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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #908CCA it is the complementary color #6F7335. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #908CCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #908CCA shade: #958CC5, #A69ED8, #B7B0EB, #C8C2FE and #D9D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #908CCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #908CCA shade: #908CCA, #7F7AB7, #6E68A4, #5D5691 and #4C447E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #908CCA shade: #8F8BC9, #A08BC9, #B18BC9, #C28BC9 and #C98BC1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #908CCA shade: #8F8BC9 and #8B8BC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #908CCA shade matches the following richer shades: #8F8BC9, #837ED7, #7870E5 and #6C62F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #908CCA shade: #8F8BC9, #9B99BC, #A7A6AE, #B3B4A1 and #BFC293

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #908CCA shade: #8BA9C9, #8B99C9, #8E8BC9, #9F8BC9 and #B08BC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #908CCA shade: #5953AF, #746FBC, #8F8BC9, #ABA7D6 and #C6C4E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #908CCA shade: #908CCA, #C98BBA and #A1C98B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #908CCA shade: #908CCA, #C98E8B and #8BC98E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #908CCA shade: #908CCA, #C98BBA, #C6C98B and #8BC99B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #908CCA shade: #908CCA, #C98BA7, #C6C98B and #8BC9AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 31 / 0 / 21

HEX #908CCA

RGB 144 140 202

HSL 243.87, 0.37%, 0.67%

LAB 60.74, 15.4, -31.48

 

Complementary color

CMYK 3 / 0 / 54 / 55

HEX #6F7335

RGB 111 115 53

HSL 63.87, 0.37%, 0.33%

LAB 46.84, -11.09, 33.38

 

CMYK 24 / 29 / 0 / 23

HEX #958CC5

RGB 149 140 197

HSL 249.47, 0.33%, 0.66%

LAB 60.94, 15.67, -28.33

 

CMYK 23 / 27 / 0 / 15

HEX #A69ED8

RGB 166 158 216

HSL 248.28, 0.43%, 0.73%

LAB 67.66, 15.15, -28.43

 

CMYK 22 / 25 / 0 / 8

HEX #B7B0EB

RGB 183 176 235

HSL 247.12, 0.6%, 0.81%

LAB 74.26, 14.69, -28.57

 

CMYK 21 / 24 / 0 / 0

HEX #C8C2FE

RGB 200 194 254

HSL 246, 0.97%, 0.88%

LAB 80.75, 14.27, -28.72

 

CMYK 15 / 17 / 0 / 0

HEX #D9D4FF

RGB 217 212 255

HSL 246.98, 1%, 0.92%

LAB 86.53, 10.03, -20.33

 

CMYK 29 / 31 / 0 / 21

HEX #908CCA

RGB 144 140 202

HSL 243.87, 0.37%, 0.67%

LAB 60.74, 15.4, -31.48

 

CMYK 31 / 33 / 0 / 28

HEX #7F7AB7

RGB 127 122 183

HSL 244.92, 0.3%, 0.6%

LAB 53.87, 16.01, -31.48

 

CMYK 33 / 37 / 0 / 36

HEX #6E68A4

RGB 110 104 164

HSL 246, 0.25%, 0.53%

LAB 46.84, 16.71, -31.52

 

CMYK 36 / 41 / 0 / 43

HEX #5D5691

RGB 93 86 145

HSL 247.12, 0.26%, 0.45%

LAB 39.63, 17.54, -31.63

 

CMYK 40 / 46 / 0 / 51

HEX #4C447E

RGB 76 68 126

HSL 248.28, 0.3%, 0.38%

LAB 32.21, 18.52, -31.81

 

CMYK 29 / 31 / 0 / 21

HEX #8F8BC9

RGB 143 139 201

HSL 243.87, 0.36%, 0.67%

LAB 60.36, 15.43, -31.52

 

CMYK 20 / 31 / 0 / 21

HEX #A08BC9

RGB 160 139 201

HSL 260.32, 0.36%, 0.67%

LAB 61.79, 20.59, -29.19

 

