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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #907D96 it is the complementary color #6F8269. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #907D96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #907D96 shade: #957D91, #A68FA4, #B7A1B7, #C8B3CA and #D9C5DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #907D96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #907D96 shade: #907D96, #7F6B83, #6E5970, #5D475D and #4C354A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #907D96 shade: #907C96, #967C95, #967C8E, #967C87 and #967C80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #907D96 shade: #907C96, #897C96, #827C96 and #7C7C96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #907D96 shade matches the following richer shades: #907C96, #9A69A9, #A456BC, #AE43CF and #B730E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #907D96 shade: #907C96, #868F83, #7CA270, #72B55D and #68C84A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #907D96 shade: #827C96, #897C96, #907C96, #967C96 and #967C8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #907D96 shade: #65556B, #7B6881, #907C96, #A393A8 and #B7AABB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #907D96 shade: #907D96, #967C7E and #7C9685

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #907D96 shade: #907D96, #96907C and #7C9690

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #907D96 shade: #907D96, #967C7E, #83967C and #7C9695

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #907D96 shade: #907D96, #96837C, #83967C and #7C9096

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 17 / 0 / 41

HEX #907D96

RGB 144 125 150

HSL 285.6, 0.11%, 0.54%

LAB 54.86, 12.07, -10.75

 

Complementary color

CMYK 15 / 0 / 19 / 49

HEX #6F8269

RGB 111 130 105

HSL 105.6, 0.11%, 0.46%

LAB 52.25, -11.97, 11.27

 

CMYK 0 / 16 / 3 / 42

HEX #957D91

RGB 149 125 145

HSL 310, 0.1%, 0.54%

LAB 55.18, 12.87, -7.33

 

CMYK 0 / 14 / 1 / 35

HEX #A68FA4

RGB 166 143 164

HSL 305.22, 0.11%, 0.61%

LAB 62.03, 12.42, -7.87

 

CMYK 0 / 12 / 0 / 28

HEX #B7A1B7

RGB 183 161 183

HSL 300, 0.13%, 0.67%

LAB 68.73, 12.01, -8.38

 

CMYK 1 / 11 / 0 / 21

HEX #C8B3CA

RGB 200 179 202

HSL 294.78, 0.18%, 0.75%

LAB 75.32, 11.63, -8.88

 

CMYK 2 / 11 / 0 / 13

HEX #D9C5DD

RGB 217 197 221

HSL 290, 0.26%, 0.82%

LAB 81.79, 11.28, -9.37

 

CMYK 4 / 17 / 0 / 41

HEX #907D96

RGB 144 125 150

HSL 285.6, 0.11%, 0.54%

LAB 54.86, 12.07, -10.75

 

CMYK 3 / 18 / 0 / 49

HEX #7F6B83

RGB 127 107 131

HSL 290, 0.1%, 0.47%

LAB 47.84, 12.54, -10.3

 

CMYK 2 / 21 / 0 / 56

HEX #6E5970

RGB 110 89 112

HSL 294.78, 0.11%, 0.39%

LAB 40.62, 13.08, -9.84

 

CMYK 0 / 24 / 0 / 64

HEX #5D475D

RGB 93 71 93

HSL 300, 0.13%, 0.32%

LAB 33.19, 13.7, -9.37

 

CMYK 0 / 30 / 3 / 70

HEX #4C354A

RGB 76 53 74

HSL 305.22, 0.18%, 0.25%

LAB 25.49, 14.42, -8.85

 

CMYK 4 / 17 / 0 / 41

HEX #907C96

RGB 144 124 150

HSL 286.15, 0.11%, 0.54%

LAB 54.6, 12.65, -11.15

 

CMYK 0 / 17 / 1 / 41

HEX #967C95

RGB 150 124 149

HSL 302.31, 0.11%, 0.54%

LAB 55.14, 14.6, -9.7

 

CMYK 0 / 17 / 5 / 41

HEX #967C8E

RGB 150 124 142

HSL 318.46, 0.11%, 0.54%

LAB 54.92, 13.24, -5.96

 

