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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90AEDE it is the complementary color #6F5121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90AEDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90AEDE shade: #95AED9, #A6C0EC, #B7D2FF, #C8E4FF and #D9F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90AEDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90AEDE shade: #90AEDE, #7F9CCB, #6E8AB8, #5D78A5 and #4C6692

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90AEDE shade: #91AEDE, #9199DE, #9C91DE, #B191DE and #C691DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90AEDE shade: #91AEDE, #9199DE and #9191DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90AEDE shade matches the following richer shades: #91AEDE, #85ACE9 and #79A9F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90AEDE shade: #91AEDE, #9CB1D2, #A8B4C7, #B3B6BB and #BFB9AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90AEDE shade: #91D9DE, #91C4DE, #91AFDE, #919BDE and #9B91DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90AEDE shade: #5180CB, #7197D4, #91AEDE, #B0C5E7 and #D0DDF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90AEDE shade: #90AEDE, #CE91DE and #CEDE91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90AEDE shade: #90AEDE, #DE91AF and #AFDE91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90AEDE shade: #90AEDE, #CE91DE, #DEBF91 and #A0DE91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90AEDE shade: #90AEDE, #DE91D6, #DEBF91 and #91DE98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 22 / 0 / 13

HEX #90AEDE

RGB 144 174 222

HSL 216.92, 0.54%, 0.72%

LAB 70.51, 1.26, -27.49

 

Complementary color

CMYK 0 / 27 / 70 / 56

HEX #6F5121

RGB 111 81 33

HSL 36.92, 0.54%, 0.28%

LAB 36.69, 7.11, 32.29

 

CMYK 31 / 20 / 0 / 15

HEX #95AED9

RGB 149 174 217

HSL 217.94, 0.47%, 0.72%

LAB 70.64, 1.4, -24.52

 

CMYK 30 / 19 / 0 / 7

HEX #A6C0EC

RGB 166 192 236

HSL 217.71, 0.65%, 0.79%

LAB 77.2, 1.14, -24.72

 

CMYK 28 / 18 / 0 / 0

HEX #B7D2FF

RGB 183 210 255

HSL 217.5, 1%, 0.86%

LAB 83.64, 0.91, -24.94

 

CMYK 22 / 11 / 0 / 0

HEX #C8E4FF

RGB 200 228 255

HSL 209.45, 1%, 0.89%

LAB 89.39, -3.55, -16.15

 

CMYK 15 / 4 / 0 / 0

HEX #D9F6FF

RGB 217 246 255

HSL 194.21, 1%, 0.93%

LAB 95.11, -7.59, -7.5

 

CMYK 35 / 22 / 0 / 13

HEX #90AEDE

RGB 144 174 222

HSL 216.92, 0.54%, 0.72%

LAB 70.51, 1.26, -27.49

 

CMYK 37 / 23 / 0 / 20

HEX #7F9CCB

RGB 127 156 203

HSL 217.11, 0.42%, 0.65%

LAB 63.84, 1.6, -27.35

 

CMYK 40 / 25 / 0 / 28

HEX #6E8AB8

RGB 110 138 184

HSL 217.3, 0.34%, 0.58%

LAB 57.03, 2, -27.24

 

CMYK 44 / 27 / 0 / 35

HEX #5D78A5

RGB 93 120 165

HSL 217.5, 0.29%, 0.51%

LAB 50.07, 2.47, -27.16

 

CMYK 48 / 30 / 0 / 43

HEX #4C6692

RGB 76 102 146

HSL 217.71, 0.32%, 0.44%

LAB 42.94, 3.06, -27.13

 

CMYK 35 / 22 / 0 / 13

HEX #91AEDE

RGB 145 174 222

HSL 217.4, 0.54%, 0.72%

LAB 70.57, 1.54, -27.39

 

CMYK 35 / 31 / 0 / 13

HEX #9199DE

RGB 145 153 222

HSL 233.77, 0.54%, 0.72%

LAB 65.02, 13.37, -35.97

 

