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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9038A7 it is the complementary color #6FC758. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9038A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9038A7 shade: #9538A2, #A64AB5, #B75CC8, #C86EDB and #D980EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9038A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9038A7 shade: #9038A7, #7F2694, #6E1481, #5D026E and #4C005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9038A7 shade: #9138A8, #A838A1, #A83883, #A83864 and #A83846

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9038A7 shade: #9138A8, #7238A8, #5438A8 and #3838A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9038A7 shade matches the following richer shades: #9138A8, #9B25BA, #A613CC and #B001DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9038A7 shade: #9138A8, #864A96, #7B5C83, #716E71 and #66805F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9038A7 shade: #5438A8, #7238A8, #8F38A8, #A838A2 and #A83884

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9038A7 shade: #5B236A, #762D89, #9138A8, #A847C1 and #B766CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9038A7 shade: #9038A7, #A83839 and #38A863

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9038A7 shade: #9038A7, #A88F38 and #38A88F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9038A7 shade: #9038A7, #A83839, #50A838 and #38A8A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9038A7 shade: #9038A7, #A85738, #50A838 and #3888A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 66 / 0 / 35

HEX #9038A7

RGB 144 56 167

HSL 287.57, 0.5%, 0.44%

LAB 40.49, 53.37, -43.1

 

Complementary color

CMYK 44 / 0 / 56 / 22

HEX #6FC758

RGB 111 199 88

HSL 107.57, 0.5%, 0.56%

LAB 72.85, -47.36, 46.79

 

CMYK 8 / 65 / 0 / 36

HEX #9538A2

RGB 149 56 162

HSL 292.64, 0.49%, 0.43%

LAB 40.94, 53.6, -39.34

 

CMYK 8 / 59 / 0 / 29

HEX #A64AB5

RGB 166 74 181

HSL 291.59, 0.42%, 0.5%

LAB 47.42, 53.35, -40.15

 

CMYK 9 / 54 / 0 / 22

HEX #B75CC8

RGB 183 92 200

HSL 290.56, 0.5%, 0.57%

LAB 53.91, 52.83, -40.73

 

CMYK 9 / 50 / 0 / 14

HEX #C86EDB

RGB 200 110 219

HSL 289.54, 0.6%, 0.65%

LAB 60.38, 52.17, -41.18

 

CMYK 9 / 46 / 0 / 7

HEX #D980EE

RGB 217 128 238

HSL 288.55, 0.76%, 0.72%

LAB 66.8, 51.45, -41.53

 

CMYK 14 / 66 / 0 / 35

HEX #9038A7

RGB 144 56 167

HSL 287.57, 0.5%, 0.44%

LAB 40.49, 53.37, -43.1

 

CMYK 14 / 74 / 0 / 42

HEX #7F2694

RGB 127 38 148

HSL 288.55, 0.59%, 0.36%

LAB 34.06, 53.17, -42.06

 

CMYK 15 / 84 / 0 / 49

HEX #6E1481

RGB 110 20 129

HSL 289.54, 0.73%, 0.29%

LAB 27.85, 52.01, -40.41

 

CMYK 15 / 98 / 0 / 57

HEX #5D026E

RGB 93 2 110

HSL 290.56, 0.96%, 0.22%

LAB 21.93, 49.53, -37.99

 

CMYK 16 / 100 / 0 / 64

HEX #4C005B

RGB 76 0 91

HSL 290.11, 1%, 0.18%

LAB 16.95, 43.67, -33.68

 

CMYK 14 / 67 / 0 / 34

HEX #9138A8

RGB 145 56 168

HSL 287.68, 0.5%, 0.44%

LAB 40.7, 53.81, -43.35

 

CMYK 0 / 67 / 4 / 34

HEX #A838A1

RGB 168 56 161

HSL 303.75, 0.5%, 0.44%

LAB 43.84, 58.09, -33.97

 

