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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #904BCD it is the complementary color #6FB432. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #904BCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #904BCD shade: #954BC8, #A65DDB, #B76FEE, #C881FF and #D993FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #904BCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #904BCD shade: #904BCD, #7F39BA, #6E27A7, #5D1594 and #4C0381

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #904BCD shade: #904ACD, #B34ACD, #CD4AC4, #CD4AA1 and #CD4A7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #904BCD shade: #904ACD, #6D4ACD and #4A4ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #904BCD shade matches the following richer shades: #904ACD, #9138E0 and #9225F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #904BCD shade: #904ACD, #8F5DBB, #8D6FA8, #8C8295 and #8B9583

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #904BCD shade: #4A4DCD, #6B4ACD, #8E4ACD, #B14ACD and #CD4AC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #904BCD shade: #662A9B, #7B33BB, #904ACD, #A46BD6 and #B88BDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #904BCD shade: #904BCD, #CD4A6F and #4ACD5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #904BCD shade: #904BCD, #CD8E4A and #4ACD8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #904BCD shade: #904BCD, #CD4A6F, #8ACD4A and #4ACDA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #904BCD shade: #904BCD, #CD4D4A, #8ACD4A and #4ACBCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 63 / 0 / 20

HEX #904BCD

RGB 144 75 205

HSL 271.85, 0.57%, 0.55%

LAB 46.14, 52.69, -56.29

 

Complementary color

CMYK 38 / 0 / 72 / 29

HEX #6FB432

RGB 111 180 50

HSL 91.85, 0.57%, 0.45%

LAB 66.71, -42.91, 56.21

 

CMYK 26 / 63 / 0 / 22

HEX #954BC8

RGB 149 75 200

HSL 275.52, 0.53%, 0.54%

LAB 46.43, 52.67, -52.9

 

CMYK 24 / 58 / 0 / 14

HEX #A65DDB

RGB 166 93 219

HSL 274.76, 0.64%, 0.61%

LAB 53, 51.94, -53.12

 

CMYK 23 / 53 / 0 / 7

HEX #B76FEE

RGB 183 111 238

HSL 274.02, 0.79%, 0.68%

LAB 59.53, 51.12, -53.25

 

CMYK 22 / 49 / 0 / 0

HEX #C881FF

RGB 200 129 255

HSL 273.81, 1%, 0.75%

LAB 65.9, 49.84, -52.4

 

CMYK 15 / 42 / 0 / 0

HEX #D993FF

RGB 217 147 255

HSL 278.89, 1%, 0.79%

LAB 71.45, 44.97, -43.55

 

CMYK 30 / 63 / 0 / 20

HEX #904BCD

RGB 144 75 205

HSL 271.85, 0.57%, 0.55%

LAB 46.14, 52.69, -56.29

 

CMYK 32 / 69 / 0 / 27

HEX #7F39BA

RGB 127 57 186

HSL 272.56, 0.53%, 0.48%

LAB 39.55, 53.3, -55.98

 

CMYK 34 / 77 / 0 / 35

HEX #6E27A7

RGB 110 39 167

HSL 273.28, 0.62%, 0.4%

LAB 33.04, 53.5, -55.35

 

CMYK 37 / 86 / 0 / 42

HEX #5D1594

RGB 93 21 148

HSL 274.02, 0.75%, 0.33%

LAB 26.74, 52.82, -54.17

 

CMYK 41 / 98 / 0 / 49

HEX #4C0381

RGB 76 3 129

HSL 274.76, 0.95%, 0.26%

LAB 20.78, 50.82, -52.18

 

CMYK 30 / 64 / 0 / 20

HEX #904ACD

RGB 144 74 205

HSL 272.06, 0.57%, 0.55%

LAB 45.95, 53.19, -56.59

 

CMYK 13 / 64 / 0 / 20

HEX #B34ACD

RGB 179 74 205

HSL 288.09, 0.57%, 0.55%

LAB 50.56, 61.16, -48.95

 