CMYK 30 / 35 / 0 / 13

HEX #9C91DE

RGB 156 145 222

HSL 248.57, 0.54%, 0.72%

LAB 63.83, 21.06, -37.76

 

CMYK 20 / 35 / 0 / 13

HEX #B191DE

RGB 177 145 222

HSL 264.94, 0.54%, 0.72%

LAB 65.65, 27.21, -34.79

 

CMYK 11 / 35 / 0 / 13

HEX #C691DE

RGB 198 145 222

HSL 281.3, 0.54%, 0.72%

LAB 67.67, 33.6, -31.49

 

CMYK 35 / 22 / 0 / 13

HEX #91AEDE

RGB 145 174 222

HSL 217.4, 0.54%, 0.72%

LAB 70.57, 1.54, -27.39

 

CMYK 35 / 31 / 0 / 13

HEX #9199DE

RGB 145 153 222

HSL 233.77, 0.54%, 0.72%

LAB 65.02, 13.37, -35.97

 

CMYK 35 / 35 / 0 / 13

HEX #9191DE

RGB 145 145 222

HSL 240, 0.54%, 0.72%

LAB 62.96, 17.97, -39.18

 

CMYK 35 / 22 / 0 / 13

HEX #91AEDE

RGB 145 174 222

HSL 217.4, 0.54%, 0.72%

LAB 70.57, 1.54, -27.39

 

CMYK 43 / 26 / 0 / 9

HEX #85ACE9

RGB 133 172 233

HSL 216.6, 0.69%, 0.72%

LAB 69.74, 2.42, -34.75

 

CMYK 51 / 31 / 0 / 4

HEX #79A9F5

RGB 121 169 245

HSL 216.77, 0.86%, 0.72%

LAB 68.78, 4.71, -42.84

 

CMYK 35 / 22 / 0 / 13

HEX #91AEDE

RGB 145 174 222

HSL 217.4, 0.54%, 0.72%

LAB 70.57, 1.54, -27.39

 

CMYK 26 / 16 / 0 / 18

HEX #9CB1D2

RGB 156 177 210

HSL 216.67, 0.38%, 0.72%

LAB 71.67, 0.12, -19.08

 

CMYK 16 / 10 / 0 / 22

HEX #A8B4C7

RGB 168 180 199

HSL 216.77, 0.22%, 0.72%

LAB 72.95, -0.24, -11.04

 

CMYK 4 / 3 / 0 / 27

HEX #B3B6BB

RGB 179 182 187

HSL 217.5, 0.06%, 0.72%

LAB 73.95, -0.09, -2.91

 

CMYK 0 / 3 / 8 / 25

HEX #BFB9AF

RGB 191 185 175

HSL 37.5, 0.11%, 0.72%

LAB 75.37, 0.35, 5.81

 

CMYK 35 / 2 / 0 / 13

HEX #91D9DE

RGB 145 217 222

HSL 183.9, 0.54%, 0.72%

LAB 82.34, -21.11, -9.6

 

CMYK 35 / 12 / 0 / 13

HEX #91C4DE

RGB 145 196 222

HSL 200.26, 0.54%, 0.72%

LAB 76.54, -10.34, -18.29

 

CMYK 35 / 21 / 0 / 13

HEX #91AFDE

RGB 145 175 222

HSL 216.62, 0.54%, 0.72%

LAB 70.84, 0.99, -26.98

 

CMYK 35 / 30 / 0 / 13

HEX #919BDE

RGB 145 155 222

HSL 232.21, 0.54%, 0.72%

LAB 65.54, 12.23, -35.16

 

CMYK 30 / 35 / 0 / 13

HEX #9B91DE

RGB 155 145 222

HSL 247.79, 0.54%, 0.72%

LAB 63.75, 20.77, -37.9

 

