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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #907E95 it is the complementary color #6F816A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #907E95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #907E95 shade: #957E90, #A690A3, #B7A2B6, #C8B4C9 and #D9C6DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #907E95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #907E95 shade: #907E95, #7F6C82, #6E5A6F, #5D485C and #4C3649

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #907E95 shade: #907D95, #957D94, #957D8D, #957D87 and #957D81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #907E95 shade: #907D95, #8A7D95, #837D95 and #7D7D95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #907E95 shade matches the following richer shades: #907D95, #9B6AA8, #A558BB, #B045CE and #BB32E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #907E95 shade: #907D95, #859082, #7AA36F, #70B65C and #65C949

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #907E95 shade: #837D95, #897D95, #8F7D95, #957D94 and #957D8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #907E95 shade: #65566A, #7B6980, #907D95, #A394A7 and #B7ABBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #907E95 shade: #907E95, #957D7E and #7D9586

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #907E95 shade: #907E95, #958F7D and #7D958F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #907E95 shade: #907E95, #957D7E, #83957D and #7D9594

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #907E95 shade: #907E95, #95847D, #83957D and #7D8F95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 15 / 0 / 42

HEX #907E95

RGB 144 126 149

HSL 286.96, 0.1%, 0.54%

LAB 55.09, 11.28, -9.83

 

Complementary color

CMYK 14 / 0 / 18 / 49

HEX #6F816A

RGB 111 129 106

HSL 106.96, 0.1%, 0.46%

LAB 51.97, -11.24, 10.3

 

CMYK 0 / 15 / 3 / 42

HEX #957E90

RGB 149 126 144

HSL 313.04, 0.1%, 0.54%

LAB 55.41, 12.1, -6.41

 

CMYK 0 / 13 / 2 / 35

HEX #A690A3

RGB 166 144 163

HSL 308.18, 0.11%, 0.61%

LAB 62.25, 11.66, -6.96

 

CMYK 0 / 11 / 1 / 28

HEX #B7A2B6

RGB 183 162 182

HSL 302.86, 0.13%, 0.68%

LAB 68.96, 11.26, -7.5

 

CMYK 0 / 10 / 0 / 21

HEX #C8B4C9

RGB 200 180 201

HSL 297.14, 0.16%, 0.75%

LAB 75.54, 10.9, -8.01

 

CMYK 1 / 10 / 0 / 14

HEX #D9C6DC

RGB 217 198 220

HSL 291.82, 0.24%, 0.82%

LAB 82, 10.56, -8.51

 

CMYK 3 / 15 / 0 / 42

HEX #907E95

RGB 144 126 149

HSL 286.96, 0.1%, 0.54%

LAB 55.09, 11.28, -9.83

 

CMYK 2 / 17 / 0 / 49

HEX #7F6C82

RGB 127 108 130

HSL 291.82, 0.09%, 0.47%

LAB 48.07, 11.74, -9.36

 

CMYK 1 / 19 / 0 / 56

HEX #6E5A6F

RGB 110 90 111

HSL 297.14, 0.1%, 0.39%

LAB 40.86, 12.25, -8.88

 

CMYK 0 / 23 / 1 / 64

HEX #5D485C

RGB 93 72 92

HSL 302.86, 0.13%, 0.32%

LAB 33.42, 12.85, -8.37

 

CMYK 0 / 29 / 4 / 70

HEX #4C3649

RGB 76 54 73

HSL 308.18, 0.17%, 0.25%

LAB 25.73, 13.55, -7.83

 

CMYK 3 / 16 / 0 / 42

HEX #907D95

RGB 144 125 149

HSL 287.5, 0.1%, 0.54%

LAB 54.83, 11.86, -10.22

 

CMYK 0 / 16 / 1 / 42

HEX #957D94

RGB 149 125 148

HSL 302.5, 0.1%, 0.54%

LAB 55.27, 13.46, -8.93

 

CMYK 0 / 16 / 5 / 42

HEX #957D8D

RGB 149 125 141

HSL 320, 0.1%, 0.54%

LAB 55.05, 12.11, -5.2

 

