HSL 122.58, 0.76%, 0.76%

LAB 87.37, -45.23, 34.55

 

CMYK 39 / 21 / 0 / 6

HEX #93BEF0

RGB 147 190 240

HSL 212.26, 0.76%, 0.76%

LAB 75.65, -1.99, -29.35

 

CMYK 0 / 39 / 1 / 6

HEX #F093ED

RGB 240 147 237

HSL 301.94, 0.76%, 0.76%

LAB 73.22, 48.24, -30.79

 

CMYK 0 / 18 / 39 / 6

HEX #F0C493

RGB 240 196 147

HSL 31.61, 0.76%, 0.76%

LAB 81.9, 9.17, 30.5

 

Description

Color code: HEX #93F097 | qconv.com Color code: HEX #93F097 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 240 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 240 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 37 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 37% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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