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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90837D it is the complementary color #6F7C82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90837D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90837D shade: #958378, #A6958B, #B7A79E, #C8B9B1 and #D9CBC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90837D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90837D shade: #90837D, #7F716A, #6E5F57, #5D4D44 and #4C3B31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90837D shade: #90837D, #907E7D and #907D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90837D shade: #90837D, #90887D, #908D7D, #8E907D and #89907D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90837D shade matches the following richer shades: #90837D, #A47C6A, #B77556, #CA6E43 and #DE672F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90837D shade: #90837D, #7D8A90, #6991A4, #5699B7 and #43A0CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90837D shade: #907D82, #907E7D, #90837D, #90887D and #908D7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90837D shade: #655B56, #7B6F69, #90837D, #A39893 and #B6AEAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90837D shade: #90837D, #87907D and #7D7F90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90837D shade: #90837D, #7D9083 and #837D90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90837D shade: #90837D, #87907D, #7D8A90 and #877D90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90837D shade: #90837D, #81907D, #7D8A90 and #8C7D90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 13 / 44

HEX #90837D

RGB 144 131 125

HSL 18.95, 0.08%, 0.53%

LAB 55.73, 3.84, 5.01

 

Complementary color

CMYK 15 / 5 / 0 / 49

HEX #6F7C82

RGB 111 124 130

HSL 198.95, 0.08%, 0.47%

LAB 51.16, -3.46, -4.9

 

CMYK 0 / 12 / 19 / 42

HEX #958378

RGB 149 131 120

HSL 22.76, 0.12%, 0.53%

LAB 56.07, 4.96, 8.45

 

CMYK 0 / 10 / 16 / 35

HEX #A6958B

RGB 166 149 139

HSL 22.22, 0.13%, 0.6%

LAB 62.9, 4.59, 7.56

 

CMYK 0 / 9 / 14 / 28

HEX #B7A79E

RGB 183 167 158

HSL 21.6, 0.15%, 0.67%

LAB 69.59, 4.25, 6.74

 

CMYK 0 / 8 / 12 / 22

HEX #C8B9B1

RGB 200 185 177

HSL 20.87, 0.17%, 0.74%

LAB 76.16, 3.95, 5.96

 

CMYK 0 / 6 / 10 / 15

HEX #D9CBC4

RGB 217 203 196

HSL 20, 0.22%, 0.81%

LAB 82.62, 3.68, 5.23

 

CMYK 0 / 9 / 13 / 44

HEX #90837D

RGB 144 131 125

HSL 18.95, 0.08%, 0.53%

LAB 55.73, 3.84, 5.01

 

CMYK 0 / 11 / 17 / 50

HEX #7F716A

RGB 127 113 106

HSL 20, 0.09%, 0.46%

LAB 48.71, 4.2, 5.87

 

CMYK 0 / 14 / 21 / 57

HEX #6E5F57

RGB 110 95 87

HSL 20.87, 0.12%, 0.39%

LAB 41.51, 4.61, 6.8

 

CMYK 0 / 17 / 27 / 64

HEX #5D4D44

RGB 93 77 68

HSL 21.6, 0.16%, 0.32%

LAB 34.09, 5.12, 7.84

 

CMYK 0 / 22 / 36 / 70

HEX #4C3B31

RGB 76 59 49

HSL 22.22, 0.22%, 0.25%

LAB 26.41, 5.78, 9.04

 

CMYK 0 / 9 / 13 / 44

HEX #90837D

RGB 144 131 125

HSL 18.95, 0.08%, 0.53%

LAB 55.73, 3.84, 5.01

 

CMYK 0 / 13 / 13 / 44

HEX #907E7D

RGB 144 126 125

HSL 3.16, 0.08%, 0.53%

LAB 54.38, 6.7, 3.07

 

CMYK 0 / 13 / 13 / 44

HEX #907D7D

RGB 144 125 125

HSL 0, 0.08%, 0.53%

LAB 54.11, 7.28, 2.68

 

