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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90B6DF it is the complementary color #6F4920. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90B6DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90B6DF shade: #95B6DA, #A6C8ED, #B7DAFF, #C8ECFF and #D9FEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90B6DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90B6DF shade: #90B6DF, #7FA4CC, #6E92B9, #5D80A6 and #4C6E93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90B6DF shade: #90B6DE, #90A0DE, #9490DE, #AA90DE and #BF90DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90B6DF shade: #90B6DE, #90A0DE and #9090DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90B6DF shade matches the following richer shades: #90B6DE, #84B5EA and #79B5F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90B6DF shade: #90B6DE, #9BB6D3, #A7B6C7, #B2B7BC and #BEB7B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90B6DF shade: #90DEDD, #90CBDE, #90B6DE, #90A1DE and #9490DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90B6DF shade: #508BCC, #70A1D5, #90B6DE, #B0CBE8 and #D0E0F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90B6DF shade: #90B6DF, #C890DE and #D5DE90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90B6DF shade: #90B6DF, #DE90B6 and #B6DE90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90B6DF shade: #90B6DF, #C890DE, #DEB890 and #A6DE90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90B6DF shade: #90B6DF, #DE90DD, #DEB890 and #90DE91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 18 / 0 / 13

HEX #90B6DF

RGB 144 182 223

HSL 211.14, 0.55%, 0.72%

LAB 72.7, -2.87, -24.67

 

Complementary color

CMYK 0 / 34 / 71 / 56

HEX #6F4920

RGB 111 73 32

HSL 31.14, 0.55%, 0.28%

LAB 34.5, 11.91, 30.42

 

CMYK 32 / 17 / 0 / 15

HEX #95B6DA

RGB 149 182 218

HSL 211.3, 0.48%, 0.72%

LAB 72.83, -2.73, -21.73

 

CMYK 30 / 16 / 0 / 7

HEX #A6C8ED

RGB 166 200 237

HSL 211.27, 0.66%, 0.79%

LAB 79.35, -2.91, -21.99

 

CMYK 28 / 15 / 0 / 0

HEX #B7DAFF

RGB 183 218 255

HSL 210.83, 1%, 0.86%

LAB 85.72, -3.31, -21.79

 

CMYK 22 / 7 / 0 / 0

HEX #C8ECFF

RGB 200 236 255

HSL 200.73, 1%, 0.89%

LAB 91.46, -7.66, -13.05

 

CMYK 15 / 0 / 0 / 0

HEX #D9FEFF

RGB 217 254 255

HSL 181.58, 1%, 0.93%

LAB 97.17, -11.6, -4.46

 

CMYK 35 / 18 / 0 / 13

HEX #90B6DF

RGB 144 182 223

HSL 211.14, 0.55%, 0.72%

LAB 72.7, -2.87, -24.67

 

CMYK 38 / 20 / 0 / 20

HEX #7FA4CC

RGB 127 164 204

HSL 211.17, 0.43%, 0.65%

LAB 66.08, -2.62, -24.46

 

CMYK 41 / 21 / 0 / 27

HEX #6E92B9

RGB 110 146 185

HSL 211.2, 0.35%, 0.58%

LAB 59.32, -2.32, -24.27

 

CMYK 44 / 23 / 0 / 35

HEX #5D80A6

RGB 93 128 166

HSL 211.23, 0.29%, 0.51%

LAB 52.42, -1.96, -24.11

 

CMYK 48 / 25 / 0 / 42

HEX #4C6E93

RGB 76 110 147

HSL 211.27, 0.32%, 0.44%

LAB 45.35, -1.51, -23.97

 

CMYK 35 / 18 / 0 / 13

HEX #90B6DE

RGB 144 182 222

HSL 210.77, 0.54%, 0.72%

LAB 72.67, -3.13, -24.18

 