CMYK 12 / 31 / 0 / 21

HEX #B18BC9

RGB 177 139 201

HSL 276.77, 0.36%, 0.67%

LAB 63.37, 25.94, -26.62

 

CMYK 3 / 31 / 0 / 21

HEX #C28BC9

RGB 194 139 201

HSL 293.23, 0.36%, 0.67%

LAB 65.08, 31.41, -23.84

 

CMYK 0 / 31 / 4 / 21

HEX #C98BC1

RGB 201 139 193

HSL 307.74, 0.36%, 0.67%

LAB 65.54, 32.21, -18.59

 

CMYK 29 / 31 / 0 / 21

HEX #8F8BC9

RGB 143 139 201

HSL 243.87, 0.36%, 0.67%

LAB 60.36, 15.43, -31.52

 

CMYK 31 / 31 / 0 / 21

HEX #8B8BC9

RGB 139 139 201

HSL 240, 0.36%, 0.67%

LAB 60.04, 14.25, -32.03

 

CMYK 29 / 31 / 0 / 21

HEX #8F8BC9

RGB 143 139 201

HSL 243.87, 0.36%, 0.67%

LAB 60.36, 15.43, -31.52

 

CMYK 39 / 41 / 0 / 16

HEX #837ED7

RGB 131 126 215

HSL 243.37, 0.53%, 0.67%

LAB 56.74, 23.42, -45.14

 

CMYK 48 / 51 / 0 / 10

HEX #7870E5

RGB 120 112 229

HSL 244.1, 0.69%, 0.67%

LAB 53.21, 33.11, -58.68

 

CMYK 55 / 60 / 0 / 5

HEX #6C62F2

RGB 108 98 242

HSL 244.17, 0.85%, 0.67%

LAB 49.9, 42.92, -71.36

 

CMYK 29 / 31 / 0 / 21

HEX #8F8BC9

RGB 143 139 201

HSL 243.87, 0.36%, 0.67%

LAB 60.36, 15.43, -31.52

 

CMYK 18 / 19 / 0 / 26

HEX #9B99BC

RGB 155 153 188

HSL 243.43, 0.21%, 0.67%

LAB 64.47, 8.04, -17.82

 

CMYK 4 / 5 / 0 / 32

HEX #A7A6AE

RGB 167 166 174

HSL 247.5, 0.05%, 0.67%

LAB 68.42, 1.9, -4

 

CMYK 1 / 0 / 11 / 29

HEX #B3B4A1

RGB 179 180 161

HSL 63.16, 0.11%, 0.67%

LAB 72.76, -3.74, 9.57

 

CMYK 2 / 0 / 24 / 24

HEX #BFC293

RGB 191 194 147

HSL 63.83, 0.28%, 0.67%

LAB 77.14, -8.78, 23.36

 

CMYK 31 / 16 / 0 / 21

HEX #8BA9C9

RGB 139 169 201

HSL 210.97, 0.36%, 0.67%

LAB 68.08, -2.75, -19.68

 

CMYK 31 / 24 / 0 / 21

HEX #8B99C9

RGB 139 153 201

HSL 226.45, 0.36%, 0.67%

LAB 63.74, 6.2, -26.31

 

CMYK 29 / 31 / 0 / 21

HEX #8E8BC9

RGB 142 139 201

HSL 242.9, 0.36%, 0.67%

LAB 60.28, 15.13, -31.65

 

CMYK 21 / 31 / 0 / 21

HEX #9F8BC9

RGB 159 139 201

HSL 259.35, 0.36%, 0.67%

LAB 61.7, 20.28, -29.33

 

CMYK 12 / 31 / 0 / 21

HEX #B08BC9

RGB 176 139 201

HSL 275.81, 0.36%, 0.67%

LAB 63.27, 25.62, -26.78

 