CMYK 0 / 17 / 10 / 41

HEX #967C87

RGB 150 124 135

HSL 334.62, 0.11%, 0.54%

LAB 54.71, 11.95, -2.2

 

CMYK 0 / 17 / 15 / 41

HEX #967C80

RGB 150 124 128

HSL 350.77, 0.11%, 0.54%

LAB 54.51, 10.71, 1.59

 

CMYK 4 / 17 / 0 / 41

HEX #907C96

RGB 144 124 150

HSL 286.15, 0.11%, 0.54%

LAB 54.6, 12.65, -11.15

 

CMYK 9 / 17 / 0 / 41

HEX #897C96

RGB 137 124 150

HSL 270, 0.11%, 0.54%

LAB 53.96, 10.16, -12.18

 

CMYK 13 / 17 / 0 / 41

HEX #827C96

RGB 130 124 150

HSL 253.85, 0.11%, 0.54%

LAB 53.34, 7.72, -13.17

 

CMYK 17 / 17 / 0 / 41

HEX #7C7C96

RGB 124 124 150

HSL 240, 0.11%, 0.54%

LAB 52.84, 5.66, -13.97

 

CMYK 4 / 17 / 0 / 41

HEX #907C96

RGB 144 124 150

HSL 286.15, 0.11%, 0.54%

LAB 54.6, 12.65, -11.15

 

CMYK 9 / 38 / 0 / 34

HEX #9A69A9

RGB 154 105 169

HSL 285.94, 0.27%, 0.54%

LAB 51.65, 31.04, -26.62

 

CMYK 13 / 54 / 0 / 26

HEX #A456BC

RGB 164 86 188

HSL 285.88, 0.43%, 0.54%

LAB 49.71, 48.32, -40.62

 

CMYK 16 / 68 / 0 / 19

HEX #AE43CF

RGB 174 67 207

HSL 285.86, 0.59%, 0.54%

LAB 48.91, 63.39, -52.78

 

CMYK 19 / 79 / 0 / 11

HEX #B730E2

RGB 183 48 226

HSL 285.51, 0.75%, 0.54%

LAB 49.1, 75.44, -63.25

 

CMYK 4 / 17 / 0 / 41

HEX #907C96

RGB 144 124 150

HSL 286.15, 0.11%, 0.54%

LAB 54.6, 12.65, -11.15

 

CMYK 6 / 0 / 8 / 44

HEX #868F83

RGB 134 143 131

HSL 105, 0.05%, 0.54%

LAB 58.37, -5.63, 5.26

 

CMYK 23 / 0 / 31 / 36

HEX #7CA270

RGB 124 162 112

HSL 105.6, 0.21%, 0.54%

LAB 62.76, -22.75, 21.91

 

CMYK 37 / 0 / 49 / 29

HEX #72B55D

RGB 114 181 93

HSL 105.68, 0.37%, 0.54%

LAB 67.59, -38.07, 38.06

 

CMYK 48 / 0 / 63 / 22

HEX #68C84A

RGB 104 200 74

HSL 105.71, 0.53%, 0.54%

LAB 72.72, -51.33, 52.85

 

CMYK 13 / 17 / 0 / 41

HEX #827C96

RGB 130 124 150

HSL 253.85, 0.11%, 0.54%

LAB 53.34, 7.72, -13.17

 

CMYK 9 / 17 / 0 / 41

HEX #897C96

RGB 137 124 150

HSL 270, 0.11%, 0.54%

LAB 53.96, 10.16, -12.18

 

CMYK 4 / 17 / 0 / 41

HEX #907C96

RGB 144 124 150

HSL 286.15, 0.11%, 0.54%

LAB 54.6, 12.65, -11.15

 

CMYK 0 / 17 / 0 / 41

HEX #967C96

RGB 150 124 150

HSL 300, 0.11%, 0.54%

LAB 55.18, 14.8, -10.23

 

