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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #906E35 it is the complementary color #6F91CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #906E35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #906E35 shade: #956E30, #A68043, #B79256, #C8A469 and #D9B67C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #906E35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #906E35 shade: #906E35, #7F5C22, #6E4A0F, #5D3800 and #4C2600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #906E35 shade: #916F35, #915635, #913D35 and #913535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #906E35 shade: #916F35, #918735, #829135, #699135 and #509135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #906E35 shade matches the following richer shades: #916F35, #A17325, #B17715 and #C17B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #906E35 shade: #916F35, #816A45, #716655, #606265 and #505E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #906E35 shade: #913D35, #915535, #916E35, #918635 and #839135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #906E35 shade: #54401F, #73572A, #916F35, #AF8640 and #C19958

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #906E35 shade: #906E35, #469135 and #493591

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #906E35 shade: #906E35, #35916E and #6E3591

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #906E35 shade: #906E35, #469135, #355891 and #803591

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #906E35 shade: #906E35, #359140, #355891 and #913586

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 63 / 44

HEX #906E35

RGB 144 110 53

HSL 37.58, 0.46%, 0.39%

LAB 48.68, 6.83, 36.35

 

Complementary color

CMYK 45 / 28 / 0 / 21

HEX #6F91CA

RGB 111 145 202

HSL 217.58, 0.46%, 0.61%

LAB 59.79, 3.37, -33.13

 

CMYK 0 / 26 / 68 / 42

HEX #956E30

RGB 149 110 48

HSL 36.83, 0.51%, 0.39%

LAB 49.2, 8.76, 39.62

 

CMYK 0 / 23 / 60 / 35

HEX #A68043

RGB 166 128 67

HSL 36.97, 0.42%, 0.46%

LAB 56.04, 7.52, 38.25

 

CMYK 0 / 20 / 53 / 28

HEX #B79256

RGB 183 146 86

HSL 37.11, 0.4%, 0.53%

LAB 62.76, 6.49, 36.84

 

CMYK 0 / 18 / 48 / 22

HEX #C8A469

RGB 200 164 105

HSL 37.26, 0.46%, 0.6%

LAB 69.36, 5.64, 35.48

 

CMYK 0 / 16 / 43 / 15

HEX #D9B67C

RGB 217 182 124

HSL 37.42, 0.55%, 0.67%

LAB 75.86, 4.91, 34.19

 

CMYK 0 / 24 / 63 / 44

HEX #906E35

RGB 144 110 53

HSL 37.58, 0.46%, 0.39%

LAB 48.68, 6.83, 36.35

 

CMYK 0 / 28 / 73 / 50

HEX #7F5C22

RGB 127 92 34

HSL 37.42, 0.58%, 0.32%

LAB 41.66, 8.21, 37.66

 

CMYK 0 / 33 / 86 / 57

HEX #6E4A0F

RGB 110 74 15

HSL 37.26, 0.76%, 0.25%

LAB 34.49, 9.97, 38.36

 

CMYK 0 / 40 / 100 / 64

HEX #5D3800

RGB 93 56 0

HSL 36.13, 1%, 0.18%

LAB 27.17, 12.2, 37.09

 

CMYK 0 / 50 / 100 / 70

HEX #4C2600

RGB 76 38 0

HSL 30, 1%, 0.15%

LAB 19.73, 15.04, 28.72

 

CMYK 0 / 23 / 63 / 43

HEX #916F35

RGB 145 111 53

HSL 37.83, 0.46%, 0.39%

LAB 49.06, 6.71, 36.82

 

CMYK 0 / 41 / 63 / 43

HEX #915635

RGB 145 86 53

HSL 21.52, 0.46%, 0.39%

LAB 42.66, 21.18, 29.33

 

CMYK 0 / 58 / 63 / 43

HEX #913D35

RGB 145 61 53

HSL 5.22, 0.46%, 0.39%

LAB 37.14, 34.93, 22.54

 

CMYK 0 / 63 / 63 / 43

HEX #913535

RGB 145 53 53

HSL 0, 0.46%, 0.39%

LAB 35.64, 38.88, 20.64

 

CMYK 0 / 23 / 63 / 43

HEX #916F35

RGB 145 111 53

HSL 37.83, 0.46%, 0.39%

LAB 49.06, 6.71, 36.82

 

CMYK 0 / 7 / 63 / 43

HEX #918735

RGB 145 135 53

HSL 53.48, 0.46%, 0.39%

LAB 55.69, -6.82, 44.18

 

CMYK 10 / 0 / 63 / 43

HEX #829135

RGB 130 145 53

HSL 69.78, 0.46%, 0.39%

LAB 57.32, -18.78, 45.58

 

CMYK 28 / 0 / 63 / 43

HEX #699135

RGB 105 145 53

HSL 86.09, 0.46%, 0.39%

LAB 55.59, -29.15, 43.2

 

CMYK 45 / 0 / 63 / 43

HEX #509135

RGB 80 145 53

HSL 102.39, 0.46%, 0.39%

LAB 54.25, -38.28, 41.33

 

CMYK 0 / 23 / 63 / 43

HEX #916F35

RGB 145 111 53

HSL 37.83, 0.46%, 0.39%

LAB 49.06, 6.71, 36.82

 

CMYK 0 / 29 / 77 / 37

HEX #A17325

RGB 161 115 37

HSL 37.74, 0.63%, 0.39%

LAB 51.81, 10.78, 47.81

 

CMYK 0 / 33 / 88 / 31

HEX #B17715

RGB 177 119 21

HSL 37.69, 0.79%, 0.39%

LAB 54.65, 15.24, 56.68

 

CMYK 0 / 36 / 97 / 24

HEX #C17B05

RGB 193 123 5

HSL 37.66, 0.95%, 0.39%

LAB 57.57, 19.88, 63.05

 

