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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9093A0 it is the complementary color #6F6C5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9093A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9093A0 shade: #95939B, #A6A5AE, #B7B7C1, #C8C9D4 and #D9DBE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9093A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9093A0 shade: #9093A0, #7F818D, #6E6F7A, #5D5D67 and #4C4B54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9093A0 shade: #9093A1, #9290A1, #9690A1, #9A90A1 and #9F90A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9093A0 shade: #9093A1 and #9090A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9093A0 shade matches the following richer shades: #9093A1, #8089B1, #6F7FC2, #5F74D2 and #4E6AE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9093A0 shade: #9093A1, #A19E90, #B1A880, #C2B26F and #D2BD5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9093A0 shade: #909CA1, #9098A1, #9094A1, #9190A1 and #9690A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9093A0 shade: #666A78, #7A7E8E, #9093A1, #A7A9B4 and #BDBFC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9093A0 shade: #9093A0, #A190A1 and #9AA190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9093A0 shade: #9093A0, #A19094 and #94A190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9093A0 shade: #9093A0, #A190A1, #A19D90 and #90A190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9093A0 shade: #9093A0, #A1909C, #A19D90 and #90A195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 8 / 0 / 37

HEX #9093A0

RGB 144 147 160

HSL 228.75, 0.08%, 0.6%

LAB 61.08, 1.58, -7.21

 

Complementary color

CMYK 0 / 3 / 14 / 56

HEX #6F6C5F

RGB 111 108 95

HSL 48.75, 0.08%, 0.4%

LAB 45.54, -1.3, 7.69

 

CMYK 4 / 5 / 0 / 39

HEX #95939B

RGB 149 147 155

HSL 255, 0.04%, 0.59%

LAB 61.33, 2.31, -3.96

 

CMYK 5 / 5 / 0 / 32

HEX #A6A5AE

RGB 166 165 174

HSL 246.67, 0.05%, 0.66%

LAB 68.07, 2.1, -4.52

 

CMYK 5 / 5 / 0 / 24

HEX #B7B7C1

RGB 183 183 193

HSL 240, 0.07%, 0.74%

LAB 74.69, 1.91, -5.06

 

CMYK 6 / 5 / 0 / 17

HEX #C8C9D4

RGB 200 201 212

HSL 235, 0.12%, 0.81%

LAB 81.18, 1.73, -5.59

 

CMYK 6 / 5 / 0 / 9

HEX #D9DBE7

RGB 217 219 231

HSL 231.43, 0.23%, 0.88%

LAB 87.57, 1.56, -6.11

 

CMYK 10 / 8 / 0 / 37

HEX #9093A0

RGB 144 147 160

HSL 228.75, 0.08%, 0.6%

LAB 61.08, 1.58, -7.21

 

CMYK 10 / 9 / 0 / 45

HEX #7F818D

RGB 127 129 141

HSL 231.43, 0.06%, 0.53%

LAB 54.17, 1.77, -6.72

 

CMYK 10 / 9 / 0 / 52

HEX #6E6F7A

RGB 110 111 122

HSL 235, 0.05%, 0.45%

LAB 47.09, 1.97, -6.21

 

CMYK 10 / 10 / 0 / 60

HEX #5D5D67

RGB 93 93 103

HSL 240, 0.05%, 0.38%

LAB 39.81, 2.2, -5.7

 

CMYK 10 / 11 / 0 / 67

HEX #4C4B54

RGB 76 75 84

HSL 246.67, 0.06%, 0.31%

LAB 32.28, 2.45, -5.17

 

CMYK 11 / 9 / 0 / 37

HEX #9093A1

RGB 144 147 161

HSL 229.41, 0.08%, 0.6%

LAB 61.11, 1.79, -7.74

 

CMYK 9 / 11 / 0 / 37

HEX #9290A1

RGB 146 144 161

HSL 247.06, 0.08%, 0.6%

LAB 60.45, 4.18, -8.69

 