CMYK 0 / 64 / 4 / 20

HEX #CD4AC4

RGB 205 74 196

HSL 304.12, 0.57%, 0.55%

LAB 53.88, 65.8, -38.28

 

CMYK 0 / 64 / 21 / 20

HEX #CD4AA1

RGB 205 74 161

HSL 320.15, 0.57%, 0.55%

LAB 52.34, 60.56, -20.3

 

CMYK 0 / 64 / 39 / 20

HEX #CD4A7D

RGB 205 74 125

HSL 336.64, 0.57%, 0.55%

LAB 51.1, 56.14, -0.75

 

CMYK 30 / 64 / 0 / 20

HEX #904ACD

RGB 144 74 205

HSL 272.06, 0.57%, 0.55%

LAB 45.95, 53.19, -56.59

 

CMYK 47 / 64 / 0 / 20

HEX #6D4ACD

RGB 109 74 205

HSL 256.03, 0.57%, 0.55%

LAB 42.09, 45.9, -63.03

 

CMYK 64 / 64 / 0 / 20

HEX #4A4ACD

RGB 74 74 205

HSL 240, 0.57%, 0.55%

LAB 39.18, 39.92, -67.9

 

CMYK 30 / 64 / 0 / 20

HEX #904ACD

RGB 144 74 205

HSL 272.06, 0.57%, 0.55%

LAB 45.95, 53.19, -56.59

 

CMYK 35 / 75 / 0 / 12

HEX #9138E0

RGB 145 56 224

HSL 271.79, 0.73%, 0.55%

LAB 44.56, 65.79, -69.72

 

CMYK 40 / 85 / 0 / 5

HEX #9225F2

RGB 146 37 242

HSL 271.9, 0.89%, 0.55%

LAB 44.01, 76.17, -80.81

 

CMYK 30 / 64 / 0 / 20

HEX #904ACD

RGB 144 74 205

HSL 272.06, 0.57%, 0.55%

LAB 45.95, 53.19, -56.59

 

CMYK 24 / 50 / 0 / 27

HEX #8F5DBB

RGB 143 93 187

HSL 271.91, 0.41%, 0.55%

LAB 48.58, 38.59, -41.99

 

CMYK 16 / 34 / 0 / 34

HEX #8D6FA8

RGB 141 111 168

HSL 271.58, 0.25%, 0.55%

LAB 51.68, 23.16, -26.11

 

CMYK 6 / 13 / 0 / 42

HEX #8C8295

RGB 140 130 149

HSL 271.58, 0.08%, 0.55%

LAB 55.8, 7.53, -8.81

 

CMYK 7 / 0 / 12 / 42

HEX #8B9583

RGB 139 149 131

HSL 93.33, 0.08%, 0.55%

LAB 60.45, -7.07, 8.28

 

CMYK 64 / 62 / 0 / 20

HEX #4A4DCD

RGB 74 77 205

HSL 238.63, 0.57%, 0.55%

LAB 39.87, 38.1, -66.77

 

CMYK 48 / 64 / 0 / 20

HEX #6B4ACD

RGB 107 74 205

HSL 255.11, 0.57%, 0.55%

LAB 41.89, 45.52, -63.35

 

CMYK 31 / 64 / 0 / 20

HEX #8E4ACD

RGB 142 74 205

HSL 271.15, 0.57%, 0.55%

LAB 45.71, 52.75, -56.99

 

CMYK 14 / 64 / 0 / 20

HEX #B14ACD

RGB 177 74 205

HSL 287.18, 0.57%, 0.55%

LAB 50.28, 60.7, -49.42

 

CMYK 0 / 64 / 3 / 20

HEX #CD4AC7

RGB 205 74 199

HSL 302.75, 0.57%, 0.55%

LAB 54.03, 66.29, -39.77

 