CMYK 35 / 28 / 0 / 13

HEX #90A0DE

RGB 144 160 222

HSL 227.69, 0.54%, 0.72%

LAB 66.78, 9.11, -33.24

 

CMYK 33 / 35 / 0 / 13

HEX #9490DE

RGB 148 144 222

HSL 243.08, 0.54%, 0.72%

LAB 62.94, 19.38, -39.2

 

CMYK 23 / 35 / 0 / 13

HEX #AA90DE

RGB 170 144 222

HSL 260, 0.54%, 0.72%

LAB 64.78, 25.69, -36.2

 

CMYK 14 / 35 / 0 / 13

HEX #BF90DE

RGB 191 144 222

HSL 276.15, 0.54%, 0.72%

LAB 66.75, 32, -32.99

 

CMYK 35 / 18 / 0 / 13

HEX #90B6DE

RGB 144 182 222

HSL 210.77, 0.54%, 0.72%

LAB 72.67, -3.13, -24.18

 

CMYK 35 / 28 / 0 / 13

HEX #90A0DE

RGB 144 160 222

HSL 227.69, 0.54%, 0.72%

LAB 66.78, 9.11, -33.24

 

CMYK 35 / 35 / 0 / 13

HEX #9090DE

RGB 144 144 222

HSL 240, 0.54%, 0.72%

LAB 62.63, 18.28, -39.7

 

CMYK 35 / 18 / 0 / 13

HEX #90B6DE

RGB 144 182 222

HSL 210.77, 0.54%, 0.72%

LAB 72.67, -3.13, -24.18

 

CMYK 44 / 23 / 0 / 8

HEX #84B5EA

RGB 132 181 234

HSL 211.18, 0.71%, 0.72%

LAB 72.16, -2.53, -31.55

 

CMYK 51 / 26 / 0 / 4

HEX #79B5F5

RGB 121 181 245

HSL 210.97, 0.86%, 0.72%

LAB 72.03, -1.99, -37.76

 

CMYK 35 / 18 / 0 / 13

HEX #90B6DE

RGB 144 182 222

HSL 210.77, 0.54%, 0.72%

LAB 72.67, -3.13, -24.18

 

CMYK 27 / 14 / 0 / 17

HEX #9BB6D3

RGB 155 182 211

HSL 211.07, 0.39%, 0.72%

LAB 72.98, -2.67, -17.65

 

CMYK 16 / 9 / 0 / 22

HEX #A7B6C7

RGB 167 182 199

HSL 211.88, 0.22%, 0.72%

LAB 73.41, -1.64, -10.36

 

CMYK 5 / 3 / 0 / 26

HEX #B2B7BC

RGB 178 183 188

HSL 210, 0.07%, 0.72%

LAB 74.17, -0.77, -3.15

 

CMYK 0 / 4 / 7 / 25

HEX #BEB7B0

RGB 190 183 176

HSL 30, 0.1%, 0.72%

LAB 74.79, 1.23, 4.42

 

CMYK 35 / 0 / 0 / 13

HEX #90DEDD

RGB 144 222 221

HSL 179.23, 0.54%, 0.72%

LAB 83.65, -24.09, -7.12

 

CMYK 35 / 9 / 0 / 13

HEX #90CBDE

RGB 144 203 222

HSL 194.62, 0.54%, 0.72%

LAB 78.41, -14.27, -15.47

 

CMYK 35 / 18 / 0 / 13

HEX #90B6DE

RGB 144 182 222

HSL 210.77, 0.54%, 0.72%

LAB 72.67, -3.13, -24.18

 

CMYK 35 / 27 / 0 / 13

HEX #90A1DE

RGB 144 161 222

HSL 226.92, 0.54%, 0.72%

LAB 67.05, 8.54, -32.83

 

CMYK 33 / 35 / 0 / 13

HEX #9490DE

RGB 148 144 222

HSL 243.08, 0.54%, 0.72%

LAB 62.94, 19.38, -39.2

 

