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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #900D13 it is the complementary color #6FF2EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #900D13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #900D13 shade: #950D0E, #A61F21, #B73134, #C84347 and #D9555A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #900D13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #900D13 shade: #900D13, #7F0000, #6E0000, #5D0000 and #4C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #900D13 shade: #900D13 and #900D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #900D13 shade: #900D13, #900D36, #900D5A, #900D7D and #800D90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #900D13 shade matches the following richer shades: #900D13 and #9D0007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #900D13 shade: #900D13, #831A1F, #77272A, #6A3336 and #5D4041

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #900D13 shade: #900D59, #900D36, #900D13, #90290D and #904C0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #900D13 shade: #450609, #6A090E, #900D13, #B61018 and #DC141D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #900D13 shade: #900D13, #7C900D and #0D4890

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #900D13 shade: #900D13, #13900D and #0D1390

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #900D13 shade: #900D13, #7C900D, #0D908A and #210D90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #900D13 shade: #900D13, #55900D, #0D908A and #480D90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 87 / 44

HEX #900D13

RGB 144 13 19

HSL 357.25, 0.83%, 0.31%

LAB 30.07, 50.6, 34.86

 

Complementary color

CMYK 54 / 0 / 2 / 5

HEX #6FF2EC

RGB 111 242 236

HSL 177.25, 0.83%, 0.69%

LAB 88.42, -37.38, -8.09

 

CMYK 0 / 91 / 91 / 42

HEX #950D0E

RGB 149 13 14

HSL 359.56, 0.84%, 0.32%

LAB 31.14, 51.89, 38.76

 

CMYK 0 / 81 / 80 / 35

HEX #A61F21

RGB 166 31 33

HSL 359.11, 0.69%, 0.39%

LAB 36.36, 53.18, 34.63

 

CMYK 0 / 73 / 72 / 28

HEX #B73134

RGB 183 49 52

HSL 358.66, 0.58%, 0.45%

LAB 42.02, 53.37, 30.66

 

CMYK 0 / 67 / 65 / 22

HEX #C84347

RGB 200 67 71

HSL 358.2, 0.55%, 0.52%

LAB 47.94, 52.93, 27.28

 

CMYK 0 / 61 / 59 / 15

HEX #D9555A

RGB 217 85 90

HSL 357.73, 0.63%, 0.59%

LAB 54.01, 52.14, 24.45

 

CMYK 0 / 91 / 87 / 44

HEX #900D13

RGB 144 13 19

HSL 357.25, 0.83%, 0.31%

LAB 30.07, 50.6, 34.86

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 100 / 100 / 57

HEX #6E0000

RGB 110 0 0

HSL 0, 1%, 0.22%

LAB 21.26, 43.12, 32.36

 

CMYK 0 / 100 / 100 / 64

HEX #5D0000

RGB 93 0 0

HSL 0, 1%, 0.18%

LAB 17.12, 38.32, 26.49

 

CMYK 0 / 100 / 100 / 70

HEX #4C0000

RGB 76 0 0

HSL 0, 1%, 0.15%

LAB 12.84, 33.37, 20.14

 

CMYK 0 / 91 / 87 / 44

HEX #900D13

RGB 144 13 19

HSL 357.25, 0.83%, 0.31%

LAB 30.07, 50.6, 34.86

 

CMYK 0 / 91 / 91 / 44

HEX #900D0D

RGB 144 13 13

HSL 0, 0.83%, 0.31%

LAB 30.03, 50.47, 37.91

 

CMYK 0 / 91 / 87 / 44

HEX #900D13

RGB 144 13 19

HSL 357.25, 0.83%, 0.31%

LAB 30.07, 50.6, 34.86

 

CMYK 0 / 91 / 63 / 44

HEX #900D36

RGB 144 13 54

HSL 341.22, 0.83%, 0.31%

LAB 30.6, 52.12, 13.35

 

CMYK 0 / 91 / 38 / 44

HEX #900D5A

RGB 144 13 90

HSL 324.73, 0.83%, 0.31%

LAB 31.7, 55.19, -8.89

 

CMYK 0 / 91 / 13 / 44

HEX #900D7D

RGB 144 13 125

HSL 308.7, 0.83%, 0.31%

LAB 33.35, 59.57, -28.76

 

CMYK 11 / 91 / 0 / 44

HEX #800D90

RGB 128 13 144

HSL 292.67, 0.83%, 0.31%

LAB 31.56, 59.57, -43.62

 

CMYK 0 / 91 / 87 / 44

HEX #900D13

RGB 144 13 19

HSL 357.25, 0.83%, 0.31%

LAB 30.07, 50.6, 34.86

 

CMYK 0 / 100 / 96 / 38

HEX #9D0007

RGB 157 0 7

HSL 357.32, 1%, 0.31%

LAB 32.22, 55.85, 43.36

 

CMYK 0 / 91 / 87 / 44

HEX #900D13

RGB 144 13 19

HSL 357.25, 0.83%, 0.31%

LAB 30.07, 50.6, 34.86

 

CMYK 0 / 80 / 76 / 49

HEX #831A1F

RGB 131 26 31

HSL 357.14, 0.67%, 0.31%

LAB 28.55, 43.85, 25.26

 