CMYK 0 / 23 / 63 / 43

HEX #916F35

RGB 145 111 53

HSL 37.83, 0.46%, 0.39%

LAB 49.06, 6.71, 36.82

 

CMYK 0 / 18 / 47 / 49

HEX #816A45

RGB 129 106 69

HSL 37, 0.3%, 0.39%

LAB 46.18, 3.85, 24.16

 

CMYK 0 / 10 / 25 / 56

HEX #716655

RGB 113 102 85

HSL 36.43, 0.14%, 0.39%

LAB 43.75, 1.37, 11.2

 

CMYK 5 / 3 / 0 / 60

HEX #606265

RGB 96 98 101

HSL 216, 0.03%, 0.39%

LAB 41.47, -0.13, -1.98

 

CMYK 32 / 20 / 0 / 54

HEX #505E76

RGB 80 94 118

HSL 217.89, 0.19%, 0.39%

LAB 39.61, 0.82, -15.3

 

CMYK 0 / 58 / 63 / 43

HEX #913D35

RGB 145 61 53

HSL 5.22, 0.46%, 0.39%

LAB 37.14, 34.93, 22.54

 

CMYK 0 / 41 / 63 / 43

HEX #915535

RGB 145 85 53

HSL 20.87, 0.46%, 0.39%

LAB 42.42, 21.76, 29.04

 

CMYK 0 / 24 / 63 / 43

HEX #916E35

RGB 145 110 53

HSL 37.17, 0.46%, 0.39%

LAB 48.8, 7.28, 36.51

 

CMYK 0 / 8 / 63 / 43

HEX #918635

RGB 145 134 53

HSL 52.83, 0.46%, 0.39%

LAB 55.41, -6.27, 43.88

 

CMYK 10 / 0 / 63 / 43

HEX #839135

RGB 131 145 53

HSL 69.13, 0.46%, 0.39%

LAB 57.4, -18.34, 45.68

 

CMYK 0 / 24 / 63 / 67

HEX #54401F

RGB 84 64 31

HSL 37.36, 0.46%, 0.23%

LAB 28.51, 4.27, 23.24

 

CMYK 0 / 24 / 63 / 55

HEX #73572A

RGB 115 87 42

HSL 36.99, 0.46%, 0.31%

LAB 38.95, 6.05, 30.15

 

CMYK 0 / 23 / 63 / 43

HEX #916F35

RGB 145 111 53

HSL 37.83, 0.46%, 0.39%

LAB 49.06, 6.71, 36.82

 

CMYK 0 / 23 / 63 / 31

HEX #AF8640

RGB 175 134 64

HSL 37.84, 0.46%, 0.47%

LAB 58.54, 7.91, 42.9

 

CMYK 0 / 21 / 54 / 24

HEX #C19958

RGB 193 153 88

HSL 37.14, 0.46%, 0.55%

LAB 65.61, 7.1, 39.52

 

CMYK 0 / 24 / 63 / 44

HEX #906E35

RGB 144 110 53

HSL 37.58, 0.46%, 0.39%

LAB 48.68, 6.83, 36.35

 

CMYK 52 / 0 / 63 / 43

HEX #469135

RGB 70 145 53

HSL 108.91, 0.46%, 0.39%

LAB 53.82, -41.43, 40.74

 

CMYK 50 / 63 / 0 / 43

HEX #493591

RGB 73 53 145

HSL 253.04, 0.46%, 0.39%

LAB 29.43, 33.18, -48.04

 

CMYK 0 / 24 / 63 / 44

HEX #906E35

RGB 144 110 53

HSL 37.58, 0.46%, 0.39%

LAB 48.68, 6.83, 36.35

 

CMYK 63 / 0 / 24 / 43

HEX #35916E

RGB 53 145 110

HSL 157.17, 0.46%, 0.39%

LAB 54.17, -35.85, 10.68

 

CMYK 24 / 63 / 0 / 43

HEX #6E3591

RGB 110 53 145

HSL 277.17, 0.46%, 0.39%

LAB 33.79, 41.79, -40.8

 

CMYK 0 / 24 / 63 / 44

HEX #906E35

RGB 144 110 53

HSL 37.58, 0.46%, 0.39%

LAB 48.68, 6.83, 36.35

 

CMYK 52 / 0 / 63 / 43

HEX #469135

RGB 70 145 53

HSL 108.91, 0.46%, 0.39%

LAB 53.82, -41.43, 40.74

 

CMYK 63 / 39 / 0 / 43

HEX #355891

RGB 53 88 145

HSL 217.17, 0.46%, 0.39%

LAB 37.45, 6.21, -35.25

 

CMYK 12 / 63 / 0 / 43

HEX #803591

RGB 128 53 145

HSL 288.91, 0.46%, 0.39%

LAB 36.33, 46.36, -36.59

 

CMYK 0 / 24 / 63 / 44

HEX #906E35

RGB 144 110 53

HSL 37.58, 0.46%, 0.39%

LAB 48.68, 6.83, 36.35

 

CMYK 63 / 0 / 56 / 43

HEX #359140

RGB 53 145 64

HSL 127.17, 0.46%, 0.39%

LAB 53.36, -44.57, 34.73

 

CMYK 63 / 39 / 0 / 43

HEX #355891

RGB 53 88 145

HSL 217.17, 0.46%, 0.39%

LAB 37.45, 6.21, -35.25

 

CMYK 0 / 63 / 8 / 43

HEX #913586

RGB 145 53 134

HSL 307.17, 0.46%, 0.39%

LAB 38.35, 48.82, -26.48

 

Description

Color code: HEX #906E35 | qconv.com Color code: HEX #906E35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 110 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 110 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 63 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 63% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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