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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9075A8 it is the complementary color #6F8A57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9075A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9075A8 shade: #9575A3, #A687B6, #B799C9, #C8ABDC and #D9BDEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9075A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9075A8 shade: #9075A8, #7F6395, #6E5182, #5D3F6F and #4C2D5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9075A8 shade: #9074A8, #9E74A8, #A874A5, #A87497 and #A87489

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9075A8 shade: #9074A8, #8274A8 and #7474A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9075A8 shade matches the following richer shades: #9074A8, #9162BA, #9250CC, #933EDF and #942CF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9075A8 shade: #9074A8, #8F8796, #8E9984, #8DAB72 and #8CBD5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9075A8 shade: #7475A8, #8174A8, #8F74A8, #9D74A8 and #A874A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9075A8 shade: #664E7C, #7B5E96, #9074A8, #A48EB8 and #B9A7C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9075A8 shade: #9075A8, #A87483 and #74A87B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9075A8 shade: #9075A8, #A88F74 and #74A88F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9075A8 shade: #9075A8, #A87483, #8DA874 and #74A899

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9075A8 shade: #9075A8, #A87574, #8DA874 and #74A7A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 30 / 0 / 34

HEX #9075A8

RGB 144 117 168

HSL 271.76, 0.23%, 0.56%

LAB 53.47, 20.62, -23.32

 

Complementary color

CMYK 20 / 0 / 37 / 46

HEX #6F8A57

RGB 111 138 87

HSL 91.76, 0.23%, 0.44%

LAB 54.29, -19.24, 24.25

 

CMYK 9 / 28 / 0 / 36

HEX #9575A3

RGB 149 117 163

HSL 281.74, 0.2%, 0.55%

LAB 53.77, 21.19, -19.92

 

CMYK 9 / 26 / 0 / 29

HEX #A687B6

RGB 166 135 182

HSL 279.57, 0.24%, 0.62%

LAB 60.62, 20.59, -20.21

 

CMYK 9 / 24 / 0 / 21

HEX #B799C9

RGB 183 153 201

HSL 277.5, 0.31%, 0.69%

LAB 67.33, 20.04, -20.51

 

CMYK 9 / 22 / 0 / 14

HEX #C8ABDC

RGB 200 171 220

HSL 275.51, 0.41%, 0.77%

LAB 73.92, 19.53, -20.81

 

CMYK 9 / 21 / 0 / 6

HEX #D9BDEF

RGB 217 189 239

HSL 273.6, 0.61%, 0.84%

LAB 80.39, 19.06, -21.12

 

CMYK 14 / 30 / 0 / 34

HEX #9075A8

RGB 144 117 168

HSL 271.76, 0.23%, 0.56%

LAB 53.47, 20.62, -23.32

 

CMYK 15 / 34 / 0 / 42

HEX #7F6395

RGB 127 99 149

HSL 273.6, 0.2%, 0.49%

LAB 46.45, 21.3, -23.13

 

CMYK 15 / 38 / 0 / 49

HEX #6E5182

RGB 110 81 130

HSL 275.51, 0.23%, 0.41%

LAB 39.26, 22.05, -22.96

 

CMYK 16 / 43 / 0 / 56

HEX #5D3F6F

RGB 93 63 111

HSL 277.5, 0.28%, 0.34%

LAB 31.87, 22.89, -22.81

 

CMYK 17 / 51 / 0 / 64

HEX #4C2D5C

RGB 76 45 92

HSL 279.57, 0.34%, 0.27%

LAB 24.28, 23.81, -22.63

 

CMYK 14 / 31 / 0 / 34

HEX #9074A8

RGB 144 116 168

HSL 272.31, 0.23%, 0.56%

LAB 53.22, 21.21, -23.7

 

CMYK 6 / 31 / 0 / 34

HEX #9E74A8

RGB 158 116 168

HSL 288.46, 0.23%, 0.56%

LAB 54.64, 25.85, -21.39

 