CMYK 0 / 67 / 22 / 34

HEX #A83883

RGB 168 56 131

HSL 319.82, 0.5%, 0.44%

LAB 42.45, 53.47, -17.99

 

CMYK 0 / 67 / 40 / 34

HEX #A83864

RGB 168 56 100

HSL 336.43, 0.5%, 0.44%

LAB 41.33, 49.59, -0.48

 

CMYK 0 / 67 / 58 / 34

HEX #A83846

RGB 168 56 70

HSL 352.5, 0.5%, 0.44%

LAB 40.57, 46.82, 17.22

 

CMYK 14 / 67 / 0 / 34

HEX #9138A8

RGB 145 56 168

HSL 287.68, 0.5%, 0.44%

LAB 40.7, 53.81, -43.35

 

CMYK 32 / 67 / 0 / 34

HEX #7238A8

RGB 114 56 168

HSL 271.07, 0.5%, 0.44%

LAB 36.43, 46.72, -50.44

 

CMYK 50 / 67 / 0 / 34

HEX #5438A8

RGB 84 56 168

HSL 255, 0.5%, 0.44%

LAB 33.01, 40.56, -56.15

 

CMYK 67 / 67 / 0 / 34

HEX #3838A8

RGB 56 56 168

HSL 240, 0.5%, 0.44%

LAB 30.63, 35.93, -60.12

 

CMYK 14 / 67 / 0 / 34

HEX #9138A8

RGB 145 56 168

HSL 287.68, 0.5%, 0.44%

LAB 40.7, 53.81, -43.35

 

CMYK 17 / 80 / 0 / 27

HEX #9B25BA

RGB 155 37 186

HSL 287.52, 0.67%, 0.44%

LAB 40.96, 66.27, -53.51

 

CMYK 19 / 91 / 0 / 20

HEX #A613CC

RGB 166 19 204

HSL 287.68, 0.83%, 0.44%

LAB 42.66, 75.26, -61.18

 

CMYK 21 / 100 / 0 / 13

HEX #B001DE

RGB 176 1 222

HSL 287.51, 0.99%, 0.44%

LAB 44.98, 81.71, -67.7

 

CMYK 14 / 67 / 0 / 34

HEX #9138A8

RGB 145 56 168

HSL 287.68, 0.5%, 0.44%

LAB 40.7, 53.81, -43.35

 

CMYK 11 / 51 / 0 / 41

HEX #864A96

RGB 134 74 150

HSL 287.37, 0.34%, 0.44%

LAB 41.48, 38.22, -31.42

 

CMYK 6 / 30 / 0 / 49

HEX #7B5C83

RGB 123 92 131

HSL 287.69, 0.17%, 0.44%

LAB 43.51, 20.09, -16.9

 

CMYK 0 / 3 / 0 / 56

HEX #716E71

RGB 113 110 113

HSL 300, 0.01%, 0.44%

LAB 46.78, 1.77, -1.26

 

CMYK 20 / 0 / 26 / 50

HEX #66805F

RGB 102 128 95

HSL 107.27, 0.15%, 0.44%

LAB 50.79, -16.12, 14.92

 

CMYK 50 / 67 / 0 / 34

HEX #5438A8

RGB 84 56 168

HSL 255, 0.5%, 0.44%

LAB 33.01, 40.56, -56.15

 

CMYK 32 / 67 / 0 / 34

HEX #7238A8

RGB 114 56 168

HSL 271.07, 0.5%, 0.44%

LAB 36.43, 46.72, -50.44

 

CMYK 15 / 67 / 0 / 34

HEX #8F38A8

RGB 143 56 168

HSL 286.61, 0.5%, 0.44%

LAB 40.4, 53.34, -43.84

 

CMYK 0 / 67 / 4 / 34

HEX #A838A2

RGB 168 56 162

HSL 303.21, 0.5%, 0.44%

LAB 43.89, 58.25, -34.49

 

CMYK 0 / 67 / 21 / 34

HEX #A83884

RGB 168 56 132

HSL 319.29, 0.5%, 0.44%

LAB 42.49, 53.61, -18.54

 