CMYK 0 / 9 / 13 / 44

HEX #90837D

RGB 144 131 125

HSL 18.95, 0.08%, 0.53%

LAB 55.73, 3.84, 5.01

 

CMYK 0 / 6 / 13 / 44

HEX #90887D

RGB 144 136 125

HSL 34.74, 0.08%, 0.53%

LAB 57.09, 1.01, 6.97

 

CMYK 0 / 2 / 13 / 44

HEX #908D7D

RGB 144 141 125

HSL 50.53, 0.08%, 0.53%

LAB 58.47, -1.8, 8.93

 

CMYK 1 / 0 / 13 / 44

HEX #8E907D

RGB 142 144 125

HSL 66.32, 0.08%, 0.53%

LAB 59.14, -4.24, 9.86

 

CMYK 5 / 0 / 13 / 44

HEX #89907D

RGB 137 144 125

HSL 82.11, 0.08%, 0.53%

LAB 58.74, -6.15, 9.23

 

CMYK 0 / 9 / 13 / 44

HEX #90837D

RGB 144 131 125

HSL 18.95, 0.08%, 0.53%

LAB 55.73, 3.84, 5.01

 

CMYK 0 / 24 / 35 / 36

HEX #A47C6A

RGB 164 124 106

HSL 18.62, 0.24%, 0.53%

LAB 55.43, 12.98, 15.84

 

CMYK 0 / 36 / 53 / 28

HEX #B77556

RGB 183 117 86

HSL 19.18, 0.4%, 0.53%

LAB 55.54, 22.6, 27.79

 

CMYK 0 / 46 / 67 / 21

HEX #CA6E43

RGB 202 110 67

HSL 19.11, 0.56%, 0.53%

LAB 56.2, 32.76, 39.57

 

CMYK 0 / 54 / 79 / 13

HEX #DE672F

RGB 222 103 47

HSL 19.2, 0.73%, 0.53%

LAB 57.5, 43.24, 51.78

 

CMYK 0 / 9 / 13 / 44

HEX #90837D

RGB 144 131 125

HSL 18.95, 0.08%, 0.53%

LAB 55.73, 3.84, 5.01

 

CMYK 13 / 4 / 0 / 44

HEX #7D8A90

RGB 125 138 144

HSL 198.95, 0.08%, 0.53%

LAB 56.63, -3.41, -4.81

 

CMYK 36 / 12 / 0 / 36

HEX #6991A4

RGB 105 145 164

HSL 199.32, 0.24%, 0.53%

LAB 57.97, -8.86, -14.41

 

CMYK 53 / 16 / 0 / 28

HEX #5699B7

RGB 86 153 183

HSL 198.56, 0.4%, 0.53%

LAB 60.05, -12.76, -22.13

 

CMYK 67 / 21 / 0 / 20

HEX #43A0CB

RGB 67 160 203

HSL 198.97, 0.57%, 0.53%

LAB 62.21, -13.93, -30.09

 

CMYK 0 / 13 / 10 / 44

HEX #907D82

RGB 144 125 130

HSL 344.21, 0.08%, 0.53%

LAB 54.25, 8.17, -0.03

 

CMYK 0 / 13 / 13 / 44

HEX #907E7D

RGB 144 126 125

HSL 3.16, 0.08%, 0.53%

LAB 54.38, 6.7, 3.07

 

CMYK 0 / 9 / 13 / 44

HEX #90837D

RGB 144 131 125

HSL 18.95, 0.08%, 0.53%

LAB 55.73, 3.84, 5.01

 

CMYK 0 / 6 / 13 / 44

HEX #90887D

RGB 144 136 125

HSL 34.74, 0.08%, 0.53%

LAB 57.09, 1.01, 6.97

 

CMYK 0 / 2 / 13 / 44

HEX #908D7D

RGB 144 141 125

HSL 50.53, 0.08%, 0.53%

LAB 58.47, -1.8, 8.93

 

