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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #909F50 it is the complementary color #6F60AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #909F50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #909F50 shade: #959F4B, #A6B15E, #B7C371, #C8D584 and #D9E797

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #909F50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #909F50 shade: #909F50, #7F8D3D, #6E7B2A, #5D6917 and #4C5704

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #909F50 shade: #909F50, #9F9950, #9F8350, #9F6E50 and #9F5950

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #909F50 shade: #909F50, #7B9F50, #659F50, #509F50 and #509F65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #909F50 shade matches the following richer shades: #909F50, #9CB23C, #A8C629, #B4D916 and #C0EC02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #909F50 shade: #909F50, #848C63, #787877, #6C658A and #60519D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #909F50 shade: #9F8350, #9F9850, #909F50, #7B9F50 and #669F50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #909F50 shade: #5E6834, #778342, #909F50, #A3B266 and #B4C082

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #909F50 shade: #909F50, #509F6E and #8E509F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #909F50 shade: #909F50, #50909F and #9F5090

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #909F50 shade: #909F50, #509F6E, #5E509F and #9F5081

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #909F50 shade: #909F50, #509F86, #5E509F and #9F5069

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 50 / 38

HEX #909F50

RGB 144 159 80

HSL 71.39, 0.33%, 0.47%

LAB 62.76, -17.66, 39.13

 

Complementary color

CMYK 37 / 45 / 0 / 31

HEX #6F60AF

RGB 111 96 175

HSL 251.39, 0.33%, 0.53%

LAB 45.41, 24.92, -40.22

 

CMYK 6 / 0 / 53 / 38

HEX #959F4B

RGB 149 159 75

HSL 67.14, 0.36%, 0.46%

LAB 63.09, -16.07, 42.1

 

CMYK 6 / 0 / 47 / 31

HEX #A6B15E

RGB 166 177 94

HSL 67.95, 0.35%, 0.53%

LAB 69.72, -16.43, 40.92

 

CMYK 6 / 0 / 42 / 24

HEX #B7C371

RGB 183 195 113

HSL 68.78, 0.41%, 0.6%

LAB 76.25, -16.7, 39.74

 

CMYK 6 / 0 / 38 / 16

HEX #C8D584

RGB 200 213 132

HSL 69.63, 0.49%, 0.68%

LAB 82.66, -16.92, 38.57

 

CMYK 6 / 0 / 35 / 9

HEX #D9E797

RGB 217 231 151

HSL 70.5, 0.63%, 0.75%

LAB 88.99, -17.1, 37.44

 

CMYK 9 / 0 / 50 / 38

HEX #909F50

RGB 144 159 80

HSL 71.39, 0.33%, 0.47%

LAB 62.76, -17.66, 39.13

 

CMYK 10 / 0 / 57 / 45

HEX #7F8D3D

RGB 127 141 61

HSL 70.5, 0.4%, 0.4%

LAB 55.99, -17.32, 40.28

 

CMYK 11 / 0 / 66 / 52

HEX #6E7B2A

RGB 110 123 42

HSL 69.63, 0.49%, 0.32%

LAB 49.07, -16.83, 41.23

 

CMYK 11 / 0 / 78 / 59

HEX #5D6917

RGB 93 105 23

HSL 68.78, 0.64%, 0.25%

LAB 41.99, -16.13, 41.59

 

CMYK 13 / 0 / 95 / 66

HEX #4C5704

RGB 76 87 4

HSL 67.95, 0.91%, 0.18%

LAB 34.73, -15.11, 40.7

 

CMYK 9 / 0 / 50 / 38

HEX #909F50

RGB 144 159 80

HSL 71.39, 0.33%, 0.47%

LAB 62.76, -17.66, 39.13

 

CMYK 0 / 4 / 50 / 38

HEX #9F9950

RGB 159 153 80

HSL 55.44, 0.33%, 0.47%

LAB 62.28, -8.18, 38.84

 

CMYK 0 / 18 / 50 / 38

HEX #9F8350

RGB 159 131 80

HSL 38.73, 0.33%, 0.47%

LAB 56.27, 3.91, 31.46

 