CMYK 0 / 16 / 9 / 42

HEX #957D87

RGB 149 125 135

HSL 335, 0.1%, 0.54%

LAB 54.87, 10.99, -1.97

 

CMYK 0 / 16 / 13 / 42

HEX #957D81

RGB 149 125 129

HSL 350, 0.1%, 0.54%

LAB 54.7, 9.92, 1.27

 

CMYK 3 / 16 / 0 / 42

HEX #907D95

RGB 144 125 149

HSL 287.5, 0.1%, 0.54%

LAB 54.83, 11.86, -10.22

 

CMYK 7 / 16 / 0 / 42

HEX #8A7D95

RGB 138 125 149

HSL 272.5, 0.1%, 0.54%

LAB 54.28, 9.72, -11.1

 

CMYK 12 / 16 / 0 / 42

HEX #837D95

RGB 131 125 149

HSL 255, 0.1%, 0.54%

LAB 53.67, 7.26, -12.09

 

CMYK 16 / 16 / 0 / 42

HEX #7D7D95

RGB 125 125 149

HSL 240, 0.1%, 0.54%

LAB 53.16, 5.18, -12.9

 

CMYK 3 / 16 / 0 / 42

HEX #907D95

RGB 144 125 149

HSL 287.5, 0.1%, 0.54%

LAB 54.83, 11.86, -10.22

 

CMYK 8 / 37 / 0 / 34

HEX #9B6AA8

RGB 155 106 168

HSL 287.42, 0.26%, 0.54%

LAB 51.95, 30.58, -25.56

 

CMYK 12 / 53 / 0 / 27

HEX #A558BB

RGB 165 88 187

HSL 286.67, 0.42%, 0.54%

LAB 50.18, 47.36, -39.3

 

CMYK 15 / 67 / 0 / 19

HEX #B045CE

RGB 176 69 206

HSL 286.86, 0.58%, 0.54%

LAB 49.43, 62.8, -51.36

 

CMYK 17 / 78 / 0 / 12

HEX #BB32E1

RGB 187 50 225

HSL 286.97, 0.74%, 0.54%

LAB 49.84, 75.37, -61.46

 

CMYK 3 / 16 / 0 / 42

HEX #907D95

RGB 144 125 149

HSL 287.5, 0.1%, 0.54%

LAB 54.83, 11.86, -10.22

 

CMYK 8 / 0 / 10 / 44

HEX #859082

RGB 133 144 130

HSL 107.14, 0.06%, 0.54%

LAB 58.55, -6.74, 6.08

 

CMYK 25 / 0 / 32 / 36

HEX #7AA36F

RGB 122 163 111

HSL 107.31, 0.22%, 0.54%

LAB 62.91, -24.13, 22.65

 

CMYK 38 / 0 / 49 / 29

HEX #70B65C

RGB 112 182 92

HSL 106.67, 0.38%, 0.54%

LAB 67.78, -39.3, 38.77

 

CMYK 50 / 0 / 64 / 21

HEX #65C949

RGB 101 201 73

HSL 106.88, 0.54%, 0.54%

LAB 72.91, -52.69, 53.44

 

CMYK 12 / 16 / 0 / 42

HEX #837D95

RGB 131 125 149

HSL 255, 0.1%, 0.54%

LAB 53.67, 7.26, -12.09

 

CMYK 8 / 16 / 0 / 42

HEX #897D95

RGB 137 125 149

HSL 270, 0.1%, 0.54%

LAB 54.19, 9.37, -11.25

 

CMYK 4 / 16 / 0 / 42

HEX #8F7D95

RGB 143 125 149

HSL 285, 0.1%, 0.54%

LAB 54.74, 11.5, -10.37

 

CMYK 0 / 16 / 1 / 42

HEX #957D94

RGB 149 125 148

HSL 302.5, 0.1%, 0.54%

LAB 55.27, 13.46, -8.93

 