CMYK 14 / 67 / 0 / 58

HEX #5B236A

RGB 91 35 106

HSL 287.32, 0.5%, 0.28%

LAB 25.16, 37.21, -30.23

 

CMYK 14 / 67 / 0 / 46

HEX #762D89

RGB 118 45 137

HSL 287.61, 0.51%, 0.36%

LAB 32.99, 45.94, -37.07

 

CMYK 14 / 67 / 0 / 34

HEX #9138A8

RGB 145 56 168

HSL 287.68, 0.5%, 0.44%

LAB 40.7, 53.81, -43.35

 

CMYK 13 / 63 / 0 / 24

HEX #A847C1

RGB 168 71 193

HSL 287.7, 0.5%, 0.52%

LAB 47.86, 57.56, -46.43

 

CMYK 10 / 50 / 0 / 20

HEX #B766CC

RGB 183 102 204

HSL 287.65, 0.5%, 0.6%

LAB 56.02, 48.57, -39.7

 

CMYK 14 / 66 / 0 / 35

HEX #9038A7

RGB 144 56 167

HSL 287.57, 0.5%, 0.44%

LAB 40.49, 53.37, -43.1

 

CMYK 0 / 67 / 66 / 34

HEX #A83839

RGB 168 56 57

HSL 359.46, 0.5%, 0.44%

LAB 40.33, 45.94, 24.94

 

CMYK 67 / 0 / 41 / 34

HEX #38A863

RGB 56 168 99

HSL 143.04, 0.5%, 0.44%

LAB 61.44, -47.25, 26.66

 

CMYK 14 / 66 / 0 / 35

HEX #9038A7

RGB 144 56 167

HSL 287.57, 0.5%, 0.44%

LAB 40.49, 53.37, -43.1

 

CMYK 0 / 15 / 67 / 34

HEX #A88F38

RGB 168 143 56

HSL 46.61, 0.5%, 0.44%

LAB 60.12, -0.7, 48.22

 

CMYK 67 / 0 / 15 / 34

HEX #38A88F

RGB 56 168 143

HSL 166.61, 0.5%, 0.44%

LAB 62.36, -37.47, 3.75

 

CMYK 14 / 66 / 0 / 35

HEX #9038A7

RGB 144 56 167

HSL 287.57, 0.5%, 0.44%

LAB 40.49, 53.37, -43.1

 

CMYK 0 / 67 / 66 / 34

HEX #A83839

RGB 168 56 57

HSL 359.46, 0.5%, 0.44%

LAB 40.33, 45.94, 24.94

 

CMYK 52 / 0 / 67 / 34

HEX #50A838

RGB 80 168 56

HSL 107.14, 0.5%, 0.44%

LAB 61.65, -47.44, 48.13

 

CMYK 67 / 0 / 1 / 34

HEX #38A8A6

RGB 56 168 166

HSL 178.93, 0.5%, 0.44%

LAB 63.01, -31.18, -8.19

 

CMYK 14 / 66 / 0 / 35

HEX #9038A7

RGB 144 56 167

HSL 287.57, 0.5%, 0.44%

LAB 40.49, 53.37, -43.1

 

CMYK 0 / 48 / 67 / 34

HEX #A85738

RGB 168 87 56

HSL 16.61, 0.5%, 0.44%

LAB 46.21, 30.57, 32.66

 

CMYK 52 / 0 / 67 / 34

HEX #50A838

RGB 80 168 56

HSL 107.14, 0.5%, 0.44%

LAB 61.65, -47.44, 48.13

 

CMYK 67 / 19 / 0 / 34

HEX #3888A8

RGB 56 136 168

HSL 197.14, 0.5%, 0.44%

LAB 53.25, -14.03, -24.12

 

Description

Color code: HEX #9038A7 | qconv.com Color code: HEX #9038A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 56 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 56 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 66 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 66% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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