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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90AD4C it is the complementary color #6F52B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90AD4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90AD4C shade: #95AD47, #A6BF5A, #B7D16D, #C8E380 and #D9F593

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90AD4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90AD4C shade: #90AD4C, #7F9B39, #6E8926, #5D7713 and #4C6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90AD4C shade: #90AD4C, #AAAD4C, #AD964C, #AD7B4C and #AD614C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90AD4C shade: #90AD4C, #76AD4C, #5BAD4C, #4CAD56 and #4CAD71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90AD4C shade matches the following richer shades: #90AD4C, #98C138, #A0D623 and #A8EA0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90AD4C shade: #90AD4C, #889960, #808574, #787188 and #705C9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90AD4C shade: #AD954C, #ACAD4C, #92AD4C, #78AD4C and #5EAD4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90AD4C shade: #607433, #78913F, #90AD4C, #A2BC66 and #B4C883

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90AD4C shade: #90AD4C, #4CAD7B and #A24CAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90AD4C shade: #90AD4C, #4C92AD and #AD4C92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90AD4C shade: #90AD4C, #4CAD7B, #674CAD and #AD4C7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90AD4C shade: #90AD4C, #4CAD98, #674CAD and #AD4C61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 56 / 32

HEX #90AD4C

RGB 144 173 76

HSL 77.94, 0.39%, 0.49%

LAB 66.78, -25.1, 45.81

 

Complementary color

CMYK 38 / 54 / 0 / 30

HEX #6F52B3

RGB 111 82 179

HSL 257.94, 0.39%, 0.51%

LAB 42.26, 34.46, -47.59

 

CMYK 14 / 0 / 59 / 32

HEX #95AD47

RGB 149 173 71

HSL 74.12, 0.42%, 0.48%

LAB 67.08, -23.52, 48.56

 

CMYK 13 / 0 / 53 / 25

HEX #A6BF5A

RGB 166 191 90

HSL 74.85, 0.44%, 0.55%

LAB 73.61, -23.83, 47.53

 

CMYK 12 / 0 / 48 / 18

HEX #B7D16D

RGB 183 209 109

HSL 75.6, 0.52%, 0.62%

LAB 80.05, -24.06, 46.41

 

CMYK 12 / 0 / 44 / 11

HEX #C8E380

RGB 200 227 128

HSL 76.36, 0.64%, 0.7%

LAB 86.39, -24.23, 45.27

 

CMYK 11 / 0 / 40 / 4

HEX #D9F593

RGB 217 245 147

HSL 77.14, 0.83%, 0.77%

LAB 92.65, -24.35, 44.13

 

CMYK 17 / 0 / 56 / 32

HEX #90AD4C

RGB 144 173 76

HSL 77.94, 0.39%, 0.49%

LAB 66.78, -25.1, 45.81

 

CMYK 18 / 0 / 63 / 39

HEX #7F9B39

RGB 127 155 57

HSL 77.14, 0.46%, 0.42%

LAB 60.11, -24.79, 46.75

 

CMYK 20 / 0 / 72 / 46

HEX #6E8926

RGB 110 137 38

HSL 76.36, 0.57%, 0.34%

LAB 53.33, -24.33, 47.32

 

CMYK 22 / 0 / 84 / 53

HEX #5D7713

RGB 93 119 19

HSL 75.6, 0.72%, 0.27%

LAB 46.4, -23.64, 46.99

 

CMYK 25 / 0 / 100 / 60

HEX #4C6500

RGB 76 101 0

HSL 74.85, 1%, 0.2%

LAB 39.32, -22.7, 45.48

 

CMYK 17 / 0 / 56 / 32

HEX #90AD4C

RGB 144 173 76

HSL 77.94, 0.39%, 0.49%

LAB 66.78, -25.1, 45.81

 

CMYK 2 / 0 / 56 / 32

HEX #AAAD4C

RGB 170 173 76

HSL 61.86, 0.39%, 0.49%

LAB 68.72, -14.36, 48.54

 