CMYK 49 / 53 / 0 / 31

HEX #5953AF

RGB 89 83 175

HSL 243.91, 0.37%, 0.51%

LAB 40.26, 27.43, -48.56

 

CMYK 38 / 41 / 0 / 26

HEX #746FBC

RGB 116 111 188

HSL 243.9, 0.36%, 0.59%

LAB 50.35, 20.84, -39.94

 

CMYK 29 / 31 / 0 / 21

HEX #8F8BC9

RGB 143 139 201

HSL 243.87, 0.36%, 0.67%

LAB 60.36, 15.43, -31.52

 

CMYK 20 / 22 / 0 / 16

HEX #ABA7D6

RGB 171 167 214

HSL 245.11, 0.36%, 0.75%

LAB 70.28, 11.19, -23.28

 

CMYK 13 / 14 / 0 / 11

HEX #C6C4E3

RGB 198 196 227

HSL 243.87, 0.36%, 0.83%

LAB 80.2, 6.74, -15.12

 

CMYK 29 / 31 / 0 / 21

HEX #908CCA

RGB 144 140 202

HSL 243.87, 0.37%, 0.67%

LAB 60.74, 15.4, -31.48

 

CMYK 0 / 31 / 7 / 21

HEX #C98BBA

RGB 201 139 186

HSL 314.52, 0.36%, 0.67%

LAB 65.3, 30.96, -15.02

 

CMYK 20 / 0 / 31 / 21

HEX #A1C98B

RGB 161 201 139

HSL 98.71, 0.36%, 0.67%

LAB 76.81, -24.58, 26.78

 

CMYK 29 / 31 / 0 / 21

HEX #908CCA

RGB 144 140 202

HSL 243.87, 0.37%, 0.67%

LAB 60.74, 15.4, -31.48

 

CMYK 0 / 29 / 31 / 21

HEX #C98E8B

RGB 201 142 139

HSL 2.9, 0.36%, 0.67%

LAB 64.67, 22, 10.56

 

CMYK 31 / 0 / 29 / 21

HEX #8BC98E

RGB 139 201 142

HSL 122.9, 0.36%, 0.67%

LAB 75.59, -31.61, 23.33

 

CMYK 29 / 31 / 0 / 21

HEX #908CCA

RGB 144 140 202

HSL 243.87, 0.37%, 0.67%

LAB 60.74, 15.4, -31.48

 

CMYK 0 / 31 / 7 / 21

HEX #C98BBA

RGB 201 139 186

HSL 314.52, 0.36%, 0.67%

LAB 65.3, 30.96, -15.02

 

CMYK 1 / 0 / 31 / 21

HEX #C6C98B

RGB 198 201 139

HSL 62.9, 0.36%, 0.67%

LAB 79.41, -10.78, 30.71

 

CMYK 31 / 0 / 23 / 21

HEX #8BC99B

RGB 139 201 155

HSL 135.48, 0.36%, 0.67%

LAB 75.84, -29.31, 16.78

 

CMYK 29 / 31 / 0 / 21

HEX #908CCA

RGB 144 140 202

HSL 243.87, 0.37%, 0.67%

LAB 60.74, 15.4, -31.48

 

CMYK 0 / 31 / 17 / 21

HEX #C98BA7

RGB 201 139 167

HSL 332.9, 0.36%, 0.67%

LAB 64.7, 27.76, -5.21

 

CMYK 1 / 0 / 31 / 21

HEX #C6C98B

RGB 198 201 139

HSL 62.9, 0.36%, 0.67%

LAB 79.41, -10.78, 30.71

 

CMYK 31 / 0 / 14 / 21

HEX #8BC9AD

RGB 139 201 173

HSL 152.9, 0.36%, 0.67%

LAB 76.24, -25.8, 7.69

 

Description

Color code: HEX #908CCA | qconv.com Color code: HEX #908CCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 140 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 140 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 31 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 31% 0% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

58% - NADB - Nederlandse A...
Link: http://www.nadb.eu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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