CMYK 0 / 16 / 5 / 42

HEX #957D8E

RGB 149 125 142

HSL 317.5, 0.1%, 0.54%

LAB 55.08, 12.3, -5.73

 

CMYK 5 / 19 / 0 / 58

HEX #65566A

RGB 101 86 106

HSL 285, 0.1%, 0.38%

LAB 38.66, 10.22, -9.19

 

CMYK 4 / 18 / 0 / 50

HEX #7B6980

RGB 123 105 128

HSL 286.96, 0.1%, 0.46%

LAB 46.81, 11.63, -10.1

 

CMYK 3 / 16 / 0 / 42

HEX #907D95

RGB 144 125 149

HSL 287.5, 0.1%, 0.54%

LAB 54.83, 11.86, -10.22

 

CMYK 2 / 11 / 0 / 35

HEX #A394A7

RGB 163 148 167

HSL 287.37, 0.1%, 0.62%

LAB 63.14, 9.12, -7.93

 

CMYK 2 / 8 / 0 / 27

HEX #B7ABBA

RGB 183 171 186

HSL 288, 0.1%, 0.7%

LAB 71.38, 7.08, -6.12

 

CMYK 3 / 15 / 0 / 42

HEX #907E95

RGB 144 126 149

HSL 286.96, 0.1%, 0.54%

LAB 55.09, 11.28, -9.83

 

CMYK 0 / 16 / 15 / 42

HEX #957D7E

RGB 149 125 126

HSL 357.5, 0.1%, 0.54%

LAB 54.62, 9.4, 2.9

 

CMYK 16 / 0 / 10 / 42

HEX #7D9586

RGB 125 149 134

HSL 142.5, 0.1%, 0.54%

LAB 59.5, -11.59, 5.09

 

CMYK 3 / 15 / 0 / 42

HEX #907E95

RGB 144 126 149

HSL 286.96, 0.1%, 0.54%

LAB 55.09, 11.28, -9.83

 

CMYK 0 / 4 / 16 / 42

HEX #958F7D

RGB 149 143 125

HSL 45, 0.1%, 0.54%

LAB 59.45, -0.97, 10.38

 

CMYK 16 / 0 / 4 / 42

HEX #7D958F

RGB 125 149 143

HSL 165, 0.1%, 0.54%

LAB 59.74, -9.73, 0.32

 

CMYK 3 / 15 / 0 / 42

HEX #907E95

RGB 144 126 149

HSL 286.96, 0.1%, 0.54%

LAB 55.09, 11.28, -9.83

 

CMYK 0 / 16 / 15 / 42

HEX #957D7E

RGB 149 125 126

HSL 357.5, 0.1%, 0.54%

LAB 54.62, 9.4, 2.9

 

CMYK 12 / 0 / 16 / 42

HEX #83957D

RGB 131 149 125

HSL 105, 0.1%, 0.54%

LAB 59.71, -11.14, 10.54

 

CMYK 16 / 0 / 1 / 42

HEX #7D9594

RGB 125 149 148

HSL 177.5, 0.1%, 0.54%

LAB 59.88, -8.65, -2.31

 

CMYK 3 / 15 / 0 / 42

HEX #907E95

RGB 144 126 149

HSL 286.96, 0.1%, 0.54%

LAB 55.09, 11.28, -9.83

 

CMYK 0 / 11 / 16 / 42

HEX #95847D

RGB 149 132 125

HSL 17.5, 0.1%, 0.54%

LAB 56.46, 5.22, 6.12

 

CMYK 12 / 0 / 16 / 42

HEX #83957D

RGB 131 149 125

HSL 105, 0.1%, 0.54%

LAB 59.71, -11.14, 10.54

 

CMYK 16 / 4 / 0 / 42

HEX #7D8F95

RGB 125 143 149

HSL 195, 0.1%, 0.54%

LAB 58.2, -5.11, -5.36

 

Description

Color code: HEX #907E95 | qconv.com Color code: HEX #907E95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 126 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 126 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 15 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 15% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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