CMYK 60 / 37 / 0 / 20

HEX #5180CB

RGB 81 128 203

HSL 216.89, 0.54%, 0.56%

LAB 53.49, 6.96, -43.69

 

CMYK 47 / 29 / 0 / 17

HEX #7197D4

RGB 113 151 212

HSL 216.97, 0.54%, 0.64%

LAB 62, 3.34, -35.29

 

CMYK 35 / 22 / 0 / 13

HEX #91AEDE

RGB 145 174 222

HSL 217.4, 0.54%, 0.72%

LAB 70.57, 1.54, -27.39

 

CMYK 24 / 15 / 0 / 9

HEX #B0C5E7

RGB 176 197 231

HSL 217.09, 0.53%, 0.8%

LAB 79, 0.22, -19.23

 

CMYK 14 / 8 / 0 / 5

HEX #D0DDF1

RGB 208 221 241

HSL 216.36, 0.54%, 0.88%

LAB 87.71, -0.41, -11.24

 

CMYK 35 / 22 / 0 / 13

HEX #90AEDE

RGB 144 174 222

HSL 216.92, 0.54%, 0.72%

LAB 70.51, 1.26, -27.49

 

CMYK 7 / 35 / 0 / 13

HEX #CE91DE

RGB 206 145 222

HSL 287.53, 0.54%, 0.72%

LAB 68.49, 36.07, -30.16

 

CMYK 7 / 0 / 35 / 13

HEX #CEDE91

RGB 206 222 145

HSL 72.47, 0.54%, 0.72%

LAB 85.71, -17.53, 36.03

 

CMYK 35 / 22 / 0 / 13

HEX #90AEDE

RGB 144 174 222

HSL 216.92, 0.54%, 0.72%

LAB 70.51, 1.26, -27.49

 

CMYK 0 / 35 / 21 / 13

HEX #DE91AF

RGB 222 145 175

HSL 336.62, 0.54%, 0.72%

LAB 68.66, 33.22, -3.59

 

CMYK 21 / 0 / 35 / 13

HEX #AFDE91

RGB 175 222 145

HSL 96.62, 0.54%, 0.72%

LAB 83.65, -28.86, 32.95

 

CMYK 35 / 22 / 0 / 13

HEX #90AEDE

RGB 144 174 222

HSL 216.92, 0.54%, 0.72%

LAB 70.51, 1.26, -27.49

 

CMYK 7 / 35 / 0 / 13

HEX #CE91DE

RGB 206 145 222

HSL 287.53, 0.54%, 0.72%

LAB 68.49, 36.07, -30.16

 

CMYK 0 / 14 / 35 / 13

HEX #DEBF91

RGB 222 191 145

HSL 35.84, 0.54%, 0.72%

LAB 78.95, 4.52, 27.31

 

CMYK 28 / 0 / 35 / 13

HEX #A0DE91

RGB 160 222 145

HSL 108.31, 0.54%, 0.72%

LAB 82.79, -34.01, 31.64

 

CMYK 35 / 22 / 0 / 13

HEX #90AEDE

RGB 144 174 222

HSL 216.92, 0.54%, 0.72%

LAB 70.51, 1.26, -27.49

 

CMYK 0 / 35 / 4 / 13

HEX #DE91D6

RGB 222 145 214

HSL 306.23, 0.54%, 0.72%

LAB 69.92, 39.61, -23.4

 

CMYK 0 / 14 / 35 / 13

HEX #DEBF91

RGB 222 191 145

HSL 35.84, 0.54%, 0.72%

LAB 78.95, 4.52, 27.31

 

CMYK 35 / 0 / 32 / 13

HEX #91DE98

RGB 145 222 152

HSL 125.45, 0.54%, 0.72%

LAB 82.13, -37.73, 27.03

 

Description

Color code: HEX #90AEDE | qconv.com Color code: HEX #90AEDE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 174 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 174 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 22 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 22% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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