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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9091B1 it is the complementary color #6F6E4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9091B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9091B1 shade: #9591AC, #A6A3BF, #B7B5D2, #C8C7E5 and #D9D9F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9091B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9091B1 shade: #9091B1, #7F7F9E, #6E6D8B, #5D5B78 and #4C4965

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9091B1 shade: #9091B0, #9890B0, #A090B0, #A990B0 and #B090AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9091B1 shade: #9091B0 and #9090B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9091B1 shade matches the following richer shades: #9091B0, #8183BF, #7274CF, #6266DE and #5358ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9091B1 shade: #9091B0, #9F9FA1, #AFAE92, #BEBC82 and #CDCA73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9091B1 shade: #90A2B0, #909AB0, #9091B0, #9890B0 and #A090B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9091B1 shade: #63648B, #78799F, #9091B0, #A8A9C1 and #C0C1D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9091B1 shade: #9091B1, #B090AB and #9EB090

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9091B1 shade: #9091B1, #B09091 and #91B090

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9091B1 shade: #9091B1, #B090AB, #B0AF90 and #90B095

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9091B1 shade: #9091B1, #B090A1, #B0AF90 and #90B09F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 18 / 0 / 31

HEX #9091B1

RGB 144 145 177

HSL 238.18, 0.17%, 0.63%

LAB 61.09, 6.47, -16.83

 

Complementary color

CMYK 0 / 1 / 30 / 56

HEX #6F6E4E

RGB 111 110 78

HSL 58.18, 0.17%, 0.37%

LAB 45.75, -5.23, 18.04

 

CMYK 13 / 16 / 0 / 33

HEX #9591AC

RGB 149 145 172

HSL 248.89, 0.14%, 0.62%

LAB 61.32, 7.01, -13.61

 

CMYK 13 / 15 / 0 / 25

HEX #A6A3BF

RGB 166 163 191

HSL 246.43, 0.18%, 0.69%

LAB 68.07, 6.72, -13.97

 

CMYK 13 / 14 / 0 / 18

HEX #B7B5D2

RGB 183 181 210

HSL 244.14, 0.24%, 0.77%

LAB 74.68, 6.44, -14.34

 

CMYK 13 / 13 / 0 / 10

HEX #C8C7E5

RGB 200 199 229

HSL 242, 0.37%, 0.84%

LAB 81.17, 6.19, -14.72

 

CMYK 13 / 13 / 0 / 3

HEX #D9D9F8

RGB 217 217 248

HSL 240, 0.69%, 0.91%

LAB 87.56, 5.95, -15.09

 

CMYK 19 / 18 / 0 / 31

HEX #9091B1

RGB 144 145 177

HSL 238.18, 0.17%, 0.63%

LAB 61.09, 6.47, -16.83

 

CMYK 20 / 20 / 0 / 38

HEX #7F7F9E

RGB 127 127 158

HSL 240, 0.14%, 0.56%

LAB 54.2, 6.8, -16.55

 

CMYK 21 / 22 / 0 / 45

HEX #6E6D8B

RGB 110 109 139

HSL 242, 0.12%, 0.49%

LAB 47.13, 7.16, -16.29

 

CMYK 23 / 24 / 0 / 53

HEX #5D5B78

RGB 93 91 120

HSL 244.14, 0.14%, 0.41%

LAB 39.86, 7.57, -16.06

 

CMYK 25 / 28 / 0 / 60

HEX #4C4965

RGB 76 73 101

HSL 246.43, 0.16%, 0.34%

LAB 32.35, 8.06, -15.88

 

CMYK 18 / 18 / 0 / 31

HEX #9091B0

RGB 144 145 176

HSL 238.13, 0.17%, 0.63%

LAB 61.06, 6.24, -16.31

 

CMYK 14 / 18 / 0 / 31

HEX #9890B0

RGB 152 144 176

HSL 255, 0.17%, 0.63%

LAB 61.44, 9.47, -15.67

 

