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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #907880 it is the complementary color #6F877F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #907880. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #907880 shade: #95787B, #A68A8E, #B79CA1, #C8AEB4 and #D9C0C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #907880. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #907880 shade: #907880, #7F666D, #6E545A, #5D4247 and #4C3034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #907880 shade: #907880, #907879 and #907878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #907880 shade: #907880, #907887, #90788D, #8D7890 and #867890

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #907880 shade matches the following richer shades: #907880, #A46479, #B85073, #CC3C6C and #E02966

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #907880 shade: #907880, #7D8C87, #699F8D, #55B394 and #41C79A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #907880 shade: #90788D, #907887, #907880, #907879 and #907D78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #907880 shade: #645258, #7B646C, #907880, #A38F95 and #B5A5AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #907880 shade: #907880, #908D78 and #788A90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #907880 shade: #907880, #809078 and #788090

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #907880 shade: #907880, #908D78, #789088 and #787B90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #907880 shade: #907880, #8C9078, #789088 and #7C7890

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 11 / 44

HEX #907880

RGB 144 120 128

HSL 340, 0.1%, 0.52%

LAB 52.86, 10.7, -0.89

 

Complementary color

CMYK 18 / 0 / 6 / 47

HEX #6F877F

RGB 111 135 127

HSL 160, 0.1%, 0.48%

LAB 54.28, -10.32, 1.43

 

CMYK 0 / 19 / 17 / 42

HEX #95787B

RGB 149 120 123

HSL 353.79, 0.12%, 0.53%

LAB 53.22, 11.77, 2.63

 

CMYK 0 / 17 / 14 / 35

HEX #A68A8E

RGB 166 138 142

HSL 351.43, 0.14%, 0.6%

LAB 60.1, 11.26, 1.83

 

CMYK 0 / 15 / 12 / 28

HEX #B79CA1

RGB 183 156 161

HSL 348.89, 0.16%, 0.66%

LAB 66.84, 10.8, 1.09

 

CMYK 0 / 13 / 10 / 22

HEX #C8AEB4

RGB 200 174 180

HSL 346.15, 0.19%, 0.73%

LAB 73.45, 10.39, 0.39

 

CMYK 0 / 12 / 8 / 15

HEX #D9C0C7

RGB 217 192 199

HSL 343.2, 0.25%, 0.8%

LAB 79.94, 10.01, -0.28

 

CMYK 0 / 17 / 11 / 44

HEX #907880

RGB 144 120 128

HSL 340, 0.1%, 0.52%

LAB 52.86, 10.7, -0.89

 

CMYK 0 / 20 / 14 / 50

HEX #7F666D

RGB 127 102 109

HSL 343.2, 0.11%, 0.45%

LAB 45.8, 11.22, -0.14

 

CMYK 0 / 24 / 18 / 57

HEX #6E545A

RGB 110 84 90

HSL 346.15, 0.13%, 0.38%

LAB 38.54, 11.83, 0.67

 

CMYK 0 / 29 / 24 / 64

HEX #5D4247

RGB 93 66 71

HSL 348.89, 0.17%, 0.31%

LAB 31.06, 12.55, 1.6

 

CMYK 0 / 37 / 32 / 70

HEX #4C3034

RGB 76 48 52

HSL 351.43, 0.23%, 0.24%

LAB 23.33, 13.43, 2.71

 

CMYK 0 / 17 / 11 / 44

HEX #907880

RGB 144 120 128

HSL 340, 0.1%, 0.52%

LAB 52.86, 10.7, -0.89

 

CMYK 0 / 17 / 16 / 44

HEX #907879

RGB 144 120 121

HSL 357.5, 0.1%, 0.52%

LAB 52.67, 9.47, 2.93

 

CMYK 0 / 17 / 17 / 44

HEX #907878

RGB 144 120 120

HSL 0, 0.1%, 0.52%

LAB 52.64, 9.3, 3.47

 

CMYK 0 / 17 / 11 / 44

HEX #907880

RGB 144 120 128

HSL 340, 0.1%, 0.52%

LAB 52.86, 10.7, -0.89

 

CMYK 0 / 17 / 6 / 44

HEX #907887

RGB 144 120 135

HSL 322.5, 0.1%, 0.52%

LAB 53.07, 12, -4.68

 

CMYK 0 / 17 / 2 / 44

HEX #90788D

RGB 144 120 141

HSL 307.5, 0.1%, 0.52%

LAB 53.26, 13.16, -7.91

 

CMYK 2 / 17 / 0 / 44

HEX #8D7890

RGB 141 120 144

HSL 292.5, 0.1%, 0.52%

LAB 53.07, 12.67, -9.98

 

CMYK 7 / 17 / 0 / 44

HEX #867890

RGB 134 120 144

HSL 275, 0.1%, 0.52%

LAB 52.41, 10.15, -11.03

 

CMYK 0 / 17 / 11 / 44

HEX #907880

RGB 144 120 128

HSL 340, 0.1%, 0.52%

LAB 52.86, 10.7, -0.89

 

CMYK 0 / 39 / 26 / 36

HEX #A46479

RGB 164 100 121

HSL 340.31, 0.26%, 0.52%

LAB 49.96, 28.69, -0.73

 

CMYK 0 / 57 / 38 / 28

HEX #B85073

RGB 184 80 115

HSL 339.81, 0.42%, 0.52%

LAB 48.47, 45.57, 1.03

 

CMYK 0 / 71 / 47 / 20

HEX #CC3C6C

RGB 204 60 108

HSL 340, 0.59%, 0.52%

LAB 48.45, 59.67, 5.68

 

CMYK 0 / 82 / 54 / 12

HEX #E02966

RGB 224 41 102

HSL 340, 0.75%, 0.52%

LAB 49.97, 70.35, 12

 