CMYK 0 / 31 / 2 / 34

HEX #A874A5

RGB 168 116 165

HSL 303.46, 0.23%, 0.56%

LAB 55.62, 28.63, -18.07

 

CMYK 0 / 31 / 10 / 34

HEX #A87497

RGB 168 116 151

HSL 319.62, 0.23%, 0.56%

LAB 55.12, 26.04, -10.69

 

CMYK 0 / 31 / 18 / 34

HEX #A87489

RGB 168 116 137

HSL 335.77, 0.23%, 0.56%

LAB 54.68, 23.66, -3.19

 

CMYK 14 / 31 / 0 / 34

HEX #9074A8

RGB 144 116 168

HSL 272.31, 0.23%, 0.56%

LAB 53.22, 21.21, -23.7

 

CMYK 23 / 31 / 0 / 34

HEX #8274A8

RGB 130 116 168

HSL 256.15, 0.23%, 0.56%

LAB 51.91, 16.68, -25.83

 

CMYK 31 / 31 / 0 / 34

HEX #7474A8

RGB 116 116 168

HSL 240, 0.23%, 0.56%

LAB 50.72, 12.33, -27.77

 

CMYK 14 / 31 / 0 / 34

HEX #9074A8

RGB 144 116 168

HSL 272.31, 0.23%, 0.56%

LAB 53.22, 21.21, -23.7

 

CMYK 22 / 47 / 0 / 27

HEX #9162BA

RGB 145 98 186

HSL 272.05, 0.39%, 0.56%

LAB 49.86, 36.09, -39.38

 

CMYK 28 / 61 / 0 / 20

HEX #9250CC

RGB 146 80 204

HSL 271.94, 0.55%, 0.56%

LAB 47.25, 50.38, -53.92

 

CMYK 34 / 72 / 0 / 13

HEX #933EDF

RGB 147 62 223

HSL 271.68, 0.72%, 0.56%

LAB 45.6, 63.46, -67.45

 

CMYK 39 / 82 / 0 / 5

HEX #942CF1

RGB 148 44 241

HSL 271.68, 0.88%, 0.56%

LAB 44.87, 74.2, -78.83

 

CMYK 14 / 31 / 0 / 34

HEX #9074A8

RGB 144 116 168

HSL 272.31, 0.23%, 0.56%

LAB 53.22, 21.21, -23.7

 

CMYK 5 / 10 / 0 / 41

HEX #8F8796

RGB 143 135 150

HSL 272, 0.07%, 0.56%

LAB 57.43, 5.94, -6.92

 

CMYK 7 / 0 / 14 / 40

HEX #8E9984

RGB 142 153 132

HSL 91.43, 0.09%, 0.56%

LAB 61.83, -7.95, 9.7

 

CMYK 18 / 0 / 33 / 33

HEX #8DAB72

RGB 141 171 114

HSL 91.58, 0.25%, 0.56%

LAB 66.52, -20.71, 26.07

 

CMYK 26 / 0 / 50 / 26

HEX #8CBD5F

RGB 140 189 95

HSL 91.28, 0.42%, 0.56%

LAB 71.42, -32.33, 42.08

 

CMYK 31 / 30 / 0 / 34

HEX #7475A8

RGB 116 117 168

HSL 238.85, 0.23%, 0.56%

LAB 50.99, 11.73, -27.35

 

CMYK 23 / 31 / 0 / 34

HEX #8174A8

RGB 129 116 168

HSL 255, 0.23%, 0.56%

LAB 51.82, 16.36, -25.98

 

CMYK 15 / 31 / 0 / 34

HEX #8F74A8

RGB 143 116 168

HSL 271.15, 0.23%, 0.56%

LAB 53.12, 20.88, -23.86

 

CMYK 7 / 31 / 0 / 34

HEX #9D74A8

RGB 157 116 168

HSL 287.31, 0.23%, 0.56%

LAB 54.54, 25.52, -21.56

 

