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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93F290 it is the complementary color #6C0D6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93F290. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93F290 shade: #98F28B, #A9FF9E, #BAFFB1, #CBFFC4 and #DCFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93F290. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93F290 shade: #93F290, #82E07D, #71CE6A, #60BC57 and #4FAA44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93F290 shade: #94F291, #AEF291, #C8F291, #E2F291 and #F2E791

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93F290 shade: #94F291, #91F2A8, #91F2C2, #91F2DC and #91EDF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93F290 shade matches the following richer shades: #94F291 and #8BFC87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93F290 shade: #94F291, #9DE89B, #A7DEA5, #B0D4AF and #B9CAB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93F290 shade: #C8F291, #AEF291, #94F291, #91F2A8 and #91F2C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93F290 shade: #4CE947, #70ED6C, #94F291, #B8F6B6 and #DCFADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93F290 shade: #93F290, #91E2F2 and #F291BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93F290 shade: #93F290, #9194F2 and #F29194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93F290 shade: #93F290, #91E2F2, #EE91F2 and #F2A191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93F290 shade: #93F290, #91C5F2, #EE91F2 and #F2BE91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 40 / 5

HEX #93F290

RGB 147 242 144

HSL 118.16, 0.79%, 0.76%

LAB 87.83, -47.14, 38.64

 

Complementary color

CMYK 3 / 88 / 0 / 56

HEX #6C0D6F

RGB 108 13 111

HSL 298.16, 0.79%, 0.24%

LAB 25.63, 50.09, -32.53

 

CMYK 37 / 0 / 43 / 5

HEX #98F28B

RGB 152 242 139

HSL 112.43, 0.8%, 0.75%

LAB 87.99, -46.33, 41.34

 

CMYK 34 / 0 / 38 / 0

HEX #A9FF9E

RGB 169 255 158

HSL 113.2, 1%, 0.81%

LAB 92.76, -43.99, 38.34

 

CMYK 27 / 0 / 31 / 0

HEX #BAFFB1

RGB 186 255 177

HSL 113.08, 1%, 0.85%

LAB 93.94, -35.76, 30.6

 

CMYK 20 / 0 / 23 / 0

HEX #CBFFC4

RGB 203 255 196

HSL 112.88, 1%, 0.88%

LAB 95.25, -27.22, 22.93

 

CMYK 14 / 0 / 16 / 0

HEX #DCFFD7

RGB 220 255 215

HSL 112.5, 1%, 0.92%

LAB 96.67, -18.46, 15.39

 

CMYK 39 / 0 / 40 / 5

HEX #93F290

RGB 147 242 144

HSL 118.16, 0.79%, 0.76%

LAB 87.83, -47.14, 38.64

 

CMYK 42 / 0 / 44 / 12

HEX #82E07D

RGB 130 224 125

HSL 116.97, 0.61%, 0.68%

LAB 81.59, -47.31, 39.86

 

CMYK 45 / 0 / 49 / 19

HEX #71CE6A

RGB 113 206 106

HSL 115.8, 0.51%, 0.61%

LAB 75.26, -47.41, 41.11

 

CMYK 49 / 0 / 54 / 26

HEX #60BC57

RGB 96 188 87

HSL 114.65, 0.43%, 0.54%

LAB 68.85, -47.42, 42.37

 

CMYK 54 / 0 / 60 / 33

HEX #4FAA44

RGB 79 170 68

HSL 113.53, 0.43%, 0.47%

LAB 62.36, -47.26, 43.58

 

CMYK 39 / 0 / 40 / 5

HEX #94F291

RGB 148 242 145

HSL 118.14, 0.79%, 0.76%

LAB 87.89, -46.69, 38.23

 

CMYK 28 / 0 / 40 / 5

HEX #AEF291

RGB 174 242 145

HSL 102.06, 0.79%, 0.76%

LAB 89.18, -38.44, 40.15

 