CMYK 61 / 32 / 0 / 20

HEX #508BCC

RGB 80 139 204

HSL 211.45, 0.55%, 0.56%

LAB 56.61, 0.56, -39.34

 

CMYK 47 / 24 / 0 / 16

HEX #70A1D5

RGB 112 161 213

HSL 210.89, 0.55%, 0.64%

LAB 64.75, -2.3, -31.56

 

CMYK 35 / 18 / 0 / 13

HEX #90B6DE

RGB 144 182 222

HSL 210.77, 0.54%, 0.72%

LAB 72.67, -3.13, -24.18

 

CMYK 24 / 13 / 0 / 9

HEX #B0CBE8

RGB 176 203 232

HSL 211.07, 0.55%, 0.8%

LAB 80.61, -2.75, -17.34

 

CMYK 14 / 7 / 0 / 5

HEX #D0E0F1

RGB 208 224 241

HSL 210.91, 0.54%, 0.88%

LAB 88.48, -1.97, -10.1

 

CMYK 35 / 18 / 0 / 13

HEX #90B6DF

RGB 144 182 223

HSL 211.14, 0.55%, 0.72%

LAB 72.7, -2.87, -24.67

 

CMYK 10 / 35 / 0 / 13

HEX #C890DE

RGB 200 144 222

HSL 283.08, 0.54%, 0.72%

LAB 67.65, 34.76, -31.51

 

CMYK 4 / 0 / 35 / 13

HEX #D5DE90

RGB 213 222 144

HSL 66.92, 0.54%, 0.72%

LAB 86.21, -15, 37.29

 

CMYK 35 / 18 / 0 / 13

HEX #90B6DF

RGB 144 182 223

HSL 211.14, 0.55%, 0.72%

LAB 72.7, -2.87, -24.67

 

CMYK 0 / 35 / 18 / 13

HEX #DE90B6

RGB 222 144 182

HSL 330.77, 0.54%, 0.72%

LAB 68.65, 34.81, -7.53

 

CMYK 18 / 0 / 35 / 13

HEX #B6DE90

RGB 182 222 144

HSL 90.77, 0.54%, 0.72%

LAB 84.07, -26.51, 34.09

 

CMYK 35 / 18 / 0 / 13

HEX #90B6DF

RGB 144 182 223

HSL 211.14, 0.55%, 0.72%

LAB 72.7, -2.87, -24.67

 

CMYK 10 / 35 / 0 / 13

HEX #C890DE

RGB 200 144 222

HSL 283.08, 0.54%, 0.72%

LAB 67.65, 34.76, -31.51

 

CMYK 0 / 17 / 35 / 13

HEX #DEB890

RGB 222 184 144

HSL 30.77, 0.54%, 0.72%

LAB 77.18, 8.1, 25.45

 

CMYK 25 / 0 / 35 / 13

HEX #A6DE90

RGB 166 222 144

HSL 103.08, 0.54%, 0.72%

LAB 83.11, -32.13, 32.64

 

CMYK 35 / 18 / 0 / 13

HEX #90B6DF

RGB 144 182 223

HSL 211.14, 0.55%, 0.72%

LAB 72.7, -2.87, -24.67

 

CMYK 0 / 35 / 0 / 13

HEX #DE90DD

RGB 222 144 221

HSL 300.77, 0.54%, 0.72%

LAB 69.96, 41.4, -27.2

 

CMYK 0 / 17 / 35 / 13

HEX #DEB890

RGB 222 184 144

HSL 30.77, 0.54%, 0.72%

LAB 77.18, 8.1, 25.45

 

CMYK 35 / 0 / 35 / 13

HEX #90DE91

RGB 144 222 145

HSL 120.77, 0.54%, 0.72%

LAB 81.96, -39.18, 30.39

 

Description

Color code: HEX #90B6DF | qconv.com Color code: HEX #90B6DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 182 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 182 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 18 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 18% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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