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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #907377 it is the complementary color #6F8C88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #907377. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #907377 shade: #957372, #A68585, #B79798, #C8A9AB and #D9BBBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #907377. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #907377 shade: #907377, #7F6164, #6E4F51, #5D3D3E and #4C2B2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #907377 shade: #917377 and #917373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #907377 shade: #917377, #91737F, #917387, #91738F and #8A7391

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #907377 shade matches the following richer shades: #917377, #A55E68, #B94A59, #CD364B and #E1223C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #907377 shade: #917377, #7C8785, #689B94, #54AFA3 and #40C3B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #907377 shade: #917387, #91737F, #917377, #917673 and #917E73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #907377 shade: #634E51, #7A6063, #917377, #A38A8D and #B5A1A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #907377 shade: #907377, #8F9173 and #738391

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #907377 shade: #907377, #779173 and #737791

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #907377 shade: #907377, #8F9173, #73918C and #747391

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #907377 shade: #907377, #869173, #73918C and #7D7391

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 17 / 44

HEX #907377

RGB 144 115 119

HSL 351.72, 0.12%, 0.51%

LAB 51.29, 12.03, 2.11

 

Complementary color

CMYK 21 / 0 / 3 / 45

HEX #6F8C88

RGB 111 140 136

HSL 171.72, 0.12%, 0.49%

LAB 56, -11.09, -1.25

 

CMYK 0 / 23 / 23 / 42

HEX #957372

RGB 149 115 114

HSL 1.71, 0.14%, 0.52%

LAB 51.69, 13.2, 5.69

 

CMYK 0 / 20 / 20 / 35

HEX #A68585

RGB 166 133 133

HSL 0, 0.16%, 0.59%

LAB 58.58, 12.6, 4.78

 

CMYK 0 / 17 / 17 / 28

HEX #B79798

RGB 183 151 152

HSL 358.13, 0.18%, 0.65%

LAB 65.33, 12.07, 3.95

 

CMYK 0 / 16 / 15 / 22

HEX #C8A9AB

RGB 200 169 171

HSL 356.13, 0.22%, 0.72%

LAB 71.96, 11.6, 3.17

 

CMYK 0 / 14 / 12 / 15

HEX #D9BBBE

RGB 217 187 190

HSL 354, 0.28%, 0.79%

LAB 78.47, 11.18, 2.44

 

CMYK 0 / 20 / 17 / 44

HEX #907377

RGB 144 115 119

HSL 351.72, 0.12%, 0.51%

LAB 51.29, 12.03, 2.11

 

CMYK 0 / 24 / 21 / 50

HEX #7F6164

RGB 127 97 100

HSL 354, 0.13%, 0.44%

LAB 44.21, 12.64, 2.99

 

CMYK 0 / 28 / 26 / 57

HEX #6E4F51

RGB 110 79 81

HSL 356.13, 0.16%, 0.37%

LAB 36.93, 13.36, 3.97

 

CMYK 0 / 34 / 33 / 64

HEX #5D3D3E

RGB 93 61 62

HSL 358.13, 0.21%, 0.3%

LAB 29.44, 14.23, 5.12

 

CMYK 0 / 43 / 43 / 70

HEX #4C2B2B

RGB 76 43 43

HSL 0, 0.28%, 0.23%

LAB 21.72, 15.3, 6.55

 

CMYK 0 / 21 / 18 / 43

HEX #917377

RGB 145 115 119

HSL 352, 0.12%, 0.51%

LAB 51.4, 12.43, 2.28

 

CMYK 0 / 21 / 21 / 43

HEX #917373

RGB 145 115 115

HSL 0, 0.12%, 0.51%

LAB 51.29, 11.76, 4.48

 

CMYK 0 / 21 / 18 / 43

HEX #917377

RGB 145 115 119

HSL 352, 0.12%, 0.51%

LAB 51.4, 12.43, 2.28

 

CMYK 0 / 21 / 12 / 43

HEX #91737F

RGB 145 115 127

HSL 336, 0.12%, 0.51%

LAB 51.63, 13.81, -2.1

 

CMYK 0 / 21 / 7 / 43

HEX #917387

RGB 145 115 135

HSL 320, 0.12%, 0.51%

LAB 51.87, 15.28, -6.45

 

CMYK 0 / 21 / 1 / 43

HEX #91738F

RGB 145 115 143

HSL 304, 0.12%, 0.51%

LAB 52.13, 16.83, -10.76

 

CMYK 5 / 21 / 0 / 43

HEX #8A7391

RGB 138 115 145

HSL 286, 0.12%, 0.51%

LAB 51.51, 14.72, -12.95

 

CMYK 0 / 21 / 18 / 43

HEX #917377

RGB 145 115 119

HSL 352, 0.12%, 0.51%

LAB 51.4, 12.43, 2.28

 

CMYK 0 / 43 / 37 / 35

HEX #A55E68

RGB 165 94 104

HSL 351.55, 0.28%, 0.51%

LAB 48.27, 30.08, 7.01

 

CMYK 0 / 60 / 52 / 27

HEX #B94A59

RGB 185 74 89

HSL 351.89, 0.44%, 0.51%

LAB 46.89, 46.1, 14.58

 

CMYK 0 / 74 / 63 / 20

HEX #CD364B

RGB 205 54 75

HSL 351.66, 0.6%, 0.51%

LAB 47.14, 59.61, 24.04

 

CMYK 0 / 85 / 73 / 12

HEX #E1223C

RGB 225 34 60

HSL 351.83, 0.76%, 0.51%

LAB 48.86, 69.86, 35.97

 