CMYK 7 / 11 / 0 / 37

HEX #9690A1

RGB 150 144 161

HSL 261.18, 0.08%, 0.6%

LAB 60.78, 5.58, -8.16

 

CMYK 4 / 11 / 0 / 37

HEX #9A90A1

RGB 154 144 161

HSL 275.29, 0.08%, 0.6%

LAB 61.12, 6.99, -7.62

 

CMYK 1 / 11 / 0 / 37

HEX #9F90A1

RGB 159 144 161

HSL 292.94, 0.08%, 0.6%

LAB 61.56, 8.77, -6.93

 

CMYK 11 / 9 / 0 / 37

HEX #9093A1

RGB 144 147 161

HSL 229.41, 0.08%, 0.6%

LAB 61.11, 1.79, -7.74

 

CMYK 11 / 11 / 0 / 37

HEX #9090A1

RGB 144 144 161

HSL 240, 0.08%, 0.6%

LAB 60.29, 3.48, -8.95

 

CMYK 11 / 9 / 0 / 37

HEX #9093A1

RGB 144 147 161

HSL 229.41, 0.08%, 0.6%

LAB 61.11, 1.79, -7.74

 

CMYK 28 / 23 / 0 / 31

HEX #8089B1

RGB 128 137 177

HSL 228.98, 0.24%, 0.6%

LAB 57.71, 5.97, -22.1

 

CMYK 43 / 35 / 0 / 24

HEX #6F7FC2

RGB 111 127 194

HSL 228.43, 0.4%, 0.6%

LAB 54.5, 11.61, -36.86

 

CMYK 55 / 45 / 0 / 18

HEX #5F74D2

RGB 95 116 210

HSL 229.04, 0.56%, 0.6%

LAB 51.36, 19.43, -51.02

 

CMYK 66 / 53 / 0 / 11

HEX #4E6AE3

RGB 78 106 227

HSL 228.72, 0.73%, 0.6%

LAB 48.85, 28.21, -64.72

 

CMYK 11 / 9 / 0 / 37

HEX #9093A1

RGB 144 147 161

HSL 229.41, 0.08%, 0.6%

LAB 61.11, 1.79, -7.74

 

CMYK 0 / 2 / 11 / 37

HEX #A19E90

RGB 161 158 144

HSL 49.41, 0.08%, 0.6%

LAB 65, -1.44, 7.7

 

CMYK 0 / 5 / 28 / 31

HEX #B1A880

RGB 177 168 128

HSL 48.98, 0.24%, 0.6%

LAB 68.69, -3.16, 21.88

 

CMYK 0 / 8 / 43 / 24

HEX #C2B26F

RGB 194 178 111

HSL 48.43, 0.4%, 0.6%

LAB 72.53, -3.7, 36.26

 

CMYK 0 / 10 / 55 / 18

HEX #D2BD5F

RGB 210 189 95

HSL 49.04, 0.56%, 0.6%

LAB 76.63, -4.33, 49.57

 

CMYK 11 / 3 / 0 / 37

HEX #909CA1

RGB 144 156 161

HSL 197.65, 0.08%, 0.6%

LAB 63.57, -3.23, -4.08

 

CMYK 11 / 6 / 0 / 37

HEX #9098A1

RGB 144 152 161

HSL 211.76, 0.08%, 0.6%

LAB 62.47, -1.01, -5.71

 

CMYK 11 / 8 / 0 / 37

HEX #9094A1

RGB 144 148 161

HSL 225.88, 0.08%, 0.6%

LAB 61.38, 1.23, -7.33

 

CMYK 10 / 11 / 0 / 37

HEX #9190A1

RGB 145 144 161

HSL 243.53, 0.08%, 0.6%

LAB 60.37, 3.83, -8.82

 

CMYK 7 / 11 / 0 / 37

HEX #9690A1

RGB 150 144 161

HSL 261.18, 0.08%, 0.6%

LAB 60.78, 5.58, -8.16

 