CMYK 0 / 67 / 65 / 53

HEX #77272A

RGB 119 39 42

HSL 357.75, 0.51%, 0.31%

LAB 28.22, 35.17, 17.22

 

CMYK 0 / 52 / 49 / 58

HEX #6A3336

RGB 106 51 54

HSL 356.73, 0.35%, 0.31%

LAB 28.64, 24.82, 9.5

 

CMYK 0 / 31 / 30 / 64

HEX #5D4041

RGB 93 64 65

HSL 357.93, 0.18%, 0.31%

LAB 30.34, 12.81, 4.44

 

CMYK 0 / 91 / 38 / 44

HEX #900D59

RGB 144 13 89

HSL 325.19, 0.83%, 0.31%

LAB 31.67, 55.09, -8.3

 

CMYK 0 / 91 / 63 / 44

HEX #900D36

RGB 144 13 54

HSL 341.22, 0.83%, 0.31%

LAB 30.6, 52.12, 13.35

 

CMYK 0 / 91 / 87 / 44

HEX #900D13

RGB 144 13 19

HSL 357.25, 0.83%, 0.31%

LAB 30.07, 50.6, 34.86

 

CMYK 0 / 72 / 91 / 44

HEX #90290D

RGB 144 41 13

HSL 12.82, 0.83%, 0.31%

LAB 33.02, 42.09, 40.19

 

CMYK 0 / 47 / 91 / 44

HEX #904C0D

RGB 144 76 13

HSL 28.85, 0.83%, 0.31%

LAB 39.79, 24.56, 45.42

 

CMYK 0 / 91 / 87 / 73

HEX #450609

RGB 69 6 9

HSL 357.14, 0.84%, 0.15%

LAB 12.06, 29.11, 15.12

 

CMYK 0 / 92 / 87 / 58

HEX #6A090E

RGB 106 9 14

HSL 356.91, 0.84%, 0.23%

LAB 21.17, 40.18, 26.09

 

CMYK 0 / 91 / 87 / 44

HEX #900D13

RGB 144 13 19

HSL 357.25, 0.83%, 0.31%

LAB 30.07, 50.6, 34.86

 

CMYK 0 / 91 / 87 / 29

HEX #B61018

RGB 182 16 24

HSL 357.11, 0.84%, 0.39%

LAB 38.52, 60.61, 42.74

 

CMYK 0 / 91 / 87 / 14

HEX #DC141D

RGB 220 20 29

HSL 357.3, 0.83%, 0.47%

LAB 46.72, 70.05, 50.3

 

CMYK 0 / 91 / 87 / 44

HEX #900D13

RGB 144 13 19

HSL 357.25, 0.83%, 0.31%

LAB 30.07, 50.6, 34.86

 

CMYK 14 / 0 / 91 / 44

HEX #7C900D

RGB 124 144 13

HSL 69.16, 0.83%, 0.31%

LAB 56.35, -22.82, 57.72

 

CMYK 91 / 50 / 0 / 44

HEX #0D4890

RGB 13 72 144

HSL 212.98, 0.83%, 0.31%

LAB 31.19, 11.21, -44.73

 

CMYK 0 / 91 / 87 / 44

HEX #900D13

RGB 144 13 19

HSL 357.25, 0.83%, 0.31%

LAB 30.07, 50.6, 34.86

 

CMYK 87 / 0 / 91 / 44

HEX #13900D

RGB 19 144 13

HSL 117.25, 0.83%, 0.31%

LAB 51.97, -54.46, 52.29

 

CMYK 91 / 87 / 0 / 44

HEX #0D1390

RGB 13 19 144

HSL 237.25, 0.83%, 0.31%

LAB 18.21, 45.15, -66.04

 

CMYK 0 / 91 / 87 / 44

HEX #900D13

RGB 144 13 19

HSL 357.25, 0.83%, 0.31%

LAB 30.07, 50.6, 34.86

 

CMYK 14 / 0 / 91 / 44

HEX #7C900D

RGB 124 144 13

HSL 69.16, 0.83%, 0.31%

LAB 56.35, -22.82, 57.72

 

CMYK 91 / 0 / 4 / 44

HEX #0D908A

RGB 13 144 138

HSL 177.25, 0.83%, 0.31%

LAB 53.89, -32.68, -5.91

 

CMYK 77 / 91 / 0 / 44

HEX #210D90

RGB 33 13 144

HSL 249.16, 0.83%, 0.31%

LAB 18.47, 48.31, -65.57

 

CMYK 0 / 91 / 87 / 44

HEX #900D13

RGB 144 13 19

HSL 357.25, 0.83%, 0.31%

LAB 30.07, 50.6, 34.86

 

CMYK 41 / 0 / 91 / 44

HEX #55900D

RGB 85 144 13

HSL 87.02, 0.83%, 0.31%

LAB 53.93, -38.67, 54.74

 

CMYK 91 / 0 / 4 / 44

HEX #0D908A

RGB 13 144 138

HSL 177.25, 0.83%, 0.31%

LAB 53.89, -32.68, -5.91

 

CMYK 50 / 91 / 0 / 44

HEX #480D90

RGB 72 13 144

HSL 267.02, 0.83%, 0.31%

LAB 22.58, 51.45, -58.64

 

Description

Color code: HEX #900D13 | qconv.com Color code: HEX #900D13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 13 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 13 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 87 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 87% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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