CMYK 0 / 31 / 50 / 38

HEX #9F6E50

RGB 159 110 80

HSL 22.78, 0.33%, 0.47%

LAB 50.81, 15.85, 24.49

 

CMYK 0 / 44 / 50 / 38

HEX #9F5950

RGB 159 89 80

HSL 6.84, 0.33%, 0.47%

LAB 45.76, 27.75, 17.83

 

CMYK 9 / 0 / 50 / 38

HEX #909F50

RGB 144 159 80

HSL 71.39, 0.33%, 0.47%

LAB 62.76, -17.66, 39.13

 

CMYK 23 / 0 / 50 / 38

HEX #7B9F50

RGB 123 159 80

HSL 87.34, 0.33%, 0.47%

LAB 61.3, -26.11, 37.01

 

CMYK 36 / 0 / 50 / 38

HEX #659F50

RGB 101 159 80

HSL 104.05, 0.33%, 0.47%

LAB 60.02, -34.22, 35.15

 

CMYK 50 / 0 / 50 / 38

HEX #509F50

RGB 80 159 80

HSL 120, 0.33%, 0.47%

LAB 59.05, -40.92, 33.74

 

CMYK 50 / 0 / 36 / 38

HEX #509F65

RGB 80 159 101

HSL 135.95, 0.33%, 0.47%

LAB 59.38, -37.49, 23

 

CMYK 9 / 0 / 50 / 38

HEX #909F50

RGB 144 159 80

HSL 71.39, 0.33%, 0.47%

LAB 62.76, -17.66, 39.13

 

CMYK 12 / 0 / 66 / 30

HEX #9CB23C

RGB 156 178 60

HSL 71.19, 0.5%, 0.47%

LAB 68.92, -23.93, 55.45

 

CMYK 15 / 0 / 79 / 22

HEX #A8C629

RGB 168 198 41

HSL 71.46, 0.66%, 0.47%

LAB 75.37, -29.61, 68.54

 

CMYK 17 / 0 / 90 / 15

HEX #B4D916

RGB 180 217 22

HSL 71.38, 0.82%, 0.47%

LAB 81.5, -34.13, 78.13

 

CMYK 19 / 0 / 99 / 7

HEX #C0EC02

RGB 192 236 2

HSL 71.28, 0.98%, 0.47%

LAB 87.58, -38.21, 85.24

 

CMYK 9 / 0 / 50 / 38

HEX #909F50

RGB 144 159 80

HSL 71.39, 0.33%, 0.47%

LAB 62.76, -17.66, 39.13

 

CMYK 6 / 0 / 29 / 45

HEX #848C63

RGB 132 140 99

HSL 71.71, 0.17%, 0.47%

LAB 56.65, -10.16, 20.98

 

CMYK 0 / 0 / 1 / 53

HEX #787877

RGB 120 120 119

HSL 60, 0%, 0.47%

LAB 50.4, -0.2, 0.54

 

CMYK 22 / 27 / 0 / 46

HEX #6C658A

RGB 108 101 138

HSL 251.35, 0.15%, 0.47%

LAB 44.7, 11.08, -19.42

 

CMYK 39 / 48 / 0 / 38

HEX #60519D

RGB 96 81 157

HSL 251.84, 0.32%, 0.47%

LAB 39.25, 24.97, -39.42

 

CMYK 0 / 18 / 50 / 38

HEX #9F8350

RGB 159 131 80

HSL 38.73, 0.33%, 0.47%

LAB 56.27, 3.91, 31.46

 

CMYK 0 / 4 / 50 / 38

HEX #9F9850

RGB 159 152 80

HSL 54.68, 0.33%, 0.47%

LAB 62, -7.64, 38.5

 

CMYK 9 / 0 / 50 / 38

HEX #909F50

RGB 144 159 80

HSL 71.39, 0.33%, 0.47%

LAB 62.76, -17.66, 39.13

 

CMYK 23 / 0 / 50 / 38

HEX #7B9F50

RGB 123 159 80

HSL 87.34, 0.33%, 0.47%

LAB 61.3, -26.11, 37.01

 