CMYK 0 / 17 / 5 / 41

HEX #967C8F

RGB 150 124 143

HSL 316.15, 0.11%, 0.54%

LAB 54.95, 13.44, -6.5

 

CMYK 6 / 21 / 0 / 58

HEX #65556B

RGB 101 85 107

HSL 283.64, 0.11%, 0.38%

LAB 38.42, 11.06, -10.17

 

CMYK 5 / 19 / 0 / 49

HEX #7B6881

RGB 123 104 129

HSL 285.6, 0.11%, 0.46%

LAB 46.57, 12.45, -11.05

 

CMYK 4 / 17 / 0 / 41

HEX #907C96

RGB 144 124 150

HSL 286.15, 0.11%, 0.54%

LAB 54.6, 12.65, -11.15

 

CMYK 3 / 13 / 0 / 34

HEX #A393A8

RGB 163 147 168

HSL 285.71, 0.11%, 0.62%

LAB 62.91, 9.88, -8.84

 

CMYK 2 / 9 / 0 / 27

HEX #B7AABB

RGB 183 170 187

HSL 285.88, 0.11%, 0.7%

LAB 71.15, 7.82, -7.01

 

CMYK 4 / 17 / 0 / 41

HEX #907D96

RGB 144 125 150

HSL 285.6, 0.11%, 0.54%

LAB 54.86, 12.07, -10.75

 

CMYK 0 / 17 / 16 / 41

HEX #967C7E

RGB 150 124 126

HSL 355.38, 0.11%, 0.54%

LAB 54.45, 10.36, 2.67

 

CMYK 17 / 0 / 11 / 41

HEX #7C9685

RGB 124 150 133

HSL 140.77, 0.11%, 0.54%

LAB 59.7, -12.69, 5.93

 

CMYK 4 / 17 / 0 / 41

HEX #907D96

RGB 144 125 150

HSL 285.6, 0.11%, 0.54%

LAB 54.86, 12.07, -10.75

 

CMYK 0 / 4 / 17 / 41

HEX #96907C

RGB 150 144 124

HSL 46.15, 0.11%, 0.54%

LAB 59.79, -1.3, 11.43

 

CMYK 17 / 0 / 4 / 41

HEX #7C9690

RGB 124 150 144

HSL 166.15, 0.11%, 0.54%

LAB 59.99, -10.41, 0.11

 

CMYK 4 / 17 / 0 / 41

HEX #907D96

RGB 144 125 150

HSL 285.6, 0.11%, 0.54%

LAB 54.86, 12.07, -10.75

 

CMYK 0 / 17 / 16 / 41

HEX #967C7E

RGB 150 124 126

HSL 355.38, 0.11%, 0.54%

LAB 54.45, 10.36, 2.67

 

CMYK 13 / 0 / 17 / 41

HEX #83967C

RGB 131 150 124

HSL 103.85, 0.11%, 0.54%

LAB 59.97, -11.86, 11.48

 

CMYK 17 / 0 / 1 / 41

HEX #7C9695

RGB 124 150 149

HSL 177.69, 0.11%, 0.54%

LAB 60.13, -9.32, -2.53

 

CMYK 4 / 17 / 0 / 41

HEX #907D96

RGB 144 125 150

HSL 285.6, 0.11%, 0.54%

LAB 54.86, 12.07, -10.75

 

CMYK 0 / 13 / 17 / 41

HEX #96837C

RGB 150 131 124

HSL 16.15, 0.11%, 0.54%

LAB 56.26, 6.02, 6.43

 

CMYK 13 / 0 / 17 / 41

HEX #83967C

RGB 131 150 124

HSL 103.85, 0.11%, 0.54%

LAB 59.97, -11.86, 11.48

 

CMYK 17 / 4 / 0 / 41

HEX #7C9096

RGB 124 144 150

HSL 193.85, 0.11%, 0.54%

LAB 58.45, -5.78, -5.58

 

Description

Color code: HEX #907D96 | qconv.com Color code: HEX #907D96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 125 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 125 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 17 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 17% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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