CMYK 17 / 0 / 40 / 5

HEX #C8F291

RGB 200 242 145

HSL 85.98, 0.79%, 0.76%

LAB 90.7, -29.38, 42.4

 

CMYK 7 / 0 / 40 / 5

HEX #E2F291

RGB 226 242 145

HSL 69.9, 0.79%, 0.76%

LAB 92.45, -19.77, 44.99

 

CMYK 0 / 5 / 40 / 5

HEX #F2E791

RGB 242 231 145

HSL 53.2, 0.79%, 0.76%

LAB 90.81, -8.21, 43.16

 

CMYK 39 / 0 / 40 / 5

HEX #94F291

RGB 148 242 145

HSL 118.14, 0.79%, 0.76%

LAB 87.89, -46.69, 38.23

 

CMYK 40 / 0 / 31 / 5

HEX #91F2A8

RGB 145 242 168

HSL 134.23, 0.79%, 0.76%

LAB 88.14, -43.91, 26.96

 

CMYK 40 / 0 / 20 / 5

HEX #91F2C2

RGB 145 242 194

HSL 150.31, 0.79%, 0.76%

LAB 88.65, -39.09, 14.29

 

CMYK 40 / 0 / 9 / 5

HEX #91F2DC

RGB 145 242 220

HSL 166.39, 0.79%, 0.76%

LAB 89.25, -33.62, 1.63

 

CMYK 40 / 2 / 0 / 5

HEX #91EDF2

RGB 145 237 242

HSL 183.09, 0.79%, 0.76%

LAB 88.45, -26.13, -11.05

 

CMYK 39 / 0 / 40 / 5

HEX #94F291

RGB 148 242 145

HSL 118.14, 0.79%, 0.76%

LAB 87.89, -46.69, 38.23

 

CMYK 45 / 0 / 46 / 1

HEX #8BFC87

RGB 139 252 135

HSL 117.95, 0.95%, 0.76%

LAB 90.26, -54.83, 46.03

 

CMYK 39 / 0 / 40 / 5

HEX #94F291

RGB 148 242 145

HSL 118.14, 0.79%, 0.76%

LAB 87.89, -46.69, 38.23

 

CMYK 32 / 0 / 33 / 9

HEX #9DE89B

RGB 157 232 155

HSL 118.44, 0.63%, 0.76%

LAB 85.63, -38.02, 30.3

 

CMYK 25 / 0 / 26 / 13

HEX #A7DEA5

RGB 167 222 165

HSL 117.89, 0.46%, 0.76%

LAB 83.53, -28.52, 22.4

 

CMYK 17 / 0 / 17 / 17

HEX #B0D4AF

RGB 176 212 175

HSL 118.38, 0.3%, 0.76%

LAB 81.52, -18.91, 14.42

 

CMYK 8 / 0 / 8 / 21

HEX #B9CAB9

RGB 185 202 185

HSL 120, 0.14%, 0.76%

LAB 79.65, -8.95, 6.51

 

CMYK 17 / 0 / 40 / 5

HEX #C8F291

RGB 200 242 145

HSL 85.98, 0.79%, 0.76%

LAB 90.7, -29.38, 42.4

 

CMYK 28 / 0 / 40 / 5

HEX #AEF291

RGB 174 242 145

HSL 102.06, 0.79%, 0.76%

LAB 89.18, -38.44, 40.15

 

CMYK 39 / 0 / 40 / 5

HEX #94F291

RGB 148 242 145

HSL 118.14, 0.79%, 0.76%

LAB 87.89, -46.69, 38.23

 

CMYK 40 / 0 / 31 / 5

HEX #91F2A8

RGB 145 242 168

HSL 134.23, 0.79%, 0.76%

LAB 88.14, -43.91, 26.96

 

CMYK 40 / 0 / 20 / 5

HEX #91F2C1

RGB 145 242 193

HSL 149.69, 0.79%, 0.76%

LAB 88.63, -39.29, 14.78

 