CMYK 0 / 13 / 56 / 32

HEX #AD964C

RGB 173 150 76

HSL 45.77, 0.39%, 0.49%

LAB 62.69, -0.87, 41.66

 

CMYK 0 / 29 / 56 / 32

HEX #AD7B4C

RGB 173 123 76

HSL 29.07, 0.39%, 0.49%

LAB 55.66, 14.13, 33.2

 

CMYK 0 / 44 / 56 / 32

HEX #AD614C

RGB 173 97 76

HSL 12.99, 0.39%, 0.49%

LAB 49.44, 28.65, 25.39

 

CMYK 17 / 0 / 56 / 32

HEX #90AD4C

RGB 144 173 76

HSL 77.94, 0.39%, 0.49%

LAB 66.78, -25.1, 45.81

 

CMYK 32 / 0 / 56 / 32

HEX #76AD4C

RGB 118 173 76

HSL 94.02, 0.39%, 0.49%

LAB 65.17, -35.07, 43.53

 

CMYK 47 / 0 / 56 / 32

HEX #5BAD4C

RGB 91 173 76

HSL 110.72, 0.39%, 0.49%

LAB 63.86, -44.08, 41.67

 

CMYK 56 / 0 / 50 / 32

HEX #4CAD56

RGB 76 173 86

HSL 126.19, 0.39%, 0.49%

LAB 63.42, -46.92, 36.07

 

CMYK 56 / 0 / 35 / 32

HEX #4CAD71

RGB 76 173 113

HSL 142.89, 0.39%, 0.49%

LAB 63.85, -42.36, 22.45

 

CMYK 17 / 0 / 56 / 32

HEX #90AD4C

RGB 144 173 76

HSL 77.94, 0.39%, 0.49%

LAB 66.78, -25.1, 45.81

 

CMYK 21 / 0 / 71 / 24

HEX #98C138

RGB 152 193 56

HSL 77.96, 0.55%, 0.49%

LAB 72.96, -32.97, 61.02

 

CMYK 25 / 0 / 84 / 16

HEX #A0D623

RGB 160 214 35

HSL 78.1, 0.72%, 0.49%

LAB 79.44, -40.3, 73.44

 

CMYK 28 / 0 / 94 / 8

HEX #A8EA0F

RGB 168 234 15

HSL 78.08, 0.88%, 0.49%

LAB 85.61, -46.38, 81.99

 

CMYK 17 / 0 / 56 / 32

HEX #90AD4C

RGB 144 173 76

HSL 77.94, 0.39%, 0.49%

LAB 66.78, -25.1, 45.81

 

CMYK 11 / 0 / 37 / 40

HEX #889960

RGB 136 153 96

HSL 77.89, 0.23%, 0.49%

LAB 60.66, -15.91, 27.99

 

CMYK 4 / 0 / 13 / 48

HEX #808574

RGB 128 133 116

HSL 77.65, 0.07%, 0.49%

LAB 54.68, -5.1, 8.54

 

CMYK 12 / 17 / 0 / 47

HEX #787188

RGB 120 113 136

HSL 258.26, 0.09%, 0.49%

LAB 48.98, 7.53, -11.61

 

CMYK 29 / 41 / 0 / 38

HEX #705C9D

RGB 112 92 157

HSL 258.46, 0.26%, 0.49%

LAB 43.56, 22.75, -32.52

 

CMYK 0 / 14 / 56 / 32

HEX #AD954C

RGB 173 149 76

HSL 45.15, 0.39%, 0.49%

LAB 62.42, -0.33, 41.34

 

CMYK 1 / 0 / 56 / 32

HEX #ACAD4C

RGB 172 173 76

HSL 60.62, 0.39%, 0.49%

LAB 68.88, -13.52, 48.76

 

CMYK 16 / 0 / 56 / 32

HEX #92AD4C

RGB 146 173 76

HSL 76.7, 0.39%, 0.49%

LAB 66.92, -24.3, 46

 

CMYK 31 / 0 / 56 / 32

HEX #78AD4C

RGB 120 173 76

HSL 92.78, 0.39%, 0.49%

LAB 65.28, -34.34, 43.68

 