CMYK 0 / 21 / 18 / 43

HEX #917377

RGB 145 115 119

HSL 352, 0.12%, 0.51%

LAB 51.4, 12.43, 2.28

 

CMYK 8 / 0 / 1 / 47

HEX #7C8785

RGB 124 135 133

HSL 169.09, 0.04%, 0.51%

LAB 55.39, -4.43, -0.31

 

CMYK 33 / 0 / 5 / 39

HEX #689B94

RGB 104 155 148

HSL 171.76, 0.2%, 0.51%

LAB 60.36, -18.57, -1.76

 

CMYK 52 / 0 / 7 / 31

HEX #54AFA3

RGB 84 175 163

HSL 172.09, 0.36%, 0.51%

LAB 65.9, -30.11, -2.15

 

CMYK 67 / 0 / 9 / 24

HEX #40C3B1

RGB 64 195 177

HSL 171.76, 0.52%, 0.51%

LAB 71.75, -39.47, -1.33

 

CMYK 0 / 21 / 7 / 43

HEX #917387

RGB 145 115 135

HSL 320, 0.12%, 0.51%

LAB 51.87, 15.28, -6.45

 

CMYK 0 / 21 / 12 / 43

HEX #91737F

RGB 145 115 127

HSL 336, 0.12%, 0.51%

LAB 51.63, 13.81, -2.1

 

CMYK 0 / 21 / 18 / 43

HEX #917377

RGB 145 115 119

HSL 352, 0.12%, 0.51%

LAB 51.4, 12.43, 2.28

 

CMYK 0 / 19 / 21 / 43

HEX #917673

RGB 145 118 115

HSL 6, 0.12%, 0.51%

LAB 52.08, 10.02, 5.61

 

CMYK 0 / 13 / 21 / 43

HEX #917E73

RGB 145 126 115

HSL 22, 0.12%, 0.51%

LAB 54.22, 5.41, 8.66

 

CMYK 0 / 21 / 18 / 61

HEX #634E51

RGB 99 78 81

HSL 351.43, 0.12%, 0.35%

LAB 35.39, 9.34, 1.58

 

CMYK 0 / 21 / 19 / 52

HEX #7A6063

RGB 122 96 99

HSL 353.08, 0.12%, 0.43%

LAB 43.37, 11.04, 2.31

 

CMYK 0 / 21 / 18 / 43

HEX #917377

RGB 145 115 119

HSL 352, 0.12%, 0.51%

LAB 51.4, 12.43, 2.28

 

CMYK 0 / 15 / 13 / 36

HEX #A38A8D

RGB 163 138 141

HSL 352.8, 0.12%, 0.59%

LAB 59.79, 9.94, 1.91

 

CMYK 0 / 11 / 9 / 29

HEX #B5A1A4

RGB 181 161 164

HSL 351, 0.12%, 0.67%

LAB 68.02, 7.82, 1.11

 

CMYK 0 / 20 / 17 / 44

HEX #907377

RGB 144 115 119

HSL 351.72, 0.12%, 0.51%

LAB 51.29, 12.03, 2.11

 

CMYK 1 / 0 / 21 / 43

HEX #8F9173

RGB 143 145 115

HSL 64, 0.12%, 0.51%

LAB 59.28, -6.05, 15.72

 

CMYK 21 / 10 / 0 / 43

HEX #738391

RGB 115 131 145

HSL 208, 0.12%, 0.51%

LAB 53.94, -2.62, -9.48

 

CMYK 0 / 20 / 17 / 44

HEX #907377

RGB 144 115 119

HSL 351.72, 0.12%, 0.51%

LAB 51.29, 12.03, 2.11

 

CMYK 18 / 0 / 21 / 43

HEX #779173

RGB 119 145 115

HSL 112, 0.12%, 0.51%

LAB 57.47, -15.25, 12.94

 

CMYK 21 / 18 / 0 / 43

HEX #737791

RGB 115 119 145

HSL 232, 0.12%, 0.51%

LAB 50.55, 4.36, -14.59

 

CMYK 0 / 20 / 17 / 44

HEX #907377

RGB 144 115 119

HSL 351.72, 0.12%, 0.51%

LAB 51.29, 12.03, 2.11

 

CMYK 1 / 0 / 21 / 43

HEX #8F9173

RGB 143 145 115

HSL 64, 0.12%, 0.51%

LAB 59.28, -6.05, 15.72

 

CMYK 21 / 0 / 3 / 43

HEX #73918C

RGB 115 145 140

HSL 170, 0.12%, 0.51%

LAB 57.84, -11.59, -0.83

 

CMYK 20 / 21 / 0 / 43

HEX #747391

RGB 116 115 145

HSL 242, 0.12%, 0.51%

LAB 49.52, 7.06, -16.15

 

CMYK 0 / 20 / 17 / 44

HEX #907377

RGB 144 115 119

HSL 351.72, 0.12%, 0.51%

LAB 51.29, 12.03, 2.11

 

CMYK 8 / 0 / 21 / 43

HEX #869173

RGB 134 145 115

HSL 82, 0.12%, 0.51%

LAB 58.56, -9.58, 14.62

 

CMYK 21 / 0 / 3 / 43

HEX #73918C

RGB 115 145 140

HSL 170, 0.12%, 0.51%

LAB 57.84, -11.59, -0.83

 

CMYK 14 / 21 / 0 / 43

HEX #7D7391

RGB 125 115 145

HSL 260, 0.12%, 0.51%

LAB 50.29, 10.15, -14.9

 

Description

Color code: HEX #907377 | qconv.com Color code: HEX #907377 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 115 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 115 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 17 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 17% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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