CMYK 36 / 0 / 50 / 38

HEX #669F50

RGB 102 159 80

HSL 103.29, 0.33%, 0.47%

LAB 60.07, -33.87, 35.23

 

CMYK 10 / 0 / 50 / 59

HEX #5E6834

RGB 94 104 52

HSL 71.54, 0.33%, 0.31%

LAB 42.04, -12.69, 27.84

 

CMYK 9 / 0 / 50 / 49

HEX #778342

RGB 119 131 66

HSL 71.08, 0.33%, 0.39%

LAB 52.45, -14.96, 33.42

 

CMYK 9 / 0 / 50 / 38

HEX #909F50

RGB 144 159 80

HSL 71.39, 0.33%, 0.47%

LAB 62.76, -17.66, 39.13

 

CMYK 8 / 0 / 43 / 30

HEX #A3B266

RGB 163 178 102

HSL 71.84, 0.33%, 0.55%

LAB 69.89, -17.28, 37.02

 

CMYK 6 / 0 / 32 / 25

HEX #B4C082

RGB 180 192 130

HSL 71.61, 0.33%, 0.63%

LAB 75.46, -14.29, 29.93

 

CMYK 9 / 0 / 50 / 38

HEX #909F50

RGB 144 159 80

HSL 71.39, 0.33%, 0.47%

LAB 62.76, -17.66, 39.13

 

CMYK 50 / 0 / 31 / 38

HEX #509F6E

RGB 80 159 110

HSL 142.78, 0.33%, 0.47%

LAB 59.55, -35.77, 18.29

 

CMYK 11 / 50 / 0 / 38

HEX #8E509F

RGB 142 80 159

HSL 287.09, 0.33%, 0.47%

LAB 44.22, 39.22, -32.43

 

CMYK 9 / 0 / 50 / 38

HEX #909F50

RGB 144 159 80

HSL 71.39, 0.33%, 0.47%

LAB 62.76, -17.66, 39.13

 

CMYK 50 / 9 / 0 / 38

HEX #50909F

RGB 80 144 159

HSL 191.39, 0.33%, 0.47%

LAB 56.24, -16.3, -14.29

 

CMYK 0 / 50 / 9 / 38

HEX #9F5090

RGB 159 80 144

HSL 311.39, 0.33%, 0.47%

LAB 45.8, 41.54, -20.83

 

CMYK 9 / 0 / 50 / 38

HEX #909F50

RGB 144 159 80

HSL 71.39, 0.33%, 0.47%

LAB 62.76, -17.66, 39.13

 

CMYK 50 / 0 / 31 / 38

HEX #509F6E

RGB 80 159 110

HSL 142.78, 0.33%, 0.47%

LAB 59.55, -35.77, 18.29

 

CMYK 41 / 50 / 0 / 38

HEX #5E509F

RGB 94 80 159

HSL 250.63, 0.33%, 0.47%

LAB 38.93, 25.65, -41.14

 

CMYK 0 / 50 / 19 / 38

HEX #9F5081

RGB 159 80 129

HSL 322.78, 0.33%, 0.47%

LAB 45.21, 39.05, -12.69

 

CMYK 9 / 0 / 50 / 38

HEX #909F50

RGB 144 159 80

HSL 71.39, 0.33%, 0.47%

LAB 62.76, -17.66, 39.13

 

CMYK 50 / 0 / 16 / 38

HEX #509F86

RGB 80 159 134

HSL 161.01, 0.33%, 0.47%

LAB 60.09, -30.53, 5.62

 

CMYK 41 / 50 / 0 / 38

HEX #5E509F

RGB 94 80 159

HSL 250.63, 0.33%, 0.47%

LAB 38.93, 25.65, -41.14

 

CMYK 0 / 50 / 34 / 38

HEX #9F5069

RGB 159 80 105

HSL 341.01, 0.33%, 0.47%

LAB 44.42, 35.57, 0.75

 

Description

Color code: HEX #909F50 | qconv.com Color code: HEX #909F50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 159 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 159 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 50 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 50% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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