CMYK 9 / 18 / 0 / 31

HEX #A090B0

RGB 160 144 176

HSL 270, 0.17%, 0.63%

LAB 62.13, 12.18, -14.56

 

CMYK 4 / 18 / 0 / 31

HEX #A990B0

RGB 169 144 176

HSL 286.88, 0.17%, 0.63%

LAB 62.94, 15.27, -13.26

 

CMYK 0 / 18 / 1 / 31

HEX #B090AF

RGB 176 144 175

HSL 301.88, 0.17%, 0.63%

LAB 63.57, 17.51, -11.69

 

CMYK 18 / 18 / 0 / 31

HEX #9091B0

RGB 144 145 176

HSL 238.13, 0.17%, 0.63%

LAB 61.06, 6.24, -16.31

 

CMYK 18 / 18 / 0 / 31

HEX #9090B0

RGB 144 144 176

HSL 240, 0.17%, 0.63%

LAB 60.79, 6.81, -16.72

 

CMYK 18 / 18 / 0 / 31

HEX #9091B0

RGB 144 145 176

HSL 238.13, 0.17%, 0.63%

LAB 61.06, 6.24, -16.31

 

CMYK 32 / 31 / 0 / 25

HEX #8183BF

RGB 129 131 191

HSL 238.06, 0.33%, 0.63%

LAB 56.74, 13.39, -31.56

 

CMYK 45 / 44 / 0 / 19

HEX #7274CF

RGB 114 116 207

HSL 238.71, 0.49%, 0.63%

LAB 52.48, 22.81, -47.45

 

CMYK 56 / 54 / 0 / 13

HEX #6266DE

RGB 98 102 222

HSL 238.06, 0.65%, 0.63%

LAB 48.73, 32.46, -62.04

 

CMYK 65 / 63 / 0 / 7

HEX #5358ED

RGB 83 88 237

HSL 238.05, 0.81%, 0.63%

LAB 45.54, 43.31, -75.73

 

CMYK 18 / 18 / 0 / 31

HEX #9091B0

RGB 144 145 176

HSL 238.13, 0.17%, 0.63%

LAB 61.06, 6.24, -16.31

 

CMYK 1 / 1 / 0 / 37

HEX #9F9FA1

RGB 159 159 161

HSL 240, 0.01%, 0.63%

LAB 65.55, 0.39, -1.05

 

CMYK 0 / 1 / 17 / 31

HEX #AFAE92

RGB 175 174 146

HSL 57.93, 0.15%, 0.63%

LAB 70.5, -4.48, 14.53

 

CMYK 0 / 1 / 32 / 25

HEX #BEBC82

RGB 190 188 130

HSL 58, 0.32%, 0.63%

LAB 75.16, -8.34, 29.67

 

CMYK 0 / 1 / 44 / 20

HEX #CDCA73

RGB 205 202 115

HSL 58, 0.47%, 0.63%

LAB 79.87, -11.26, 43.63

 

CMYK 18 / 8 / 0 / 31

HEX #90A2B0

RGB 144 162 176

HSL 206.25, 0.17%, 0.63%

LAB 65.67, -3.28, -9.37

 

CMYK 18 / 13 / 0 / 31

HEX #909AB0

RGB 144 154 176

HSL 221.25, 0.17%, 0.63%

LAB 63.49, 1.16, -12.65

 

CMYK 18 / 18 / 0 / 31

HEX #9091B0

RGB 144 145 176

HSL 238.13, 0.17%, 0.63%

LAB 61.06, 6.24, -16.31

 

CMYK 14 / 18 / 0 / 31

HEX #9890B0

RGB 152 144 176

HSL 255, 0.17%, 0.63%

LAB 61.44, 9.47, -15.67

 

CMYK 9 / 18 / 0 / 31

HEX #A090B0

RGB 160 144 176

HSL 270, 0.17%, 0.63%

LAB 62.13, 12.18, -14.56

 