CMYK 34 / 73 / 0 / 39

HEX #662A9B

RGB 102 42 155

HSL 271.86, 0.57%, 0.39%

LAB 31.46, 47.83, -50.72

 

CMYK 34 / 73 / 0 / 27

HEX #7B33BB

RGB 123 51 187

HSL 271.76, 0.57%, 0.47%

LAB 38.14, 55.47, -58.88

 

CMYK 30 / 64 / 0 / 20

HEX #904ACD

RGB 144 74 205

HSL 272.06, 0.57%, 0.55%

LAB 45.95, 53.19, -56.59

 

CMYK 23 / 50 / 0 / 16

HEX #A46BD6

RGB 164 107 214

HSL 271.96, 0.57%, 0.63%

LAB 55.34, 42.86, -46.59

 

CMYK 17 / 38 / 0 / 13

HEX #B88BDF

RGB 184 139 223

HSL 272.14, 0.57%, 0.71%

LAB 64.95, 32.88, -36.39

 

CMYK 30 / 63 / 0 / 20

HEX #904BCD

RGB 144 75 205

HSL 271.85, 0.57%, 0.55%

LAB 46.14, 52.69, -56.29

 

CMYK 0 / 64 / 46 / 20

HEX #CD4A6F

RGB 205 74 111

HSL 343.05, 0.57%, 0.55%

LAB 50.72, 54.73, 7.11

 

CMYK 64 / 0 / 56 / 20

HEX #4ACD5A

RGB 74 205 90

HSL 127.33, 0.57%, 0.55%

LAB 73.45, -58.93, 46.27

 

CMYK 30 / 63 / 0 / 20

HEX #904BCD

RGB 144 75 205

HSL 271.85, 0.57%, 0.55%

LAB 46.14, 52.69, -56.29

 

CMYK 0 / 31 / 64 / 20

HEX #CD8E4A

RGB 205 142 74

HSL 31.15, 0.57%, 0.55%

LAB 64.01, 17.16, 45.06

 

CMYK 64 / 0 / 31 / 20

HEX #4ACD8E

RGB 74 205 142

HSL 151.15, 0.57%, 0.55%

LAB 74.24, -50.27, 21.07

 

CMYK 30 / 63 / 0 / 20

HEX #904BCD

RGB 144 75 205

HSL 271.85, 0.57%, 0.55%

LAB 46.14, 52.69, -56.29

 

CMYK 0 / 64 / 46 / 20

HEX #CD4A6F

RGB 205 74 111

HSL 343.05, 0.57%, 0.55%

LAB 50.72, 54.73, 7.11

 

CMYK 33 / 0 / 64 / 20

HEX #8ACD4A

RGB 138 205 74

HSL 90.69, 0.57%, 0.55%

LAB 75.8, -42.33, 56.67

 

CMYK 64 / 0 / 18 / 20

HEX #4ACDA8

RGB 74 205 168

HSL 163.05, 0.57%, 0.55%

LAB 74.79, -44.51, 7.97

 

CMYK 30 / 63 / 0 / 20

HEX #904BCD

RGB 144 75 205

HSL 271.85, 0.57%, 0.55%

LAB 46.14, 52.69, -56.29

 

CMYK 0 / 62 / 64 / 20

HEX #CD4D4A

RGB 205 77 74

HSL 1.37, 0.57%, 0.55%

LAB 50.43, 50.53, 28.82

 

CMYK 33 / 0 / 64 / 20

HEX #8ACD4A

RGB 138 205 74

HSL 90.69, 0.57%, 0.55%

LAB 75.8, -42.33, 56.67

 

CMYK 64 / 1 / 0 / 20

HEX #4ACBCD

RGB 74 203 205

HSL 180.92, 0.57%, 0.55%

LAB 75.19, -33.98, -11.42

 

Description

Color code: HEX #904BCD | qconv.com Color code: HEX #904BCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 75 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 75 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 63 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 63% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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