CMYK 0 / 31 / 1 / 34

HEX #A874A6

RGB 168 116 166

HSL 302.31, 0.23%, 0.56%

LAB 55.65, 28.82, -18.6

 

CMYK 18 / 37 / 0 / 51

HEX #664E7C

RGB 102 78 124

HSL 271.3, 0.23%, 0.4%

LAB 37.35, 19.76, -22.31

 

CMYK 18 / 37 / 0 / 41

HEX #7B5E96

RGB 123 94 150

HSL 271.07, 0.23%, 0.48%

LAB 44.83, 23.21, -26.28

 

CMYK 14 / 31 / 0 / 34

HEX #9074A8

RGB 144 116 168

HSL 272.31, 0.23%, 0.56%

LAB 53.22, 21.21, -23.7

 

CMYK 11 / 23 / 0 / 28

HEX #A48EB8

RGB 164 142 184

HSL 271.43, 0.23%, 0.64%

LAB 62.25, 16.36, -18.87

 

CMYK 8 / 17 / 0 / 22

HEX #B9A7C8

RGB 185 167 200

HSL 272.73, 0.23%, 0.72%

LAB 70.95, 12.72, -14.45

 

CMYK 14 / 30 / 0 / 34

HEX #9075A8

RGB 144 117 168

HSL 271.76, 0.23%, 0.56%

LAB 53.47, 20.62, -23.32

 

CMYK 0 / 31 / 22 / 34

HEX #A87483

RGB 168 116 131

HSL 342.69, 0.23%, 0.56%

LAB 54.51, 22.7, 0.06

 

CMYK 31 / 0 / 27 / 34

HEX #74A87B

RGB 116 168 123

HSL 128.08, 0.23%, 0.56%

LAB 64.28, -26.62, 17.89

 

CMYK 14 / 30 / 0 / 34

HEX #9075A8

RGB 144 117 168

HSL 271.76, 0.23%, 0.56%

LAB 53.47, 20.62, -23.32

 

CMYK 0 / 15 / 31 / 34

HEX #A88F74

RGB 168 143 116

HSL 31.15, 0.23%, 0.56%

LAB 60.98, 5.25, 17.86

 

CMYK 31 / 0 / 15 / 34

HEX #74A88F

RGB 116 168 143

HSL 151.15, 0.23%, 0.56%

LAB 64.72, -22.7, 7.45

 

CMYK 14 / 30 / 0 / 34

HEX #9075A8

RGB 144 117 168

HSL 271.76, 0.23%, 0.56%

LAB 53.47, 20.62, -23.32

 

CMYK 0 / 31 / 22 / 34

HEX #A87483

RGB 168 116 131

HSL 342.69, 0.23%, 0.56%

LAB 54.51, 22.7, 0.06

 

CMYK 16 / 0 / 31 / 34

HEX #8DA874

RGB 141 168 116

HSL 91.15, 0.23%, 0.56%

LAB 65.69, -18.88, 23.88

 

CMYK 31 / 0 / 9 / 34

HEX #74A899

RGB 116 168 153

HSL 162.69, 0.23%, 0.56%

LAB 64.98, -20.54, 2.24

 

CMYK 14 / 30 / 0 / 34

HEX #9075A8

RGB 144 117 168

HSL 271.76, 0.23%, 0.56%

LAB 53.47, 20.62, -23.32

 

CMYK 0 / 30 / 31 / 34

HEX #A87574

RGB 168 117 116

HSL 1.15, 0.23%, 0.56%

LAB 54.35, 19.92, 8.61

 

CMYK 16 / 0 / 31 / 34

HEX #8DA874

RGB 141 168 116

HSL 91.15, 0.23%, 0.56%

LAB 65.69, -18.88, 23.88

 

CMYK 31 / 1 / 0 / 34

HEX #74A7A8

RGB 116 167 168

HSL 181.15, 0.23%, 0.56%

LAB 65.1, -16.54, -5.94

 

Description

Color code: HEX #9075A8 | qconv.com Color code: HEX #9075A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 117 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 117 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 30 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 30% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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