CMYK 67 / 0 / 70 / 9

HEX #4CE947

RGB 76 233 71

HSL 118.15, 0.79%, 0.6%

LAB 81.98, -70.02, 63.75

 

CMYK 53 / 0 / 54 / 7

HEX #70ED6C

RGB 112 237 108

HSL 118.14, 0.78%, 0.68%

LAB 84.53, -59.66, 51.42

 

CMYK 39 / 0 / 40 / 5

HEX #94F291

RGB 148 242 145

HSL 118.14, 0.79%, 0.76%

LAB 87.89, -46.69, 38.23

 

CMYK 25 / 0 / 26 / 4

HEX #B8F6B6

RGB 184 246 182

HSL 118.13, 0.78%, 0.84%

LAB 91.45, -31.47, 24.66

 

CMYK 12 / 0 / 12 / 2

HEX #DCFADB

RGB 220 250 219

HSL 118.06, 0.76%, 0.92%

LAB 95.46, -15.34, 11.61

 

CMYK 39 / 0 / 40 / 5

HEX #93F290

RGB 147 242 144

HSL 118.16, 0.79%, 0.76%

LAB 87.83, -47.14, 38.64

 

CMYK 40 / 7 / 0 / 5

HEX #91E2F2

RGB 145 226 242

HSL 189.9, 0.79%, 0.76%

LAB 85.41, -20.73, -15.59

 

CMYK 0 / 40 / 23 / 5

HEX #F291BB

RGB 242 145 187

HSL 334.02, 0.79%, 0.76%

LAB 71.36, 41.89, -6.03

 

CMYK 39 / 0 / 40 / 5

HEX #93F290

RGB 147 242 144

HSL 118.16, 0.79%, 0.76%

LAB 87.83, -47.14, 38.64

 

CMYK 40 / 39 / 0 / 5

HEX #9194F2

RGB 145 148 242

HSL 238.14, 0.79%, 0.76%

LAB 64.65, 21.65, -47.57

 

CMYK 0 / 40 / 39 / 5

HEX #F29194

RGB 242 145 148

HSL 358.14, 0.79%, 0.76%

LAB 70.36, 36.92, 14.24

 

CMYK 39 / 0 / 40 / 5

HEX #93F290

RGB 147 242 144

HSL 118.16, 0.79%, 0.76%

LAB 87.83, -47.14, 38.64

 

CMYK 40 / 7 / 0 / 5

HEX #91E2F2

RGB 145 226 242

HSL 189.9, 0.79%, 0.76%

LAB 85.41, -20.73, -15.59

 

CMYK 2 / 40 / 0 / 5

HEX #EE91F2

RGB 238 145 242

HSL 297.53, 0.79%, 0.76%

LAB 72.79, 49.56, -34.22

 

CMYK 0 / 33 / 40 / 5

HEX #F2A191

RGB 242 161 145

HSL 9.9, 0.79%, 0.76%

LAB 73.81, 28.2, 20.67

 

CMYK 39 / 0 / 40 / 5

HEX #93F290

RGB 147 242 144

HSL 118.16, 0.79%, 0.76%

LAB 87.83, -47.14, 38.64

 

CMYK 40 / 19 / 0 / 5

HEX #91C5F2

RGB 145 197 242

HSL 207.84, 0.79%, 0.76%

LAB 77.5, -5.75, -27.6

 

CMYK 2 / 40 / 0 / 5

HEX #EE91F2

RGB 238 145 242

HSL 297.53, 0.79%, 0.76%

LAB 72.79, 49.56, -34.22

 

CMYK 0 / 21 / 40 / 5

HEX #F2BE91

RGB 242 190 145

HSL 27.84, 0.79%, 0.76%

LAB 80.6, 12.88, 29.85

 

Description

Color code: HEX #93F290 | qconv.com Color code: HEX #93F290 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 242 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 242 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 40 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 40% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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