CMYK 0 / 10 / 15 / 60

HEX #655B56

RGB 101 91 86

HSL 20, 0.08%, 0.37%

LAB 39.45, 3.09, 4.34

 

CMYK 0 / 10 / 15 / 52

HEX #7B6F69

RGB 123 111 105

HSL 20, 0.08%, 0.45%

LAB 47.75, 3.58, 5.03

 

CMYK 0 / 9 / 13 / 44

HEX #90837D

RGB 144 131 125

HSL 18.95, 0.08%, 0.53%

LAB 55.73, 3.84, 5.01

 

CMYK 0 / 7 / 10 / 36

HEX #A39893

RGB 163 152 147

HSL 18.75, 0.08%, 0.61%

LAB 63.63, 3.14, 4.07

 

CMYK 0 / 4 / 7 / 29

HEX #B6AEAA

RGB 182 174 170

HSL 20, 0.08%, 0.69%

LAB 71.64, 2.14, 3.06

 

CMYK 0 / 9 / 13 / 44

HEX #90837D

RGB 144 131 125

HSL 18.95, 0.08%, 0.53%

LAB 55.73, 3.84, 5.01

 

CMYK 6 / 0 / 13 / 44

HEX #87907D

RGB 135 144 125

HSL 88.42, 0.08%, 0.53%

LAB 58.58, -6.91, 8.99

 

CMYK 13 / 12 / 0 / 44

HEX #7D7F90

RGB 125 127 144

HSL 233.68, 0.08%, 0.53%

LAB 53.55, 2.88, -9.41

 

CMYK 0 / 9 / 13 / 44

HEX #90837D

RGB 144 131 125

HSL 18.95, 0.08%, 0.53%

LAB 55.73, 3.84, 5.01

 

CMYK 13 / 0 / 9 / 44

HEX #7D9083

RGB 125 144 131

HSL 138.95, 0.08%, 0.53%

LAB 57.98, -9.47, 4.62

 

CMYK 9 / 13 / 0 / 44

HEX #837D90

RGB 131 125 144

HSL 258.95, 0.08%, 0.53%

LAB 53.5, 6.16, -9.43

 

CMYK 0 / 9 / 13 / 44

HEX #90837D

RGB 144 131 125

HSL 18.95, 0.08%, 0.53%

LAB 55.73, 3.84, 5.01

 

CMYK 6 / 0 / 13 / 44

HEX #87907D

RGB 135 144 125

HSL 88.42, 0.08%, 0.53%

LAB 58.58, -6.91, 8.99

 

CMYK 13 / 4 / 0 / 44

HEX #7D8A90

RGB 125 138 144

HSL 198.95, 0.08%, 0.53%

LAB 56.63, -3.41, -4.81

 

CMYK 6 / 13 / 0 / 44

HEX #877D90

RGB 135 125 144

HSL 271.58, 0.08%, 0.53%

LAB 53.85, 7.59, -8.87

 

CMYK 0 / 9 / 13 / 44

HEX #90837D

RGB 144 131 125

HSL 18.95, 0.08%, 0.53%

LAB 55.73, 3.84, 5.01

 

CMYK 10 / 0 / 13 / 44

HEX #81907D

RGB 129 144 125

HSL 107.37, 0.08%, 0.53%

LAB 58.13, -9.17, 8.28

 

CMYK 13 / 4 / 0 / 44

HEX #7D8A90

RGB 125 138 144

HSL 198.95, 0.08%, 0.53%

LAB 56.63, -3.41, -4.81

 

CMYK 3 / 13 / 0 / 44

HEX #8C7D90

RGB 140 125 144

HSL 287.37, 0.08%, 0.53%

LAB 54.3, 9.39, -8.15

 

Description

Color code: HEX #90837D | qconv.com Color code: HEX #90837D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 131 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 131 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 13 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 13% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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