CMYK 46 / 0 / 56 / 32

HEX #5EAD4C

RGB 94 173 76

HSL 108.87, 0.39%, 0.49%

LAB 63.99, -43.16, 41.85

 

CMYK 17 / 0 / 56 / 55

HEX #607433

RGB 96 116 51

HSL 78.46, 0.39%, 0.33%

LAB 45.93, -18.45, 33.05

 

CMYK 17 / 0 / 57 / 43

HEX #78913F

RGB 120 145 63

HSL 78.29, 0.39%, 0.41%

LAB 56.69, -22.14, 39.97

 

CMYK 17 / 0 / 56 / 32

HEX #90AD4C

RGB 144 173 76

HSL 77.94, 0.39%, 0.49%

LAB 66.78, -25.1, 45.81

 

CMYK 14 / 0 / 46 / 26

HEX #A2BC66

RGB 162 188 102

HSL 78.14, 0.39%, 0.57%

LAB 72.63, -22.69, 40.43

 

CMYK 10 / 0 / 35 / 22

HEX #B4C883

RGB 180 200 131

HSL 77.39, 0.39%, 0.65%

LAB 77.67, -18.21, 32.32

 

CMYK 17 / 0 / 56 / 32

HEX #90AD4C

RGB 144 173 76

HSL 77.94, 0.39%, 0.49%

LAB 66.78, -25.1, 45.81

 

CMYK 56 / 0 / 29 / 32

HEX #4CAD7B

RGB 76 173 123

HSL 149.07, 0.39%, 0.49%

LAB 64.04, -40.36, 17.28

 

CMYK 6 / 56 / 0 / 32

HEX #A24CAD

RGB 162 76 173

HSL 293.2, 0.39%, 0.49%

LAB 46.8, 49.79, -36.47

 

CMYK 17 / 0 / 56 / 32

HEX #90AD4C

RGB 144 173 76

HSL 77.94, 0.39%, 0.49%

LAB 66.78, -25.1, 45.81

 

CMYK 56 / 16 / 0 / 32

HEX #4C92AD

RGB 76 146 173

HSL 196.7, 0.39%, 0.49%

LAB 57.18, -14.13, -20.88

 

CMYK 0 / 56 / 16 / 32

HEX #AD4C92

RGB 173 76 146

HSL 316.7, 0.39%, 0.49%

LAB 47.14, 48.22, -19.8

 

CMYK 17 / 0 / 56 / 32

HEX #90AD4C

RGB 144 173 76

HSL 77.94, 0.39%, 0.49%

LAB 66.78, -25.1, 45.81

 

CMYK 56 / 0 / 29 / 32

HEX #4CAD7B

RGB 76 173 123

HSL 149.07, 0.39%, 0.49%

LAB 64.04, -40.36, 17.28

 

CMYK 40 / 56 / 0 / 32

HEX #674CAD

RGB 103 76 173

HSL 256.7, 0.39%, 0.49%

LAB 39.7, 34.39, -48.21

 

CMYK 0 / 56 / 27 / 32

HEX #AD4C7E

RGB 173 76 126

HSL 329.07, 0.39%, 0.49%

LAB 46.39, 45.27, -8.89

 

CMYK 17 / 0 / 56 / 32

HEX #90AD4C

RGB 144 173 76

HSL 77.94, 0.39%, 0.49%

LAB 66.78, -25.1, 45.81

 

CMYK 56 / 0 / 12 / 32

HEX #4CAD98

RGB 76 173 152

HSL 167.01, 0.39%, 0.49%

LAB 64.72, -33.69, 2.21

 

CMYK 40 / 56 / 0 / 32

HEX #674CAD

RGB 103 76 173

HSL 256.7, 0.39%, 0.49%

LAB 39.7, 34.39, -48.21

 

CMYK 0 / 56 / 44 / 32

HEX #AD4C61

RGB 173 76 97

HSL 347.01, 0.39%, 0.49%

LAB 45.52, 41.71, 7.51

 

Description

Color code: HEX #90AD4C | qconv.com Color code: HEX #90AD4C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 173 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 173 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 56 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 56% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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