CMYK 0 / 17 / 11 / 44

HEX #907880

RGB 144 120 128

HSL 340, 0.1%, 0.52%

LAB 52.86, 10.7, -0.89

 

CMYK 11 / 0 / 4 / 45

HEX #7D8C87

RGB 125 140 135

HSL 160, 0.06%, 0.52%

LAB 56.94, -6.45, 0.82

 

CMYK 34 / 0 / 11 / 38

HEX #699F8D

RGB 105 159 141

HSL 160, 0.22%, 0.52%

LAB 61.41, -21.96, 3.73

 

CMYK 53 / 0 / 17 / 30

HEX #55B394

RGB 85 179 148

HSL 160.21, 0.38%, 0.52%

LAB 66.76, -35.45, 7.4

 

CMYK 67 / 0 / 23 / 22

HEX #41C79A

RGB 65 199 154

HSL 159.85, 0.54%, 0.52%

LAB 72.43, -46.76, 12.12

 

CMYK 0 / 17 / 2 / 44

HEX #90788D

RGB 144 120 141

HSL 307.5, 0.1%, 0.52%

LAB 53.26, 13.16, -7.91

 

CMYK 0 / 17 / 6 / 44

HEX #907887

RGB 144 120 135

HSL 322.5, 0.1%, 0.52%

LAB 53.07, 12, -4.68

 

CMYK 0 / 17 / 11 / 44

HEX #907880

RGB 144 120 128

HSL 340, 0.1%, 0.52%

LAB 52.86, 10.7, -0.89

 

CMYK 0 / 17 / 16 / 44

HEX #907879

RGB 144 120 121

HSL 357.5, 0.1%, 0.52%

LAB 52.67, 9.47, 2.93

 

CMYK 0 / 13 / 17 / 44

HEX #907D78

RGB 144 125 120

HSL 12.5, 0.1%, 0.52%

LAB 53.98, 6.42, 5.4

 

CMYK 0 / 18 / 12 / 61

HEX #645258

RGB 100 82 88

HSL 340, 0.1%, 0.36%

LAB 36.83, 8.58, -0.7

 

CMYK 0 / 19 / 12 / 52

HEX #7B646C

RGB 123 100 108

HSL 339.13, 0.1%, 0.44%

LAB 44.81, 10.65, -1.03

 

CMYK 0 / 17 / 11 / 44

HEX #907880

RGB 144 120 128

HSL 340, 0.1%, 0.52%

LAB 52.86, 10.7, -0.89

 

CMYK 0 / 12 / 9 / 36

HEX #A38F95

RGB 163 143 149

HSL 342, 0.1%, 0.6%

LAB 61.31, 8.53, -0.44

 

CMYK 0 / 9 / 6 / 29

HEX #B5A5AB

RGB 181 165 171

HSL 337.5, 0.1%, 0.68%

LAB 69.24, 6.86, -1

 

CMYK 0 / 17 / 11 / 44

HEX #907880

RGB 144 120 128

HSL 340, 0.1%, 0.52%

LAB 52.86, 10.7, -0.89

 

CMYK 0 / 2 / 17 / 44

HEX #908D78

RGB 144 141 120

HSL 52.5, 0.1%, 0.52%

LAB 58.35, -2.64, 11.61

 

CMYK 17 / 4 / 0 / 44

HEX #788A90

RGB 120 138 144

HSL 195, 0.1%, 0.52%

LAB 56.27, -5.13, -5.39

 

CMYK 0 / 17 / 11 / 44

HEX #907880

RGB 144 120 128

HSL 340, 0.1%, 0.52%

LAB 52.86, 10.7, -0.89

 

CMYK 11 / 0 / 17 / 44

HEX #809078

RGB 128 144 120

HSL 100, 0.1%, 0.52%

LAB 57.93, -10.46, 10.84

 

CMYK 17 / 11 / 0 / 44

HEX #788090

RGB 120 128 144

HSL 220, 0.1%, 0.52%

LAB 53.43, 0.57, -9.62

 

CMYK 0 / 17 / 11 / 44

HEX #907880

RGB 144 120 128

HSL 340, 0.1%, 0.52%

LAB 52.86, 10.7, -0.89

 

CMYK 0 / 2 / 17 / 44

HEX #908D78

RGB 144 141 120

HSL 52.5, 0.1%, 0.52%

LAB 58.35, -2.64, 11.61

 

CMYK 17 / 0 / 6 / 44

HEX #789088

RGB 120 144 136

HSL 160, 0.1%, 0.52%

LAB 57.77, -10.21, 1.4

 

CMYK 17 / 15 / 0 / 44

HEX #787B90

RGB 120 123 144

HSL 232.5, 0.1%, 0.52%

LAB 52.03, 3.47, -11.73

 

CMYK 0 / 17 / 11 / 44

HEX #907880

RGB 144 120 128

HSL 340, 0.1%, 0.52%

LAB 52.86, 10.7, -0.89

 

CMYK 3 / 0 / 17 / 44

HEX #8C9078

RGB 140 144 120

HSL 70, 0.1%, 0.52%

LAB 58.86, -5.87, 12.28

 

CMYK 17 / 0 / 6 / 44

HEX #789088

RGB 120 144 136

HSL 160, 0.1%, 0.52%

LAB 57.77, -10.21, 1.4

 

CMYK 14 / 17 / 0 / 44

HEX #7C7890

RGB 124 120 144

HSL 250, 0.1%, 0.52%

LAB 51.53, 6.62, -12.45

 

Description

Color code: HEX #907880 | qconv.com Color code: HEX #907880 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 120 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 120 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 11 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 11% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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