CMYK 15 / 12 / 0 / 53

HEX #666A78

RGB 102 106 120

HSL 226.67, 0.08%, 0.44%

LAB 44.93, 1.59, -8.32

 

CMYK 14 / 11 / 0 / 44

HEX #7A7E8E

RGB 122 126 142

HSL 228, 0.08%, 0.52%

LAB 52.96, 1.96, -9.14

 

CMYK 11 / 9 / 0 / 37

HEX #9093A1

RGB 144 147 161

HSL 229.41, 0.08%, 0.6%

LAB 61.11, 1.79, -7.74

 

CMYK 7 / 6 / 0 / 29

HEX #A7A9B4

RGB 167 169 180

HSL 230.77, 0.08%, 0.68%

LAB 69.39, 1.46, -5.89

 

CMYK 5 / 4 / 0 / 22

HEX #BDBFC7

RGB 189 191 199

HSL 228, 0.08%, 0.76%

LAB 77.4, 0.83, -4.26

 

CMYK 10 / 8 / 0 / 37

HEX #9093A0

RGB 144 147 160

HSL 228.75, 0.08%, 0.6%

LAB 61.08, 1.58, -7.21

 

CMYK 0 / 11 / 0 / 37

HEX #A190A1

RGB 161 144 161

HSL 300, 0.08%, 0.6%

LAB 61.74, 9.48, -6.64

 

CMYK 4 / 0 / 11 / 37

HEX #9AA190

RGB 154 161 144

HSL 84.71, 0.08%, 0.6%

LAB 65.26, -5.69, 7.99

 

CMYK 10 / 8 / 0 / 37

HEX #9093A0

RGB 144 147 160

HSL 228.75, 0.08%, 0.6%

LAB 61.08, 1.58, -7.21

 

CMYK 0 / 11 / 8 / 37

HEX #A19094

RGB 161 144 148

HSL 345.88, 0.08%, 0.6%

LAB 61.36, 7.04, 0.19

 

CMYK 8 / 0 / 11 / 37

HEX #94A190

RGB 148 161 144

HSL 105.88, 0.08%, 0.6%

LAB 64.8, -7.89, 7.28

 

CMYK 10 / 8 / 0 / 37

HEX #9093A0

RGB 144 147 160

HSL 228.75, 0.08%, 0.6%

LAB 61.08, 1.58, -7.21

 

CMYK 0 / 11 / 0 / 37

HEX #A190A1

RGB 161 144 161

HSL 300, 0.08%, 0.6%

LAB 61.74, 9.48, -6.64

 

CMYK 0 / 2 / 11 / 37

HEX #A19D90

RGB 161 157 144

HSL 45.88, 0.08%, 0.6%

LAB 64.73, -0.89, 7.31

HEX #A19D90

CMYK 11 / 0 / 11 / 37

HEX #90A190

RGB 144 161 144

HSL 120, 0.08%, 0.6%

LAB 64.51, -9.34, 6.82

HEX #90A190

CMYK 10 / 8 / 0 / 37

HEX #9093A0

RGB 144 147 160

HSL 228.75, 0.08%, 0.6%

LAB 61.08, 1.58, -7.21

 

CMYK 0 / 11 / 3 / 37

HEX #A1909C

RGB 161 144 156

HSL 317.65, 0.08%, 0.6%

LAB 61.59, 8.52, -4.02

 

CMYK 0 / 2 / 11 / 37

HEX #A19D90

RGB 161 157 144

HSL 45.88, 0.08%, 0.6%

LAB 64.73, -0.89, 7.31

HEX #A19D90

CMYK 11 / 0 / 7 / 37

HEX #90A195

RGB 144 161 149

HSL 137.65, 0.08%, 0.6%

LAB 64.63, -8.38, 4.21

HEX #90A195

Description

Color code: HEX #9093A0 | qconv.com Color code: HEX #9093A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 147 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 147 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 8 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 8% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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