CMYK 29 / 28 / 0 / 45

HEX #63648B

RGB 99 100 139

HSL 238.5, 0.17%, 0.47%

LAB 43.7, 9, -21.63

 

CMYK 25 / 24 / 0 / 38

HEX #78799F

RGB 120 121 159

HSL 238.46, 0.17%, 0.55%

LAB 52.03, 8.27, -20.48

 

CMYK 18 / 18 / 0 / 31

HEX #9091B0

RGB 144 145 176

HSL 238.13, 0.17%, 0.63%

LAB 61.06, 6.24, -16.31

 

CMYK 13 / 12 / 0 / 24

HEX #A8A9C1

RGB 168 169 193

HSL 237.6, 0.17%, 0.71%

LAB 69.86, 4.49, -12.37

 

CMYK 9 / 8 / 0 / 18

HEX #C0C1D2

RGB 192 193 210

HSL 236.67, 0.17%, 0.79%

LAB 78.46, 2.93, -8.62

 

CMYK 19 / 18 / 0 / 31

HEX #9091B1

RGB 144 145 177

HSL 238.18, 0.17%, 0.63%

LAB 61.09, 6.47, -16.83

 

CMYK 0 / 18 / 3 / 31

HEX #B090AB

RGB 176 144 171

HSL 309.38, 0.17%, 0.63%

LAB 63.44, 16.75, -9.62

 

CMYK 10 / 0 / 18 / 31

HEX #9EB090

RGB 158 176 144

HSL 93.75, 0.17%, 0.63%

LAB 69.71, -12.21, 14.32

 

CMYK 19 / 18 / 0 / 31

HEX #9091B1

RGB 144 145 177

HSL 238.18, 0.17%, 0.63%

LAB 61.09, 6.47, -16.83

 

CMYK 0 / 18 / 18 / 31

HEX #B09091

RGB 176 144 145

HSL 358.13, 0.17%, 0.63%

LAB 62.69, 12.18, 4

 

CMYK 18 / 0 / 18 / 31

HEX #91B090

RGB 145 176 144

HSL 118.13, 0.17%, 0.63%

LAB 68.81, -16.88, 12.94

 

CMYK 19 / 18 / 0 / 31

HEX #9091B1

RGB 144 145 177

HSL 238.18, 0.17%, 0.63%

LAB 61.09, 6.47, -16.83

 

CMYK 0 / 18 / 3 / 31

HEX #B090AB

RGB 176 144 171

HSL 309.38, 0.17%, 0.63%

LAB 63.44, 16.75, -9.62

 

CMYK 0 / 1 / 18 / 31

HEX #B0AF90

RGB 176 175 144

HSL 58.13, 0.17%, 0.63%

LAB 70.8, -4.95, 16.06

 

CMYK 18 / 0 / 15 / 31

HEX #90B095

RGB 144 176 149

HSL 129.38, 0.17%, 0.63%

LAB 68.86, -16.31, 10.25

 

CMYK 19 / 18 / 0 / 31

HEX #9091B1

RGB 144 145 177

HSL 238.18, 0.17%, 0.63%

LAB 61.09, 6.47, -16.83

 

CMYK 0 / 18 / 9 / 31

HEX #B090A1

RGB 176 144 161

HSL 328.13, 0.17%, 0.63%

LAB 63.14, 14.91, -4.42

 

CMYK 0 / 1 / 18 / 31

HEX #B0AF90

RGB 176 175 144

HSL 58.13, 0.17%, 0.63%

LAB 70.8, -4.95, 16.06

 

CMYK 18 / 0 / 10 / 31

HEX #90B09F

RGB 144 176 159

HSL 148.13, 0.17%, 0.63%

LAB 69.1, -14.38, 5.09

 

Description

Color code: HEX #9091B1 | qconv.com Color code: HEX #9091B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 145 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 145 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 18 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 18% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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